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Otto Preminger expanded his vision in the 1960s with a whole series of ambitious, expansive dramas with huge casts and big themes. Advise and Consent (1962), an examination of deal making, party politics, and congressional diplomacy in Washington's legislative halls (based on the novel by Allen Drury), is one of his best. Preminger broke the blacklist with his previous film, Exodus, and it rings through in this drama about a controversial nominee for secretary of state (a confident, stately Henry Fonda) accused of being a Communist. The nomination process becomes the center ring of the political circus, with fidgety accuser Burgess Meredith in the spotlight; devious, silver-tongued Charles Laughton cracking the whip as a southern senator with a grudge against Fonda; and party whip Walter Pidgeon lining up votes behind the scenes. Arm twisting and diplomatic hardball turns to perjury and blackmail, and a melodramatic twist gives this lesson in party politics a salacious soap opera dimension.

With The Americanization of Emily (1964), screenwriter Paddy Chayefsky (Marty) sinks his satirical fangs into a story of an American naval officer (James Garner) selected to be the first victim at the invasion of Normandy. Julie Andrews plays a prim, British war widow who falls for him. Cynical in tone, the story becomes an interesting collision of manipulative interests and renewed life, the same formula that worked so well in Chayefsky's scripts for Network and Hospital.

One of the first Hollywood films to deal openly with white racism toward Japanese Americans during World War II, Bad Day at Black Rock (1955) (directed by action maestro John Sturges, The Great Escape) stars Spencer Tracy as a one-armed stranger named MacReedy, who arrives in the tiny town of Black Rock on a hot day in 1945. Seeking a hotel room and the whereabouts of an ethnic Japanese farmer named Komoko, MacReedy runs smack into a wall of hostility that escalates into serious threats. In time it becomes apparent that Komoko has been murdered by a local, racist chieftain, Reno Smith (Robert Ryan), who also plans on dispensing with MacReedy. Tracy's hero is forced to fight his way past Smith's goons (among them Ernest Borgnine and Lee Marvin) and sundry allies (Anne Francis) to keep alive, setting the stage for memorable suspense crisply orchestrated by Sturges. Casting is the film's principal strength, however: Tracy, the indispensable icon of integrity, and Ryan, the indispensable noir image of spiritual blight, are as creatively unlikely a pairing as Sturges's shotgun marriage of Yul Brynner and Steve McQueen in The Magnificent Seven.

Novelist Evan Hunter burst America's postwar bubble when he described an inner-city school terrorized by switchblade-wielding juvenile delinquents. Director-screenwriter Richard Brooks's 1955 adaptation of Blackboard Jungle still packs a tremendous wallop (even if it was shot mostly on the back lot). A forerunner of Rebel Without a Cause and West Side Story, this black-and-white classic--set to Bill Haley and His Comets' "Rock Around the Clock"--is part exposé, part melodrama, part public-service announcement. Glenn Ford, at his slow-to-rile best, plays Richard Dadier, an incoming English teacher at North Manual High School. An idealist who knows how to handle himself in a dark alley, Dadier stands his ground and earns the begrudging respect of school thugs led by Vic Morrow and Sidney Poitier. Anne Francis plays Ford's especially vulnerable wife; Richard Kiley is the timid math teacher with the priceless jazz-record collection; Louis Calhern and John Hoyt are among the more cynical North Manual High veterans. See if you can ID Jamie Farr and director Paul Mazursky as gang members. The film was nominated for four Oscars.

More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama Face in the Crowd explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry "Lonesome" Rhodes turns out to be a megalomaniacal rat bastard. The film turns apocalyptic as Rhodes exploits his power to sway the masses, helping to elect a reactionary presidential candidate. The parodies of television commercials and opinion polling were cutting edge in their day (Face in the Crowd was the Network of the Eisenhower era), and there are some startling, near-documentary sequences shot on location in Arkansas. An extraordinary supporting cast (led by Walter Matthau and Lee Remick) helps keep the energy level high, even when the satire turns shrill and unpersuasive in the final reel.

Fury is tough stuff from director Fritz Lang (M), making his first American film with this 1936 story of an innocent man (Spencer Tracy) who escapes a lynch mob and then orchestrates his apparent murder at their hands. Tracy is superb, and the film is uncompromising, until studio interference takes some of the wind out of Lang's sails right at the end. But as the portrait of a character who comes to reflect the destiny he is trying to avoid, this is still essential Lang and a pre-noir classic.

I Am a Fugitive from a Chain Gang (1932) is one of the toughest and most uncompromising movies to evercome out of Hollywood. Paul Muni stars as a regular Joe, just back from World War I, who is unjustly convicted of a crime and sentenced to 10 years of bruisingly unfair treatment on a chain gang. Even a successful escape can't shake the spectre of the chains, nor the amazingly fatalistic twists the screenplay has in store. This picture could only have been made at Warner Bros., where social-justice movies flourished in the 1930s and criticism of judicial systems and prisons was sanctioned. Muni's weird acting style (he was recently off Scarface) somehow fits the film's furious tone, and director Mervyn LeRoy--as in his earlier Little Caesar--was dexterous enough to build the action to an unforgettable ending. It's a film that filters the American Dream through Depression realities and noirish pessimism (with a streak of pre-Code sexual frankness--note the one-night "friend" Muni makes the night of his escape). This one holds up, folks; it's a stunner. ... Read more

Reviews (5)

Adequate boxed set
Samuel Goldwyn once said, "If you want to send a message, try Western Union."This collection of message movies from the early '30s to the mid '60s shows just how right the old mogul was.

In most cases, the messages have aged badly.Hiller's "The Americanization of Emily" is a pathetic attempt to portray World War II as a sham, while the conciliatory pacifism of Otto Preminger's "Advise and Consent" seems naive now that the Cold War has ended.(Preminger's treatment of Gay themes is silly and superficial, especially when compared to superior British efforts of that time such as "Victim.")Elia Kazan's "A Face in the Crowd" is deeply condescending -- the people of Piggott, Arkansas, have never quite forgiven the director for turning their perfectly pleasant small town into a gallery of sweating grotesques -- and its satire of mass media was hackneyed even in the 1950s.Richard Brooks's "Blackboard Jungle" is a squaresville expose of juvenile delinquency disguised under hip rock-and-roll music.

I've always felt that John Sturgis's "Bad Day at Black Rock" is a much-overrated film, though I confess I enjoy Andre Previn's dramatic score; the film's message against racism, however, is surprisingly feeble, especially given that the film's only nonwhite character is a mute, grinning railroad porter.And who today seriously favors lynch law, the target of Fritz Lang's "Fury"?(Again, this is a movie about a racial issue -- lynching -- in which nonwhite characters are never granted a voice.)Oddly, the oldest film in this set is the only one that still packs a punch: Mervyn LeRoy's "I Am a Fugitive from a Chain Gang" helped put an end to this brutal form of incarceration.Now that the chain gang is making a comeback, perhaps this film should, too.

But even when the messages don't work, the films themselves usually do -- with the exception of "Emily," this collection's one real dud.Each DVD features a transfer that ranges from merely adequate ("Black Rock," "Fury") to superb ("Advise and Consent"), with an original theatrical trailer and, in all but one case, an audio commentary.(The commentaries come from film scholars or directors, and as such are far more interesting than an average gabfest.)Perhaps to break the monotony, "A Face in the Crowd" foregoes audio commentary in favor of a brief documentary, comprised mostly of interviews with the aging cast.A few of the DVDs also offer period theatrical shorts.

This is hardly Criterion quality, but for the money it's not a bad value.

A MAGNIFICENT ASSEMBLAGE OF LANDMARK FILMS AT A GREAT PRICE
Warner Brothers home video department just keeps topping their previous exceptional achievments.

