Description

In Chaplin's classic satire on Nazi Germany, dictator Adenoid Hynkel has a double -- a poor Jewish barber--who one day is mistaken for Hynkel. ... Read more

Reviews (41)

Chaplin Talks!
"The Great Dictator" is an effective, if uneven, satire that displays Charlie Chaplin's mastery of pantomime and social commentary. This was his first talking picture and features his inspired dual role as Hynkel and the Jewish Barber. However, with the exception of Hynkel's globe dance and the barber's musical shaving technique, "The Great Dictator" doesn't utilize sound and silence nearly as well as Chaplin's masterpiece, "Modern Times." The barber's final speech remains stirring (if obviously out of character), but some dramatic elements seem awkward and don't blend well with the film's satiric fabric. In terms of story structure, Chaplin's "Monsieur Verdoux" works better -- and is more assured in terms of pacing and the utilization of sound. Regardless of its occasional flaws, "The Great Dictator" remains a memorable film with Chaplin in superb form.

Stongly Agree With Favorable Reviews
After just watching this picture I feel that this would have to be 5 STARS+. This movie was ahead of it's time in humor. I can't say that I am a huge fan of Charlie (only seen 3 films and some keystone shorts at this time) but he is a great comedian and a fine actor. Chaplin plays a duel role as The Great Dictator Adenoild Hynkel aka. Adolf Hitler and, a poor Jewish tramp that is in love with a girl called Hannah. The film has to keep from saying Hitler, Nazi, Mussolini, Italy, Germany, and other words that have to do with Axis because it was made a year and a half before the U.S.A. got involved in World War II. This is a WORLD of fun. BUY THIS DVD!!!! NOW

Serio-comic masterpiece---Hitler saw this one twice!
This film is an excellent piece of anti-axis propaganda in the guise of a hilarious satire of totalitarianism. Chaplin portays two characters who's resemblance to one another is merely coincidental. One is a Adenoid Hynkel, dictator of Tomania with a jewish name, the other a Jewish barber with impeccable instincts for sussing out trouble. Overall, "The Great Dictator" attempts to demonstrate the idiocy of war. By turning the key players into buffoons, it portays the war machine as a circus. This film is much more than a lampoon of the Nazis, however. The silliest characature of all is of Benito Mussolini. Jack Oakie's portrayal of the Dictator of Bacteria, Benzino Napaloni, is the highlight of the film. He's like a stereotype of one of those "larger-than-life" tourists who bluster with absolute authority wherever he goes. It is really hard not to picture him in the loudest hawaiian shirt know to man. It is really obscenely funny. The interaction between the two dictators provides the most sustained lunacy in the film. Their attempts to one-up one another are just brilliant.

"The Great Dictator" does have an extremely serious side. There is an attempt to portray the plight of the displaced Jews with care and much pathos. It works, more or less. The Jewish Ghetto is given enough attention that the viewer develops a connection with them as they attempt to get on with their lives. Maurice Moscovitch as Mr. Jaeckel is particularly effective. Paulette Goddard plays Hannah as a rather dim, dreamy stumblebum. She's cute, but occasionally annoying. Sometimes, it feels like Chaplin has transported Hannah back to the Wizard of Oz--she speaks in that same half-whimpering, dreamy manner as Judy Garland's Dorothy.

Finally, this film certainly transcends any single political agenda. The only agenda one can associate with it is the aim to bring laughter to a world torn asunder by the vagaries of milatary posturings. It seems telling (to me, at least), that Adolf Hitler viewed this film twice. I have always been curious as to what his thoughts were on this total classic send-up of the great men of the Blood-Axis in their own time. Perhaps by the end of the first viewing, he perceived that Mussolini got the worst of it. Then he watched it again--this time with pleasure. If you can't laugh at yourself...

Relevant for Any Age
DVD is the perfect medium for many of Chaplin's films. He demanded a lot from his audience. Each film carries it's own message. Each section of a film addresses a part of that film's message. Every facet of a work has a purpose. He lightened the load through the use of humour. The viewer has to be thinking every minute though. It's possible to watch these films time and again, or to watch different segments repeatedly and keep finding something more. They really are that complex. Fortunately, the DVD medium makes doing that easy.

The Great Dictator is as relevant today as it was when it skewered Hitler and his gang of Fascist bigots back in 1940. It took aim at Hitler but its target could easily be any warmongering regime from any period of history. The parallels are all there. Chaplin addresses each of them and does it well. His character Hynkel is a bumbling and ineffective "leader". He's driven by greed. As the film unfolds it's obvious his greed is rooted in feelings of inferiority. The more his mouth moves the less he says. His economic policies are a disaster-to wage war he has to borrow money from the "enemy". He is petty beyond belief. Ultimately, without an "enemy" to point toward, he's nothing. His entire mantra-loss of liberty, racial persecution, lust for control and so on-is all for one thing: he has to cover the fact that he can't rise to the level of the most humble of those he torments. This is a fundamental truth about people who lust for conquest. Chaplin illustrates it brilliantly.

The film isn't perfect. Chaplin and his crew weren't entirely comfortable when working with sound. Many scenes have dialogue but lack background noise. It was a common fault of the time though. The players have an assortment of accents. The Tomanians (with the exception of Herring) sound British. As the Jewish barber Chaplin sounds British. Many of the Jews in the Ghetto sound Jewish but Palette Goddard as Hannah, sounds as if she came from Queens. There are at least a couple of interludes that interfere with the continuity of the film. These are small complaints though. There are many scenes that have never been bettered. One is the episode with the coins and the cakes. On its own it's pure comedic brilliance. Combined with the statement it makes about the utter ridiculousness of martyrdom for its own sake (not to mention the unwillingness of leaders to become martyrs) it's timeless. The scene with the cannon is a gem. The "ultimate" weapon is shown as the ultimate (and expensive) waste; this could easily be the Crusader Artillery System. The tenderness between Chaplin and Goddard is a thing of beauty. Jack Oakie is fabulous as a Mussolini clone. The scenes between him and Chaplin are hilarious. (Watch the scene with the hot mustard and do some thinking.) The innuendo in the film is brilliant. Who but Chaplin would conceive of Tomainia (after "Ptomaine, poisonous and putrefying organic matter), the "Sons of the Double Cross" or Hynkel's first name, "Adenoid"? The entire backdrop with its "Thinkers of Tomorrow" and other absurdities modeled on the vanity of the Dictator is amazing; it captures the madness completely. The ballet with the globe is beautiful and astonishing. The music representing the ideals for the greedy and the humble is identical. The message: people are alike. As is the norm for Chaplin he did it in a way that was subtle; it's the theme of the Grail Knight descending from Wagner's Lohengrin. Hitler loved Wagner's music. Chaplin would have known that. It's his way of saying Wagner's music wasn't to blame for Hitler's madness. There's more but this should give an idea.

