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A ringing instance of a sequel far outstripping its predecessor, Sergio Leone's For a Few Dollars More takes the lethal antihero from A Fistful of Dollars, gives him both a rival and an adversary worthy of sharing a gun-blazing corrida, and ratchets up the stylization to something approaching grandeur. This time the Man with No Name (Clint Eastwood) is a bounty hunter whose desert Southwest killing ground is suddenly crowded by the presence of an older, black-clad shootist (Lee Van Cleef). Individually and together, they terminate sundry grotesques while closing in on their biggest quarry, a memorably insane bandit called El Indio (Gian Maria Volonté is brilliant). There's just enough plot to imbue Van Cleef with genuine mystery, a dark avenging angel from a lost past whose pull would supply the emotional core of Leone's later masterworks Once upon a Time in the West and Once upon a Time in America. Leone's bravura widescreen compositions are breathtaking, and Ennio Morricone's music score--tinged with lunatic religiosity--is his first great one. --Richard T. Jameson ... Read more

Reviews (55)

For A Few Dollars More - An outstanding sequel!
For A Few Dollars More is, in my opinion, by far the best of the "Man With No Name" trilogy! In "A Fistful of Dollars," director Sergio Leone bowled the viewers over with Clint Eastwood's character being a gruff gunslinger of few words and lots of action. In this sequel Eastwood's character has a lot more depth and even a little bit of humor. I am highly impressed with the script and acting in this particular film, especially in comparison with its predecessor. One can even consider it funny but useful that a few of the villains from the first film that were quite dead at the end of that one, are back now with new names! Magnificent performances by both Clint Eastwood and Lee Van Cleef serve to enhance this movie's style.

The premise:

This movie has a wonderful beginning as we are introduced to Lee Van Cleef's character while he's in the performance of his role of a bounty killer. We are then treated to the reintroduction of Clint Eastwood's character, which actually does have the name of Monco, while he is taking care of his business as a bounty killer as well. Once the director has shown these two acts, he deftly shows how they end up on the same path as they both find out that they can score it big by killing Gian Maria Volonte's character, Indio and his gang. From there, we're taken to El Paso where the film's intrigue and suspense kick into high gear as both Eastwood and Van Cleef's characters meet.

If you've never seen this movie or its predecessor, I highly suggest you check these movies out as they're basically the mold for many of the westerns that followed. Prior to this movie and "A Fistful of Dollars," westerns were much tamer, which lends to the popularity of these movies which have a lot more grit and realism to them.

Special Features:

Just like "A Fistful of Dollars" this movie is jam packed with hours and hours of special features, documentaries etc... This DVD is all about what it's supposed to be, the movie! It does include a great theatrical trailer and an exceptional 8 page booklet that gives a lot of great information about the movie and the people involved. {ssintrepid}

A great sequel to A Fistful of Dollars
I liked this movie mainly because of the pairing of Eastwood and Van Cleef. Eastwood reprises his role as the "The Man with No Name" and this time he partners with Colonel Mortimer (Lee Van Cleef), a fellow bounty hunter who has a personal reason for tracking down the notorious bankrobber Indio, who is worth $10,000 dead or alive. It is interesting that many of the actors who played the villains in "A Fistful of Dollars" are seen again here (e.g. Gian Maria Volonte as Indio)and the location seems to be very similar to that of the first movie. I liked the character of Colonel Mortimer because not only is he a great sharpshooter but he displays himself as a man of principle, in contrast to Eastwood's character, who is only in it for the money. Lee Van Cleef steals many of the scenes. In this movie he plays a good character while in the sequel, "The Good, the Bad, and the Ugly," Van Cleef plays the "Bad" guy. The music by Ennio Morricone is classic. The only drawback in this movie is that much of the gun battles seem cartoonish and many of the people who are shot have no sign of blood to show for their wounds! However, if you are a fan of Eastwood and of Spaghetti Westerns, you'll like this movie a lot.

great story
This time for a few dollars more,the story revolves around a new bounty hunter called angel eyes,CLint returns and is not as comical as he was in the first.I think he's showing us that he has become more of a serious bounty hunter since he got messed up in fistful.LEE van Cleef is on a revenge mission while eastwood is playing angel eyes and the bandits for a few dollars more.It's worth owning,so is the score.thanks

MGM gets a few dollars more from me
Most people reading these reviews already know how great these Eastwood - Leone spaghetti westerns are, so I won't talk about the film itself here. I enjoyed this movie when I first bought it on VHS in 1989 but always hated the brittle, tinny sound, the opening theme music was excrutiating, when we all know that Morricone's soundtracks for these movies was excellent. So here it is in 2004 and I've got the $10 DVD and nothing has improved in the sound. Also the torture scene is missing a few seconds at the end where one of the gang asks Indio: "Why let 'em live?" and he replies: "All in due time". Hmm, let me make a wild guess here: MGM will finally fix this movie the way they should have for the first DVD but it will come out in a "Special Edition" 2-disc set with a bunch of extras for $25 (think The Great Escape here). You know those "Proof of Purchase" UPC's you see on the back of the DVD case? Just once I'd like to see MGM offer a rebate on a new "Special Edition" via a P.O.P. from an earlier DVD version. That's why I'm glad I don't have the first DVD of "The Good, The Bad, And The Ugly" already and that's why I won't yet buy John Wayne's "The Alamo". Unfortunately I already bought MGM's DVD of "It's A Mad, Mad, Mad, Mad, Mad World", another sub-standard MGM DVD release.