Here we have SEVEN magnificent, acclaimed feature films from the 1930s to the 1960s that still have the power to reach the "gut" of the viewer and be profound and provocative. Of course, each film is available individually, but the value of buying this boxed set brings the price to around $8 per film. Unreal.

Any serious cinema afficiando owes it to him or herself to buy this.

Pre-release reviews have praised the exceptional transfers (typical of WB), and I cannot imagine anyone not being blown away by this boxed set of incomparable films.

Superb Selection of Socially Sensitive Cinema
Warner Home Video has done it again.Their "Film Noir Classics"
collection was an excellent quintet of seminal noir movies, and
this collection is an equally well-considered compilation of
socially conscious movies, movies that challenged the American
conscience, and helped effect politial and social change.

This collection is also a good introduction to the work of
a number of prominent directors, including Otto Preminger,
Elia Kazan, and Fritz Lang.

I must quibble with a previous reviewer who stated that
BAD DAY AT BLACK ROCK was a black-and-white movie.It
is, in fact, in color.

"Bad Day At Black Rock" on DVD?!?!? Finally!!!
I've been waiting for years! My first chance watching this was renting the Criterion Laserdisc 500 years ago or so when the dinosaurs still walked the Earth (we needed the larger Laserdiscs to fend ourselves from the dinosaurs). This is a black and white, widescreen (they better not crop this thing) noir/mystery with great wit and an edge. Spencer Tracy rocks the house in BDaBR as the one-armed man. Gotta love it. Great twists, lovely female co-star. If you can't afford to go to film school, buy this pack of films and take notes (I'm only familiar with "Blackboard Jungle" - but the rest are supposed to be classics as well, especially Chain Gang, and Fury is German filmmaker Fritz Langs first American film, also with Spencer Tracy) - buy Sergio Leone's "Once Upon a Time in The West" too since that movie is a class in filmmaking in itself. Oh yeah, if you're gonna skip film school you should probably buy some books from these guys too. And get some popcorn, ice cream and beverages too.

Thanks George!
Vice President of Warner Home Video's classics catalogue, George Feltenstein, recently promised us this fantastic collection of films and here they are way sooner than expected! While individually they have very little to do with one another, aside from their controversial response upon initial release of course, they are all a very worthwhile addition to the collections of serious film lovers. ... Read more

Amazon.com

In 1965, Star Trek set out to boldly go where no series had gone before, beginning a three-year mission that led to a franchise that would last decades.Here at last is the first season of the original series all in one box, 29 episodes in their original broadcast order.That means starting with "The Man Trap," and soon followed by "Where No Man Has Gone Before," the second pilot filmed and the first one starring William Shatner as Captain Kirk.The many highlight episodes include "Balance of Terror" and "Errand of Mercy" (introducing, respectively, the Romulans and the Klingons), the two-part "The Menagerie" (which recycled footage from the original pilot, "The Cage," which featured Christopher Pike as the captain of the Enterprise and is not included in this set), "Space Seed" (introducing Ricardo Montalban's Khan character), and "The City of the Edge of Forever" (written by sci-fi giant Harlan Ellison and considered by many the best-ever episode of the series).

The first-season DVD set is supplemented by 80 minutes of featurettes incorporating 2003-04 interviews with Shatner, Leonard Nimoy, other cast members, and producers, and some 1988 footage of Gene Roddenberry.The longest (24 minutes) featurette, "The Birth of a Timeless Legacy," examines the two pilot episodes and the development of the crew.Slightly shorter are "To Boldly Go... Season One," which highlights key episodes, and "Sci-Fi Visionaries," which discusses the series' great science fiction writers (most famously in "The City of the Edge of Forever").Shatner shows off his love of horses in "Life Beyond Trek," and, more interestingly, Nimoy debunks various rumors in "Reflections of Spock."As they've done for many of the feature-film special editions, Michael Okuda and Denise Okuda provide a pop-up text commentary on four of the episodes filled with history, trivia, and dry wit.It's the first commentary of any kind for a Star Trek TV show, but an audio commentary is still overdue.The technical specs are mostly the same as other Trek TV series--Dolby 5.1, English subtitles--but with the welcome addition of the episode trailers.The plastic case is an attempt to replicate some of the fun packaging of the series' European DVD releases, but it's a bit clunky, and the paper sleeve around the disc case seems awkward and crude.Still, the set is a vast improvement both in terms of shelf space and bonus features compared to the old two-episode discs, which were released before full-season boxed sets became the model for television DVDs. --David Horiuchi ... Read more

Reviews (21)

TIME TRAVEL NOT REQUIRED TO SEE THIS COMING
I must say, that time travel was not required for me to anticipate this release of the original STAR TREK on DVD boxed set format... In the past I collected all 79 episodes individually on VHS format and enjoyed them all.. I love the show, its movies and "THE NEXT GENERATION" . I knew however that someday the ORIGINAL show would come to DVD as a boxed set.

MY PATIENCE HAS PAID OFF... I did not make the mistake of buying the 2per episode disks for several reasons.. 1. I knew that thsi show would join the others as season sets. 2. The packaging of the 2per disks was, to say the least HORRID.. 3.Cost economy... yes, I am not a cheap skate but i prefer more for less.. and last.. 4. SPACE- the limited frontier.. on my shelves for many disks when my TNG collections only takes up about 12" or so..

WELL, as for the show itself.. the FIRST and SECOND seasons are very well written storys, bad effects aside.. THE THIRD season was not quite up to snuff, but i still LOVE MY TREK...

GO OUT AND BUY BUY BUY... This set will sure to please..
AND NOT TO FORGET THE BEST PART---Special Features...
I fully enjoy learning all about movies, and TV shows i grew up to love..

THX FOR READING

The true final frontier
Even with five spinoffs,ten movies and nearly 38 years of history,The original Star Trek is the one that started it all and continue to inspire millions of fans.
The plot was simple, in the future a starship goes out on a five year mission to explore strange new worlds and seek out new life and civilizations.Led by the heroic Captain James T. Kirk (willian Shatner) along with his Vulcan first officer Mr. Spock (Leonard Nimoy).The other crew members include Dr.Leonard McCoy (the late DeForest Kelley),Chief Engineer Montgomery "Scotty" Scott(James Doohan), Helmsman Hikaru Sulu (George Takai),Communications officer Nyota Uhura (Nichelle Nichols), and Yoaman Janice Rand (Grace Lee whitney who would only last half the first season).
Despite the cheap looking special effects and set pieces,ST was a mixture of action,humor,drama and morality tales.A far cry from other science fiction shows airing at the time such as Lost In Space.Classic first season episodes includes The Naked Time,The Enemy Within, The Menagerie ,The Conscience of the King, Balance of Terror(the Romulan's debut), Space Seed(KHAN!!!), Arena,This Side of Paradise,The Devil in the Dark, and the greatest Trek episode of all time, The City on the Edge of Forever.
The new season DVD set includes extras not included in the first wave sets which consisted of two episodes on forty discs.

Finally!
I've been waiting for this for MANY years! I know fans who bought the earlier DVD's (2 episodes on one DVD) are upset but in fairness those came out before this whole trend of 'Series Box Sets' started. And yes I'm sure that there will be future compilations (Special Ultra Limited Edition, etc) but I've always just wanted one thing: to have the entire series at my disposal to pop in a favorite episode whenever I wanted and HERE IT IS. I'm so psyched!

I love this series!
Star Trek is my favorite T.V. series of all time. I'm so glad that they're finally releasing it in box sets. I avoided buying the previous releases because at $20 for each 2 episode disc, I would have felt more guilt than joy everytime I bought one. I feel bad for the people that purchased those. That was really a greedy money grubbing move that Paramount made. SOB's, It always really pissed me off. This box set is also too expensive, but they know we'll buy them. It's like health care. You have to have it, so they take advantage of you and charge as much as they possibly can, making sure that they can make themselves richer and richer at the expense of us, the common man.