What nobody seeing the film for the first time can be prepared for however, is the way it ends. I wasn't. I saw a few of Chaplin's films as a student but had missed this one. I was floored. His statement about the nature of the people who make war is valid in any age. It always will be.

Watch it and then look closely at the events of the present.

The genius of Chaplin.
One look at Charlie Chaplin's filmography leaves little doubt as to his genius. I have to say that I thoroughly enjoy all his films, even the more obscure ones that weren't necessarily box office hits. But of all his films I believe "The Great Dictator" to be his masterpiece. "The Gold Rush" may have been the film in which he wanted to be remembered, and it is certainly a great film, but this film is working on so many levels as to seem superior to me. Sufficed to say, I love satire. This film is loaded with satirical referrences and subtle and not-so-subtle wit and clever word-play as well as all the brilliant physical humor that initially made Chaplin famous. There is so much intelligence in this film that it is easy for me to praise and recommend. I could relate scenes that I absolutely loved, but there are too many to name; and I certainly don't want to ruin all the comedic surprises for those who have yet to see this film. Even after ten viewings I find myself laughing at Chaplin's antics: verbal and physical humor of the highest level. In fact, I guarrantee laughter. There is so much humor here, of so many varieties, that there is no doubt in my mind that anyone viewing this film for the first time with giggle, chuckle, then laugh heartily. Oh, how I envy those first-time viewers. What a magnificent film! Hail Chaplin! ... Read more

Reviews (34)

Encore to Charlie, the Little Tramp
Chaplin's Modern Times leaves us awed with various noteworthy marks. First of all, Chaplin endeavored to make his second sound film following City Lights (1931), in spite of the wide-conquering trend of talkie. Not only the background music but also occasional sound effects bring out the brilliance of the director. Second, even after two decades since his silver screen debut in 1914, the performance of Charlie the Little Tramp and Chaplin's directing had been matured, not faded, like a good wine. Those laughing spots fairly spread in the entire film proves it. Last but not least, you can never forget this film for the moment when the long-time silent Little Tramp finally open his mouth to sing!--for the first and final time, unless you count The Great Dictator (1940), the following film and another masterpiece of Chaplin. --After all those struggles, Charlie gets a job at a cafe, where his adventure partner the Gamine (Paulette Goddard; Chaplin's wife at that time) works as a dancer. Charlie is to wait and sing. As he can't remember the lyrics when rehearsing, the Gamine helps him writing the lyrics on his cuff for a cheat sheet. A fanfare goes and the Little Tramp marches in the floor stage performing an eccentric dance until he dances so hard that the cuffs are blown away. He frantically and desperately searches for the cuffs and the Gamine says (in the spoken title) "Sing! Never mind the words!"-- It is well known that Chaplin was the last resistant against talkie claiming the universality of silent films. What he performed in this "Titina" sequence, singing in the stateless language (still obvious it is conjured up with a few languages such as French or Italian) and storytelling by his brilliant pantomime. The audience in the film reacts the same way as we do: get a nice-surprise, laugh and applaud. With its theme song "Smile", composed by Chaplin, the performance of Charlie the Little Tramp is definitely one of the highlights of this film. Play it again, Charlie!

My favourite of this first series of Chaplin reissues.
It helps that Modern Times is one of Chaplin's best films, period, running a close second behind City Lights (I hope that's next on the re-release list). And happily, unlike The Gold Rush, which was ruined by awful sound choices, the Modern Times DVD offers a clean transfer of the film with all the beloved original elements intact as far as I could see and hear, plus a host of extras.

The film itself is the most briskly paced of Chaplin's feature-length films. And his writing is sharp, unhindered by the sermonizing which permeates his last works. The dilemma facing our Little Tramp this time is something all of us can relate to: For the first time, we see him thinking ahead, wanting to have a future, to form a family, and working towards that end. Chaplin's physical-comedy skills are at their peak: Witness the extended takes of the rollerskate scene, and the factory assembly line. Even if the 18fps (sometimes 16fps) film speed made everything look faster than it really was, it's still impressive physical co-ordination requiring flawless execution, since Chaplin rarely edits using coverage.

In Modern Times we see one of the first truly well-rounded Chaplin heroines. The radiant Paulette Goddard was Chaplin's best leading lady, her high spirits and lively presence being a much better foil for Chaplin than the starry-eyed icons of perfection that were Georgia Hale, Edna Purviance, or Virginia Cherrill. She just has more star quality and brings a quirkier, more animated personality to Chaplin's films, balancing them nicely.

And the gags -- some of the best in the Chaplin canon. The eating machine always has me rolling on the floor; the nonsense song is terrific (the DVD offers a "karaoke" version which, though a novelty, does tell us finally what the lyrics actually are); and all the machine gags are fast-moving gems.

The bonus materials include a long outtake and several documentaries. "Chaplin Today" features guests Luc and Jean-Pierre Dardenne, the French filmmakers behind the film Rosetta, and though their film-historian banter is not entirely to my taste, they do bring up some insights that I hadn't observed about Modern Times.

In all, a great release, and a great DVD to have for movie nights. It's a wonderful presentation of a comedy classic.

'Where's the Boss?'
Caught between the cog wheels???

If you are suffering from work woes, this film is a great one to watch. A co-worker at my last job recommended this film to me. We worked for one of those genome companies, some of us working in a production capacity, doing the same repetitive tasks ad nauseum. The, (in real life), multi-talented Chaplin in this film is a simple-minded factory worker who spends his day going through the same motions over and over again. He does get lunch breaks, but of course his day at work is not without its mishaps. Funny that a 70 year old film about modern times is still not dated.

This film was made in 1936 during the Great Depression, a time when money and bread were scarce, many people feeling the effects. The story line for this movie reveals some of these circumstances, but as Chaplin lives through them, as when he is forced to drink rum bursting out of casks shot by robbers of a department store, one of whom was a previous co-factoryworker, you can't help but laugh, and as the song says, 'just smile'.

One of the golden gems of Charlot
Modern times was a smart comedy in the previous years to WW2.
Charlot made raptures images in several sequences.
Our unlucky or disadapted little man , definitively wasn{t made for working with the industrial process. This kinetic introduction in the middle of the complex mecahnism of machine systems is a issue to develop unforgettable laughable situations. The sense of alienation in front the no ending belt , causes in him an insane loss of the reality. And the machine who feeds you without waste of time for your employers is a classic.
Obviously Charlot inspired himself in Metropolis, the bitter nightmare of Fritz Lang from 1927. (Watch for instance for the employer who works around the machine control) .
So our beloved anti hero goes out from this the factory to the hospital and over and over he tries to get a job but he fails , by one reason or another.
In the middle of the film will appear a deep inspiration. The eternally beauty Paulette Godard represents exactly that weird mix teenager-woman who will work out as link for him later.
He is a guy with good feelings. He acts always as humanity benefactor but the long arm of the fate runs behind him and the results are not succesful.
The sequences in the dinner hall with the chicken that never comes to the impatient client is a masterpiece. Literally it's a funny coreography dance in the purest sense of the word.
Smile ; no matter what's wrong with you. We'll keep ahead , overcoming all the possible obstacles.
A remarkable film and one of the landmark pictures of this timeless genius.
Haven't you seen it? Make yourself a favour and buy it as a gift for you or your wife or fiancee or kids. This film will never dissapoint you , at least in the next three hundred years.

