Reviews (260)

Weather Report: Tuscan Sun Fun, Diane Lane Shines
Take this for what it is and you might enjoy it -- complete fantasy stuff, wish fulfillment, a brief escape from real world life and complexities into the stuff of make belive, completely lacking in any substance whatsoever.

Why make a book into a movie and COMPLETELY change it? This is Audrey Welles inflicting HERSELF, her agenda, in fact, her completely different story, onto Frances Mayes' story, where the only thing left is the name of the house (Bramasole) and the name of the main characer (Frances/Fran/Francesca Mayes).

In real life Mayes is married to Ed Mayes, they're university professors, writers/poets, and they bought a house in Tuscany over ten years ago and started cranking out books about their new adventure (it's HUGE house, even more imposing than the one in the film).

Apparently not seeing any dramatic potential in Mayes' work, Welles arrogantly GRAFTED a completely different story onto the title ("Maybe no one will notice") wherein HER "Frances Mayes" is married then divorced then goes off to Italy and buys a house on an impulse (and strangely meets a man named "Ed" at the end which is supposed to bring some kind of nod to the real Ed Mayes, like an inside joke or something or a little piece of magic that plays out like a lump of coal on a Christmas morning. Stupid (her last name is already Mayes before she meets this Ed so his had better be Mayes too if you're following the silly logic of the story).

Don't pick this movie apart (pull one thread and it unravels rather easily). Instead see it for the wish fulfillment fantasy of buying a house in Tuscany, the Italian countryside (most of which was actually rainy and overcast all through filming) an attractive cast (Diane Lane is STILL stunning after all these years), and a complete dose of fantasy -- a guilty pleasure, like watching "Dynasty" in the 80s.

Leave the critical thinking elsewhere and pretend the world today is no more complex than an episode of The Brady Bunch (yeah right). Watch the scenery. Watch Lane's comic performance and stunning beauty, and Sandra Oh's great supporting performance. Then forget this crazy thing.

And if you liked the book, may I recommend At Home in France by Ann Barry and Extra Virgin by Annie Hawes, both of which I liked better than the book Under the Tuscan Sun and its followups as did many other reviewers on amazon and elsewhere they report.

The best part of this movie, for me, was seeing it in the theatre and suddenly seeing on screen the love interest's 1980s Alfa Romeo Spider Veloce two-seat convertible driving "picturesquely" through Italian cityscape and Italian coastline, and laughing to myself because it was the same car waiting for me in the parking lot.

Do a theme night. Make some bruschetta and other Italian culinary items and watch this fluff with friends. You won't be able to keep a straight face at how "schmaltzy" it is. You'll be absolutely embarrassed, but you still may take a second look later in privacy for an indulgent pleasure.

Ciao!

Such lovely scenery - such an awful film!
This is a really bad film. Okay, so it has nothing to do with the book except that it shares a title - that I could live with. But the story is hopelessly cobbled together and totally unbelievable. Surely this was a first draft of the script that they accidentally filmed?

The main character is played by the pretty Diane Lane, but looks alone cannot salvage this dreadful character. She cries, she pouts, she is unbearably naive and, let's just say it, she is an idiot.

The storyline is full of cliches. And where there are not cliches, there are gaping plot holes: why does her far-too-attractive-to-be-true Italian boyfriend drive a sports car when his family run a modest cafe on the beach that is supposed to support all of them? And just how does she manage to up and move to Italy without even having to fill in an immigration form? And if she was so broke that she had to move out of her mansion in San Francisco into a run-down fleabag hotel, just how the hell can she afford to suddenly buy and renovate a house in Italy, as well as living there for months with no visible means of income?

The worst part of a spectacularly awful script is the love interest suddenly written in at the very last minute to tie everything up neatly - that really is bad writing of such magnitude that it deserves a special Oscar.

Still, if you turn the sound off, you can enjoy genuinely beautiful photography of Italy.

hooked on tuscany
I have watched this movie twice so far, and will probably watch it more often. Tuscany is a countryside that got me hooked the first time I saw it appearing in front of my train window, and it is the same with the movie. So, I could empathize, seeing the same happening to "Frances" (Diane Lane) when she sees Tuscany and decides to buy a house and stay. Diane Lane in one of her best roles, her face very expressive, her acting excellent.
The only disappointment came when I read the book the movie was made after: in the original autobiographic story, Frances Mayes is not at all a divorcee struggling with recurring bouts of loneliness, but rather, a woman already happily attached again to a new steady boyfriend, with a fulfilled life, and full of energy for the work on their new house. The movie trailer says, the character were "changed for dramatic effect". Wonder who did not like the idea that a woman could be happy again so soon, and decided it should not be shown in the movie that way ? Anyway, both are definitely worth your while, and in the book you can even find the recipes for all that great Italian cooking too.

YAWN!
I eagerly anticipated watching this movie, as I thoroughly enjoyed the book; however, the movie shares only a passing resemblance to the book. It gets 2 stars because I enjoy Diane Lane and Tuscany is gorgeous, but other than that the movie was dull, Lane's character is nothing short of pathetic, and the ending is trite.

Get Your Passport Ready
I loved this movie. I don't usually watch too many movies but a friend loaned me this one and am I glad she did.
It is about a woman betrayed and how she goes on with her life. It made me think that I too could do something exciting with the rest of my life.
For the scenery of Italy alone, this movie is worth watching. Just beautiful.
I had never seen Diane Lane in any performances but I will seek her out now. All in all I give this movie a 5 star rating. ... Read more

Reviews (63)

Two on, two out, Bonds is up again....
This movie was panned by the critics (as I recall it was on Roger Ebert's Worst list that year) and sank without even a bubble at the theaters. Why? I have no idea--I have watched this movie about 10 times now and I just love it! Kelsey Grammar is perfect as a think-outside-the-box Naval officer with "Welcome Aboard" tatooed on his docking probe. Bruce Dern is the by-the-book admiral who doesn't want Grammar's character promoted to sub captain. Admiral Rip Torn has other ideas, wanting to use Grammar in a naval exercise. Dern tries to sabotage Grammar by sending him the worst crew he can find: inexperienced diving officer Lauren Holly, the guy who played the psycho in Something About Mary is the sonar man, and a way-over-the-top Rob Schneider as the Exec. San Francisco's own U.S.S. Pampanito stars as the rust-bucket Fleet Sub they're all assigned to. This is a fun, goofy movie that does not take itself too seriously. There are a number of hilarious scenes (IMHO) that quite frankly depend on sophomoric humor. Who cares! It's not as gross as Animal House, and the plot moves quicker. Give Down Periscope a shot.

The Studio Must Think We're Idiots
I love this movie. I've seen it 20 times on tape at least. So when the DVD arrived this morning I couldn't wait to put it in the player. But wait, as the widescreen version (both are allegedly included on the DVD) played, it didn't look right to me. I started flipping between the widescreen and standard versions, and it confirmed my worst fears: THE STUDIO CARVED THE WIDESCREEN VERSION OUT OF THE STANDARD VERSION! I have never seen this done before on DVD. You will see the tops of everybody's heads cut off in the opening scenes. Later in the movie when captain Kelsey Grammar accuses dive officer Lauren Holly of being "almost out of uniform," the joke is completely ruined by the cropped view of Holly's uniform. This magnifying of the screen lowers the contrast and makes it look grainy. Did the studio think we wouldn't notice? I think this really shows contempt for us, the customers. When I buy a widescreen DVD, I expect to see what I saw in the theater! But here, you'll see more by watching the standard version. This is inexcusable.

The audio is presented in 5.1, which adds a great deal to this movie. However, better use could have been made of the surround speakers; the background is not well separated.