Yeah yeah, I "know" I should have waited...
but knowing Paramount, they could of sat on the release the boxed sets for who knows how long. It could have been atleast until 2006 (40th Anniversary) until they decided to release them as boxed sets since they could have easily continued to gouge buyers into buying the 2 episode per disc set -- why shouldn't they? they control the market?...and they probably will still do it. After everyone has bought the boxed sets they will release them all again remastered in High Definition. Maybe, with the infamous blooper reel as a bonus (unless they oh, so generously decide to release it in the upcoming season 2 and 3 boxed sets -- but I doubt it. Frankly, life's too short and I didn't want to wait for the boxed sets. I've enjoyed them since their release 5 years ago.

In any case, I won't be re-buying the new sets. The "bonuses" seem a little thin and desparate....probably will be some interviews of some of the supporting staff that were loosely involved (many of the important guys have passed on any way)in the original series making some minor comment on obscure incidents playing on the nostalgiac thirst of the hard-core fan.

In fact I can see Paramount re-re-releasing the series again (the 40th anniversary set?) with FULL LENGTH commentaries for every episode (e.g. Sally Kellerman, Willim Koenig, Dianne Muldar, William Ware Theiss etc.) by some of the actors actors and guests stars -- ONLY after everyone has bought the boxed sets.

However had Paramount been more fair about how they released the DVD's,and the way they treat loyal fans, I probably would have, for the sake of "completeness" continued to support their products (TNG, DS9, Voyager, and likely Enterprise etc.) but I'm not -- mainly because they don't deserve my business and they won't. In fact I generally BOYCOTT Paramount DVDs.

As Scotty once said: "Fool me once shame on you, fool me twice shame me"...and I'm not about to be fooled again.

See you later paramount suckers! ... Read more

Description

The complete first season of Rod Serling's classic, groundbreaking series exploring the fantastic and the frightening. ... Read more

Amazon.com essential video

If a top-level spy decided he didn't want to be a spy anymore, could he just walk into HQ and hand in his resignation? With all that classified knowledge in his head, would he be allowed to become a civilian again, free to go about his life? The answer, according to the stylish, brilliantly conceived 1960s British TV series The Prisoner, is a resounding no. In fact, instead of receiving a gold watch for his years of faithful service, our hero (played by Patrick McGoohan) is followed home to his London flat and knocked unconscious. When he awakens, he finds himself in a picturesque village where everyone is known by a number. Where is it? Why was he brought here? And, most important, how does he leave?

As we learn in Episode 1, Number 6 can't leave. The Village's "citizens" might dress colorfully and stroll around its manicured gardens while a band plays bouncy Strauss marches, but the place is actually a prison. Surveillance is near total, and if all else fails, there's always the large, mysterious white ball that subdues potential escapees by temporarily smothering them. Who runs the Village? An ever-changing Number 2, who wants to know why Number 6 resigned. If he'd only cooperate, he's told, life can be made very pleasant. "I've resigned," he fumes. "I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own." So sets the stage for the ultimate battle of wills: Number 6's struggle to retain his privacy, sanity, and individuality against the array of psychological and physical methods the Village uses to break him.

So does he ever escape? And does he ever find out who Number 1 is? "Questions are a burden to others," the Village saying goes. "Answers, a prison for oneself." Within this complete 17-episode set (which contains the entire series), all is revealed. Or is it? --Steve Landau ... Read more

Reviews (39)

I AM NOT A NUMBER, I AM A BOX SET OF DVDs
Well not exactly Patrick McGoohan's opening from The Prisoner, but it did catch your attention :-). Seriously here they are, all 17 episodes plus the Prisoner Video Companion originally offered on MCI Home Video now on DVD compliments of our good friends at A&E. What's nicer is the episodes are arranged in what the fans believe to be the chronological order of the episodes in terms of Number 6's time in the Village rather than order of original airdate (although some of them are in airdate order). As a hint at this look carefully at "The General" and "A, B and C". Both star Colin Gordon as Number 2, but in the opening for "A, B and C" he says "I am number 2" rather than "The new number 2". Also this set contains something released on video previously but only in England, a special edition of the 5th episode of the series, "The Chimes of Big Ben". Definitely the best of McGoohan's 3 British Secret Agent types series, but also the quintessential scifi series as well. By the way, a special debt of gratitude to A&E Homevideo. When this series first came out on VHS on MPI Homevideo in 1990, they made a muff in the episode "Checkmate". In the "Where am I" segment of the opening sequence it started with McGoohan doing it with the fore mentioned Colin Gordon even though Peter Wyngarde played Number 2 in this episode. By the third line "That would be telling" the tape was ok. I can't speak for the new A&E VHS copy, but on these DVDs the muff has NOT recurred. Which means either A&E acquired a better copy of the episode to restore on DVD or someone told them about the flub from 11 years ago. So kudos to A&E Video for to repairing this decade old "blooper". This 10 pack is much better buy than the 5 sets of 2 DVDs individually. Get it now, return to the Village and escape at your own pace.

For die-hard fans only, but for us, it's a treasure
Honestly, if you're not a true fan of the series, I can't imagine why you would want to shell out this kind of money to own the whole set. But as a former member of The Prisoner Appreciation Society, I think it's a great collector's item, and is good for introducing the series to friends who have never seen it before or who only saw it in passing. The series is as addictive and thought-provoking as ever, though having the whole collection to watch back-to-back lets you find lots of continuity errors that you were likely to miss the first time around... and the three or four really BAD episodes stand out all the more when you're watching them all in sequence and are focused on them.

As for the DVDs themselves, the audio quality of the episodes is what you might expect from a 1967 TV series (the difference between the audio of the shows and the modern-day interview is pronounced), the menu screens are attractive and in a style which fits the series well. The bonus features are a little scant. The "alternate version" of Chimes is so barely different it isn't that interesting, the Trivia Quiz was lifted right off the Appreciation Society's website, the trailers would make you NOT want to watch the episodes, but the couple of extra interviews are pretty cool.

A must for Prisoner fans
I myself did not think the transfer was all that bad. In fact I think it looks good on my 61" Sony and Sony DVD.
I started watching the Prisoner when it first released in the US as summer replacement. I have been hooked ever since.
Yes it is about a spy or "Secret Agent" who resigns in obvious disgust and is kidnapped, taken to a very mysterious, secret and very secure place known as "The Village". It is also about his attempts at escape and other intrigues. Leading edge spy stuff for its time.
To appreciate The Prisoner you must go beneath the surface at what The Prisoner really means. The series is full of symbolism and social commentary while The Vilage is referred to as "The model for a new world order" by one of the constantly changing #2's.
The series blew everyones mind in the late 60's when it aired. I knew many people who could not get it and never watched more than one or two episodes. The die-hard fans hung in there and got our own minds blown in "Fall Out" the final episode.
After years and careful noticeof the world and politics and social upheavals The Prisoner now makes sense immediately to people who are just now seeing it for the first time - like my 22 year old daughter. she had it figured out (correctly) by the 3rd DVD.
Anyway, this is an important series and TV's first true masterpiece. It is a work or art, it is a social commentary and it is very prophetic and more relevant than ever.
I love this set. I enjoyed the bonus tracks. To those who think the bonus tracks are lacking, remember this is a TV show produced in 1967. This is a veritable gold mine of bonus material.
After seeing all 17 episodes again in order, sharing them with my daughter had brought me to even new revelations about the series and the genius behind them.
My daughter thinks the special effects and action sequences are not realistic - BUT be reminded again, this is a TV series from 1967.
Could The Prisoner be remade and updated? Perhaps, but I would have a fear of losing the message. This series was created in an era of relative innocence when most people trusted the government. This is one of the things thsat made the series so remarkable.
Here we are 37 years after production and we are STILL discussing it;s significance. While I might agree with my daughter that modern production values and updated special effects woulc be a good spice to the series I would fear destroying the essence and the uniqueness.
Mc Goohan had a degree of freedom when producing the series. Any newer production would most likely be polluted by attempts to make it more mass-market acceptable.
The Prisoner is a sensitive work and a work of genius. Buy the DVD set and enjoy.

all-time great series, box set lacking...
i want to say first off that i'm a huge prisoner fan. i loved the series from beginning to end for all that it is. this review will be only of the dvd box set.
ok, the audio and video quality are fantastic. but here's my gripe: 10 discs for a 17 episode series? talk about being greedy! they could have easily had 4 episodes to a disc. even if it were 3 episodes per disc leaving the final disc chock full of extras that would nearly cut this set's size in half. speaking of which the extras in this set are nothing special. theres not even an interview with patrick mcgoohan!
i'm lucky i got mine at a bargain or else i never would have bothered.