Getting Chaplin
Until I saw "Modern Times" I only knew Chaplin from clips and impressions rather than from his films. I didn't see the talent. I understood that he parlayed his popularity into power and control over his work and that he made a huge contribution to American cinema. But I found Chaplin the performer, cloying and sentimental.

After watching "Modern Times" however, I understand why he is one of the great performing talents of the 20th century. The film is nearly silent and mostly a series of comedic set-pieces, each one a virtuoso display of Chaplin's boundless talent.

What struck me most in watching Chaplin was both his ability to come up with a routine; strapped to an eating machine, skating blindfolded in a department store and amusing hardened diners as a dancing waiter and executing the concept with grace, humanity and humor. It is also a great testament to his acting that we never question Chaplin's "little tramp" an average, slightly ludicrous character who has amazing talent that deeply undercuts his character's supposed mediocrity.

My other surprise was how effective and nuanced the satire is in "Modern Times." Chaplin's little tramp is the perfect protagonist in a story about the perils of automation and technology. The little tramp is never defeated and always optimistic. He is like a cartoon character in that each travail is new and he doesn't carry with him the baggage from the previous experience. But he is also terribly human; frail, self absorbed, eccentric and resilient so that we the audience don't feel the oppressive weight that automation and technology has upon the working person. Without a strong, human protagonist, the attack against modern society could seem more global and distancing. Instead we witness the pain from an individual perspective that connects to our own lives. ... Read more

Description

Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that's silent except for music and sound effects. The story, involving the Tramp's attempts to get money for an operation that will restore sight to a blind flower girl, provides the star with an ideal framework for sentiment and laughs. The Tramp is variously a street sweeper, a boxer, a rich poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind ... Read more

Description

A lone prospector ventures into Alaska looking for gold. He gets mixed up with some burly characters and falls in love with the beautiful Georgia. He tries to win her heart with his singular charm. ... Read more

Reviews (9)

time for a reevaluation
after the recent passing of brando i picked up a magazine celebrating his career. it listed this as one of his 10 best films and said this film was beautiful and vastly underrated.
couldnt agree more.
the misfire was in misrepresentation of it as an out and out comedy. of course chaplins films were rarely 'just comedies'.
countess of course relates to the earlier 'woman of paris' and this is indeed a throwback to 1920s sensabilities.
critics have for years pounced on this film (and brando was one of those critics, but then brando pounced on a lot of his own films and his method acting didnt simply gel with chaplins direction)but brando is indeed good as is the film itself.
its a nice small charmer. you'll enjoy it.

a little old-fashioned for 1960s standards
A COUNTESS FROM HONG KONG was director/comedian Charlie Chaplin's final film. In this film he is the director, writer and composer.

The story concerns a beguiling Russian countess named Natascha (Sophia Loren - HOUSEBOAT), a young woman forced into prostitution in Hong Kong, when she happens to meet an American politician named Ogden Mears (Marlon Brando - A STREETCAR NAMED DESIRE, SUPERMAN). She stows away in his stateroom aboard a ship headed back to the States, where she belives she can escape her miserable life.

The usual battle-of-the-sexes ensues, when Natascha and Ogden are forced to spend the entire voyage together, bickering and fighting over their different opinions and tastes. But its soon evident that they are in love. Things become complicated when Ogden's icy wife (Tippi Hedren - THE BIRDS, MARNIE) joins the ship at Hawaii, while Natascha finds herself marrying Ogden's valet in order to gain an American passport!

This is a film that feels a little old-fashioned for the 1960s, but it is a rather charming and engaging romantic comedy. Perhaps the film is best-known for launching the hit single "(Love) This is My Song", made famous by Petula Clark. The movie also stars Sydney Chaplin, Patrick Cargill and Margaret Rutherford in a rather-clever cameo.

The DVD includes the trailer. (Single-sided, single-layer disc).

This DVD is part of a new series of classic releases from Universal that also include "Pillow Talk", "Send Me No Flowers", "The Thrill of It All!" and a twofer of "Man's Favorite Sport?/Strange Bedfellows".

Another review
I see there's several reviews already for this film, but here goes my two cents worth. Even though this is Chaplin's last film, it's his first and only film in color and widescreen. The movie is old fashion to say the least, it might of been better in b/w. Brando and Loren are completely wasted, the supporting players fair much better. Chaplin is quite good in his cameo role (makes you wish he'd given himself a bigger part). At the time, Chaplin took the negative reviews as almost a personal threat. He really defended the film, even going so far as to say he thought it was the best film he ever made! However several years later he admitted it wasn't very good, he said the actors where great but the story was really thin.

Goodbye Charlie
This is the final motion picture written and directed by Charlie Chaplin. He was 78 years old when it was released and had been in political exile from the United States for the past 15 years.

Although the movie features two of the biggest stars of its time, Marlon Brando and Sophia Loren, and was written as an old-fashioned comedy, it is rather slow and "talky." It has plenty of curiosity value, but I'm sorry to report, not a great deal of entertainment value. The once mighty Chaplin, had simply run out of gas. Working with Brando (who openly made fun of Chaplin during filming) and a script he had first drafted in the 30s for Paulette Goddard, Chaplin was out of his element.

Under-rated
"Countess" was Chaplin's final film and sadly I think it has been labelled as being awful. This is not the case. I feel that the main reason for people believing this to be a bad film is that they don't understand it. Chaplin always created fantastic stories out of simple ideas and this is not an exception. It is written and directed with such subtle elegance that some of the simpliest visual gags turn into the most hilarious situations. There are fantastic actors all round: Brando himself, Sophia Loren looking gorgeous, Sydney Chaplin showing that talent does run in the family and Patrick Cargill as the butler. Chaplin himself pulls a cameo and does a great job at not hogging his screen time, a mistake made by directors like Tarantino. The result is an amazingly gentle film that shows people from a fresh human perspective, a breath of fresh air by todays standards. You will be missed Charlie. ... Read more

Amazon.com

The Kid is one of the purest expressions of Charlie Chaplin's art on film. It unites Chaplin with a boy he had spotted in a vaudeville act, 6-year-old Jackie Coogan--whose life would lead to the child-protective Coogan Act and a role as Uncle Fester on TV. The story has the Tramp adopting an abandoned waif and teaching him streetwise survival skills. The gags are flawless, but for Chaplin the huge advance (other than a running time longer than his two-reelers) was the exploration of a rich vein of sentiment; the emotionally wrenching separation of the Tramp and the Kid is probably the most Dickensian sequence ever captured on film. Chaplin drew on his own rough childhood for the material (and may have been inspired by the death of an infant son immediately before beginning the project). Jackie Coogan's gift for mimicry allowed him to replicate Chaplin's exacting direction, making him the perfect Chaplin co-star. --Robert Horton ... Read more