One Of the Three Best Westerns Ever
Along with The Good The Bad and The Ugly, and Once Upon A Time In The West, this is a western masterpiece and one of the best ever made. While not as polished as the above mentioned, For A Few Dollars More contains some of the best scenes in the history of westerns. Col. Mortimer gunning down Guy Callaway, Clint riding in to Aqua Caliente alone, and my favorite, Mortimer lighting a match on Wild's suspenders. Like GBU, I have seen this movie at least a hundred times, and have enjoyed it since I was a 7th grader. A classic western in the Italian style, boasts a superb soundtrack to boot. ... Read more

Description

Encolpius is a Roman student who begins by arguing with his friend Ascyltus over the affections of androgynous youth Giton. Ascyltus wins, whereupon Encolpius embarks upon an odyssey, partaking in a drunken orgy and being kidnapped by a bisexual sea captain and his concubine.Encolpius eventually rejoins Ascyltus to visit a suicidal Roman couple, join in a plot to kidnap a "sacred" hermaphrodite, and much more. Loosely based on the book "Satyricon" by Gaius Petronius, the "Arbiter of Elegance" in the court of Nero, Federico Fellini wrote and directed this tongue-in-cheek hymn to the "glories" of pagan times via a bizarre journey through the decadence and debauchery of Nero's Rome. ... Read more

Reviews (53)

It's About Time
For extended criticism of the film itself see my review of the VHS below.

The DVD of 'Satyricon' has been available overseas for some time, and I've been waiting impatiently for it to be released here in the US. The producers have done a good job with it. The picture is amazingly clear, and the colors are saturated, so that the sets are even more eerie than before. For a film with such highly designed sets, it's pleasant to be able to stop the film and get a good look at things that appear for only a fraction of a second at normal speed. I watched this on my computer, and I was pausing every few frames to get a good look.

An English soundtrack is provided. The lip-sync there is no worse than the Italian since the film was recorded in several languages. Supposedly the three main characters - Encolpio, Ascylto, and Gitone - were English hippies who Fellini picked up in Trafalgar square, and they spoke the dialogue in English. But I prefer the Italian; it justs sounds better. I wish they had provided Italian subtitles too. There's very little in the way of other extras. I would have liked some commentary, but I can't complain too much about this DVD.

This movie is terrible
This was the first and the last Fellini movie I will ever purchase. The movie is totally incoherant. I do not see what is so compelling about this movie. It was a waste of my time.

You don't get it? You may be the one being taunted,friend.
I firmly believe that if one does not "get" this film, then they are the type of person this film is satirizing. Something tells me that Fellini, with this film, came closer to illustrating the atmosphere of ancient Rome than anybody. It shows the pitfalls of superstition, how drugs and illusion play a role in what people have called "witchcraft","voodoo","macumba" and such. It shows the unmasked view of the delight that some people take in others' misery, in watching them suffer, and in confusing and bewildering them with smoke and mirrors. I enjoyed the scenes that depicted the morally reprehensible theatre of ancient Rome, especially in using period sound effects to illustrate how what we today see and hear in film and theatre is not so far advanced from the illusions that the ancient Romans used to propagandize and marginalize the lives of it's people. The parallel to modern society is so great that those who fit that materialistic mold won't get it, because their minds will protect them from the truth. However, we see over-indulgent despotic emperors using their wealth and power to seduce the minds of the populace. We see the same social elite engaging in disgusting orgies of food and sex. The main character, Encolpius, believing himself to be on a path of discovery is actually being lead through a maze of snares and traps at the delight of his so-called mentor. Soon one might be asking themselves if this man is mentor or tor-mentor to poor Encolpius. This film is a such a startling comparison to modern life that it could stop all temporal arrogance. How dare we think we're so advanced when our society behaves the same as they do, only the names and methods have changed. This is Rome, we live in Rome, it's only been transplanted over here and updated to "modern sensibilities" but Rome is still as decadent and wasteful as ever, as if we think we're rising above nature by destroying it. Well, isn't that how "civilization" works? Destroy one people's way of life and force them to conform to yours. This is Satyricon.

Satire of the Satyr
Some movies you just have to see -- forget about plot synopses or snippets of dialogue, you just have to see it to understand. For these movies, there's no way to answer that most natural and inevitable of questions: What's it about? Satyricon is one of these movies.

I've been a fan of Satyricon for about four years, when I first took it out of the public library. I'd heard it was weird and had also seem some stills in movie books like LIFE Goes to the Movies. Something about freaks, absurdity, ancient Rome, I gathered. Maybe that was actually as much as I needed to know since that's what it all boils down to, at its essence.

