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| 1. Barbarella Director: Roger Vadim | |
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Reviews (50)
Fonda plays the title role of a spaice vixen / astronaut in the exceptionally distant yet sixties-fied future. When genius but mad scientist Dr. Duran Duran (presumably from whom the band took their name) disappears, Barbarella is sent to track him down and given weapons she has no clue how to use (war has been outlawed for ages) and little warning of the planet she'll be landing on. Pursued by evil children with cannibalistic dolls and rescued by a tough man in furs, Barbarella finds out about real sex (thankfully not pictured) when she offers to use a mood-linking pill, the 41st century method of copulation. From there she's off to a city of evil, avarice, and sin, to be caught by the demented Dr. Duran and put through such tortures as a cage of pecking budgies to the doctor's notorious and sensual machine for execution by sheer pleasure to a lake of liquid evil whose effects look to have been done by lava lamp. Along the way she meets various helpers (most of whom she ends up sleeping with), including a blind angel named Pygar. Barbarella's costumes vary with each scene, all skin-tight and definitely satirizing the garb of women of golden-age science fiction. On the whole, the movie pokes fun at the field of early science fiction rather well with a heaping helping of sixties hippie culture thrown in for good measure. The DVD doesn't include any exceptional special features. Barbarella is by no means a good movie, but it is excellent fare for fans of campy sci-fi that would be right at home on MST:3K and quite humorous when taken with a grain of salt.
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| 2. Plan 9 from Outer Space Director: Edward D. Wood Jr. | |
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Amazon.com Reviews (166)
- When the police drives from the town to the cemetary time somehow switches from night to day back to night. - The Swedish accent of wrestler Tor Johnson, playing a police officer / walking corpse. - The six feet tall, blonde chiropractor that replaced deceased Bela Lugosi. - The plates-glued-together UFO's with strings completely visible. - The cardboard tombstones that wiggle. - The cemetery ground, obviously a piece of fabric covered with leaves. - The plot, or rather lack thereof. - The dialogue, hilariosly funny only because it's meant to be serious. - The actors. Nuff said. Still, it's also one of the best films ever made. Ed Wood Jr. was a filmmaker with a passion. He wanted to make films, so he made films. You can't help but respect that. That's why this movie deserves five stars, and "Deathstalker III: Deathstalker and the Warriors from Hell" deserves none.
Note that there are two DVD releases - this one has a lengthy (longer than the film, in fact) documentary, whilst the other has a plug for Tim Burton's equally-good 'Ed Wood'. This one is slightly more expensive, but worth getting, as the documentary is excellent. Commenting on picture and sound quality seems somehow inappropriate, really.
Ed thought that he'll be remembered for this film. This was his big one and he's right, it's the one we remember him most for. However I don't think he would have liked the tag it's been given but if you want to be remembered he certainly went about the right way in doing it ( even if the results were all wrong ) But if we start at the start with Bela's last real scene where he mourns his lover's death - that was a really touching scene. The emotion in that looks too real that it can't be described as fake or cardboard cut out. If anything that was the most poignant scene Ed ever captured on film. He may have been an inept film-maker but that was a stroke of genius - no kidding! I get the feeling Ed cast Vampira as Lugosi's wife mainly because if you've seen the Tim Burton movie you'll know that Lugosi thought she was " a honey " and it was certainly a nice gesture to Bela to do that. Vampira doesn't have to do much in this film. Just walk really slowly and look ominous whenever the camera is on her. Looks beautiful while doing so I have to admit. I'm almost certain that she inspired George Romero to make Night of The Living Dead by her walking alone. Criswell makes his appearance in this film and you have to say, him, along with Vampira and Tor, got almost uncanny lookalikes in Tim Burton's biopic that it seems almost spooky. Hats off to whoever had the idea of using saucer lids for um the use of flying saucers. Really neat and easily identified even if it was black and white. Still not too bad a job. Oh and who could forget Saturn as a ballbearing - Top Class! The last 20 minutes are a farce as I've said before mainly because it's supposed to be a showdown between the