Description

Charles Chaplin turns his traditionally sunny sensibilities inside out with this sublime black comedy about a family man who secretly uses murder to support his beloved invalid wife and child. There's little of the immortal Tramp in Verdoux, yet the fastidious dandy is not lacking in comic graces. Most hilarious of all are the always-foiled attempts to dispatch the raucous Annabella (Martha Raye). When this most atypical Chaplin film opened, the world was not ready to look death in the face and walk away smiling. Today, Monsieur Verdoux ranks among Chaplin's best works. It is killer comedy. ... Read more

Amazon.com

Charlie Chaplin entered a period of tremendous artistic freedom and creative growth when he embarked on his 12 films for Mutual Studios in1916. As he neared the conclusion of his contract, he became increasingly more ambitious and mixed his tried and true comic formula with social commentary for two of his most enduring works. The Immigrant finds the promised land less than rosy for peasants herded like cattle on the ship and wandering the streets of New York looking for work and food, but the Tramp's ingenuity and resilience make him into a symbol of hope for the future as well as a comic riposte. Easy Street is Chaplin's most successful mix of social issues and slapstick comedy. As a rookie cop in the city's toughest neighborhood, a slum overrun with bullies, drug addicts, and gangsters, the goodhearted Chaplin isn't above a little unconventional policing--when his billy club proves ineffective on gargantuan Eric Campbell's thick skull, he resorts to gassing him with a compliant street lamp. The balance of the tape emphasizes lighter fare: The Adventurer finds Charlie as an escaped convict who hides out in a high society party crawling with cops. When the Tramp decides to take The Cure, he comes prepared with a trunk full of alcohol, which quickly inebriates the guests and staff of the sanitarium. The revolving door becomes a comic centerpiece (like the escalator in The Floorwalker), which befuddles the inebriated Chaplin and infuriates gout-stricken nemesis Eric Campbell. --Sean Axmaker ... Read more

Description

This DVD is comprised of six shorts Charlie Chaplin made for the First National Studio. "Shoulder Arms" (1918, 46 min.) is the story of The Little Tramp's heroic efforts in and out of the trenches of World War I. An inept soldier, The Little Tramp redeems himself in a series of hilarious adventures. "Sunnyside" (1919, 41 min.), originally titled "Jack of All Trades," offers up The Little Tramp as a hotel desk clerk, janitor and cook, as well as a cattle herder, ballet dancer, swooning suitor and jealous swain. "A Day's Pleasure" (1919, 25 min.) is reminiscent of Chaplin's earlier two-reelers. The fun is in the action as The Little Tramp escapes unscathed while those around him find themselves helplessly enmeshed in the mess he leave behind. In "The Idle Class" (1921, 28 min.), Chaplin plays two roles, leading to a delightful case of mistaken identity. As an inebriate society gentleman, he neglects his heartbroken wife. As The Little Tramp, he fantasizes about a wonderful life with her. In "Pay Day" (1922, 28 min.), Chaplin plays a humble working man confused about the amount of his paycheck and how to keep it away from his wife. Chaplin in "The Pilgrim" (1923, 38 min.) is an escaped convict who swipes a parson's clothing. On the lamb, he is mistaken for a real minister. Living up to his new role is complicated by an ex-con who is determined to pull off a robbery. Corrected film speeds restore these silent classics to their intended style and pace. ... Read more

Reviews (4)

Chaplin in Transition
With the exception of "A Dog's Life" (1918) and "The Kid" (1921), this DVD includes all of Charlie Chaplin's work for First National during 1918-23. Since the prints are from Chaplin's archives, the quality is excellent, with all films projected at the proper speed. Though "Sunnyside" (1919) and "A Day's Pleasure" (1919) are among the comedian's weaker efforts, the First National DVD contains much of Chaplin at his best. "Shoulder Arms" (1918) and "The Pilgrim" (1923) represent the high-water mark of this collection - both featurettes comparing favorably to Chaplin's groundbreaking work for Mutual. The Little Tramp's final shorts, "The Idle Class" (1921) and "Pay Day" (1922), are well worth having and display a stylish advance in cinematic technique. Admittedly, the Chaplin First Nationals do not equal the sustained brilliance of the Mutual period, but they remain a fascinating chronicle of his transition from shorts to features.

A First Rate Collection
A First National Collection is a wonderful DVD. It includes six films made between 1918 and 1923 all of which are very funny indeed. These films show Chaplin's development towards the longer format of feature films and thus form a transitional period in his career. He would go on to make some great features, including City Lights, Modern Times and The Gold Rush, but the films he made at First National are the peak of his output of shorter films.

The films included in this collection are brilliantly clear. The restoration work cannot be praised highly enough. Of the six only The Pilgrim shows some slight damage and this damage is so minimal that it is not at all distracting. This DVD is really great value for the films themselves run 198 minutes and in addition there is over twenty minutes of bonus material. This extra material includes a very sophisticated 'home movie' called Nice and Friendly which is of interest primarily because it stars a twenty-year-old Louis Mountbatten, who was Queen Victoria's great-grandson, and an important figure in the British royal family. There is also a short film of a tour by a General Leonard Wood on the set of Sunnyside. The General looks rather embarrassed. Finally, and best of all, there is some unused footage from Shoulder Arms showing Chaplin prior to joining the army and explaining why he does so to avoid his nagging wife.

Fans of Chaplin will not be disappointed by this Image DVD and for those who are looking to discover more about the little tramp and why he was so popular this is a good starting point.

A great collection of shorts
If you are a fan of Chaplin, chances are you will like this DVD. If you aren't familiar with Chaplin, this is a great collection to get started with.

This DVD collects Shoulder Arms, Sunnyside, A Day's Pleasure, The Idle Class, Pay Day, and The Pilgrim; all of which are excellent short films. The first four films feature The Little Tramp, Chaplin's best known character. Pay Day and The Pilgrim feature Chaplin as a humble working man and an escaped convict, respectively.

Special features on the DVD include a short "home movie" entitled Nice and Friendly, some unused footage from Shoulder Arms, music credits, and some footage of General Leonard Wood on the set of Sunnyside. The footage of General Leonard Wood is probably my favorite part of the DVD, simply because it shows Chaplin, out of character, giving the general a tour. I sometimes forget that Chaplin was an actor and not really The Little Tramp and it is amazing to see how easily he could slip into character.