The Archetype Prevails
There are no greater television shows than "The Prisoner". Not ever. Perhaps shows such as "MASH" or "Twin Peaks" rise high enough to catch a glimpse of Patrick McGoohan's Big Idea racing off into the distance but they will never catch up. "The Prisoner" is one of the few works of art in the twentieth century that actually deserve to be called revolutionary. But, Patrick McGoohan, the show's creator and star, has no time whatsoever to rebel against things that lesser figures and would-be rebels wish to rebel against -stoking up the fires of their tiny egos. McGoohan means business and his series, "The Prisoner" rushes up to all of the Big Questions and grabs them by the neck. "The Prisoner" is a declared war against tyranny in all of its forms: sexual attraction, the lure of comfort, the facade of democratic politics, science, fundamentalist anti-science, conservatism, cheap liberal progressivism, group-think in any form at all including "individualism" (which is just another form of group-think),the ultimate prison which is one's self, and more. Number Six, played by Patrick McGoohan himself, is absolutely relentless on his assault upon the Village which would keep him there against his will. And he desires to leave no matter what wholesome blandishments are offered to him. In that way, Number Six is a greater human being than most of us. He is more than a common human individual living out his life. He is an archetype. He can never quite escape but the octopoidal snares of the Village can never quite hold him. In that way, his story resembles the myth of Sisyphus. And yet Number Six is more than Sisyphus. I will not give the end of the series away but I will say that at the end Number Six comes to a true understanding of himself. The only good true understanding of one's self is if that understanding destroys the cycles. The strangest idea at the base of "The Prisoner" is the idea that morality itself, at its most secret heart, is the ultimate form of rebellion. Number Six has a devotion to pure justice, profound freedom, actual compassion ( as opposed to its sentimental counterfeits), and rigorous truth telling that is so extreme - more extreme even than the great Jewish prophets in the Bible - that he actually is an archetype, and not merely a single human being. Number One is the secret Archon that rules the Village. The Village is, of course, demon possessed, though the demons mostly reveal themselves as Angels of Light. Under Number One is paraded a grand series of Number Two's. They come and they go. Each one of them is yet one more attempt to seduce or brutalize Number Six into giving up his freedom. One of the strangest things about this series is that Patrick McGoohan's idea of freedom rejects both the dionysian and the apollonian as categories of human thought and endeavour. McGoohan believes there is a third way that carves its own path, disdainful of the sharp and controlled, fascist geometries of the apollonian and compassionately rejectfull of the oblivion and disintegration offered by the dionysian. No better show exists. I don't think the fifth grade schoolboy bullies who dominate Hollywood or the television studios could allow such a great work to be made or shown on television today. But that is both their fault and their impotence. The Number Two's come and go but the Archetype prevails. ... Read more

Amazon.com

A 26-episode World War II documentary, Victory at Sea is one of the most important series in the history of television. Made in 1952, the show was a huge success, winning many major awards and even spawning albums featuring the orchestral score by Richard Rodgers, best known for his musicals with Lorenz Hart and Oscar Hammerstein II. Produced with the full cooperation of the U.S. Navy, each 26-minute program consists of black-and-white wartime film set to a narration by Leonard Graves. The two years leading up to America's entry into the war are dismissed in episode one, while the Japanese attack on Pearl Harbor gets a show of its own, the raid depicted in a brilliantly edited montage that almost certainly contains "docu-drama" footage. Each episode contains at least one powerful stand-alone sequence in the tradition of Serge Eisenstein (Battleship Potemkin), these action-suspense set-pieces giving the programs an urgent, surprisingly modern feel. Indeed, the emphasis is at least as much on entertainment as information, the factual content delivered in poetic narration, the score transforming the war into a more than usually serious Hollywood adventure. The documentaries are nothing if not wide-ranging, covering parts of the land war despite the title, and including everything from the Atlantic convoys and U-boat "Wolfpacks" to war in Alaska, the South Atlantic, and the Far East, the Pacific War, and the Fall of Japan. There is an attempt to include other nations--certainly the D-Day episode acknowledges the British far more than Saving Private Ryan--but inevitably the focus is on America's war.The very dated narration gives a fascinating insight into how America saw WWII in the early 1950s, while the dynamic cutting and often genuinely remarkable wartime footage make Victory at Sea still gripping today. Twenty years later, Granada's The World at War would become the definitive television WWII history, but this release offers a unique opportunity to see a series of great importance from the very early days of television. --Gary S. Dalkin ... Read more

Reviews (31)

5 stars for content but ZERO stars for TERRIBLE AUDIO MIX
I loved the content. Other reviewers here have verbalized my feelings concerning the quality of the video. However, the sound mix is so poor that if you set the volume to an appropriate sound level for the very nice music you are completely unable to hear the voice of the narrator. Even if you have your finger on the volume control constantly you are unable to dynamically raise and lower the audio volume to try and hear the narrator without blasting your ear drums with the elevated music sound level. I would advise anyone buying this DVD set to consider it acceptable ONLY if you listen to it with a 5 channel speaker set up with a dedicated center channel (for speech, etc.) where you are able to individually raise and lower that channel of sound. Even then you may be astonished just how much boost the center channel is going to need compared with the other sound channels. Frankly, this DVD release needs to be redone as far as the audio is concerned! Other than that, the video is great....

Victory at Sea DVD Is Awesome
I recently purchased this DVD and was very skeptical after reading all the comments about the sound track. However, I didn't find any issues with either the sound track or the narrative for all four volumes. I have a Panasonice DVD Player with the Dolby Digital,DTS Digital Surround and MPEG, and the music score by Richard Rogers is one of the reasons for buying this DVD. It is a " Must Have" for military history buffs. If you have a PC with a DVD/CD ROM Combination, you can use it to view this DVD and adjust the sound track to blend in with the narrative.

Sound issues and the original
I have the original soundtrack on LP, with the NBC Symphony Orchestra conducted by Richard Rogers himeself. It's my father's and needless to say, it does not get much play time for preservation sake. I also own both CDs "Victory at Sea" and "MORE Victory at Sea," (BMG Music 1992) both conducted by Robert Russel Bennett and contain slightly arraigned versions of the very familar complete soundtrack by the RCA Symphony Orchestra and is remixed in extremely good Dolby Surround. The original soundtrack is fairly clear and does sound a little tinny and was recorded in mono. (Unless it was a dual issue in both stereo and mono. I only have the mono.) While a properly mixed original soundtrack would sound great, IMHO, the Dolby version would sound even better. What I'm getting at is, it's not the soundtrack's fault this apparently sounds so bad. I really wanted to buy this, but I think I'll hold off and wait and see.

One star too many!
What an unmitigated hustle this dvd collection turned out to be. Equal portions of venom and spite are hereby awarded to History Channel and NBC for this travesty. My 5.1 dts sound system did nothing to alleviate the worse than poor sound quality/balance issues. This legendary series and it's participants certainly deserve better than this quick and dirty rendition gives. Maybe the capital "H" seen in the lower right hand corner of the teevee screen actually stands for "hustle". I would gladly purchase a remastered and remixed set but for now am left with this doorstop.