humans and the aliens....or to be more precise 3 men with guns and a man and a woman in funny clothing that are supposed to be aliens. The acting here is horrifically poor and despite it all being passionately acted it just seems.....well a bit silly. And whatever niggling doubts you had about the film leading up to the last 20 minutes, will no doubt be exposed by the end. A shame because the film showed Ed at his most coherent. And that sadly was the pinnacle of Ed's career. So all in all it's not the worst movie of all time and certainly not the worst you'll ever see ( unless you're a connoisseur of good taste and in that case what the hell are you reading this for ). Definitely his most enjoyable film. Now if someone could only just tell Criswell to shut up ( I wish Ed had tried, honestly try to do that ). But for Ed, this would be his shot at greatness and while it backfired, it was about as good as he could make it. Perhaps if he were making these now and not 40 years ago he might have gotten away with it. And I'm sure Ben Affleck would have been great as the dumb pilot if it were made now. Think about it Here's to Ed though - he may not have been the greatest but he sure knew how to entertain us
For nothing (and I mean NOTHING) came out right in this movie. Continuity? Hah! Realistic dialogue? Pish! Convincing acting? Gah! Remotely realistic special effects? Heaven forbid! No, what Ed Wood gave us with "Plan 9" is quite simply a cinematic failure that not even Orson Wells could have duplicated if he had tried. In what other movie is one of your stars dead even before the script is written or shooting begins? No, "Plan 9" is unique, a thing that we mere mortals can only begin to try and understand. Instead we can only watch, transfixed and trembling in awe that Wood's vision was transmitted so perfectly to the silver screen. This is a movie that well deserves to be ranked among the immortal creations of motion picture history, despite or perhaps because of the fact that it completely lacks any of the features that would normally merit such an inclusion. To think otherwise can only be the result of stupid minds. Stupid! Your stupid, stupid minds!
"Plan 9" revolves around a couple of space invaders in bad suits who fly around in spaceships on strings and resurrect the recently dead to haunt the inhabits of a small town where it seems to go back and forth from night to day a lot. The humans aren't having it though as a joint team of the local police, military, and an overacting airline pilot refuse to be terrorized by the undead creatures (who can't decide whether they're ghouls or vampires). But these visitors from a badly-drawn planet resembling Saturn have their own intentions. They're hear to warn us of a new solar-powered weapon that the Earth will eventually create and wipe out the universe. But our heroes aren't going down without a fight. They've got enough army movie stock footage to send them aliens back where they came from. What makes "Plan 9" so entertainingly terrible? Where do I start? There's the overly-descriptive narration of Criswell who practically gives play-by-play for every action in the film. You've got Bela Lugosi who appears courtesy of silent footage recorded before his death and with the help of a stand-in who looks nothing like him. And who could forget those cooky cops who don't allow the discovery of their Captain's horrifying death to damper their moods any? Also there's Duke Moore's hards-as-nails detective who fearlessly uses his gun to fix his hat when necessary.From the bargain basement graveyard chalk full of cardboard headstones to the hungry young overactors spitting out silly dialouge, "Plan 9" is truly the "Citizen Kane of bad movies". For those looking to pick this gem up on DVD, the Image edition is the only way to go. Not only is the picture the best that it's ever looked but it comes with a feature-length documentary, "Flying Saucers Over Hollywood: The Plan 9 Companion" and the trailer for the movie. Avoid the Passport version which has a company logo imprinted in the bottom corner similiar to the ones that TV networks use. ... Read more | |
| 3. Flesh Gordon Director: Michael Benveniste, Howard Ziehm | |
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Reviews (37)
A WORD OF WARNING. Some reviewers note that the film received an X rating in the early 1970s when X ratings were much more freely given than they are today. That is true; after all, even MIDNIGHT COWBOY was rated X, if you can imagine it. Even so, there is considerable nudity and simulated sex in FLESH GORDON, and during one or two of the crowd scenes it seems obvious that at least one of the couples is well gone into X territory. While I wouldn't describe FLESH GORDON as pornography, it remains fairly raw stuff, and you may want to keep that in mind.