I'm not a real videophile, so I'm not all that picky about video quality (if I can see it I'm happy), but I can say that all of the shorts on this DVD are very clear. The sound is good too (not that it really matters since these are silent films, though the music does create atmosphere). The only thing that annoys me about this DVD is the simple navigation system; it doesn't have the nice kind of menus I am used to with most DVDs. However, the content of the DVD is good enough that I can overlook the clunky navigation.

The bottom line: A great collection!

Classic Comedy that never goes out of style
Chaplin entertained us when we were kids and he continues to do the same in our adulthood. Excellent series of classic comic short movies. Kids love it so do we. ... Read more

Description

When we first meet Chaplin's Tramp in this comic gem, he's in typical straits: broke, hungry, destined to fall in love and just as sure to lose the girl. Mistaken for a pickpocket and pursued by a peace officer into a circus tent, the Tramp becomes a star when delighted patrons think his escape from John Law is an act. Classic highlights include a frenetic fun-house sequence, the Tramp turning a magic skit into mayhem and his teetering tightrope walk while monkeys cling to his head. This is comedy without a net! ... Read more

Amazon.com

By 1916 Charlie Chaplin was the most popular comic actor in America, but it was the 12 brilliant comedy shorts he directed during his 16 months at Mutual Studios that turned Chaplin from an inventive comedian to one of the greatest directors of the American cinema. "Fulfilling the Mutual Contract, I suppose, was the happiest period of my life," he wrote in his autobiography, and no wonder: with unprecedented freedom, an enormously lucrative contract, and a company of creative artists at his personal disposal, Chaplin turned the studio set into his creative playground. Always one to latch on to the comic possibilities of inventive props, he turned an escalator into the centerpiece of The Floorwalker, his first film for the studio, where his rapscallion clerk continually incites the store's crooked manager (Eric Campbell). In One A.M. , Chaplin steps out of the Tramp persona to play an inebriated gadfly at war with his home, battling everything from a staircase to a suit of armor to a resistant Murphy bed, all seemingly set on keeping him from getting to sleep. The Pawnshop shows the Tramp in a more aggressive role than we're used to, goofing and playing practical jokes on his coworkers, while The Rink puts him on roller skates for a burlesque ballet on wheels. Each short becomes a comic workshop as Chaplin investigates the slapstick possibilities of an array of props and situations while refining his persona as the down but not out everyman. --Sean Axmaker ... Read more

Description

In Chaplin's Essanay Comedies, made in 1915, cinema's greatest comedian was first able to build his screen work around his performance style rather than forcing himself, as before, into Mack Sennett's frenzied Keystone comedy matrix. With this freedom Chaplin evolved in a year from the gag comedian of "His New Job" to the brilliant pantomimist of "A Night Out," "The Champion," "The Tramp" and "Shanghaied" to the profound satirist of "Police." Volume 1 includes: "His New Job," "A Night Out," "The Champion," "In the Park," "A Jitney Elopement" (all 1915). ... Read more

Reviews (3)

Another nicely restored set of Chaplin films!
Okay, this review is for the Image dvd of the Chaplin Essanay Comedies, Volume 1. If this review appears on any other product, with the exception of a Kino product, then know that this review has NOTHING to do with whatever you are looking at. If you are looking at Madacy or Koch videos, then just go away now, and look for a good video, because Madacy and Koch videos of Chaplin are garbage.

ANYWAYS...

I give this five stars, because the restoration, music, and presentation are awesome. The films are the most complete they have been in over 80 years, and are mastered from the best available materials. David Shepherd worked on these for a decade or so, and some of the films come from as many as five different sources. This can be a little odd sometimes, as the picture will change in quality and framing every so often, which is a bit of a jumpy sensation, but it's either that or just miss the footage altogether.

As far as the films go - well, this is not Chaplin's best work. "His New Job", "A Night Out", and "In the Park" are slight, derivative, and not terribly interesting. "A Jitney Elopement" is fascinating for the fact that Chaplin relies on a lot of tracking and racing shots for the chase, which all happens in cars. "The Champion" is a very good film, and is the best of this lot.

Chaplin made better films than these for Essanay, which can especially be seen on Disc 2 of the series.

This is NOT a good disc for the person who is just getting interested in Chaplin or silent films. You would be better of with the later features, such as City Lights, The Kid, The Gold Rush, or The Circus, which should all be reissued in 2003 in gorgeous quality - I can't wait!

But if you are acquainted with Chaplin, and have read a good book or two about his career and development, then this is a fine dvd to get.

Enjoy!

Crude, unfunny
I don't believe that Chaplin achieved comedic excellence until his features. These shorts are crude physical humor and totally unfunny. Dated stuff.

WELL DONE
This is a must have for an avid Chaplin fan.Great restoration by David Shepard and musical score by Robert Israel and Eric James.I highly recommend this and Vols.2,3 for your collection. ... Read more

Amazon.com essential video

Seven Charlie Chaplin two-reelers are included on this two-disc set, including The Chaplin Revue, a 1959 compilation comprising three silent comedies (A Dog's Life, Shoulder Arms, and The Pilgrim). Among the high points are the flawless A Dog's Life, in which the Tramp befriends a mutt (among its sublime routines is a superbly executed scene with Chaplin stealing pastries from a street vendor), and the ambitious Shoulder Arms, which sends Charlie to the trenches of World War I. There's also The Idle Class, which casts Chaplin in two roles:as the Tramp, and as a foppish rich man with a weakness for drink (and a weakness for absent-mindedness, in a brilliant scene in which he forgets his trousers). A Day's Pleasure is a lark with good gags aboard a swaying boat, while Sunnyside is downright peculiar at times--though Chaplin's addled dance with imaginary nymphs is pure acrobatic daffiness. --Robert Horton ... Read more

Reviews (7)

The Screen's greatest filmmaker at his best!!!
Chaplin's early films were very popular during World War I. In this video, three of his finest shorts are shown. First, "A Dog's Life", where the Tramp gets a dog and enters a bar, where he befriends a dancer. Second, "Shoulder Arms", a story about war and the courage of one person. Finally, there is "The Pilgrim", a hillarious short about an escaped convict who poses as a priest. Wonderful all the way around. Pure nostalgia!

First National
This DVD includes the seven Chaplin shorts released from 1918-1923, for 'First National'.

A Dogs Life
Shoulder Arms
Sunnyside
A Days Pleasure
The Idle Class
Pay Day
The Pilgrim

'A Dogs Life', 'Shoulder Arms' and 'The Pilgrim' are all placed into one to make 'The Chaplin Revue' while you get the other four shorts to go seperately.

These all have very good musical scores to go with the films and the picture quality is brilliant. Great restorations.

Recommended for those fans of Charles Chaplin.

Great DVD, but not all the films are equal.
Since Chaplin was making dozens of shorts a year, it's easy to guess that not all of them are of the same quality. So it is with this collection. There are several must-owns on here, however, and they have been mastered well onto DVD with loads of extra materials, so this release remains essential in a Chaplin collection.