Now the movie: Kelsey Grammar is a "think outside the box" naval officer given command of the Stingray, a World War II Vallejo class Diesel sub. His assignment is to try to outwit the nuclear navy and run a blockade. To sabotage his efforts, Admiral Bruce Dern gives him the worst crew he can find including diving officer Holly, sonar man Harlan Williams, and an electrician who's taken "a lot of volts." Down Periscope was sunk by the critics when it came out--Roger Ebert put it on his worst of the year list. The humor is sophomoric and silly, and therein lies the charm of this movie. It has a good heart. Grammer is perfect as a goofball captain who is really very, very good at his job. This is kind of movie that will either work on you or it won't. If you like silly movies, give Down Periscope a shot. As for the butchering of the widescreen version of this movie on the DVD, let's hope this doesn't start a trend.

a unique comedy
Down Periscope is hilarious from beginning to end. It is one of those movies that has a serious plot invaded by superb humor. I laughed almost every couple of minutes while watching this movie. Down Periscope is one humorous movie that anyone can pretty much agree on. What is amazing to me is that this movie did not do well at the box office. I definately think it was good enough to spawn a sequel.

IT ***IS*** IN WIDESCREEN!!!!
I really hope the last reviewer comes back to see what else has been said. This is one of my favorite movies and I was a bit dissapointed that I wasn't going to be upgrading my poor, overwatched VHS tape that is hanging on by a thread, for a full Widescreen DVD with all the bells & whistles. I got the DVD anyway and noticed that one side is printed with "Side A Full Screen" while the other side is blank...cusriosity got the best of me and I figured that if it has "Side A" there must be a reason...so I put the DVD in on the other side...and the movie is there...AND IN WIDESCREEN! Apparently they forgot to print the label for side B, but it most certainly exists :)

I Think It's Funny!
I watched Down Periscope when I ordered it from Direct TV on the Satellite and I thought it was a good movie. I'm not really a fan of fart jokes but even I have to admit that the scene when the people on the ship were listening in on the submarine and someone farted and the sound was magnified and the guys on the ship couldn't figure out what the loud noise was was actually funny. Down Periscope is a 3 1/2 star movie that I recommend and I will have to think about buying the DVD which has both a widescreen version and a pan and scan version. I would definitely prefer the widescreen version! ... Read more

Reviews (8)

Worth Every Cent, but Maybe a Guy Thing
If you are interested in getting entertained. If you want to innoculate your children to the vagaries of the consumer society, if you want to make the Old Man laugh, Granpa cry or your wife weep, then buy this set. With several exceptions there is a lot to recommend here: some of the ones from the 30s and all of the classics from the early 40s with the original Stooges. There is even a hilarious 1965 full-length western spoof with Curly Joe as the third stooge, starring also Adam West (Batman) in what can only be regarded as the best of the worst 1960 gauche. My favourite is the stooges building their own aiplane, and the one where they are in Britain on loan to the RAF, in trying to hide from their irate boss, they hide in a bomb that (you guessed it) gets dropped into Nazi Germany where they meet Marshal Boring and General Bommel. A good propoganda piece as well.

I bought it for my three year old daughter and she absolutely loves them. I actually now use it as part of my discipline programme -- no eat dinner, no Three Stooges --- man does it work great.

Buy the Set and SAVE $$$
I have been buying these DVDs individually (...) as they were released. If you are a Stooge fan, you must have these discs and packaged this way you save a ton of cash. I don't regret buying these for more money because I have been enjoying them all along. I can't wait for Columbia to get off their collective dead asses and get the rest of the shorts on DVD!! Wish they thought this out better, but I will take what I can get. Like I said, buy this set, start your collection and save money! Let the laughter begin!

Pure Hilarity
These chaps are quite the pranksters and their antics are very funny! I remember laughing at them in my youth and the laughs continue to this day. Moe, the fellow with the black hair, is sort of the boss of the three. He very often hits the other two (Larry [whose hair resembles a mop] and Curly [the one with the shaved head]; sometimes Shemp [who looks like Moe] and sometimes Curly Joe [looks like Curly] instead of Curly). I particularly like when Moe wraps a wrench around Curly's nose and pulls. It's very funny, but it's odd that in the next episode, Curly and Moe are getting along fairly well. I don't think I could continue being friends with someone who would pull on my nose with a wrench. I can forigve and forget, but a man has to have his limits.

Anyway, in these featurettes the three fellows move about from job to job. At some point Curly will accidentally injure Moe, then Larry will, then Moe starts hurting the two of them on purpose. When one of them is hit, a funny sound usually ensues to add to the jocularity. It's all pretty far-fetched I grant you, but you won't care when you're laughing. Enjoy!

outstanding!
I love the stooges! I never get tired of watching moe pry curly`s nose with a crowbar,or put larry`s head in a steam press,or pull curly across the room by the ear with a pair of scissors! I love these guys! brilliant!

TONS OF FUN
IT IS ABOUT TIME, I HAVE BEEN WAITING FOR THIS FOR A LONG TIME. I HOPE AMAZON DOESN'T KNOW HOW FUNNY THESE DVD'S ARE. IF THEY DID THEY WOULD PROBABLY JACK UP THE PRICE...THESE DVD'S ARE WOOP WOOP WOOP WOOPTASTIC ... Read more

Reviews (147)

Early DiCaprio is great
This is a great movie, which features Leonardo DiCaprio, playing a role which is so distant from any other roles he's ever done, and he really shines. If you've seen Titanic, and a couple of his other movie roles, you'll be really shocked, that he can play a totally different role. He's not a pretty-boy as he normally is.

It's never really explained what's the matter with Leo's character, Arnie. He has a lot of different characteristics which relate to different special needs people. I tend to think he's autistic, but he never comes across as especially autistic. So it does get a bit confusing.

There is a really powerful connection between Johnny Depp's character, Gilbert, and Arnie. Gilbert is really protective of his younger brother, and ashamed by everyone else in his family. This relationship comes to a terrific climax later in the movie, which will shock everyone who's enjoyed their relationship up until then.

Juliette Lewis plays the girl Gilbert falls in love with, and who he gives up his older, married lover for. Most people in other reviews I've read don't seem to like her character, but I do. She was great for the part, and although I wasn't keen on her too short hair, I loved everything else about her role.

Darlene Cates plays the abnormally obese mother, who hasn't stepped out of the house in 7 years, until Arnie gets arrested. I'm not sure whether the sheer size of her was for real, or whether it was body padding/suit kinda thing. Her size is almost too realistic to be a body suit.

All in all, this is a terrific movie, which wrenches at your heart strings, and has you in tears with the dramatic finale.

THIS IS AN ENTERTAINING, ENJOYABLE AND SWEET MOVIE.
"What's Eating Gilbert Grape" is the kind of movie which you don't expect too much before you see it, but after you've seen it, a smile in your face will appear.

The movie tells the story of Gilbert Grape, a nice guy trapped in a small town, with a dysfunctional family (as almost every family is), a job without a future and a relationship with a married woman. And despite all this, he is not a sad man, he is not depressed, he is not worried about himself; his main reason to live is to take care of his family. Everything else comes in a second place, including himself.

Johnny Depp is the center of the movie and his low-key performance is excellent, but the reason why this movie works so fine is the supporting cast; Leonardo DiCaprio is terrific as the mentally retarded brother, he and Depp are the fuel of the story. The rest of the cast includes: Darlene Cates as the big, big, big mother, John C. Reilly as Gilbert's best friend, Juliette Lewis as Gilbert's new love interest and Mary Steenburgen as the married woman who is having an affair with Gilbert, all of them are terrific in their roles.

The main purpose of "What's Eating Gilbert Grape" is to entertain audiences, and it does...a very enjoyable movie.

Excellent
This movie is indeed a tear jerker, yet work seeing.

