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| 121. The Sandlot Director: David M. Evans | |
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Amazon.com Reviews (34)
Who can forget the s'mores joke? The kid nicknamed Yeah-yeah? The erector set baseball-extractor? Wendy Peffercorn? Smalls' first baseball cap? One of my favorite scenes in this movie is when the boys are playing baseball under a midnight sky exploding with fireworks while "America!" is crooned on the soundtrack. That scene wraps up in a nutshell what this movie is all about--friendship, baseball, dreams, and being young in small-town America.
"The Sandlot" is a great youth film that will keep the parents entertained as well, making it one of the few family sports films that not either too cheesy for adults to enjoy or too suggestive to be appropriate for children. Set in the 1950's or so in a normal suburban town, Tom Guirney plays a short, shy kid who has just moved to the new neighborhood. He has always struggled with making friends, but eventually he gets involved with a group who love to play the good ol' American pasttime. The group (which consists of many hilarious and memorable youngsters) go through many trials and tribulations together--chewing their first slab of tobacco while riding on a devastating roller-coaster, giving mouth-to-mouth resuscitation to one of the hottest girls in the history of the world, retreiving a special Babe Ruth autographed baseball that has been snatched up by the child-eating neighborhood pooch, and trying to beat the stuck-up traveling baseball team. When it is all said and done, "The Sandlot" is an above average tale of the joys of childhood and using the great game of baseball as its playing field. There are some hilarious scenes throughout, fine acting by the young cast, and a well-scripted screenplay that will make those of all ages laugh. A true gem of a family tale.
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| 122. Futurama, Vol. 2 | |
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Amazon.com In one of the best episodes, Bender is given a "feelings" chip in order to empathize with Leela after he flushes Nibbler down the toilet. Elsewhere, Fry falls in love with a mermaid when the team discover the lost city of Atlanta, Fry and Bender end up going to war after they join the army to get a discount on gum, and John Goodman guest stars as Santa Claus, an eight-foot gun-toting robot. Brimful with blink-and-you'll-miss-them hip jokes (such as the sign for the Taco Bellevue hospital) and political and pop satire, Futurama isn't a stern warning of things to come but rather, as the makers put it, "a brilliant, hilarious reflection of our own materially (ridiculously) overdeveloped but morally underdeveloped society." --David Stubbs Reviews (72)
1. I second that emotion Bottom Line:
This is the kind of comedy that makes me laugh loud enough for other people in the house to approach and ask, "what's so funny?" When they stay to watch they, too, are laughing. There's so much to enjoy. Each Futurama disk comes with it's own slim case, which I think is great. I don't think volume two is any better than volume one. Not that it matters since both DVD sets offer fantastic laughs.
By the way, do we really need the vile, acrimonious, pre-adoloescent rants of cykillrenegade? Check out his profile and see what we he actually likes. Must be off his ritalin. ... Read more | |
| 123. Late Night with Conan O'Brien - The Best of Triumph the Insult Comic Dog | |
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Amazon.com Reviews (2)
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| 124. Waking Ned Devine Director: Kirk Jones (III) | |
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Amazon.com This film has been compared to The Full Monty, but it lacks the vein of desperation that added depth to that film. Instead, Waking Ned Devine is closer in tone to classic British comedies like Whisky Galore!, with its cast of eccentrics gleefully conspiring to outwit the authorities. Those with a low tolerance for twinkly eyed Irish charm might be tempted to steer clear, although the movie is saved, for the most part, by its central performances. Bannen is superb as an old man who is clearly hungry for any excitement he can drum up and David Kelly is remarkable as his scrawny sidekick. Kelly has had a long career as a character actor in film and television, but here he has a chance to really let loose.His naked motorcycle ride is a marvelous set piece and in all of his other scenes his twitchy, perfectly timed performance quite simply steals the movie. --Simon Leake Reviews (137)
A subplot of romance between a beautiful single mother and an earnest (but smelly) pig farmer adds to the general warmth of the movie. The end scene is one of the most well-executed ones I have ever seen. It is a real show stopper. My brother and mother watch this movie over and over.
This is a sleeper movie, one that is far better than the public generally knows. Be ready to enjoy a symphony of acting. If you don't like foreign films (I didn't) this may very well be the first you enjoy (and then see Run Lola Run, one that is 100% different from this but another foreign movie for people who don't think they like foreign movies). ... Read more | |
| 125. Team America - World Police (Special Collector's Widescreen Edition) Director: Trey Parker | |
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Amazon.com Reviews (249)
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| 126. Are We There Yet Director: Brian Levant | |
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Amazon.com Reviews (20)
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| 127. Friends - The Complete Fourth Season | |
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Amazon.com Reviews (49)
The One With The Jellyfish The One With the Embryos is the proclaimed best episode of Friends so far. This is definitely worth the money!