The two flagships for me are "Shoulder Arms" and "A Dog's Life". "A Dog's Life" was the first complete Chaplin film I saw, and it continues to delight me with its lightning pacing, masterful gags, and fascinating use of music -- the high-comedy bits still feature the merry scores of usual Chaplin films, but the main theme is a weepy, dramatic orchestral piece which, when juxtaposed against the famous Chaplin sight gags, are remarkably funny, almost perverse. Chaplin's physical skills are unparalleled in this film, with the "human puppet" sequence, the employment centre, the fight with the wild dogs, and the opening "roll with the cops" sequence being the highlights. "Shoulder Arms" was a brave stab at making the First World War funny and Chaplin succeeded grandly. Luckily, he also had the good sense to cut out an entire first act, seen here on the DVD bonus materials, which had little to no bearing on the story and isn't all that funny anyway. The trench gags in this film are fast and hilarious; though the "enemy territory" section drags a little, the film remains great.

The remaining films range from hilarious to just okay: I like "Sunnyside", which takes the Tramp's frequent dashes of unrequited love to a new level; but "The Pilgrim" wears out its central gag long before it's over, and "The Idle Class" and "A Day's Pleasure" are excruciatingly slow.

There are more films on these two discs than on the other Chaplin DVDs in this series, so there is slightly less bonus material to peruse. But there's still quite a bit, such as a propaganda film with Chaplin and Edna Purviance, and deleted scenes from "Shoulder Arms". It's always great to actually see deleted scenes from such old films. This DVD set is still a worthy addition to this impressive series of Chaplin reissues.

Where are the actual dvd Reviews??
All the reviews posted on this dvd are for the vhs!! It's so annoying that no one seems to realize that there are not three, but SEVEN early chaplin shorts presented on the dvd (the extras have even more shorts)!! Also, the three from the 1958 re-edit entitled the 'chaplin revue' are available on the dvd in their ORIGINAL VERSIONS as well as the recut!! So will people stop complaining and give these shorts the attention and respect they deserve!! Also, I HIGHLY HIGHLY HIGHLY recommend to get the box set for the chaplin collection vol. 2, which includes this, because to get the 7 movies separatly would be $175 retail and the box set includes a special documentary on chaplin NOT AVAILABLE SEPARATLY as well as the seven films for a retail of only $100!!

The Chaplin Slowdown
Compiled, scored and narrated by Charlie Chaplin in 1958, "The Chaplin Revue" was a terrific idea to showcase three of the comedian's best films for First National -- "A Dog's Life" (1918), "Shoulder Arms" (1918) and "The Pilgrim" (1923). Unfortunately, Chaplin tampered with these particular films by presenting them at a slower projection speed, which ruins the original comic timing and pacing. As a public service, avoid "The Chaplin Revue" and purchase "The First National Collection" on DVD. This excellent disc includes most of Chaplin's work from 1918 to 1923 -- and at the proper projection speed. The difference is amazing.

... Read more

Description

In "The Great Dictator," his first talking film, Charlie Chaplin skewers both Adolf Hitler (Adenoid Hynkel) and Benito Mussolini (Benzino Napaloni) on sharp spears of ridicule. "I'm a clown," he said in an interview with The New York Times Magazine shortly before the film's 1940 premiere, "and what can I do that is more effective than to laugh at these fellows that are putting humanity to the goose step?" Chaplin plays both the malevolent dictator and an innocent Jewish barber who is in love with Hannah (Paulette Goddard). The plot turns on the astonishing resemblance of the dictator to the barber. Mistaken for "the Phooey" (der Fuhrer), the barber makes a speech at an enormous rally for the "Sons and Daughters of the Double Cross" that double crosses the double crossers. ... Read more

Reviews (41)

Chaplin Talks!
"The Great Dictator" is an effective, if uneven, satire that displays Charlie Chaplin's mastery of pantomime and social commentary. This was his first talking picture and features his inspired dual role as Hynkel and the Jewish Barber. However, with the exception of Hynkel's globe dance and the barber's musical shaving technique, "The Great Dictator" doesn't utilize sound and silence nearly as well as Chaplin's masterpiece, "Modern Times." The barber's final speech remains stirring (if obviously out of character), but some dramatic elements seem awkward and don't blend well with the film's satiric fabric. In terms of story structure, Chaplin's "Monsieur Verdoux" works better -- and is more assured in terms of pacing and the utilization of sound. Regardless of its occasional flaws, "The Great Dictator" remains a memorable film with Chaplin in superb form.

Stongly Agree With Favorable Reviews
After just watching this picture I feel that this would have to be 5 STARS+. This movie was ahead of it's time in humor. I can't say that I am a huge fan of Charlie (only seen 3 films and some keystone shorts at this time) but he is a great comedian and a fine actor. Chaplin plays a duel role as The Great Dictator Adenoild Hynkel aka. Adolf Hitler and, a poor Jewish tramp that is in love with a girl called Hannah. The film has to keep from saying Hitler, Nazi, Mussolini, Italy, Germany, and other words that have to do with Axis because it was made a year and a half before the U.S.A. got involved in World War II. This is a WORLD of fun. BUY THIS DVD!!!! NOW

Serio-comic masterpiece---Hitler saw this one twice!
This film is an excellent piece of anti-axis propaganda in the guise of a hilarious satire of totalitarianism. Chaplin portays two characters who's resemblance to one another is merely coincidental. One is a Adenoid Hynkel, dictator of Tomania with a jewish name, the other a Jewish barber with impeccable instincts for sussing out trouble. Overall, "The Great Dictator" attempts to demonstrate the idiocy of war. By turning the key players into buffoons, it portays the war machine as a circus. This film is much more than a lampoon of the Nazis, however. The silliest characature of all is of Benito Mussolini. Jack Oakie's portrayal of the Dictator of Bacteria, Benzino Napaloni, is the highlight of the film. He's like a stereotype of one of those "larger-than-life" tourists who bluster with absolute authority wherever he goes. It is really hard not to picture him in the loudest hawaiian shirt know to man. It is really obscenely funny. The interaction between the two dictators provides the most sustained lunacy in the film. Their attempts to one-up one another are just brilliant.

"The Great Dictator" does have an extremely serious side. There is an attempt to portray the plight of the displaced Jews with care and much pathos. It works, more or less. The Jewish Ghetto is given enough attention that the viewer develops a connection with them as they attempt to get on with their lives. Maurice Moscovitch as Mr. Jaeckel is particularly effective. Paulette Goddard plays Hannah as a rather dim, dreamy stumblebum. She's cute, but occasionally annoying. Sometimes, it feels like Chaplin has transported Hannah back to the Wizard of Oz--she speaks in that same half-whimpering, dreamy manner as Judy Garland's Dorothy.