What's eating Gilbert Grape?
..Well that's very simple. It's Gilbert's (Johnny Depp) disfunctional family. His brother (Leonardo DiCaprio) is mentally challenged, his mother (Darlene Cates) is morbidly obese, his youngest sister is a brat, there is also a house wife (Mary Steenburgen) who orders groceries from the store Gilbert works at, she has reasons of her own that does not include the need for food. She's quite capable of going to the supermarket herself. Let's just say she has more than a little thing for Gilbert. Gilbert's father passed away years earlier. Now only himself and the older sister seem able to take care of the home and family. I would like to mention that actress Darlene Cates has lost over 200 lbs. since this film was made. What's Eating Gilbert Grape is a wonderful, funny, sad and off beat drama that is sure to have something for everyone. I think it was very silly for one reviewer to say that this film makes fun of obesity and mentally impaired people. Are we not ever to have these types of characters in movies? I'm not sure if this person watched the entire film. It does have a positive message about these issues. This film doesn't make fun it only points out ignorance in people who do. When you see an overweight person do you stare at them? What if they are very overweight? I really liked the scene when Gilbert's mother said "I haven't always been like this." and Becky (Juliette Lewis) said "I haven't always been like this either." As if Becky didn't even notice that Gilbert's mother was of a beyond plus size. I myself work with mentally challenged kids everyday so Arnie just seemed like a kid to me. But in reality I have to say Leonardo DiCaprio was superb. On a less superb note however the DVD has zero extras. Well I guess if you wanna call having a theatrical trailer an extra feature go right ahead. I think a few featurettes and a director commentary is a must now days. Other than the lacks of DVD features this is a must purchase. Add it to your movie library ASAP.

the heart: you'll know it when you see it.
Needless to say this movie is NOT about making fun of the mentally retarded, the obese, grocery store stockers, randy housewives, or anyone else.
This movie is about the human heart, its complexity, pain, love, and cruely.
Gilbert is trapped by his heart. He wants to be a 'good person', but really he's already good enough, and its killing him: his spirit, his hope, and his love.
This is a wonderful movie if you can withstand the bleakness of Gilbert's life and not despair.
In the end, the story is lovely and the actors are marvelous. And where there's a good heart, there's hope. ... Read more

Reviews (79)

"Hello, Dolly!"
Mrs. Dolly Levi is inarguably the most endearing film character I have ever encountered. She is beautiful, fashionable, clever, and humorous. One cannot help but wish that Dolly actually existed. Indoubtedly, I cannot imagine anyone other than Barbra Streisand playing the part of Dolly. Her stunning voice and captivating performance make "Hello, Dolly!" a truly wonderful movie.
Besides Streisand's amazing performance, this movie includes some wonderful songs and exciting dancing scenes. However, the dancing scenes do become a bit tedious and long.
What is "Hello, Dolly!" all about? It is the story of a widow who arranges an unimaginable amount of events and places. She assists a couple's elopement, two friends' trip to New York City, and a bored man's romance.
This film features other loveable characters, too, such as a head waiter in a posh restaurant, an orchestra conductor at the same restaurant, and a hatmaker who desires to be "evil."
I would highly recommend this romantic comedy to anyone. Although the dance and song scenes are too long, watch the complete movie. Streisand's performance is extremely wonderful and endearing.

Hello, Dolly! Barbra's best intentions
Only Streisand's second movie, filmed during the politically and meteorlogically hot summer of 1968, Ms. Streisand turns in a performance that could have won her first best actress Oscar, instead of the much better "Funny Girl," filmed in 1967. Why an Oscar? Streisand knew from the start that she was terribly miscast as the middle-aged widow, Dolly Levi. Opposite Walter Matthau, twice her age at the time, it's not a believable story. The Oscar comes from Barbra's totally tongue-in-cheek performance. She is not Dolly Levi, she's really Mae West, Fanny Brice, Brooklyn Barbra, even a twinge of pre-star Dolly Parton. Listen as Barbra throws in a little southern accent here and there. But mostly watch an incredible actress do what she can with a story so silly that by the end of the film, 26 year-old Streisand changes the supposed-to-be 50+ widow into one of the sexiest screen performances in film history. Even Matthau can't hold back his disbelief when watching Barbra do her numbers. When there's no Barbra on screen, there's no film. You watch in anticipation until Barbra's next scene, wondering who she'll be. The film looks like Gene Kelly directed it in three days with many technical flaws in the continuity of blocking scenes and dialogue. Just watch Barbra. Forget that she's the best female singer of the 20th century (no pun intended). Think of her as a young, sexy actress who has such energy, fearless ambition to get her movie career going. Of course, the sets are incredible and her duet with Louis Armstrong (his last film performance) is classic, albeit about two minutes long. Watch Barbra whisper under her breath while filming the dance numbers in The Harmonia Gardens with seasoned dancers. She looks like she's saying, "What the hell am I doing here?" Actually, she's making pure movie magic happen, almost impromptu. Movie: three stars, Barbra: Five plus stars. Nice to see Michael (Phantom of the Opera) Crawford pretend he can't dance. Barbra doesn't talk about this movie, but being the most costly musical in history up to that time, 20th Century Fox got their money's worth a million times over by convincing the apprehensive Barbra Streisand to star. Sorry Carol Channing, but Barbra was the best choice.

Elephantitis
Thornton Wilder's modest little play "The Matchmaker" has been blown up as big as a zeppelin in this out-of-control Streisand vehicle. A couple of songs had been added in the original musical conversion of the play on Broadway but this Hollywood monstrosity was never on Wilder's drawing board. The play had in fact been filmed ten years earlier with Shirley Booth, Paul Ford, Anthony Perkins and Shirley MacLaine in the leads. They should have left it at that. The original point of the story of the middle-aged Dolly Levi's pursuit of Horace Vander Geller is swallowed up here by the vast sets (the New York street set was one of the largest ever constructed and was forbidden to Paul Newman for "Butch Cassidy and the Sundance Kid" for fear "Butch" would reach the theaters before "Dolly") and interminable and generally idiotic production numbers. This must be some of the worst dancing ever filmed. Hard to believe a couple of Hollywood veterans like Gene Kelly and Ernest Lehman rode herd on this fiasco.

Tune Vs Crawford: Palpable Onscreen Tension
The tension that erupted between Tommy Tune and Michael Crawford whenever they were onscreen together in this fine film was delightfully electric. Their intramural competition propagated palpable intensity not really visible or audible (they had no exchange of dialogue) -- it was more a matter of pride between two spunky bachelors, a jousting of the male wills: Tune's learned dance talent meets Crawford's raw dance energy. Both portraying young men pursuing women in the movie, their performances conveyed much more deep and lusty a purpose between them, a cocksure attitude of stretched wide smiles and leggy high-hop dancing, a genuine duel of actors in their prime. Don't miss this one because, despite their competition, both Crawford and Tune emerged victorious and grand.

The Last of the Great Movie Musicals
By Streisand's own admission, she was too young in 1967 to have made a movie about an middle-aged woman making a personal "comeback"... and we all know how wonderfully different and marvelous the film would have been with Carol Channing... however, this does not take away from the fact that this is an incredible, lush, entertaining and musically rich film. The transfer to DVD is superb and crystal clear in picture and sound. The widescreen is anamorphic and color corrected. The only drawback is Walter Matteau's typical characterization which often detracts from the scenes he appears in, and his song "It takes a woman" is only saved by the beautiful setting and the male singers and dancers that accompany him. His voice really should have been dubbed by someone who could sing. Not to worry, Marianne McAndrew (who is stunningly beautiful) is a treasure in this film.... and her songs are wonderful (not sure if that is really hear voice, but its terrific). The sets are incredible and who wouldn't give anything to dine and dance at the Harmonia Gardens? The set designs, art direction, cinematography and costumes are exquisite. ... Read more

Description

Bill and Stan are mistaken for murderers while on vacation. Bill's family sends his cousin, Vinny Gambini, to defend them in his first case as a lawyer. Vinny's girlfriend, Mona Lisa Vito, joins him to help win the case because of a promise he made to her that he would marry her when he won his first case. Marisa Tomei won the Oscar for Best Supporting Actress in this film. ... Read more

Reviews (92)

You Can Still Call Me Gambini...
My Cousin Vinny is one of the funniest flicks ever. Take Joe Pesci, the hilarious little Italian fella and put him with the beautiful Marisa Tomei, and you got a great combo and a laugh-riot movie. Pesci, is Vinny, Brooklyn-born lawyer, who ain't the perfect lawyer--but has a lot of heart. His wife-to-be, Mona Lisa Vito, helps out Vin when he's down... and they are both down--wayyyy down south in Alabama, defending his wrongfully accused murder suspect cousin (played by Karate Kid, Ralph Macchio in a great role), and his buddy. Italians and non-Italians will love this Pesci flick--it ranks right up there with GoodFellas & Casino anyday. Tomei won an Oscar, and why not, she's dead-on balls accurate as a New Yawker--and damn cute too! Great video. Buy it today, I guarentee you a thousand laughs.