I probably would have had more of an idea what to expect that first if I'd simply known about the director, Federico Fellini. At that time, I didn't, and so when I first sat down with Satyricon it struck me not just as an anomaly but as a major shock. Sure, I'd heard of Fellini, but this? This was Fellini? Why hadn't anyone told me? They should have shown this movie to me while I was in the crib, it was so cool.

Later on, through watching another great and bizarre film of his, Roma, I figured out what some of the Fellini motifs were and how strongly his personality and taste come through, but at the time, it was a bit of a mind-blower. This guy had survived making this film? Nobody put him in an insane asylum? He was considered great? Certainly I thought he was great, watching the movie, but I tend not to give fellow humans that much credit.

Knowing a bit more about Fellini at this point, I can say that while Satyricon isn't the anomaly I once thought -- Roma is pretty similar and I've heard other of his films also follow along in a similar style -- it is certainly in a class of its own. What's it about? Again, I can't say really, but pressed to the wall with a gun to my head, I'd squeal and saying it's a crazy experience, a vicarious exploration of insanity, of dreams, of an absurd adventure by a blond-haired poet who just wants to get his boy lover back and be done with it all. That summary doesn't really express any of it, but it's the best I can do and there it is.

Perhaps giving a little background would help. First of all, Fellini didn't make the story up, although the film is certainly a product of his imagination and he did make up a few scenes. The plot, such as it is, springs from that most bizarre and unprecedented of ancient works, Satyricon by Petronius. Nobody actually knows much about the author and this is his only work, but what can be said is that it's a book very different from what most people would expect of an ancient book. You can actually get a hint of this by its very title, which is a pun on satyr (from the Greek saturos) and satire (from the Latin satira), meaning that it's an attack on human vice or folly and a depiction of some serious depravity. Did I mention that this was written around the time of the reign of Nero?

Again, having read the original book -- had to having seen the movie -- I can say that it's nothing like any ancient work I've ever run into except possibly the poetry of Catullus, which is hysterically coarse at times. It's simply not ponderous. It doesn't dwell on gods or philosophy or sublime human comedy. No, instead, the book just creates its own territories and definitions. People have tried to analyze it -- the fragments that are left, now that several sections have been missing for ages -- and the general conclusion, so I've read, is that the novel, like the movie, is something far afield from the norm, a twisted tale of such originality as to make analysis within normal frames of reference irrelevant.

The question resurfaces: What's it about? A few scenes may help to convey a sense of its atmosphere at least, if not the plot, since the plot is rather secondary. Picture this: Our hero (well, anti-hero really) Encolpio ends up on a mission to collect a hermaphroditic god(ess) from a hidden temple. He and his companions show up in a cave where they find the god(ess) pale and weak, lying in a pool surrounded by worshippers seeking to be healed. They steal the god(ess), throwing the deity into a cart and fleeing across the desert. Unfortunately the god(ess) is weak and needs water. The god(ess) dies and for that, there is a punishment.

Encolpio and friends end up in another town (where he ends up in a battle with a man wearing a bull mask... don't ask) and although Encolpio is basically rewarded by getting to bed an insatiable woman, he is embarrassed before a crowd of hundreds when he can't get it up. He's been made impotent! To make things better, he's sent to a special treatment facility where he's put in a room filled with dozens of extremely exotic prostitutes who proceed to try just about everything to get a rise out of him. They pin him down and flog him. There's something about a giant swinging canopy with bevies of girls on it but even thought I've seen the film a half dozen times, I can't remember the specifics, nor do I remember if the "cure" was successful. It's besides the point.

I do remember more, though. I know an Roman couple lives in home built into the base of a cliff. They end up committing suicide by slitting their wrists. Later Encolpio and friends run around inside their house and find an African slave girl who speaks in clicks and squawks. There's another big section with a huge ship on rough seas; they capture a giant creature that looks like an ancient depiction of a whale. There's a theater of the absurd, a gallery of freaks, a hysterically fake earthquake, a massively disgusting feast, and oh, it's all in dubbed Italian (at the time, the Italians dubbed over everything, even Italian) with the subtitles making some sense but not all that much since really you use your eyes to understand. Ah, why do I bother trying to explain? What does it add up to? What does it mean? What's it about? Go and see it -- that way you'll find out.