Finally, this film certainly transcends any single political agenda. The only agenda one can associate with it is the aim to bring laughter to a world torn asunder by the vagaries of milatary posturings. It seems telling (to me, at least), that Adolf Hitler viewed this film twice. I have always been curious as to what his thoughts were on this total classic send-up of the great men of the Blood-Axis in their own time. Perhaps by the end of the first viewing, he perceived that Mussolini got the worst of it. Then he watched it again--this time with pleasure. If you can't laugh at yourself...

Relevant for Any Age
DVD is the perfect medium for many of Chaplin's films. He demanded a lot from his audience. Each film carries it's own message. Each section of a film addresses a part of that film's message. Every facet of a work has a purpose. He lightened the load through the use of humour. The viewer has to be thinking every minute though. It's possible to watch these films time and again, or to watch different segments repeatedly and keep finding something more. They really are that complex. Fortunately, the DVD medium makes doing that easy.

The Great Dictator is as relevant today as it was when it skewered Hitler and his gang of Fascist bigots back in 1940. It took aim at Hitler but its target could easily be any warmongering regime from any period of history. The parallels are all there. Chaplin addresses each of them and does it well. His character Hynkel is a bumbling and ineffective "leader". He's driven by greed. As the film unfolds it's obvious his greed is rooted in feelings of inferiority. The more his mouth moves the less he says. His economic policies are a disaster-to wage war he has to borrow money from the "enemy". He is petty beyond belief. Ultimately, without an "enemy" to point toward, he's nothing. His entire mantra-loss of liberty, racial persecution, lust for control and so on-is all for one thing: he has to cover the fact that he can't rise to the level of the most humble of those he torments. This is a fundamental truth about people who lust for conquest. Chaplin illustrates it brilliantly.

The film isn't perfect. Chaplin and his crew weren't entirely comfortable when working with sound. Many scenes have dialogue but lack background noise. It was a common fault of the time though. The players have an assortment of accents. The Tomanians (with the exception of Herring) sound British. As the Jewish barber Chaplin sounds British. Many of the Jews in the Ghetto sound Jewish but Palette Goddard as Hannah, sounds as if she came from Queens. There are at least a couple of interludes that interfere with the continuity of the film. These are small complaints though. There are many scenes that have never been bettered. One is the episode with the coins and the cakes. On its own it's pure comedic brilliance. Combined with the statement it makes about the utter ridiculousness of martyrdom for its own sake (not to mention the unwillingness of leaders to become martyrs) it's timeless. The scene with the cannon is a gem. The "ultimate" weapon is shown as the ultimate (and expensive) waste; this could easily be the Crusader Artillery System. The tenderness between Chaplin and Goddard is a thing of beauty. Jack Oakie is fabulous as a Mussolini clone. The scenes between him and Chaplin are hilarious. (Watch the scene with the hot mustard and do some thinking.) The innuendo in the film is brilliant. Who but Chaplin would conceive of Tomainia (after "Ptomaine, poisonous and putrefying organic matter), the "Sons of the Double Cross" or Hynkel's first name, "Adenoid"? The entire backdrop with its "Thinkers of Tomorrow" and other absurdities modeled on the vanity of the Dictator is amazing; it captures the madness completely. The ballet with the globe is beautiful and astonishing. The music representing the ideals for the greedy and the humble is identical. The message: people are alike. As is the norm for Chaplin he did it in a way that was subtle; it's the theme of the Grail Knight descending from Wagner's Lohengrin. Hitler loved Wagner's music. Chaplin would have known that. It's his way of saying Wagner's music wasn't to blame for Hitler's madness. There's more but this should give an idea.

What nobody seeing the film for the first time can be prepared for however, is the way it ends. I wasn't. I saw a few of Chaplin's films as a student but had missed this one. I was floored. His statement about the nature of the people who make war is valid in any age. It always will be.

Watch it and then look closely at the events of the present.

The genius of Chaplin.
One look at Charlie Chaplin's filmography leaves little doubt as to his genius. I have to say that I thoroughly enjoy all his films, even the more obscure ones that weren't necessarily box office hits. But of all his films I believe "The Great Dictator" to be his masterpiece. "The Gold Rush" may have been the film in which he wanted to be remembered, and it is certainly a great film, but this film is working on so many levels as to seem superior to me. Sufficed to say, I love satire. This film is loaded with satirical referrences and subtle and not-so-subtle wit and clever word-play as well as all the brilliant physical humor that initially made Chaplin famous. There is so much intelligence in this film that it is easy for me to praise and recommend. I could relate scenes that I absolutely loved, but there are too many to name; and I certainly don't want to ruin all the comedic surprises for those who have yet to see this film. Even after ten viewings I find myself laughing at Chaplin's antics: verbal and physical humor of the highest level. In fact, I guarrantee laughter. There is so much humor here, of so many varieties, that there is no doubt in my mind that anyone viewing this film for the first time with giggle, chuckle, then laugh heartily. Oh, how I envy those first-time viewers. What a magnificent film! Hail Chaplin! ... Read more

Description

Volume 2 includes: "The Tramp," "By the Sea," "Work," "A Woman," "The Bank" and "His Regeneration." Digitially mastered and speed corrected with piano music by Eric James and orchestral score by Robert Israel. ... Read more

Reviews (4)

IN THE NAME OF THE FATHER
I love Charles S. Chaplin. In the sixties, TV sets were not so common as they are today and the only way for me to see films then was to be invited to go to the movies or to attend the weekly movie of the school's cine-club. Fortunately, our teacher had a good taste and I had the luck to discover Buster Keaton, Harry Langdon, Charles Chaplin and many others during this period. OK ! It was Nostalgy time and it's over.

The overall quality of Madacy's CHAPLIN #2 shows a little improvement in comparison with the #1 that was one of the worst DVDs I have seen in the streets. Not that Madacy has suddenly decided to clean the copies but because I suppose that the available copies were simply in a better shape. It's always under-average quality but let's rejoice anyway ! Furthermore, the music is rather agreeable this time. At last, the program presented here is very interesting and cannot be compared with the three shorts presented in the first volume.

CHARLIE'S RECREATION (1914) allows us to see Chaplin before the tramp disguise and creation that will make a star from him. But it's WORK (1915) that, alone, justifies the US$ 7 you will have to pay for the DVD. One of the first masterpieces of the genius.

A DVD for the archeologists ones.

Superb restoration of some of Chaplin's most important work!
First of all, I am reviewing the Image dvd of Chaplin's Essanay Comedies, Vol. 02. The Madacy product that this review might appear on is grossly inferior to this edition, and is to be shunned with all your might.

We have here five Chaplin films and a guest appearance. The guest appearance is forgettable, as is the rest of the movie that the appearance is in. Two of these films are Chaplin treading water, "By the Sea" and "A Woman". "A Woman" is only important for trivial reasons, because Chaplin makes his last appearance in drag, with astonishing results.

The other films, though, are key to the Chaplin legacy. "Work" is his most political statement yet, with it's condemnation of bosses and managers via Charlie's boss, who sits in the back of a cart while Charlie draws it forwardthrough streets and up impossible hills. This film is so ridiculous that you wonder how on earth it came together to fit so well.