South Brooklyn meets The South
Subtly employing the city mouse/country mouse theme, MY COUSIN VINNY is a light-hearted courtroom comedy. While it occasionally stoops to some stereotyping, the movie doesn't do so mean-spiritedly. In any event, both sides get equal skewering.

Vinny Gambini, brilliantly portrayed by Joe Pesci, is a Brooklyn boy who has finally passed the Bar (after repeated failures) and now finds himself defending his nephew and his nephew's friend against murder charges in the Bible Belt. Along with his too beautiful fiancee, played by Academy Award Winner Marissa Tomei, Pesci investigates the southern style of life, as he fathoms southern courtroom procedures and tries to get some sleep. The resulting clash of cultures is sometimes predictable, but honestly, is very inventive for the most part.

The comedy of the court room scenes is heightened by the late Fred Gwynne who plays the presiding judge. His by-the-book habits and short-fused temper are a perfect foil to Vinny's laconic style. It is their interaction that feeds most of the cultural clashing. But there is also a clash of the sexes that underlies the film, as Vinny stubbornly refuses the help of his fiancee. This confrontation is also highlighted in the courtroom when the DA refuses to believe that she could possibly be considered an expert in automechanics, even though her brothers, her father, her uncles, and just about everyone else in her family are expert mechanics. (The DA becomes convinced in a wonderful cross-interview scene.)

MY COUSIN VINNY was both critically well-received and a huge box-office success. There's a reason for that: it is a well-written, well-directed and perfectly acted comedy that stands up well even after repeated viewings. See it for yourself and you'll understand why, too.

My Cousin Vinny (1992)
In 1992, My Cousin Vinny was the one movie that made everybody laugh until their sides split. I've been watching the film ever since it was released and all I did was laugh my rear-end off. Twelve years have gone by since the film was released and I'm still laughing today. Any actor or actress can get a rise out of you if they knew the right way to do it, but nobody can get a rise of you the way Joe Pesci does in this film; nobody can do it they way Marisa Tomei does in this film.

When two college buddies by the names of Bill (played by Ralph Macchio) and Stan (Mitchell Whitford) are driving down the roads of Beecham County, Alabama, they are suddenly arrested for the murder of a grocery store clerk, but what the police of Alabama don't know is that Bill and Stan are completely innocent. Unable to afford a public attorney, Bill turns to his cousin, Vincent Gambini (played by Joe Pesci), an ex-auto-mechanic turned lawyer from Brooklyn, New York, who just past his bar exam after failing it the first five times and knows absolutely nothing about law. By his side is his beautiful fiancee, Lisa Vito (played by Marisa Tomei, in her Oscar-winning role), who is an out-of-work hairdresser that knows every damn thing there is to know about cars. The court is led by Judge Chamberlain Haller (played by the late Fred Gwyne), who has absolutely no patience for any kind of misbehavior in his courtroom. Seems as though Vinny has now finally realized his no longer in New York and is now in a state where no one gets away with any kind of behavior or crime and has finally met his match. Can Vinny pull his cousin out of this mess without screwing up the case? Watch My Cousin Vinny as he desperately tries to save his little cousin while he gives you non-stop laughter along the way.

Northern Lawyer meets Southern Justice - unexpected results!
Joe Pesci and Marisa Tormei are both an absolute scream in this movie. The sparks fly between Pesci and girlfriend Tormei, as well as between Pesci and Fred Gwynne's Chamberlain Holler, an Alabama Judge. I had dreaded seeing it - the television ads almost made me cringe as I anticipated a film which would bash southern rednecks. What I had NOT anticipated was that a story could be told about a couple of New Yorkers falsely charged and locked up in an Alabama jail that could be resolved in a way that justice could be served and the southerners would be portrayed in a way that was not at all stereotypical. I can think of no other plot that has as one of its essential elements a comparison of the amount of time required to properly cook grits. "No self-respecting southerner would make instant grits" a character proclaims from the witness stand during the trial that is the centerpiece of this witty screenplay, and the other southerners in the film's jury nod their heads in understanding. Fred Gwynne is light-years away from Herman Munster as the wise southern judge who is out for justice, but not to be trifled with. Ralph Macchio and Mitchell Whitfield have little to do other than look worried that Ralph's Cousin Vinny isn't going to come through and save the day. At less than 10 bucks, I'd buy this DVD if only to watch Tormei's hilarious response when Pesci tells her that he has been invited to go deer hunting with the Lane Smith's District Attorney.

Mike Hint
i think that this movie was one of the best movies i have ever seen. Joe Pesci was the right person for this movie he played a great and convincing roll. I like the way that the writer of the movie made Joe Pesci not know what he is doing so he had to learn so his cousin didnt go to jail. I loved the twists and turns that made you think. All in all this was a great movie and i would reccomend you to see this. ... Read more

Amazon.com

Like the TV incarnation of The Odd Couple, the M*A*S*H series has supplanted the original film in the public's consciousness. Legendary comedy writer Larry Gelbart (Your Show of Shows) deserves a medal for developing Robert Altman's bloody, funny 1970 classic for television with much of its anti-establishment spirit intact. These 24 first-season episodes--bracingly less politically correct than the shows in the final seasons--chart the program's sometimes bumpy evolution as it tried to remain true to the film's anarchic spirit while finding its own voice. The most memorable episodes include "The Pilot," which establishes the characters in broad strokes; "Sometimes You Hear the Bullet," in which a friend of Hawkeye's (Alan Alda) dies on the operating table (look for "Ronny" Howard as an underage soldier); "Cowboy," in which someone is trying to kill clueless commander Henry Blake (McLean Stevenson); and the pivotal "Dear Dad," the first of what would be a series of multistory episodes in which Hawkeye writes to his father about life at the 4077th. It is interesting to note film characters who made early exits from the series, including Timothy Brown's Spearchucker and Karen Philipp's Lt. Dish (George Morgan, who plays Father Mulcahy in the pilot, we hardly knew ye). Klinger (Jamie Farr), bucking for his Section 8 discharge, doesn't appear until the fifth episode, "Chief Surgeon Who?" And Gary Burghoff's Radar is a much more wily and savvy partner in crime to "Yankee Doodle Doctors" Hawkeye and Trapper John (Wayne Rogers) than in later seasons. In its 11-year run, M*A*S*H earned 14 Emmy Awards, and it remains one of TV's most beloved series. Though it is a staple of syndication, the episodes are presented here uncut, probably for the first time since their original broadcast. For M*A*S*H devotees, this three-disc set is just what the doctor ordered. --Donald Liebenson ... Read more

Reviews (159)

The First Season of a Great and Timeless Series
M*A*S*H the series: Hawkeye Pierce (Alan Alda), Trapper John (Wayne Rogers), Radar (Gary Burghoff), Klinger (Jamie Farr), Colonel Blake (McLean Stevenson), Hot Lips Houlihan (Loretta Swit), Father Mulcahy (William Christopher), and Frank Burns (Larry Linville) are the core of a great cast telling the story of a Mobile Army Surgical Hospital, just a few miles from the front in the Korean War, trying to stay sane in an insane situation. Great irreverent comedy, with the early cast.

This VHS set: This is a three-tape set giving you the 24 episodes of the entire first season. I've been watching the reruns on late-night TV for years, and did not realize how much had been edited out of those (to squeeze in more commercials). Now, these tapes bring us the episodes uncut. It's fun watching them and going, "Hey, I don't remember that!" A good buy; a good set of tapes to have on the shelf for rainy (or snowy) days.

It's About Time
It's about time that Fox put out M*A*S*H for the public (and without those stupid subscription/shyster video clubs). Thank heaven for DVD!

M*A*S*H is a brilliant show. Funny, yet touching. I have seen every episode at least 50 times but only in reruns, since I was only four when the series debuted. It was fantastic seeing these episodes uncut. Syndication takes it toll on the series and they cut many of the really funny parts for commericals. Epsiodes like "Chief Surgeon Who?" and "Pilot" show how much talent was in the writing, directing and acting of this excellent show. My favorite is "Sometimes You Hear the Bullet" with a very young Ron Howard.