One of the Greatest Movies
Occasionally a movie comes along in which a simplistic, mono-dimensional meaning isn't laid out in such a way that even the laziest minds just couldn't miss it. I remember as a teenager seeing this movie for the first time, and being astounded that all that people seemed to see were shocking depictions of Roman decadence. I had sat through the movie amazed at its extraordinary cinematography, and overwhelmed by a moral story of epic proportions. Like most great art, the meaning of Satyricon is multi-layered, and reflects against itself enough to hold a richness of ambiguity that unfolds more for me each time I see it. I was also incredulous to read reviews accusing the movie of being formless. On the contrary, Fellini had created a beautifully structured work out Petronius' rather episodic tales.
Satyricon is a powerful portrayal of a young man's quest to rediscover the potency he has lost in a corrupt world (our world being no less corrupt than that of Fellini's Rome), both sexually and aesthetically. The events and characters in the movie resonate deeply with mythic archetypes, all playing a part in Encolpio's quest.
If you want a key for delving into the structural and metaphysical meaning of this movie, consider the two legacies of Eumolpus: the first he offers to Encolpius as they lie in the fallow fields after being evicted from Trimalchio's Feast, just as the dawning sun begins to lighten the sky. The second he leaves at the end of the movie to those who will consume his body. The first is the wealth of poetry, of the heavens, the earth, the air, of life itself. The second is worldly wealth and its corruptions. How beautiful is the moment when Encolpius joins the ecstatic, dancing, laughing servants of Eumolpus to sail away from the bizarre funeral feast to the true legacy of the great artist. So with us: what are we able to take from the legacy of Satyricon - does Fellini offer us merely a superficial indulgence in the perversity of Roman decadence .... or rather, are we able to comprehend his true gift, a profound vision of the potency of life itself? ... Read more

Reviews (30)

irritatable
after reading the reviews of other viewers i had to respond. both marlon brando and lee marvin were great but to cut into it saying it came short of reality or truly portraying it, think when this film was made. im sure in the twenty first century the movie would be very different. anyone thats read hunter thompsons 'hells angels' or has other knowledge of bike gangs knows too well of its truth-inspired influences of hollister. but in 1953 film makers as well as anyone else including the literary crowd had its limits even if limitary. i think alot of those who reviewed it did so forgetting this fact. no its not the best film made but for what its worth it was a great performance by both marvin and brando and served as a pretty entertaining picture on all fronts. i believe this was the intention of the director. it doesnt claim anywhere to be a documentary or anything close so dont interpret it as so. i got the feeling from reading the reviews that the viewers were taking this picture into comparison with contemporary films which it is certainly not one nor is it as one review suggested a film to be viewed for those in a "classic film phase". its beyond that. perhaps im out of line but these are my thoughts at the moment.

The classic Hollywood biker film
Marlon Brando and Lee Marvin depict bikers as only Hollywood can in a film inspired by actual events that took place in a town called Hollister during the late '40s. The movie along with the rebel biker image was sparked by a Time magazine cover showing a drunken shirtless biker lounging on his Harley-Davidson with a beer in both hands. It was a bit of bad press, reading something like the "downfall of society" or "outlaw bikers take over town" that originated the rebel H-D image and gave Hollywood the inspiration to create this timeless cult classic.

brando before he got fat and untalented.
The entire time length that takes place in this movie is like less than one day. Brando and his Black Rebel Motorcycle Club cronies spend the day being retarded in some bar in some town. The only reason I could think to watch this movie is so you could see that at one point, in a galaxy far far away, Marlon Brando was a cool dude. Before arrogance seeped out of his body like sweat, he was a guy you'd want to see in a movie. Now, obviously, he's dead and like most actors who were in old movies, has been elevated to 'legend' status, despite only being in a handful of good movies. This movie was released in 1954, and I know I've become a bit jaded by Pulp Fiction and anime, but as far as I'm concerned, 1950's B&W movie or not, its not very good. The begining, end, acting, story, etc., just isn't that great, and it's really nothing more than a cult film about motorcycles.

I AIN'T JIVIN. . . BRANDO DOES ROCK!!!!!!!!!!!!!!
I would have to agree with other reviewers that this film is rather corny, but for its time it was revolutionary. Throughout the film I must admit I had several laughs with lines such as, "You're too square" and "Anybody thinks their too good for me, I knock 'em over sometime". And phraseology such as "that's corn ball style". And Brando's faux black accent put me in mind of a 1970's blaxploitation movie, especially with the continual use of the word "jive". Nevertheless, Brando's deliverance is awesome, everything from his facial expressions and gestures to his timing is perfect. The man is stunning in this film. It's hard to take your eyes off of him, but then again, why would you want to?!! Highly recommended!

Cheesy plot but Brando rocks
Being a huge Godfather fan, I have been curious since Brando passed away to see more of his films. Caught this one tonight on TMC. My dad warned me to remember when it was made before I watched it. I am glad he did because I probably would have thought that it was horrible and instead I came to realize that Brando was a brilliant actor! Yes, I have to agree that there is a lot of 50's cornball BS but Brando was so good in this film that it makes me truly sad to think of the crap that is made in Hollywood nowadays. Oh she has a hit single let's put her in a movie! Yeah that almost works! Looking forward to checking out more of Brando's work! ... Read more

Reviews (39)

Decent (not great) presentation of drive-in classic
Of course, if you're reading this, you probably already know that "Shaft" is an above-average blaxploitation flick with Richard Roundree as a private detective hired to track down a Harlem gang boss' missing daughter. With dialogue like "You got problems, Shaft?" "Yeah, two of 'em. I was born black and I was born poor." you really can't lose.