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| 128. That Darn Cat! Director: Robert Stevenson | |
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| 129. Harold & Kumar Go to White Castle (Unrated Extended Edition) Director: Danny Leiner | |
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| 130. Lilo & Stitch Director: Chris Sanders (III), Dean DeBlois | |
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Reviews (414)
There are good things in this movie. Some parts are purely delightful. Stitch and Lilo can both be cute at times, and it was nice to hear some traditional Elvis. Cobra Bubbles, the social worker, is a funny guy. And some of the parts are funny, too. That's about it. I'm an animation major, so I realize that I'm very critical when it comes to Disney. But truthfully, I was SHOCKED when I found out that people actually like this movie. For one thing, it's badly written. It needs a decent script. It's boring. The plot is choppy. Everything is twisted (not gracefully) to be about families, and worst of all, the characters are incredibly cruel to each other (for laughs, I felt) and never really turn around until the last two minutes. I thought these were flaws that were so blatant everyone would notice them. The little movie critic that lives in my head was screaming bloody murder. Just a few things to warn parents about--Lilo is a brat, Nani is abusive, and Stitch just is there to tear things down. I'm surprised that this movie wasn't rated PG-13...I believe it was going to be, but then they took out the part with Pudgy (Lilo's pet fish) getting pecked to death by seagulls. Yeah, and you thought this was a kids' movie. One of the most disturbing parts is when Stitch & Lilo shove a little girl off her tricycle and take off with it, leaving the little girl sobbing in the dirt. If you think that's funny, you have some serious mental problems. There's a lot of screaming, it's not very funny, and to me, very unconvincing. The moral this one left me with was, hey, it's okay to treat others like ....because Ohana means family. I won't buy that. I'd strongly suggest parents read some proffessional reviews on this movie, there's a reason this movie hasn't made much money in comparison to the Disneys of the past. "Hunchback" and even "Pocahantas" grossed over $100 million more than this one. I hope that says something. Methinks parents HAVE been doing their jobs and reading the reviews on this one. (In gentle reprimand to someone below who called parents "stupid"). As for me- if I ever work for the Disney animation studio, I'll do everything in my power to make clever, sweet, funny movies like "Aladdin" and "Monster's Inc." and keep painfully hideous movies like "Lilo & Stitch" from ever gracing the storyboards of Burbank. What the HECK were they thinking?
Speaking of Miyazaki, Daveigh Chase, who provides the voice for Lilo, also did the voice for Chihiro in the English language dubbing for SPIRITED AWAY. Unbelievably, she dubbed the voice for major characters in the two best-animated films of the year. I have to be honest here: I was really scared that LILO AND STITCH was going to win the. It didn't. It is very, very good, but SPIRITED AWAY is not merely the best-animated film in the past couple of decades, but quite possibly the best ever. I knew that if the voters only watched both LILO AND STITCH and SPIRITED AWAY, then the latter would easily win the Oscar. Luckily, enough did, and it won a well-deserved Oscar. But LILO AND STITCH was a very strong second, and in many years would have won. The film is the story of the accidentally pairing of two misfits. Lilo is a Hawaiian girl who is being raised by her sister Nani, and Stitch is a genetic creation of an "evil genius" mad doctor, a powerful warrior creature. Lilo has lost her family, and Stitch, or "Experiment 626," as he is otherwise known, has never had one. The movie essentially tells the story of how each helps the other find what she and he both need most. Hopefully, this is the beginning of a new practice: instead of creating an endless number of variations of old, traditional, and familiar stories, Disney will turn their resources to original, new, and inventive stories.
Disney animated movies are marketed at kids, of course, and By these standards, LILO & STITCH gets the expected top Jumba is arrested and his creation seized, but Experiment OK, the script is sentimental, and for all those worrisome The production values are very pretty, the artwork style This may not be "must-see-video" but it is recommended.