I plan on collecting every season, just to have a complete library. M*A*S*H is one show I never get tired of. Now, if they would just do the same thing with "I Love Lucy"!

Truly a classic TV show
"M*A*S*H" is definitely one of the greatest shows to ever grace the small screen-I recently purchased the first season episodes on home video-These episodes introduced us to a memorable cast of characters:Captain Benjamin Franklin Pierce aka "Hawkeye",Captain John Mc Intyre aka "Trapper",clueless Colonel Henry Blake,pompous Major Frank Burns,no nonsense head nurse Margaret Houlihan,alias "Hot Lips",myopic company clerk Cpl Walter "Radar" O'Reilly,& the cross dressing Cpl Max Klinger-Ironically,"M*A*S*H" didn't become a top 10 Neilsen favorite until the following season-I didn't realize that the reruns seen in syndication had been trimmed to allow for the airing of more commercials-That was clearly evident when I watched the first batch of episodes-Someone asked if the show was still on somewhere-It's presently seen on cable's Hallmark Channel-Unfortunately,I don't happen to receive that particular station-Thank God I can watch these classic episodes in this format.

The best of M.A.S.H.
The first series is my favourite, so I'm delighted to have it on DVD at last. It contains my two favourite episodes. 'To Market, To Market' is the one where Hawkeye and Trapper steal Henry's new oak desk to swop for medical supplies with a Korean black marketeer ("You know how it is, Colonel, we all look alike"). Even better, my all-time favourite episode " Tuttle" where Hawkeye and Trapper convince everyone that the imaginary Captain Tuttle is a real person. Every episode has a cracking script, and the cast are all wonderful, especially Alan Alda as Hawkeye and gorgeous Wayne Rogers as Trapper (how I adored him, it broke my heart when he left the series). And Maclean Stevenson is wonderful as daffy Colonel Blake, and Loretta Swit is brilliant as belligerent Margaret Houlihan, before they made the terrible mistake of softening her character and turning her into a nice, cuddly person (yuk). I've lost track of how many times I've watched this wonderful series over the years, and now I have it on DVD I can watch it even more.

Where this classic series got started
What can be said about M.A.S.H. that hasn't been said already? Among the longest running and best sitcoms ever made, it stands the test of time despite its very specific setting. The gags still work, the characters are still wonderful, and the show still enjoyable.

The first season is less serious than later seasons, which were not shy about dropping the gags in order to throw serious topics into the mix. The actors, too, were still finding their tone and pacing during this first season. But still, few shows can match these "baby steps." Hilarious from start to finish.

This DVD set is bare bones, though not poorly produced. We get the episodes spread out over three discs (all in a sturdy triple-case) and a small booklet with info on each episode. And that's it. No extras, no commentaries. Just the episodes.

Which is just fine, because the episodes are great. Good, crisp picture far better than reruns, and good sound.

And the bare bones format pays off. With TV-on-DVD sets routinely breaking the $50 to $70 range, $35 sounds pretty darn good. A no-brainer buy for M.A.S.H. fans. ... Read more

Amazon.com

M*A*S*H redux. Sign up for another stint with the 4077th. This three-disc set contains all 24 episodes from the superb second season (1973-74) of the series ranked by TV Guide as among the top 25 television shows of all time. The season opener, "Divided We Stand," is a deft reintroduction to these now iconic characters: bleeding-heart surgeon Hawkeye Pearce (Alan Alda in his signature role), kindred misfit spirit Trapper John (Wayne Rogers), clueless administrator Henry Blake (McLean Stevenson), buttoned-up Frank Burns (Larry Linville), and unbuttoned head nurse "Hot Lips" (Loretta Swit). In this episode, a visiting psychiatrist evaluates the 4077th to determine whether the unit "can function as a team." His evaluation can serve as this series' mission statement: "These impossible people are in an impossible place doing totally impossible things. They're mad--quite mad." M*A*S*H experienced no sophomore slump from its Emmy Award-winning first season. It continued to subvert sitcom convention with multiple-story episodes such as "Radar's Report." Scenes in the operating room play without a laugh track (this DVD gives viewers the option of watching entire episodes minus the intrusive chuckles and guffaws). M*A*S*H also tackled such issues as racism ("Dear Dad... Three," "L.I.P.--Local Indigenous Personnel"), homophobia ("George"), and war atrocities (Hawkeye and Trapper try to get the Army to take responsibility for the accidental shelling of a South Korean village). Not that M*A*S*H forgot how to be funny. "Five O'Clock Charlie" and "For Want of a Boot" are strictly for laughs. Hawkeye and Hot Lips memorably exchange flu shots in "Carry On, Hawkeye." Loyal viewers will note the emergence of several supporting characters, including Jamie Farr's Klinger and William Christopher's Father Mulcahy. One also sees the (to some) unfortunate transformation of Gary Burghoff's savvy, crackerjack clerk Radar into a naïve innocent. Allan Arbus makes his first appearance as compassionate psychiatrist Dr. Sidney Friedman in "Radar's Report." This second-season set is representative of why M*A*S*H was a cut above. --Donald Liebenson ... Read more

Reviews (71)

M*A*S*H DVD - For all it's worth....it's not worth enough
After viewing the 2nd season DVD of M*A*S*H on DVD, and enjoying the option to erase the laugh track, I realize how excellent the show was in it's infancy, before the plotlines were re-used ad-infinitum. I mean, how many times can Radar lose his teddy bear? That subplot must have been used at least 30 times in the series. Through 2 C.O.'s no less, Potter and Blake both had to put up with missing Teddy Bears. The sound that came through was excellent, crisp and clairified. The video did look a little grainy, especially in closing credits. I love this show, I began watching it when I was in 8th grade, and i'm now 21. I've seen every episode countless times over, except the rare ones, the ones that seldom ever air on FX Network and our local FOX Network station. Seeing these episodes really added color and depth to the characters. But, for all it's good, the DVD lacks ANY special features, I had to say that special features was the whole reason I bought a DVD Player. To find that this, and the original Star Trek series both have no special features is a total let-down. It seems to me that somewhere Alan Alda, Mike Farrell, Harry Morgan, David Ogden Stiers, Wayne Rogers, William Christopher and a million and a half other cast members are at least WANTING to reminisce in the roles that got them better gigs, or got them known. I work in a Video Rental store, so I was able to rent this DVD without paying for it, and I can say that it's not worth nearly fourty dollars. Maybe with some special features, it might be. Take a cue, FOX/CBS for the 3rd Season release!

Great set is missing something, but still great.
The ability to watch every episode without the laugh track is a major bonus. It adds a completely new dimension to each show. For me it actually expands on each character, such as sarcasm is sarcasm instead of a funny or dumb line. If you've ever watched a sitcom without a laugh track that originally aired with a laugh track, you'll know what I mean. The laugh track is ON by default, meaning you'll need to turn it off if you change discs (at least on my 5-disc player).

The DVD set, through the original release of the season two DVD set, does not contain any extras, such as behind the scenes commentary.

The 3-disc DVD set comes in a wonderful keep-case; all plastic. It includes a booklet with all episode chapters, but no extra documentation.

As of this date, there is a long period between the release of each season's DVD set.

I would have liked a "Play All Episodes" option to keep from having to start each episode manually. You may have seen this option on other DVDs where you can play all deleted scenes automatically.

Remember, always release the DVD by pushing on the center post to keep from bending or cracking the disc.

Second season establishes why this is classic stuff
There isn't much that can be said about M.A.S.H. that hasn't been said already. Among the most popular sitcoms ever made, the show still stands the test of time despite being set in the Korean War. The jokes still work, the characters are still charming and feel like old friends, and the show still more enjoyable than most of the shows that have come and gone since.

During this second season the show really began to find its stride, more boldly playing with serious topics. The actors are really at home in their characters.

Like the other sets, this DVD collection is bare bones (though not poorly produced). We get the episodes spread out over several discs in a sturdy triple-case and a small booklet with info on each episode. That's it. No extras. No commentaries. No documentaries. Just the episodes.