"The Bank" is important in that we have a truly sad ending, with Charlie's unrequited love rejected twice, and reasons for his hopes to get up twice too.

"The Tramp" is Charlie's most important Essanay film, the one that establishes his tramp as a character with depth. This film is more than a collection of gags, it's a story, and the ending is a shock. Chaplin would later learn how to engender his audience's sympathies before the end of the film, but in this film, we cannot help but feel sorry for the tramp, as he walks out of the picture in one of his most famous scenes ever.

These films were painstakingly restored by David Sheperd's "Film Preservation Associates" after a ten-year search for footage. What we have is the most complete versions of the Chaplin Essanay films possible, something that hasn't been seen in almost 80 years. This means, however, that sometimes the scene in a film will change dramatically, from a clear, good print to a worse, grainy, and scratchy print, and back again. But we must put up with such defects if we expect to enjoy these films at all, for the alternative is to see prints which, while consistent, are missing somtimes 20% of the footage originally in the film

The scores are well done, and the video compression is excellent.

And now for the rant, hinted at above...

It is possible to see these same films in a much cheaper edition from Madacy or Koch video, or numerous other companies. Don't do it. These companies have taken poor quality sources, sometimes cutting out a fifth of the frame, added lousy soundtracks, and thrown their product out in nice looking packaging for low prices. This product is unsatisfactory, though, as it is difficult to watch, and really doesn't show Chaplin in a good light. Do search out dvds made by the Image company, or tapes made by Kino, becuase these companies have the restorations that are worth watching. You will be glad you did!

Good stuff
I am only a teenager and like most boys my age I love toilet humor.
So when my Social Studies teacher said we will be watching some Charlie Chaplin videos I was a little closed minded like everyone else.
The video we watched was Work, and just after about 5 minites of watching I was a Chaplin fan. The gags in the short little flim are ever bit as fun and funny as the day they were released. Some of my classmates just fell asleep, because they're too closed minded, but I would still recomened this stuff to any person young and old. He will give an ear to ear grin on the front of your melon. Chaplin rules.

Chaplin's Essanay Comedies Vol. 1,2, and 3
This is the long awaited "restored" version of Charlie Chaplin's Essanay comedies. Unfortunately when I say "restored," I mean to the best quality possible; Chaplin himself had the original negatives incinerated when he moved from California to Europe in the early 1950's. He was unable to have all of his work shipped over seas. This was the case for both the Essanay films and the Mutual Films. The First National films as well as his feature films were the ones that he kept. When they restored the Essanay and the Mutual films, they tried to find the earliest prints in the best condition that were still available. This means that some films or parts of films will be in better condition than others. In the case of the Mutual films alternate takes were used in the film restoration process (a Chaplin employee had kept footage that was supposed to be thrown away). Even though extra footage doesn't exist for the Essanay comedies, the "Chaplin's Essanay Comedies Vol. 1, 2, and 3" on DVD (manufactured through Image Entertainment) are probably the highest quality that you will ever see for these films. They were restored through David Shepard's company "Film Preservation Associates," who restored the Chaplin Mutual films (available on DVD from Image Entertainment in three volumes) several years ago. Also, they created new musical scores by Robert Israel and Eric James which fit the tone of each of the films in the collection. It's amazing that these films still survive in as good a condition as they are in.

For the films themselves, this is classic comedy at its finest. Both "The Tramp" and "A Burlesque on 'Carmen' " are among my favorite Chaplin films. But, all of these films still maintain their entertainment value even after 86 years. You won't be able to sit through one without laughing at the predicaments that Charlie gets himself into and then gets himself out of. ... Read more

Amazon.com

Charlie Chaplin refined his trademark character the Little Tramp through his short films at Mutual Studios with the help of his two key costars: burly, barrel-chested Eric Campbell, his hulking physical opposite who forever played the bullying nemesis (often behind a positively demonic beard), and sweet-faced Edna Purviance, the alternately demure and plucky innocent he's forever courting, saving, or simply mooning over. In The Count, Chaplin and Campbell crash a society bash under false identities to woo a rich lovely, but Chaplin soon reverts to his impulsive instincts and turns the posh gathering into an anarchic free-for-all. The Vagabond, Chaplin's second Mutual short, is a rural melodrama of a young girl saved from abusive guardians by the resourceful Tramp. Favoring pathos over slapstick, it looks forward to the sentimental melodrama of his features to come. As a lowly menial in The Fireman, Chaplin is cheerfully obliviousto thechaos he causes to the ordered firehouse and still manages to emerge a hero. Finally, Behind the Screen thumbs a nose at the movies in general and Mack Sennett (Chaplin's old boss) in particular with a lampoon of the studios that concludes with the invention of the pie fight ("I don't like this highbrow stuff," comments one victim). Equal parts class clown, downtrodden social outcast, and sentimental softy, Chaplin's continued appeal lies not merely in his comic invention but his dogged defiance of authority, class, and convention, and these classic shorts preserve the edginess he smoothed out in later features. --Sean Axmaker ... Read more

Description

A fading comedian and a suicidally despondent ballet dancer must look to each other to find meaning and hope in their lives. ... Read more

Description

Volume 3 includes: "Shanghaied," "A Night in the Show," "Burlesque on 'Carmen'" (all 1915), "Police," "Triple Trouble" (both 1916). Digitially mastered and speed corrected with piano music by Eric James and orchestral score by Robert Israel. ... Read more

Description

A Chaplin double feature starring Edna Purviance and Jackie Coogan. "The Kid" (1921, 68 min.) was director Charlie Chaplin's first full-length film and is considered one of his best. Co-starring five-year-old Coogan, whom Chaplin discovered on a Los Angeles vaudeville stage, "The Kid" is the story of a child abandoned in a limousine by his unwed mother (Purviance). When The Little Tramp finds him, he tries unsuccessfully to find a home for the boy. Obliged to keep him, The Little Tramp teaches the youngster about life on the streets and just as they have bonded and become a family, the boy's mother returns in a bittersweet finale. "A Dog's Life" (1918, 35 min.) is not only the satisfying story of canine and human underdogs succeeding in spite of the odds against them, it's also a series of side-splitting gags and slapstick routines that are as funny today as they were when the film was released and became an instant hit. ... Read more

Description

One of the American Film Institute's 100 Greatest Films. In "Modern Times," The Little Tramp battles it out with technology, unemployment, jail, burglars, demanding customers, bosses and "The Gamin." He wins some and loses more but, at the end, walks undaunted into the sunrise. Although it is known as Charlie Chaplin's last silent film, "Modern Times" is remarkably unsilent. From the opening notes of the rich orchestral score to the first and last time the voice of The Little Tramp is heard near the end of the film, the effect is of a film that speaks with a clear, well-rounded voice. ... Read more