So on with the DVD. The film itself is nicely letterboxed (I think for the first time), and while it's not made from the greatest print (there are a couple scratches), it's a perfectly acceptable presentation.

Extras include trailers for all three Shaft flicks . This is great--I wish Warner had done the same with their "Dirty Harry" DVD. (They did with the VHS version.) There's also a 1971-produced short "Making of" film and the option to view the movie in French (a surreal experience, to be sure.)

The cast and crew bios, however, are pretty meager, offering only a relatively complete portrait of Richard Roundtree. Where's Moses Gunn? Or Gordon Parks? The "Awards" option is pretty worthless as well, showing that the movie won the Oscar for "Best Original Song."

Oh, yes, and there's no commentary track with Director Parks as is described on the Amazon site. Forgivably, it's not mentioned on the DVD box, so this is probably just something that didn't pan out at the last minute.

It's still lots of fun, but not what it could have been.

A Winner!
This is the genuine original "Shaft" from 1971, with Richard Roundtree, that scored so well with inner-city (read: African-American) audiences that it spawned two sequels and created a new mini-genre, the grudgingly titled "Blaxploitation" films. As a kid living in a rural white area at the time, I missed this important and popular movie until I saw it last week in my VCR. And you know what? It's good.

Shaft is a private investigator who is hired by a local crime boss to find his beautiful, vulnerable daughter, who has been kidnapped by a rival ring from New Jersey. This is no small potatoes: a major drug war could break out between Jersey and Harlem if the problem isn't resolved soon. By the way, someone goes crashing through Shaft's very high office window in his presence, so Shaft has to bargain and barter with his only sympathetic contact in the NYPD to keep from being arrested on a murder charge. Shaft has to work on his own, under cover, without most of the advantages the police enjoy.

The performances in this film are wonderful. It shows how shamefully Hollywood has ignored black talent that actors the caliber of Moses Gunn didn't get steady work, and the situation is only marginally better today. The talent brings conviction to a gangster plot line that is really just an update of 1930s material, minimizing its formulaic quality and keeping it fresh. There are also sharp points made about the realities of urban black life. Example: A taxicab pauses, then zooms by well-dressed Shaft, only to stop 50 feet up the street to pick up a similarly dressed white guy. It's stuff like this that raises "Shaft" well above the movie-of-the-week level that infects so many routine and direct-to-video films.

I think that time may have actually improved "Shaft." The violence is just violence. Shooting a gun is just that, not an invitation to buckets of blood. A car crash is a car crash, not a fireball. One thing the writers or producers seem a little conflicted about is the level of swearing: a character will say "[bad]" in one sentence, use the s-word in the next, then revert to "[bad]" Ditto those well-worn terms about fornication. Well, 1971 was a confusing time.

For a generation raised on Joe Fridays, Shaft is quite an interesting character, a handsome leather-clad James Bond without all the high-tech gadgetry. He has a nice apartment and a loving wife, but he also keeps a sleek, tasteful bachelor pad that Hugh Hefner might envy. He must be quite the successful P.I.! I suppose this bit of fantasy was meant to serve as relief to the gritty urban drama played out on the streets. At any rate, I didn't mind it. If you're sitting on the fence about this movie, buy the tape; it's quite cheap.

The original
Gordon Parks created a sensation in Shaft with an ultracool performance by Richard Roundtree who went onto to do several films in this series. However none holds up as well as does the first film, which plays just as well today as it did in the 70's. Shaft was the quintessential rogue cop, taking orders from no one and tracking down the crooks no matter where they hid in the city. But what really makes this movie work is the feel Parks has for New York, capturing the quality of the inner city like few others have been able to do. One is carried along on the hip soundtrack by Isaac Hayes, taking in the mean streets of Harlem as Shaft fights both the corrupt police force and the underworld. Always one to do it his own way.

The mob wanted Harlem back. They got shaft...up to here.
That title is the films original tagline...and they got the shaft allright!

Shaft is a great 70's urban classic. The film is beautifully photographed and staged. The atmospheric camera work captures the streets of New York, always keeping the look of the film harsh and cold. The color scheme is typical 70's muted with acidic contrasts, but at the same time uses a number of blue tinges, especially in the outdoors, to suggest the cold environment the people are facing.

The DVD is presented in the film's original 1.85:1 theatrical aspect ratio as well as an open matte (fullscreen) transfer that adds some picture information at the top and the bottom of the screen. The transfers look pretty darned good for a 1971 flick. Audio is presented in the film's original monaural track and is fairly weak, though acceptable.

The DVD features includes a bonus documentary "Filming Shaft on Location", three trailers and cast biographies.

You gotta love Shaft & Richard Rountree. A great flick and a great DVD.