Good atmospheric and stirring stuff!
I came across the soundtrack many years after first hearing snippets from it on the original T.V series of the same name.
I was enthralled by the sheer vibrancy and 'now-ness' of this great piece of modern classical music. You can easily picture the great ships of both the American and Japanese fleets as they engage in the greatest sea battle of all time. The spinning, swooping aircraft as they play thier all important roles of hunter/killer.
The evocation of individual men and women enjoying a rare respite from battle in some of the quieter passages, shore leave. All part of this amazingingly descriptive music. It will continue to be an important piece by sheer virtuosity of the skillful interplay of individual instruments producing an altogether sucessful blend of sombre, stirring and gentle, very easy to listen-to-again and again music. I cannot praise it enough! ... Read more

Amazon.com

Culled from 30 years of material, this collection of moments from The Tonight Show Starring Johnny Carson contains some of most inspired bits of lunacy ever recorded. Whether cajoling with Hollywood's biggest stars or normal folk with special talents, Carson was a master of finding the right joke, with timing second to none. Along with bits of his opening monologues, skits, and early standup appearances from the likes of David Letterman and Eddie Murphy, there are many highlights with perhaps the perfect Carson guest--exotic animals that stole the show. This collection was released shortly after Carson's reign ended in 1992. Although most of the tapes from his first decade are lost, there are plenty of highlights from the '70s through the '90s. Also included is Carson's touching and historic "Final Show," which finds the host simply talking to his audience and showing highlights--or just the faces--from his years on the set. Although many followed--and a few have even succeeded--Carson's Midwest charm made him the king of TV in a period when America was defined by television.

The DVD edition adds some superlative extras, including "Danger Johnny" segments from his first decade, short bits on the history of the show and the host, and more behind-the-scenes glances, including an intriguing way to watch the final show via unedited feeds from isolated studio cameras. Also included is the 1982 NBC special "Johnny Goes Home," which follows Carson on a tour of his rural Nebraska homeland, and a slightly edited version of the penultimate show, in which his last two guests, Robin Williams and Bette Midler, are on fire. These extras make the DVD, produced a decade after Carson left, a must-have piece of entertainment and pop history. --Doug Thomas ... Read more

Reviews (16)

The Man Behind the Desk
In today's era of David Letterman and Jay Leno, younger generations should remember that Johnny Carson (along with his "Tonight Show" predecessors Jack Paar and Steve Allen) defined the talk-show format which made late-night television an enduring and immensely profitable enterprise. From 1962 to 1992, Carson reigned supreme as a comedian and broadcaster. Unlike Letterman and Leno, Johnny did his homework when it came to nightly conversation. No matter who sat on the couch, he remained an astute and observant host. "The Ultimate Johnny Carson Collection" is an expanded three-DVD set of "Tonight Show" highlights selected by Johnny himself, with the welcome addition of his final two programs. The set also includes the 1982 NBC special "Johnny Goes Home" -- a nostalgic, affectionate look at Carson's return to his hometown of Norfolk, Nebraska. Loaded with extras (and some recently discovered film clips from the early 1960s), the DVD collection provides first-rate material at a reasonable price. If this set leaves you wanting more, the six-DVD "Timeless Moments" series is highly recommended -- allowing viewers to see previously unavailable Carson monologues, interviews and sketches in their entirety.

Still the King!
As one of the millions that sorely miss the wit and wisdom of Johnny Carson, I was especially pleased to receive this "best of" DVD collection. The three DVD's feature the best moments from the show - divided by decade - from the 60's through the 90's, and also include the complete second-to-last show (with Bette Midler and Robin Williams) and the final show, along with a documentary on Johnny I had never seen before. The remastering quality is great. There is a fun little short film called "Danger Johnny", and one of the most interesting things about the DVD's are the ISO CAMS, that allow you to pick the camera angles to view some of the programs. You can even view scenes from Johnny's perspective. The menu options are terrific, and the packaging very deluxe. If you are a fan of classic television, this is a great addition to your library - and I plan to send them as gifts to family members I know miss Johnny too.

Disappointed
I was disappointed with this set. It doesn't give you a sense of what made you love Johnny, really. There is minimal development of the material. A couple of gags would be OK, but gag after gag left me feeling empty. Maybe Johnny is not the right person to toast with snippets; his charm came from watching an entire show, or was built up over months, years. Likewise his skill as an interviewer is lost in the short clips. Had I known, I would have taken on a pass on this purchase. Furthermore,the production is rushed and uncreative.

There will never be another...
Watching this set of dvds left me with a sense of melancholy and loss. Like spent youth and good times/people gone by. This will not... it cannot... ever happen again. Carson was a master of the Late Nite format in a very special time in our history. It was a time when true stars walked the Earth. Real S*T*A*R*S like Dean Martin, Bob Hope, Jimmy Stewart, John Wayne, etc. would show up on the Tonight Show to trade quips with Johnny and we knew that we were in the presence of greatness... not foul-mouthed little Irish gits like Colin Farrell whose every second utterance is a four-letter swear-word, or the assorted giggling bimbos and boring, scuzzball, here-today-gone-tomorrow boy bands who frequent the Leno show. This rather pricey 3-disc extravaganza will take you back home and leave you wanting more. BEWARE though! The set is advertized as over 7 hours long and that is not the case. Here is the breakdown: BEST OF THE '60s & '70s (48 mins), BEST OF THE '70s & '80s (46 mins), BEST OF THE '80s & '90S (52 mins), JOHNNY GOES HOME (47 mins), SECOND LAST SHOW (32 mins), FINAL SHOW (35 mins). I work it out to just about 4 and a half hours on 3 discs. Mind you, the packaging, picture quality and menus are superb. Definately worth a purchase, but my advice would be to shop around for the best price.

Will Never Be Equaled
A wonderful look back at 30 years of late night class. It just goes to show what an awesome talent Johnny was and how far late night TV has declined. The picture and sound quality is excellent, and the extras are good, too. Johnny's 1982 special where he visits Norfolk is fun to see again as well. My only gripe is that the music montage from the last show is missing, but this probably has to do with getting all the clearances from the artists, which can be difficult. Highly recommended for all us baby-boomers who grew up with the one and only King of late night. Johnny......WE MISS YOU!!!!!!!!!!!! ... Read more

Amazon.com

Two years after 1963's The Great Escape thrilled movie audiences with a tale of Allied soldiers working cooperatively to flee a World War II-era prisoner-of-war camp, CBS found a hit situation comedy in the loosely similar Hogan's Heroes. Initially dismissed by critics as being in poor taste, the half-hour show starred Bob Crane (previously known for a supporting role on The Donna Reed Show) as Colonel Robert Hogan, leader of a resourceful band of French, British and American guests of the German Luftwaffe. Rather than sit out the war with his fellow captives, Hogan essentially used the POW camp, Stalag 13, as a base for sabotaging Nazi operations whenever possible, helping important prisoners escape, supporting the Resistance, gathering intelligence for the Allies, and generally screwing up enemy battlefield plans. The work was always dangerous, but Hogan's crew had a number of advantages: a network of underground tunnels beneath the camp (some leading to a nearby town), a flair for disguises, the complementary talents of Hogan's key staff, and the reliable idiocy of camp Commandant Klink (Werner Klemperer) and willful ignorance of lead officer Sergeant Schultz (John Banner).