"Lilo and Stitch" however had me laughing and crying in the same breath. Set in Hawaii this is a very different kind of Disney film. I loved it from the very first moment when Lilo tried to explain to her dancing teacher why she had to feed a friendly dolphin peanut butter sandwiches rather than tuna to the moment Stitch realises he wants a family of his own to belong to, this gem of a film managed to get under my skin like no other Disney animation. The plot is quite simple; a genetically created monster escapes a prison ship and heads for earth. All he has on his mind is destruction and mayhem but fate has something else in store for him and he finds himself pretending to be a dog in order to evade the bounty hunters sent to find him. His new "owner" is a lonely but strong minded little girl called Lilo who is still grieving over the loss of her parents in a car accident. She calls her new "dog" Stitch and gives him unconditional love, something this monster has never known before. Suddenly Stitch's desire for destruction takes a back seat as he tries to help the one person in the whole universe who is not afraid of him. There are great scenes like Stitch finding a frog in the middle of road but it is him who gets run over by a truck and not the frog but as he is indestructible all that happens is that he gets knocked out. We see the frog later on in the same road, and Stitch saves it, something he would have never done if he had not met Lilo. It is a touching scene, not syrupy, just nice and thoughtfully done. Another scene that is side splittingly funny is when Stitch steals a child's tricycle, jumps on it, grabs Lilo and tries to find his way off the Island only to be told by Lilo that "isn't it great, there are no cities on the Island?" Stitch faints when he hears this; he has been genetically programmed to destroy cities! All of this mayhem and chaos ultimately leads to Stitch having to make a decision. Does he abandon Lilo and try to escape or does he take on the powers that be that want to destroy him and try and keep his new family together? Stitch's attempt to save Lilo when she is in danger is hilarious but at the same time quite emotional, surprising for an animated film, especially a Disney one. The music is great and I'm a fan of Elvis all over again, the songs are really appropriate but let me assure you this is not a musical cartoon, rather it is a cartoon with a selection of songs that blend into the story and plot quite nicely. The characters are believable, even the ex-CIA Welfare Officer who despite his gruff exterior has a heart of gold, to the obnoxious little girls who tease Lilo for daring to be different. This is cracking good film for all ages, and I will be very surprised if most people don't like something about it, even if it is just the music score! ... Read more | |
| 131. L' Ennui Director: Cédric Kahn | |
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Description Reviews (12)
[1] If you're looking for hot arousing sex scenes, forget about it. [2] If you're trying to explore / understand the psyche of middle aged men, forget about it too. All you'd see is this divorced Professor of Philosophy in his 40s/50s being obsessed about a girl half his age, ringing the girl at all times, tracing her phone numbers, and being confused why he likes the dull boring girl so much. Interesting, but you might wonder if you really need to spend 2 hours to examine the issues?
Gatekeeper Reviews movies only for their sexual, violence and nudity content. There is no child nudity in this movie. Please read other reviews if you're interests lie elsewhere. ... Read more | |
| 132. Monty Python and the Holy Grail (Special Edition) Director: Terry Gilliam, Terry Jones | |
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Reviews (630)
A lot of effort went into this special edition dvd, and it shows. I particularly enjoyed seeing Jones and Palin visit locations. They were in a jolly mood, their comments are interspersed with film footage, and they meet affectionate and funny fans along the way. If you like this film you will love this dvd version; if you love the film, you wil adore this two-dvd set. An essential item for your collection. Highest recommendation.
As for the options on the special edition here's a run-down: Disc One: -"21st Anniversary" cut of the film running an extra 24 seconds; -Anamorphic Widescreen; -Dolby 5.1 track; -Original Mono Track; -Audio commentary with Terry Gilliam, Terry Jones, John Cleese, Eric Idle and Michael Palin; -subtitles "for people who don't like the film" (you get the text from Shakespeare's Henry IV instead); -an "on-screen screenplay" feature which lets you read the screenplay as you watch the film; -"Follow the Killer Rabbit" feature; Disc Two: "Three Mindless Sing-Alongs"; -"The Quest for the Holy Grail Locations" featurette; -"How to Use Your Coconuts" educational film; -"Monty Python and the Holy Grail in Japanese" (with English subtitles); -the BBC Film Night special "On Location with the Pythons; -an interactive cast directory; -still galleries with Terry Gilliam's original sketches and behind-the-scenes photos; -"A Load Of Rubbish" with mystery items; -unused ideas and other material; -two trailers Both discs represent the absolute final word resource for EVERYTHING and I do mean everything you'd need to know about the Python's greatest film. An Absolute Necessity for any Python Fan!! P.S. You can't base a system of government just because some watery tart threw a sword at you.
The first disc contains the movie itself, along with some choices of how to watch it.... subtitles, commentary by directors Terry Jones & Terry Gilliam or by John Cleese & Eric Idle & Michael Palin. Then "for people who don't like the film", there's subtitles from Shakespeare's "Henry IV, Part II". Now, these do not faithfully follow Henry IV verse by verse, but they do come from the play, and it's hilarious how the phrases Shakespeare wrote do actually match up with the action on the screen. Disc Two contains several mementoes: a film of John Cleese, Terry Jones, and "Grail" production manager John Young (who also played the hapless "Historian" towards the end of the film, and the "I'm not dead!" guy) paying a return visit to Castle Doune , in 2000. At first it's fun to hear them reminisce at the filming site, but since it's a very small spot with nothing but a wall and a bit of ground, they appear uncomfortable and that quickly gets old. More interesting is the home movie made by the two Terries when they looked for prospective film locations in the seventies. Their excitement is palpable. A somewhat painful scene (except for the chance it gives us to watch Terry Jones in action as a director) is the BBC documentary made during filming. The interviewer seems more interested in trying to be funny himself than in the Pythons. But there are several great comic extras, including words to some songs, a coconut skit, two scenes dubbed in Japanese, and best of all, an animated feature of the "Camelot" scene and song done entirely in Lego...must be seen to be believed. Finally, someone has made good use of the storage space on a DVD. ... Read more | |
| 133. The Glass Bottom Boat Director: Frank Tashlin | |
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| 134. Bear Cub (Unrated Edition) | |
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Description Reviews (6)
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