THE BEST OF THE BLAXPLOITATION FILMS
PERHAPS THE BEST BLAXPLOITATION FILM OF THEM ALL. JOHN SHAFT [RICHARD ROUNDTREE] IS HIRED TO INVESTIGATE THE KIDNAPPING OF A GANG LORD'S DAUGHTER. VERY INTERESTING MOVIE WIH LOTS OF GREAT MUSIC. THE FILM ALSO HAS A SHARP SENSE OF HUMOR. FOR A FUN TIME, CHECK OUT THIS CLASSIC 1971 ACTIONER. ISSAC HAYES WON AN OSCAR FOR THE SHAFT THEME SONG. FOLLOWED BY TWO SEQUELS, A TV SERIES, AND WAS REMADE [SORT OF] IN 2000. ... Read more

Description

The stunning Laura Gemser stars as Emanuelle, the fearless fashion photographer and investigative photojournalist whose thirst for adventure is matched only by her insatiable erotic hunger. But when Emanuelle uncovers shocking evidence of an international snuff film conspiracy, she is plunged into an odyssey of forbidden passion, depraved desires and unspeakable human brutality. From the lust-filled streets of New York City to the corrupt corridors of Washington D.C. and beyond, one of the most controversial sex and gore epics in exploitation history has finally come home: This is EMANUELLE IN AMERICA!

Everything you've heard about this jaw-dropping cult classic is true: graphic sex, harrowing violence, a horse named Pedro and much, much more.Directed by the notorious Joe D'Amato (BEYOND THE DARKNESS), EMANUELLE IN AMERICA has been newly mastered from pristine vault materials and is now presented completely uncut for the first time ever! ... Read more

Reviews (12)

Well, You Wanted Something Different....
Sleaze director Aristide Massaccesi (a.k.a Joe D'Amato) died suddenly of a heart attack in 1999, the unfortunate culmination of a long career as the creator of numerous low budget horror and soft-core sex films. Among horror fans, D'Amato's seminal contributions to the genre include the taboo busting 1981 film Anthropophagus and the ultra gory 1977 classic Buio Omega. Joe's films crossed the borders of bad taste as often as they mixed gluey gore with sexual themes. It is perhaps this movie, "Emanuelle in America," that best personified the basic premise of a Joe D'Amato film. Lovingly reconstituted by Blue Underground, a new DVD company specializing in underground cinema, this Laura Gemser vehicle was the first of a string of Emanuelle films helmed by D'Amato. It was also the beginning of a long collaboration between D'Amato and Gemser that eventually ended with the Indonesian actress's retirement in the mid 1990s. We'll never see a new Joe D'Amato film, but with the advent of DVD fans will finally see excellent versions of all of his old classics. Up until a few years ago, many of us acquired grainy third or fourth generation dupes in order to view any film from Joe D'Amato. Those days are now over.

In "Emanuelle in America," Indonesian actress Laura Gemser plays Emanuelle, a newspaper journalist who roams the world in search of offbeat stories. There really isn't much to the plot here, with Emanuelle embarking on trips to Italy, the Caribbean, Washington, D.C., and Latin America. In each of these places, she uncovers various sexual situations ranging from a brothel controlled by a crime boss to degenerate nobility in Venice to a "dating service" in the Caribbean. The final adventure sees Emanuelle searching for the makers of grotesque snuff films. The movie concludes with little resolution in a tropical paradise where Emanuelle and her boyfriend encounter a native tribe and a mysterious "film set" (?) before running off into the sunset. Predictably, the acting is terrible, the dialogue laughable (I rolled my eyes at least four times), and the plot fails to achieve any sort of continuity. I know the whole idea of the Emanuelle films involved exotic locales mixed with cheesy soft-core erotica, but I'm willing to bet several other entries in the franchise possessed a better sense of wholeness than this one did. Moreover, the nudity and inserted hardcore scenes (yes, there is hardcore in this movie) didn't really do anything for me. Maybe it's because this is the 1970s and all of the women look rough. Whatever it was, I just didn't find "Emanuelle in America" all that erotic.

There are many intriguing elements to this film once you look past its flaws. Several music pieces, especially noticeable during the pool scene, were downright excellent. They had a sort of new age/Pink Floyd sound to them. I also thought the cigarette pack table/bar was cool. But it is D'Amato's taboo busting scenes that really take the cake here. First, there is a scene with a horse that is, well, controversial. That scene is here in its full nauseating glory. As if this isn't enough to float your boat, there's the snuff film segments. Employing stomach churning gore effects, D'Amato doctored up these sequences by scratching the film, using quick cuts, and employing jumping frame techniques to make the snuff footage look like the real thing. It is gruesome, even more so by its association with intimate relationships. On an unrelated note, I thought that the guy who pulled the gun on Emanuelle in the beginning of the movie was none other than actor Maxwell Caulfield (best known for his role in "Grease 2"). Upon further investigation, I can't confirm that it is actually Caulfield, but it sure looks like him.

The extras on this disc are simply marvelous. You get a thirteen minute interview with Joe D'Amato made shortly before his death, an audio interview with Laura Gemser, and background on the Emmanuelle phenomena (D'Amato and others changed the spelling of Emmanuelle to "Emanuelle" in order to avoid copyright problems), a franchise which ran for decades throughout Europe and America. The best extras on the DVD are the talent bios for D'Amato and Gemser. These two biographies deeply explore the careers of these two underground favorites. Any information on D'Amato is always welcome, and the bio here does a good job constructing a partial filmography of this busy director. Interspersed throughout the bios are movie posters for various cult films made by Gemser and D'Amato.