Season one of Hogan's Heroes found all of these elements securely in place and the series balancing farce with suspense. Typical storylines include "Hold the Tiger," in which the boys smuggle a new German Tiger Tank into the camp, disassemble it to construct a blueprint, and then reassemble it under Klink's nose. "The Prisoner's Prisoner" finds Hogan kidnapping a Nazi general, sneaking him into Stalag 13, and tricking him—a la Mission: Impossible--to reveal troop plans. In "The Prince from the Phone Company," one of Hogan's most-trusted confederates, radio operator Kinchloe (Ivan Dixon), disguises himself as an African prince trying to secure money from the Third Reich. Half the fun of these shows is watching Hogan thinking quickly on his feet whenever things start to go wrong, or when one of Klink's more intelligent superiors becomes suspicious that not everything at Stalag 13 is as under control as it seems. Besides Dixon, the other players making up Hogan's elite squad include Richard Dawson as the slightly disreputable Newkirk (with a talent for thievery), Larry Hovis as chemistry whiz Carter, and Robert Clary as the charming LeBeau. --Tom Keogh ... Read more

Reviews (46)

Great series ... DVD quality is poor
Hogan's Heroes is one of those series which you just can't stop watching.There is always a great laugh.

Unfortunately the DVD quality leaves a lot to be desired.DISCs 1 and 2 are mis-labeled.DISC 2 suffers from technical problems in the remastering.One of the worst tracks on DISC 2 was Happiness is a Warm Sergeant.The episode tended to jump back in a loop during certain parts, the sound would go in and out, and some other annoying glitchs.

It is a shame that the quality control for this release is so poor.

Wonderful for all ages
Hogan's Heros (along with Green Acres) was my favorite show when I was a kid, and now I watch this DVD set with my own children. I have three boys, 11, 8, and 7, and they love it.A Nazi prison camp may seem like a "mature" theme for small children, but they love Schultz, the friendly guard dogs, the tunnels, and all of the craziness of Stalag 13 (tanks getting stolen, planes taking off, etc).
A great series for bringing families together.

Good Set - One Error RE: Disc Labels
The set was as advertised except that disc one and disc two had their on-cd labels swapped i.e. disc one was actually disc two and vice versa.

Excellent old show that brings back fun memories for me :)

Return to childhood..
The Hogan's Heroes DVD collection has been a wonderful bit of entertainment and nostalgia for me.I find that I can repeatedly play these old classic episodes and still be fascinated and laugh out loud at the plots and stories.

There are other reviews that go into far more detail than I care to as far as individual episode titles and various trivia.

I will simply say that this DVD set will provide hours of entertainment for anyone who grew up watching these old shows in syndication.

I gave the set 4 of 5 stars for one and only one reason.Though the set clains to be "full length season one episodes" the reality is that there are missing scenes.Most are minute and do not affect the flow of the shows but to someone who as a kid watched them over and over in repeats, they are noticable..

HOWEVER this will not keep me from adding the second season to my collection the moment it comes out...

Short and simple review
I don't want to go on with this review, so I will capsulize my comments with one word:"Excellent" ... Read more

Amazon.com

The Complete James Dean Collection includes two-disc special editions of the three major films Dean made during his meteoric career: East of Eden (1955, never before available on DVD), Rebel Without a Cause (1955), and Giant (1956).In addition to new transfers, the films collect new and vintage documentaries, commentary tracks, publicity materials, and even the infamous "Drive Safely" commercial spot Dean filmed shortly before his death in an auto accident.

East of Eden is an acknowledged classic, and the starring debut of James Dean lifts it to legendary status. John Steinbeck's novel gave director Elia Kazan a perfect Cain-and-Abel showcase for Dean's iconic screen persona, casting the brooding star as Cal, the younger of two brothers vying for the love of their Bible-thumping father (Raymond Massey) in Monterey, California, at the dawn of World War I. Massey is a lettuce farmer, striving for market domination with an ill-fated refrigeration scheme. Having discovered that his presumed-dead mother (Oscar winner Jo Van Fleet) is a brothel owner in nearby Salinas, Cal convinces her to finance an investment that will restore his father's lost fortune, but neither money nor the tenderness of his brother's fiancée (Julie Harris) can assuage Cal's anguished need for paternal acceptance that comes nearly too late. Kazan's oblique camera angles and Dean's tortured emoting may seem extreme by latter-day standards, but their theatrics make East of Eden a timeless tale of family secrets and hard-won affection.

When people think of James Dean, they probably think first of the troubled teen from Rebel Without a Cause: nervous, volatile, soulful, a kid lost in a world that does not understand him. Made between his only other starring roles, in East of Eden and Giant, Rebel sums up the jangly, alienated image of Dean, but also happens to be one of the key films of the 1950s. Director Nicholas Ray takes a strikingly sympathetic look at the teenagers standing outside the white-picket-fence '50s dream of America: juvenile delinquent (that's what they called them then) Jim Stark (Dean), fast girl Judy (Natalie Wood), lost boy Plato (Sal Mineo), slick hot-rodder Buzz (Corey Allen). At the time, it was unusual for a movie to endorse the point of view of teenagers, but Ray and screenwriter Stewart Stern captured the youthful angst that was erupting at the same time in rock & roll. Dean is heartbreaking, following the method acting style of Marlon Brando but staking out a nakedly emotional honesty of his own. Going too fast, in every way, he was killed in a car crash on September 30, 1955, a month before Rebel opened. He was no longer an actor, but an icon, and Rebel is a lasting monument.

Giant got its name because everything in the picture is big, from the generous running time (more than 200 minutes) to the sprawling ranch location (a horizon-to-horizon plain with a lonely, modest mansion dropped in the middle) to the high-powered stars. Stocky Rock Hudson stars as the confident, stubborn young ranch baron Bick Benedict, who woos and wins the hand of Southern belle Elizabeth Taylor, a seemingly demure young beauty who proves to be Hudson's match after she settles into the family homestead. For many the film is chiefly remembered for James Dean's final performance, as poor former ranch hand Jett Rink, who strikes oil and transforms himself into a flamboyant millionaire playboy. Director George Stevens won his second Oscar for this ambitious, grandly realized (if sometimes slow moving) epic of the changing socioeconomic (and physical) landscape of modern Texas, based on Edna Ferber's bestselling novel. The talented supporting cast includes Mercedes McCambridge as Bick's frustrated sister, put out by the new "woman of the house"; Chill Wills as the Benedicts' garrulous rancher neighbor; Carroll Baker and Dennis Hopper as the Benedicts' rebellious children; and Earl Holliman and Sal Mineo as dedicated ranch hands. ... Read more

Reviews (2)

The Icon Who Never Gets Old
On Sept. 30, 2005, we mark the 50th anniversary of the death of James Dean.While baby-boomers may find that incredible, what's even more incredible is that throughout those 50 years, Dean's status as the icon of disaffected youth and rebellious adolescence has not only held up, but burnishes itself anew every time it is displayed before our eyes.
In a film career which spanned only 16 months and included only three films, James Dean defined the disorientation of disaffected youth, as one strives to carve out one's identity, separate from one's parents, and discover what values truly define and shape that identity and self.The remarkable thing about his movie roles is that they did this not only for his generation, but speak for each succeeding generation down to the present day.In no small part due to his tragic death at the age of 24, he never ages, and therefore remains the icon of all that is cool to all generations, whether you identify with Elvis, the Beatles, Sting or Kurt Cobain.Onscreen, James Dean remains the Real Thing in a way few other movie stars have ever been.
Bringing what Marlon Brando called "a subtle energy and a sense of intangible injury" to each of his roles, Dean created a cinematic presence which was so compelling, it had few, if any equals.He became at once the gravitational center and the propulsive force of every scene he was in.It did not matter if he was acting with Raymond Massey, Julie Harris, Natalie Wood, Rock Hudson or Elizabeth Taylor.For each and every moment he was onscreen, you could not take your eyes off him and what he was doing.
In the process, Dean managed to encapsulate and project all the conflicts and contradictions of youth in a manner and to a degree which remains unparalleled.Dean's characters were full of hurt and hubris, anger and uncertainty, confidence and vulnerability... all at once.Other young actors are merely young, and maybe heartfelt.Dean's characters are young with an experience which defies their years, thereby expressing an intensity of feeling and inner conflict that no one else could match.
This collection of all three of Dean's starring vehicles providessomething of serious value to everyone who cares about movies and American culture.The DVD transfers are first rate, and it's hard to believe, for instance, that "East of Eden" has been unavailable to viewers in any format for the past 10 years.Take advantage, movie fans!Even 50 years later, James Dean remains as compelling, as fascinating and as powerful as he ever was, and... HE NEVER GETS OLD.