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| 4. The Double-D Avenger Director: William Winckler | |
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Description Reviews (7)
The special "Making of" documentary is a total GAS, with stars like Kitten Natividad fouling up their lines, making complete arses out of themselves! Director William Winckler is also seen doing stuntwork, dressed in Kitten Natividad's superhero costume! It's a complete riot! The movie is very, very campy, and famous drive-in movie critic Joe Bob Briggs makes it even campier!!! A fun movie guarenteed to give audiences big laughs. . . . something everyone needs right now! It's as close to "Mystery Science Theater" as you can get nowdays! Probably the last time audiences will see their favorite Russ Meyer movie stars, all together, starring as leads in a film! A special treat for B-movie buffs! A-plus, hilarious, crazy entertainment!! It's real low-budget, B-movie fun! As Joe Bob Briggs says, "check it out!"
Joey
Like a lot of Russ Meyer fans, I preferred Meyers' early work- the black and white 60's films like 'Faster Pussycat Kill Kill'. I feel that the ones he made in the 70s became lousy, disjointed sleaze. The Double-D Avenger has all the positive Russ Meyer movie elements, plus it's full of other cult movie elements, including good ol' Uncle Forry - Forrest J Ackerman. A++++
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| 5. Glen or Glenda? Director: Edward D. Wood Jr. | |
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Description Reviews (48)
But give credit to Ed on this. This was a genuine attempt at trying to be risque and his heart was really in this and you can tell that - it just didn't translate as well as it could have. His real life fiance Dolores is in this and well.....she's not exactly a great actress. But in some ways the script is just embarassingly naive on Ed's part that in some ways you just can't really believe in it at all no matter how much heart was put into this. Another thing you'll notice is the dubbing and it is pretty poor. There's a clear 1 and a half second delay on everyone's speech which can be amusing. In fact some people will be in hysterics and just take the piss out of it But god bless Ed - he tried, honestly he tried
In this film you can learn all types of words like 'transsexual', 'homosexual', 'bisexual', and 'hermaphodite'. Listen to doctors and psychiatrists of the day explain such strange tendacies as straight men dressing as women and the mysterious world of sex change operations. There is a loosely knit plot here somewhere, but it gets lost in all the medical terms and strange character interludes. For those who enjoy drugs while watching a film may well understand this movie more than a sober person. Enjoy.
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| 6. Reefer Madness Director: Louis J. Gasnier | |
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Amazon.com essential video Reviews (47)
Finally someone has released Reefer Madness the way it should be: Beautifully restored, in color for the first time, and in 5.1 surround sound. Both the color and black-and-white versions are on the disk. Plus this DVD has loads of fantastic bonus material. Mike Nelson of Mystery Science Theater 3000 does a hilarious commentary track, cracking wise from start to finish. Grandpa's Marijuana Handbook, A short film by Grandpa Ganja himself, graces this edition and tells us everything we need to know about dope. No question this is the "FEEL GOOD" DVD of the year!
I never heard any evidence about Dupont funding Reefer Madness, but they would have a motive. Dupont was facing enormous loses because their inventions rayon and nylon could not compete with natural hemp (in quality, cost effectiveness, not to mention environmental friendliness). Andrew Mellon, US Treasury Secretary and chairman of Mellon Bank, one of the major financers of Dupont, did appoint Harry Angslinger (who was also married to his niece) as Commissioner of the Federal Bureau of Narcotics. As seen in Ron Mann's documentary "Grass", Angslinger was an extremist zealot who managed to criminalize marijuana and create ridiculous sentences for smoking pot. One of Angslinger's methods was to demonize pot with completely false evidence throughout the various media (newspaper tycoon William Randolph Hearst, whose financial interests in paper mills was also being hurt by hemp, was a great ally). Of course this is a tenuous connection between Dupont and Reefer Madness, but Dupont clearly had a direct financial interest in demonizing reefer, just like the movie attempts to do.
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