It's amazing how great the film looks on DVD. It is obvious that the technicians pieced in several scenes in order to present an uncut version of the film, but overall the picture looks splendid. I hope the release of "Emanuelle in America" signals a growing movement to release even more D'Amato works in the near future. "Troll 2," a D'Amato classic not to be missed by anyone with a love for "so bad they're good" movies is due to appear soon. If new uncut versions of Anthropophagus and Anthropophagus 2 followed, I would truly be happy. For those new to the Joe D'Amato catalogue, "Emanuelle in America" is a good place to start. This movie isn't great, but it is an important contribution to underground cinema.

Disturbing
A friend of mine showed this video to me. The only words that describe this movie is "Disturbing." I hope every part of the "snuff" scenes were fake. I could barely stomach any of those scenes. The sad thing is that stuff like this actually happens. Anyone who finds that entertaining should be shot. All you people that get off from watching this stuff and would prefer the "uncut" version of this movie because of the snuff scenes should be shot as well. Movies like this are helping these sick [people] watch their snuff legally.

it certainly has its moments....yeah...it goes there!
I admit I was sceptical about how good this '70's erotic movie would be. Unfortunately it was a slow moving film until the final 30 minutes or so. The main actress is less than exciting, its all about the situations she gets into that make this movie worth watching. There are some actual hard core sex scenes that are welcome to the viewer, by the time you get through seeing so many phony "soft core" sequences. Again...towards the end of the film the real hard core scenes present themselves. Of course its simulated "snuff" action...but what action! Its unfortunate the director didn't show more than snipetts of those very strong scenes! I was impressed by the reality of the snuff stuff...I would have enjoyed more raw sex with the star participating, however she came across as frigid as a dead cod for sale in a fish market! If it wasn't for the tension of certain parts of this film, it would be a zero star film. The very hot hard core sex scenes and the snuff movies being shown in the background gives this film 5 stars from me!
I don't anticipate seeing anything else quite like it...made during the 1970's or anytime before or after this film. Hollywood may be making billions from the porn industry these days, but they sure don't make erotic films like this one, or the best one ever, "The Image". This film may be too strong at some times for your girlfriends to watch with you, however, if they are very "freaky" little pigs....they'll get wet all over the couch with you!

Laura Gemser: the worst Emanuelle character
If Sylvia Kristel had acted in this it probably would have been more entertaining, since she doesn't mind doing a sex scene or two. Laura Gemser, on the other hand, was plenty nude in this film (about every 5 minutes or so), but she has nothing even remotely close to a "sex scene". What gives? She gets touchy feely on a few occasions, but nothing special. Maybe that's why they had to call her "Emanuelle" with one M, instead of Sylvia Kristel's "Emmanuelle", because the extra M means MORE sex.
That's okay, because there was plenty of sex to be had by everyone else, even the horse! Contrary to the review from "dirk digler", Laura did not have anything to do with the horse, and nobody had sex with it. Some lady just massaged its genitalia. Big deal.
There is a scene at a party which turns into an explicit pornographic orgy and, later, when Laura is out and about taking pictures of people having sex for some reason, they are all engaged in explicit, real behavior. So that makes up for Laura's lack of "getting it on", but her soft-core stuff would've been silly compared to what else was going on, anyway.
Now, the "snuff" stuff.....I'll admit, it was quite troubling to watch at first, until I heard in a commentary how the director scratched up some 8mm film he shot the scenes with to make it look grainy and real. His efforts paid off, as far as realism goes. I honestly couldn't tell if it was fake or not at first, until one of the "victims" (the torn breast girl) didn't quite convince me that she was being tormented. But the meathook? How could you fake that? Even if it is fake, it still is creepy to watch. Definitely effective cinema, if nothing else.

Draining the horse
That's awesome how Emmanuelle jacks off the horse then turns around and takes it in the rear! Next time I get near a farm I'm gonna do the same thing! ... Read more

Reviews (54)

Simply the funniest movie of all time..........period!!!!
I've seen nearly every Rudy Ray Moore movie made and they're all hilarious, but this one takes the cake! When you see Queen Bee and her emotions when she helps bail out Dolemite, you'll probably shed a tear or two.....or ya could get a bucket of water and dump it over your head like she did. The woman deserved an Academy Award! And Creeper.....simply amazing...for crying out loud he had to have actually been high while making this movie. I recommend this video to everyone, I've shown it to just about everyone I know and they all think it's hilarious. I also recommend Dolemite 2: The Human Tornado...it's even funnier.