It's About Time!!!
James Dean will have been dead for 50 years on September 30th, 2005, and seeing that death has only enhanced his iconic image, even if Dean only starred in three studio pictures, I don't think it too much to ask that these films finally get the recognition they deserve. In fact, fans have had to wait so long for a "Dean Collection" that these discs better be flawless as the films themselves almost are. "East of Eden", "Rebel Without A Cause", and "Giant" will be included in this set and the first two mentioned really are screen burners in every aspect.

James Dean made his starring debut in "East of Eden", based on the best-selling John Steinbeck novel which retells the Adam and Eve story, and he was a star from then on. Dean plays Cal Trask, the "Cain" character, to glorious, brooding perfection. In fact, when Steinbeck himself met Dean, he told director Elia Kazan "He is Cal".

"Rebel Without A Cause", probably Dean's best-known film, is a landmark of method acting. Dean as Jim Stark, a pseudonym of James and Trask (as in Cal Trask from Eden), is not the quintessential teenager that everyone paints him. He is so much deeper and older than he appears. "Rebel Without a Cause", directed by Nicholas Ray, is truly a magnum opus of a film. A must see!

"Giant" is a very lush and grand film. Perhaps a bit overdone, but entertaining none the less. Edna Ferber, who wrote the novel, also said Dean was a wonderful choice to play Jett Rink, a common salt of the earth man, who rises to great heights, only to be ruined by his own demons. Dean is the most fascinating thing about "Giant" and easily steals every scene he is in. "The Complete James Dean Collection" is long overdue in any format, let alone DVD. Now, a new generation will be able to experience the myth that is James Dean. ... Read more

Reviews (93)

"You Just Keep Thinking, Butch...!"
This film truly deserves the description of being a "Classic." Paul Newman and Robert Redford (in the company of Director George Roy Hill and a particularly appealing Katharine Ross), take the history of the bloodthirsty "Hole-in-the-Wall Gang," and turn it into an affectionate cinematic portrayal of male bonding and cultural change.

Taking place at the end of the 19th century, Butch and Sundance are, as veteran actor Jeff Corey, playing a sympathetic sheriff and accidental existentialist, snarls, "two-bit outlaws on the dodge!" They spend much of the movie dodging a posse hired to hunt them down and kill them in the wake of a series of amusing train robberies. The location shooting of their escape is breathtakingly beautiful.

Ultimately, they have to flee the closing frontier, and end up in Bolivia, which is portrayed as a kind of low-rent version of the Old West. Their trip to South America is an intermezzo, done in sepia tint, focusing on their stay in New York, which, with its (relatively) modern conveniences, underscores how anachronistic their lifestyle has become.

Their inability to rob banks in Bolivia without using Spanish-language crib sheets is both hilarious and touching, a kind of paradigm of cultural and technological dislocation.

In keeping with its 1969 release date, the film has a strong antiestablishment cant to it: Authority is faceless, unyielding, and, mostly, inept. It is telling that Butch and Sundance kill no one until they "go straight" as payroll guards. Their criminal lifestyle is romanticized as a kind of "On The Road" on horseback. That this doesn't offend the audience is a measure of how fine this movie is. The warmth and humor overcome both the moral relativity of the characters and their sad ending.

Newman and Redford are wonderful together as the affable outlaws. Newman's Butch is a charming, flaky visionary who is trying desperately to cling to the past. When confronted with the new alarms and teller's cages at a favorite bank, he dismisses the guard's explanation of, "People kept robbing us" with a wistful, "It's a small price to pay for beauty."

As Butch says: "The future's all yours, you lousy bicycles!" In a sense: the Western Outlaw was succeeded by "Public Enemy Number One" when cars succeeded horses, and train and bank robberies became Federal crimes. "Your times is over!," Jeff Corey insists, and he's right.

Redford plays Sundance as the stylish straight man, never quite falling prey to Butch's dreams, but never able to dismiss them utterly: "You just keep thinking, Butch, that's what you're best at!" The onscreen chemistry between Newman and Redford is so palpable that although they only made two films together ("The Sting" in 1973 is a modernized version of "Butch & Sundance"), they can easily be considered one of the finest comedy duos ever, anywhere. The dialogue between them is banter between two very good, very old, very comfortable, friends. Maybe there was a script involved, too.

"Butch and Sundance" may be short on facts, but it speaks a kind of truth for which facts are not needed.

Newman & Redford's First Film Together
Paul Newman and Robert Redford are two of the biggest movie stars of all time. They are also the best of friends and that friendship shines through on their first film together, Butch Cassidy & The Sundance Kid. The film is set in the old west, but it has a definite 60's feel to it. Butch and Sundance are anti-heroes who defy the "establishment" by robbing trains. Finally the train company gets fed up and sends an elite team of bounty hunters to track them down. This inspires the film's classic catchphrase, "who are those guys" as Butch & Sundance can't shake their pursuers. The film has a light comical side to it as Mr. Newman is at his charming best as Butch and Mr. Redford elicits laughs as the uptight Sundance. Katherine Ross provides a pretty diversion as Sundance's beautiful schoolteacher girlfriend, Etta Place. Mr. Newman & Mr. Redford are instantly likable in the lead roles and you can feel their real affinity for one another come through in the film. The movie was a major box office hit and won and William Goldman won an Oscar for his crisp and witty script and But Bacarach and Hal David won an Oscar for the film's theme song "Raindrops Keep Fallin' On My Head" which B.J. Thomas took to number one in late 1969.

Style and Substance
I remember seeing this movie at the cinema as a kid (many years ago)and being knocked out by how COOL Redford and Sundance were. You know the scene in Blues Brothers, the doorway of the transient mens refuge and the rocket launcher, and they just get up, brush themsleves off, music resumes and go on as if nothing happened. That cool. And so when they get to the stage of being concerned "who ARE those guys" we have substance for the actions they take afterwards. Now watching this movie on DVD with my kids, they didn't get enraptured as I did at their age. As you might guess, not enough action for their generation - and yet, when there is action, it plays with as much emotion as the best of hollywood today. A tremendous cast delivering a tremendous performance, this will always be one of my favorite movies.

Sticks pretty well to historical fact
For one when Butch and sundance are being chased up the mountain by the posse Butch mentions Joe LaFors (sp?). I checked a while ago. LaFors really existed as a lawman at the time. But Etta Place (Kathryn Ross)though she really existed was actually not a school teacher. More likely she was a prostitute.

Butch & the Kid
Butch Cassidy and the Sundance Kid is one of the best movies (if not the best!!!) I have ever seen. The action, the interplay and the chemistry between the 2 leading stars (Newman, Redford) is like "poetry in motion". The action is non-stop, as well as the comedy, especially of Newman. Even though there is quite a bit of violence throughout the movie, I would recommend that everyone buy the video!!! ... Read more

Reviews (27)

An Existential Masterpiece
Although "8 1/2" is often touted as Fellini's greatest work, this other, equal masterpiece from roughly the same period grows more and more profound over time. An amazingly photographed and energetic survey of ennui and despair, "La Dolce Vita" is Fellini's rumination on the intellectual and moral death of an aspiring artist, who is equally a Fellini surrogate and a stand-in for the director's perception of modern man.