And that is just fine, because the episodes are great. Good picture far quality, good sound, and an option to turn off the laugh track are about all we really need.

Even better is the price. Because this is so bare bones, we're paying only about $35 rather than the $50 or $70 so common with TV-on-DVD sets.

A no-brainer buy for M.A.S.H. fans.

I Never Knew It !
I never watched MASH as a kid, and in fact hearing the music when the show came on at night prompted me to quickly change the channel.

Then a few months ago I was driving cross country and picked up a TV station broadcasting MASH on the radio. It was a laugh every 20 seconds, I couldn't believe it. After that trip I started collecting the DVDs.

I'm a big fan of Friends, Seinfeld, and other funny sitcoms, but MASH is just hands-down the most hilarious series ever to hit the tube.

The quality of the DVDs are great. I strongly recommend biting the bullet and getting all seasons and watching them from the beginning.

good times
I was so glad when these collections were finally released. The first 3 seasons with Trapper and Henry are the absolute best. What I liked better in the first season was that they kept it light and fun. They started dealing with deeper issues later. I also liked Radar's character better in the first season. He was sharp and clever and not as innocent. On the other hand, Klingers character started to blossom after the first season. I never get tired of his crazy, side slitting antics. He is such a colorful character. The only thing about MASH that never sat well with me was all the infidelity. That's what I appreciated about Col. Potter and B.J. in the later shows. They proved that you can still be funny when faithful. ... Read more

Amazon.com

It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things off to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport security and, of course, renders his trademark re-re-re-definitions of what constitutes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom Keogh ... Read more

Reviews (138)

A MUST-HAVE!!!
GET THIS MOVIE! This is the funniest movie you'll ever see! It tops even "Rat Race!" Jeff, Bill, Ron and Larry are hilarious even when they're not on stage! "He just made enough money to buy anything he wants in the store, and he gets the remote-controlled fart machine." LOL!!! Even if you're not a Jeff Foxworthy or Bill Engvall fan, you will absolutely LOVE this movie!! And Ron and Larry are HYSTERICAL!!! Ron's "Yesterday I was sitting in a beanbag chair naked eating cheetos" is an AWESOME opener and Larry's line, "I was seeing this girl for six weeks, then somebody took my binoculars out of my truck" is classic! Bill's cool when he talks about his family. "I was helping my wife fold clothes, I pick up this pair of skimpy underwear and I go, 'Hey, Hey! When are you going to wear these for me?' 'I can't, they're your daughter's.' I'm like, 'OOOOOOOOOOOOWWWWWWWWWWWW!!' No No No!" HAHAHAHAHAHAHA! And Jeff's redneck words are very, very funny, too! "'Wijadija.' Hey, you didn't bring your truck wijadija?" 106 minutes of pure hilarity! Where else can you not only get more Bill Engvall "Here's Your Sign" gags, but also get Jeff, Ron and Larry telling one, too? And Bill telling a redneck joke? After seeing this movie and seeing that Jeff. Bill, Ron and Larry are all rednecks, I'm proud of the fact that I'm a redneck!

Everyone can find this filled with laughs
The Blue Collar Comedy Tour isn't just for rednecks or blue collar workers- this is fun and laughter for everyone. There are no cusswords or adult content to cut out so even teenagers can watch this. Funny comedian Ron White is like a 21st century country-style Dean Martin. The other 3 comedians ( Ron White included ) along with Jeff Foxworthy also serve up their fair share of comic lines and laughs. Most people have only heard of Jeff Foxworthy due to his name & longetivity( including me until this ) but once you've seen & heard this you will want to enjoy it over & over.Great that these four comedians decided to tour together,film it & release it on video & dvd for us to enjoy.
Even you are alone you may be laughing out loud.The Blue Collar Comedy Tour was recommended to me by an African-American so it wasn't offensive to him either as he thought it funny-This is definitely not just for rednecks but for everyone.This is not just southern humor-the comedy is universally appealing. Buy it,rent it,don't miss out.You don't have to have a job with a nametag on it to enjoy this one.It doesn't matter who you are- this one's funny.It't not covered in moles.No one will literally throw you out of a place.There's your sign-You might be a redneck but you don't have to be one to laugh at this comedy.

Just Buy It!!
My personal gaurantee--YOU WILL NOT BE ABLE TO STOP LAUGHING ONCE THIS MOVIE STARTS! Now, go buy it and quit wasting anymore of your time reading these reviews. P.S. I dont know where Ron(tater salad)White has been all these years but he is a super performer and in my opinion stole the show even though he was on the stage a much shorter time than the others. The cable guy is funny too! Git er Done!

White Trash Humor
If you like redneck, working-man humor, you'll get a kick out of this. Personally, my favorite performer is Ron White, and I thought Larry the Cable Guy's solo performance was irritating. Between the different performances, they have clips from a visit they did to a shopping mall, which are okay.

Not THAT good, but...
Call me a tough critic, but I can't bring myself to rave about this film in the way everyone else has.

My friends (who have no taste in comedy what-so-ever) love this film, so they watch all the time around me. I did find it to be funny and I found myself laughing at most of the "You might be a redneck if..." jokes, though I thought Larry the Cable Guy's nonsensical ramblings interspersed with shoutings of the expression "Git-R-Done" were terrifically unfunny.

If you're looking for a good time with friends and making you laugh is not a difficult task, this film is for you and you should order your copy immediately. This film is also perfect for anyone with a hickish background or roots in a redneck-dominated area.

If you appreciate more insightfulhumor and making you laugh is quite a challenge, I suggest you check out the brilliance of Ellen DeGeneres in 'Here and Now', her hilarious HBO special.

Other than that, this film was not so bad. It's definately worth at least one viewing, but you may want to get it at Blockbuster before you buy your copy here. ... Read more

Amazon.com

No more good news, everyone--this fourth volume of Futurama is the show's last. By turns frenetic and far-sighted, Matt Groening's futuristic comedy provided belly-laughs for self-confessed sci-fi nerds, but somehow failed to connect with a broader audience, even though it was often funnier and sharper than stablemate The Simpsons. So now bid farewell to the Planet Express team--Fry, Leela, Zoidberg, Bender, Amy, Hermes, Prof Farnsworth--as well as to kindly Kif, cloned Cubert, megalomaniac Mom, mutants in the sewer, the cast of robo-sitcom All My Circuits, swashbuckling space lothario and William Shatner wannabe Zapp Brannigan, Elzar the four-armed chef, and all the other characters that made Futurama such a unique experience.

This fourth and final year has all the elements that fans enjoyed so much--but also those elements that partially explain its cancellation. Recurring characters are great if you've watched the show before, as are the in-jokes; and the many parodies of classic science fiction are fine for the initiated, but risk leaving other viewers out in the cold. The show's strengths and perceived weaknesses are exemplified in the episode "Where No Fan Has Gone Before," in which the original cast of Star Trek play themselves: hilarious for Trekkers, but not really for anyone else. Elsewhere we find Leela discovering her real parents aren't aliens at all but in fact live in the sewers; Kif getting pregnant; Fry discovering the fossilized remains of his faithful pet dog; and Bender being converted to steam power. Despite some ups and downs, it's still the funniest animated TV show. Multifarious DVD extras include cast and crew commentaries, deleted scenes, animatics, galleries and Easter eggs. --Mark Walker ... Read more

Reviews (25)

GREAT SHOW
Futurama is a really cool and funny show and any one that's a fan of almost any Fox cartoon show will like this. There are a few Easter eggs (secrets) in this DVD set. I don't know what they are yet but I'll have to buy it to find out.

Here is a list of the episodes in SEASON 4. If it has a * beside it has a commentary included, if it has a - beside it has no commentary.