Though it began life as a sequel to "Il Bidone," "La Dolce Vita" ended up an autobiographical precursor to "8 1/2" by fictionalizing Fellini's earlier life as a journalist and newspaper caricaturist rather than his career as one of the great filmmakers of the 50s and 60s. As the celebrity journalist in crisis, Marcello is fantastic -- as graceful and intelligent and sexy a performance as the screen has ever seen -- and his romp with the unbelievably pneumatic Anita Ekberg in the Trevi fountain is one of the great iconic moments of world cinema. There's a haunted, despairing quality to Mastroianni's acting here that is so subtle and cumulative that by the end of the film his predicament of quiet despair overwhelms the viewer.

Bottom line: no thinking person's film collection should be without this movie, which is as beautiful and moving as any piece of art ever created, in any medium. Fellini and his fantastic cast are all at their peak as artists, and few films have ever approached their achievement.

Get this onto DVD!
My favorite Fellini film, combining the brilliant kaleidescopic parading of faces that characterize his later films with the humanistic neorealism of his earlier work. Told in a series of all-night parties that each end with the recognition of dawn, the movie tells the story of a tabloid writer who has risen to the top of his profession only to be dragged down because he can't find any sustaining meaning in the glitz and glamour.

But the story line, although more important here than in later Fellini films, is really just a device to put actors on the screen, and nobody does this better. The cast is real reason to see this; Mastroianni in the role of his life, Anouk Aimee as a bored rich woman, and Anita Ekberg spilling out of her dress as an American actress are merely the most famous - every single performance, even by the most trivial of parts, is astounding and some of the best ever captured on film. My personal favorite is the clown trumpet player with the balloons at the Cha-Cha Club - in the middle of his performance he flashes one quick look at Mastroianni that speaks volumes.

Unfortunately, the only version I have ever seen is in a standard screen ratio that is obviously badly panned - in a film this full of images there is almost more panning than actual camera movement going on, and still too much is happening off-screen. This movie needs badly to be letterboxed and given a new subtitle translation - but in the meantime, even if you have to settle for the poor VHS version, just enjoy what we have, from the awesome set pieces like the chasing of the Madonna and the final party, to the amazing Nino Rota score and the haunting organ melody of "Patricia".

5 star FILM--0 stars for a DVD that isn't released!!
WHERE IS THE DVD of 'La Dolce Vita'?? This is far superior art and entertainment to that wonderful-but-ridiculous '8 1/2' I mean, we all love Fellini, but why is his most coherent and artistically mature film lying around in some distributor's vault while trash like 'Shanghai Surprise' and box-sets of Whoopi Goldberg movies get all these million-copy releases?? Fellini is more than '8 1/2'; FEEL FREE TO RELEASE THIS DVD ANYTIME!! Ugh, do I have to get a region-free DVD player to watch foreign films? Heck, there are some American classic films that do not have release here, but are being printed in UK and European codes. What is wrong with American distributors?? We want our Fellini, and we want it now!! Gimme the sweet life gimme the sweet life GIMME THE SWEET LIFE!!!!

P.S. To all sympathizers, Bergman's 'Persona' is FINALLY getting American release in February. Cross your fingers they don't back out at the last minute in favor of a straight-to-DVD sequel to 'Finding Nemo': 'Filet of Nemo: Almond Crusted with a Side of Rice Pilaf,' starring the voices of Keanu Reeves, Jennifer Aniston, and Dom Deluise.

Fellini 's Vita
I am very fortunate to meet Guiletta Masini, the lovely wife of Federico Fellini. I several times wrote letters to Fellini himself and he answered back me. That had been going for a while till he died. If you doubt me, I can provide you copies.
I am only one Deaf authority on Fellini and his movies. I have a good collection of video, vhs or dvd. Many books about him and his movies.La Dolce Vita and 8 and half are my top favorites. I saw them in 35mm, 16mm, tv, vhs and dvd versions but the 35mm verisons are always the best!!!!!!!!!!!!!!!!
Thanks, F.R. Gomez

So ... ?
I does lack a plot. I almost fell asleep during the first half. It picked up during the 2nd half when the main character ran into his father. That was interesting for me, for personal reasons. But, having just watched it, all I can say is that it left me with an emtpy, hollow feeling. If that was the point, then the movie is quite successful. Mind you, I'm not the usual "simplistic" movie watcher. But that was my feeling... ... Read more

Description

Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. ... Read more

Reviews (4)

You can't go wrong with THIS package!
Individually, these five movies range from three stars to five stars, but as a package, I give it FIVE STARS. Watch them in chronological order and you see the Duke evolve from 50's Hollywood "tough guy" to legendary leading man in his final film. The man truly had more depth as an actor than the medium of the 50's allowed him to show. In 1976 he was finally given a vehicle to give us everything he had, even though he truly was dying of cancer.

A great collection of John Wayne's Westerns
This splendid collection of John Wayne's Westerns is a must-have for any fan or would-be fan of John Wayne (if you don't have these films already, that is). It contains some of the Duke's best movies, at an affordable price and in an attractive packaging. All of these movies are great:

THE SHOOTIST was the Duke's last film, and is truly a door-closing sort of movie. It is a fitting end to a very long and very great career. Wayne plays an old, dying gunfighter who is ready to hang up his guns but just cannot be left alone to die in peace.

THE SONS OF KATIE ELDER: Wayne stars as John Elder, the eldest son of a woman named Katie who has just died. John and his three younger brothers (one of them played by Dean Martin) return to their hometown to mourn their mother and to set things right with the people who wronged her.

TRUE GRIT: Old, fat, and ornery. That describes Rooster Cogburn (played by Wayne) as well as anything. Duke one an Oscar for his performance in this film. Truly, this is a unique character for Wayne, and a good film.

EL DORADO: This is one of my favorite of Duke's movies. He plays a gunfighter-turned-deputy, and fights to aid his alchoholic friend (the sheriff) of a gang of outlaws infesting the town. Features James Caan in a great performance as 'Mississippi.'

THE MAN WHO SHOT LIBERTY VALLANCE: Wayne stars opposite James Stewart in this John Ford classic. Wayne's character (Tom Doniphan) is a rancher/gunman whose noble spirit saves the life of a young lawyer (Stewart) come to bring 'order' to the small territorial town of Shinbone.

These are five great films by the Duke, three of them (Liberty Vallance, the Shootist, El Dorado) among the Duke's best (in my opinion), and all of them very enjoyable. This box set makes a great addition to any home DVD library.

Fair, Good, Great and near-Great
I received this set as a Christmas gift. I am pleased to now own a DVD version of "The Man Who Shot Liberty Valance" which is my favorite Western and "True Grit" which previously held that personal title. I was also happy to own "The Shootist" which ranks as a near-great Wayne movie. I will enjoy "The Sons of Katie Elder" a time or two again but I am disappointed that "El Dorado" couldn't have been replaced by the better movie it copied; "Rio Bravo". This is, of course, the problem with movie "sets". I'm not sure whether the person or persons who put these collections together include lesser movies in order to market them better or whether they really think that they're in the same class as the others. What would have been hard to top would have been "Red River" replacing "The Sons of Katie Elder" along with the aforementioned switch to "Rio Bravo". Oh well, at least it didn't include "Rio Lobo".

THE DUKE IS THE GREATEST EVER!
There never has been and never will be again a movie star like John Wayne. Miles above everyone else. These are five of his greatest films, including his Oscar-winning role as "Rooster Cogburn" in "True Grit", and his last film "The Shootist", for which he should have won an Oscar and which Fox News commentator Bill O'Reilly calls "The best western I've ever seen." Highly recommended. ... Read more

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The most famous episode in franchise history, "The Trouble with Tribbles," is one of the highlights of the second season of Star Trek: The Original Series.A deserved classic, the humorous story centers on an ever-expanding mass of furry creatures that memorably rain themselves down on top of Ca