*Kif Gets Knocked Up a Notch (deleted scenes)
*Leela's Homeworld (deleted scenes)
*Love and Rocket (deleted scenes)

*Less Than Hero (deleted scenes)
*A Taste of Freedom (deleted scenes)
-Bender Should Not Be Allowed on TV
-Jurassic Bark
*Crimes of the Hot (deleted scenes)
*Teenage Mutant Leela's Hurdles (deleted scenes)
*The Why of Fry (deleted scenes)
*Where No Fan Has Gone Before (deleted scenes)
*The Sting (deleted scenes)
*Bend Her (deleted scenes)
*Obsoletely Fabulous (deleted scenes)
*The Farnsworth Parabox (deleted scenes)
*Three Hundred Big Boys (deleted scenes)
*Spanish Fry (deleted scenes)
*The Devil's Hands Are Idle Playthings (deleted scenes)

ALL TOGETHER--- 414 MINUTES LONG

SIMPLY THE BEST AMERICAN TELEVISION CARTOON EVER
It goes without saying that FUTURAMA was the greatest cartoon television cartoons ever produced. It is more hip and far more witty than the corporate produced The Simpsons. The vulgar South Park. The uninspired Family Guy or the bland suburban King of the Hill. I live in Europe and have watched Season 1-4 on DVD at least five times. The show just has classic pop culture parody appeal. The only weakness of the show was the tendency to focus on obvious parody (the cameos by the original Star Trek cast) rather than the subtle implied campy Sci-Fi humor that made the show great. The last season hads it's extremely weak moments which make me realize why the show was cancelled such as the "ROUTE OF ALL EVIL". There is a sequence in that episode featuring a paper delivey route that is just idiotic. Other than that the show is hilarious and any fan needs the complete set.

great
it's a shame this show got canceled because it is superior to the simpsons in almost every way. while the simpsons is funny, it is hasn't changed at all and is way too politically correct. the story in futurama actually evolves and it managed to be an interesting show throughout it's run. one main reason for this is because there are so many more different characters, places, and situations in the 31st century.

Funny and Touching
I don't want to parrot everyone else's review, but I have to say this series is one of the best animated shows ever produced. I still watch all the re-runs on CN even though I've seen every episode many times.

This is a great season, with my two of my favorite episodes - the Sting and Jurrasic Bark. Call me a baby, but these actually moved me to tears.

I am holding out hope that the show goes back into production (a la Family Guy), but it doesn't look good...

Benders back, baby!
It's over. The best, and most importantly, most consistent animated series to ever be cancelled from fox is at it's end. but if you still want to buy more futurama stuff, buy the region 2 versions from amazom u.k. It's an empty gesture, but boy will your dvd shelf look cool! ... Read more

Amazon.com

Divorce Italian Style is a comedy milestone--a brilliant, biting satire that was originally conceived as a drama; directed with nonstop inventiveness by a filmmaker who had never done comedy; and featuring an actor who, though not even among the first dozen players considered, cemented his international stardom with this performance. The movie also marked a breakthrough for foreign film in America, winning popular as well art-house success, Academy Award nominations for director Pietro Germi and star Marcello Mastroianni, and--the first of only a few foreign-language films to do so--the Oscar itself for Original Screenplay.

On the sun-blasted island of Sicily, Baron Ferdinand "Fefè" Cefalù (Mastroianni) breaks out of his heat- and boredom-induced stupor long enough to be smitten with mad passion for his 16-year-old cousin Angela (Stefania Sandrelli). But he's married--to Rosalia (Daniela Rocca), she of the unfortunate mustache--and the Italian Penal Code gives him no way out... except, of course, for catching his wife in adultery and availing himself of the patriarchal license to commit a "crime of honor." So Fefè searches for a way to fling Rosalia into the arms of another man.

Mastroianni's Fefè is an indelible masterpiece, visually and behaviorally: a portrait in painterly chiaroscuro, with brilliantined hair, eternally drooping eyelids, a cigarette holder angled in perpetual salute, and a manic, conspiratorial slouch, like Groucho Marx on painkillers. Germi's direction hustles the film along with bold, mobile camerawork, stream-of-consciousness lurches into fantasy and flashback, Fefè's feverish voiceover commentary, and a wonderfully propulsive music score by the late Carlo Rustichelli. --Richard T. Jameson ... Read more

Reviews (11)

High-Styled Hijinks!
Pietro Germi's companion piece to his earlier "Seduced and Abandoned," this comedy comes so close to tragedy it takes your breath away. Only the director's insight into theocracy and Italian mores keeps "Divorce Italian Style" from succumbing to the darkness that lurks inside this material. Although Marcello Mastroianni and Stefania Sandrelli are the big names, in star-making performances, the picture is really held together by Daniela Rocca's tricky and subtle work as the dutiful wife who must be murdered to have a happy ending. This was very daring stuff in the 1960s, and Criterion's jaunty DVD transfer does it full justice (don't miss the nifty interview supplement). Germi's satirical epilogue will remind you of the one in "All About Eve," it's that good.

When Love Withers in Brilliant Comedy...
A flower's life span is nothing compared to humans, yet flowers go through similar developmental stages.The most memorable part of a flower's growth is the blossoming progress where it goes from being a small bud until it dwindles to the ground in a rapid withering phase.Occasionally, love uses the life span of a flower as a symbol for the affectionate spell under which two individuals bond.When the flower withers, the relationship turns numb, which is the case with Ferdinando "Fefé" Cefalú (Marcello Mastroianni).Fefé merely stays with his wife Rosalia (Daniela Rocca), as societal restrictions are enforced by the Catholic Church, family, and public, which forces people to remain married until death do they part.In the light of this notion, the audience will truly experience a socially important comedy, which plays with the ideas of divorce through more hideous plots such as murder, deceit, and other troublemaking.

The film opens on a moving train as Fefé exits the public toilet while he bumps into two Sicilian police officers.Quickly Fefé leaves them behind, as he slowly makes his way through gentle zigzagging around other passengers to the dining car.Seated while ordering roast beef and two potatoes, Fefé continues to gaze upon the passing Sicilian countryside, which does not seem to have changed much since the Roman Empire.This is a familiar place for Fefé who begins to disclose an amusing tale of why he is on his way home, as he recollects in homesick manner his hometown Agramonte. This opening has several suggestive nods towards Fefé's character, his family and what is important in Agramonte, which will be comically and profoundly illustrated as the story unfolds.

In the introduction by Fefé the audience learns through his words, the camera, and the actions of the characters that societal progress does not seem to be high on the agenda.Instead the audience learns about how politics and the Catholic Church seem to be intertwined in this small town.The slow progress has generated some very rigid guidelines, which no one seems willing to challenge.In this societal stalemate the men only seem to pay attention and gossip about one thing - women.This is essential information, as it depicts the boredom that helps the withering of the flowers.

The story goes into great detail to depict Fefé's monotonous life.He is unemployed due to social status because he is a Baron, which means that he often sleeps in.Whenever he does not sleep his exceedingly caring and nurturing Rosalia tends to his needs while it actually seems as if she is only annoying him.There is a wonderful scene where Fefé escapes everyone to read in peace and enjoy the soothingbreeze from a small fan in his study while Rosalia enters with coffee and turns off the fan.Fefé turns the fan on again while Rosalia turns it off with a smile, as she serves him the coffee.This scene oozes of tension between the two while Fefé keeps his cool and Rosalia tries her best to be a good wife. Yet, it offers him an opportunity to begin to imagine different methods of how he could kill her.

In between Fefé's annoyance and boredom he discovers the stunning teen Angela (Stefania Sandrelli) whom infatuates him with a brief look at mass.Fefé begins to think about Angela while he sneaks to the bathroom to steal a peak at the youthful girl through the window.Eventually, Angela expresses her mutual desire for Fefé, but they have to be careful so they do not cause a scandal, or worse.This provides an opportunity for Fefé to begin to actually think of how to get rid off Rosalia, which turns out to be a comically ugly event as he cannot divorce her by law.

The audience will feel empathy for Rosalia who tries to be a good wife, but Fefé does not allow it by being distant.Simultaneously, one cannot help to feel understanding for Fefé who now begins to study the law and how he possibly could get away with murder.It is a sad thought, even though the presentation of the topic is jovial, that the people are ready to commit the worst possible act in the name of love.Yet, it is also here where the film's strength lays, as it delivers a funny depiction of how a passé society can squelch life and frown upon societal progress, which was a big deal in the 1960s.A notion arises in regards to progress--should one have the freedom to find their own blossoming flower?

Divorce Italian Style offers a well-written and genuine comedy with deliberate intentions for the audience to ponder regarding the society and the social restrictions that govern the unhappy.The cast does a marvelous job in portraying the different characters.For example, Daniela Rocca's illustration of Rosalia provides authentic view of a woman who seeks love form her husband, but does not receive it.In addition, Marcello Mastroianni does a brilliant job through his dual performance in the film by also being in the Fellini's La Dolce Vita, which is shown in the film.However, Mastroianni's visual persona suggests his infatuation with beautiful women that can be explored if one views La Dolce Vita.Lastly, the camera work, mise-en-scene, and the framing of each scene enhance the complete ideas, as they transcends the expectations of the film.

That's it, I want a divorce!
Just so you know, divorce is now permitted in Italy. But in 1962, the only way you could get a divorce was by... well, "Divorce Italian Style," a ka bumping off your adulterous spouse. This delightfully warped black comedy focuses on that very idea -- a disgruntled husband who goes to absurd lengths to get a "divorce."

Ferdinando Cefalú (Marcello Mastroianni) is a middle-aged Sicialian noble who is displeased with his life, and his adoring wife Rosalia (Daniela Rocca). In true midlife-crisis fashion, he falls for his angelic-looking cousin Angela (Stefania Sandrelli), but he can't get a divorce. Divorce isn't allowed in Italy at this time, so Ferdinando is left stewing over his problems, fantasizing about murdering Rosalia.

But then he hears about an odd law: if an adulterous spouse is caught in flagrante, then the wronged spouse can kill the adulterer and get off with a light prison sentence. So Ferdinando starts desperately searching for a potential lover for Rosalia, but she remains faithful. Then he locates an ex-boyfriend of hers, hoping to rekindle the old flame. But nothing goes quite according to plan...

Yes, it's a bit sick. But in such a funny way that it really doesn't offend. At a certain point it becomes less about Ferdinando trying to murder his wife, as it is an increasingly overwrought attempt to get her to commit adultery. Not to mention a spoof on traditional views on "family honor," where it is more shocking to NOT kill your adulterous spouse than it is to do so.

Ferdinando carefully straddles the line between being slime and being a funny character -- his surreal murder fantasies are hilarious, such as when he shoves Rosalia into a vat of soap. And in keeping with the spoof atmosphere, the romance is overemotional, the fighting is overwrought, and the contrived adultery/murder scheme is absurd. The final scene is the final tragicomic flourish, hinting at future disaster that Ferdinando deserves.

Pietro Germi at first seems to be making an offensive movie, but viewing it with a sense of humor shows that he's poking fun, and making wry social observations. He was also not above plugging Mastroianni's other movies -- one scene has a priest denouncing "La Dolce Vita," followed by crowds rushing to see it. Ferdinando's future brother-in-law ogles the beautiful Anita Eckberg, then hastily tells his fiancee that Eckberg is pretty, but "she has no soul."

The immortal Mastroianni injects just enough humanity into Ferdinando to keep us from loathing him -- in the middle of a midlife crisis, he seems increasingly confused as the movie goes on. Daniela Rocca sits on the fence between being devoted and annoying, while Sandrelli plays a girl who acts like an angel, but definitely isn't.

Thankfully Italian spouses no longer have to bump each other off to get a "divorce," but "Divorce Italian Style" remains a classic black comedy/social satire.

Amusing
Charming story indeed.Baron Pepe Cerafulu gets bored with his wife's over nuturing and nagging ways.Oh how he yearns for his teenage cousin, Angelina.Baron does give us some amusing facial gestures.

His schemes to arrange for this divorce are kind of far fetched.They will certainly have you chuckling especially when the tape recorder fails to catch his wife in the act. Carmello is quite charming in his role as the painter.

The Black and White Cinematography works well depicting Italy several decades ago.The subtitles are a little out of synch but otherwise this old movie is certainly a goodie.

The Film Is Great, The DVD Is Not
Divorce, Italian Style is a superb movie from the 1960's genre.The story is highly entertaining and the characters are witty, especially Marcello Mastroianni, whose dry, cynical humour is an absolute pleasure.However, the DVD from Hen's Tooth could certainly be better.The excessive scratches do take away from some stunning black and white cinematography, but the film itself more than makes up for it.The film is definitely worthy a spot in the Italian film aficionados' collection, but wait for a new DVD version. ... Read more

Amazon.com

Unlike the original Saturday Night Live cast, the In Living Color ensemble was definitely ready for prime time. But, was prime time ready for In Living Color? This subversively funny 1990 sketch-comedy series boldly went where SNL feared to tread, particularly in matters of race relations and cultural stereotypes. Series creator Keenen Ivory Wayans was hot after his hilarious blaxploitation spoof, I'm Gonna Git Ya Sucka. But In Living Color was hotter. According to a "Looking Back" segment included in this three-disc set, it took him a year to sell the pilot. He fronted a young, gifted, and mostly black cast, including David Alan Grier, Tommy Davidson, Damon Wayans, Kim Wayans, and T'Keyah "Crystal" Keyman. "James" Carrey and Kelly Coffield were the white Garret Morrises.

Like the first season of SNL, In Living Color played provocateur, with such politically incorrect sketches as "Homeboy Shopping Network," "This Old Box," and "Ted Turner's Very Colorized Classics." Other sketches, such as "Riding Miss Daisy," have a stick-it-to-the-man brazenness. Don King, Mike Tyson, Milli Vanilli, and Arsenio Hall are easy targets, but In Living Color did not spare such icons as Richard Pryor. There is the inevitable Oprah roasting, but also a brilliant Star Trek spoof, "The Wrath of Farrakhan." Among the first season's breakout characters are Damon Wayans and David Alan Grier's finger-snapping "Men on Film," and Damon's Homey D. Clown. Carrey struts his stuff as "female" bodybuilder Vera DeMilo. Coffey is a scream as Samantha Kinison and Andrea Dice Clay. While much of the topical humor has dated, sketches such as "Michael Jackson Potato Head" are timeless. The fun of revisiting this groundbreaking series is watching these fearless and talented performers go for broke, and make the most of their unlikely opportunity. --Donald Liebenson ... Read more

Reviews (78)

5 starry snaps up!!!
This show has to be one of the best comedy sketch series of all time. This show....the Simpsons...and Married With Children are what really put FOX on the map...and with good reason! This first season is constantly funny. Every show spoofs something that was going on in the early '90s....whether it was the Homeboy Shopping Channel....Hey Mon...or even Homey D. Clown. The Wayans Brothers are very talented guys....who know how to make great political and social statements under the disguise of a laugh. While some of things covered in the show are a bit dated, most of the sketches are still relevant today...and that is the reason this DVD should be in your collection! And...who could possibly pass up seeing that dear pup Lassie '90...or Andrea Dice Clay! Forget MAD TV and SNL, give me IN LIVING COLOR!!!!! Hope Season 2 will hurry up and come soon!!!

Well it is about time...!!!!
One of the greatest shows ever created has been finally put on DVD. Even though I was young when this series came out in the early 90's i still remember and enjoy it the same. After watching the entire 1st season, it reminds me why I like the show so much. Skits like Men on film, art, and books, homey the clown, and anton jackson are so cutting edge. Even some of the things they said shocked me so I know they were shocking 15 yrs ago. I absolutely love Kim Wayans. I wish she did more things I also loved her on In the House. I had no idea that the mother on the disney show, "That's so Raven" got her start on I.L.C. Although the Wayans, David Alan Grier, Jim Carrey, and Tommy Davidson are funny I wish I could have seen more of Kim Coles, or Synclaire, more on the show. (That's another show that should follow suit, Living Single). I even loved the Fly Girls, Dedra and Lisa were my favorite. From the cutting edge jokes, to the "Two snaps up" from Antoine Merriweather is pure classic. I love this season and I can't wait for the rest. Fave skits: Men On...., Homey the Clown, Anton, Grace Jones, Endangered Species, the Hedleys with all the jobs, Oprah, and Andrea dice clay!

Funny Show
I