Dolemite is a super bad ...in a super good movie!
On the surface Dolemite is a bad movie. Bad acting, bad production values and a bad script. So why does it work so well? Heart. Rudy Ray Moore and Company put up such a great effort that this movie that it overcomes all the obstacles it faces. Rudy Ray Moore's, Jerry Jones and D'urville Martin made this film with a $100,000 budget and did a better job than some filmmakers with $100 million budgets. The one thing I love this bout this film is that everyone does their best in spite of the low budget and poor production values. You want to see Rudy Ray Moore get even with Willie Green and those insecure, no business born, junkyard rat soup eating ... And you howl laughing every time he goes into one of his classic "toasts" or shoots off a one liner.
Sure the movie is awful. But the blaring errors only make it better. The boom mikes in shots, shadows of production crew in frames and horribly choreographed fights are so hilarious they only make the comedy funnier. If you want a great movie buy citizen Kane. If you want a fun movie get Dolemite. It's so bad it'll kick your DVD's ...twice a day.

Don't Buy It For Quality, But for Laughs!
As an avid fan of the Blaxploitation Genre, you find that quite often, people shoot down these classics. The reasons ranging from Bad acting to terrible DVD Quality. However, if you don't try and dissect these films, but just watch them, then you will be greatly entertained. "Dolemite" is no doubt a prime example. I own the Box Set of "Dolemite" films, and it is very much worth watching. I see hanging mics, and various other mistakes in filmmaking (including poor editing of a love scene), but I found myself laughing until I cried. In addition to that, I have borrowed some very memorable lines for conversations at work!!!

CLASSIC!!!!!!
This flick is classic!!!!! It's not only funny as hell, it has some interesting characters!! Like Queen Bee, and Dolemite's Kung Fu girls, the Hamburger Pimp, Blakeley the cop, Joe Blow...the lover man...."you should be paying me!!", Willie Green and Dolemite himself!!! The styles, with the clothes, the talk, and all that. The direction is horrible, so is the acting, but that some of the things that makes it funny!! But I still love it. Look out for all....Look the scene where they show the band playing at The Total Experience. For about a few seconds (good enough to see the singer's face....(I think is is on the piano, can't see what he is actually playing) You will see a very, very young...James Ingram....(for all those R&B kats that know who he is) That is him...Still looks the same, but with a perm!!!!!!!!!!!!!!!!

Rudy Ray Moore: Blaxploitation God
So there's really not anything that's actually "good" about this movie. The boom mike has a starring role, the acting is completely atrocious, and I can't remember what the story was 5 minutes after watching the film.

Even so, this movie is totally and wonderfully great. It posesses in spades what many hugh blockbuster do not have: soul and inspiration. Rudy Ray Moore is a middle aged, pretty flabby dude. By looking at him, I'm simply not going to buy into him being a kung fu master and Don Juan to all the ladies. But he seems to believe that he is, and this giddy fun manages to translate to the film.

Don't pop in this DVD if you want a well-made, conventional film; "Dolemite" sits firmly in cult territory. For the cult film lover though, it's hard to disparage bad kung fu, kung fu prostitutes, a hero that commits some pretty serious crimes (which the movie wonderfully fails to adress) and strange and bewildering proto-rapping from Moore himself. This movie is endlessly rewatchable. ... Read more

Reviews (165)

Thank you, Chiodo Bros....at long last!
Attention, all beloved Killer Klown cult fans! Our all-time favorite homicidal, bloodthirsty, and cotton candy-weaving bozos from beyond will finally be receiving their long-overdue video re-release this fall! I especially want to thank Stephen, Charles, and Edward Chiodo for listening ardently to their legion of loyal fans and being able to bring their hideous big-top wonders back since their hitting of the silver screen 12 years earlier! Only one question: how come no DVD or VHS widescreen versions? The art direction in this classic black comedy really warrants a 1.85:1 canvas, not to mention a Dolby Digital remastering to accentuate the Klowns' chilling chuckles and John Mussari's sinister musical score!

Okay, for those of you who have been living in a secluded cave since 1988, KKFOS is a must-have film for any seasoned B-horror movie buff. It is the uncanny tale of a coastal California town that becomes beseiged by a pernicious race of alien klowns that cruises through the galaxies in a circus-tent starship and has an insatiable appetite for human blood. These wily, vile bozos arrive with an arsenal of mutagenic popcorn, lethal cotton candy phasors, acidic cream pies, and many other deadly circus tricks they deploy in order to capture and harvest the town's dullard citizens as cotton-candy-cocooned snack munchies. Only a clique of college kids and a rookie cop are aware of the klowns' nefarious plan, and they must do all they can in order to save the village from a fate that's no laughing matter! Sure, the plot to KKFOS sounds like a 1950's sci-fi derivative, but it is accompanied with impressive costume design, whimsical art direction, and captivating make-up and puppetry effects from Fantasy II F/X ("The Terminator", "The Abyss") that really exploit the low budgetary constraints that were imposed on this indie masterpiece. The real fear in KKFOS comes from taking the benevolent attributes of clowns and the circus and inverting them into elements of a child's warped nightmare. However, it does have its fair share of baffoonish comedy (most notable are the goofy Terrenzi Bros) to balance out the freaky death scenes. John Vernon definitely gives a hammy, but hysterical performance as Officer Mooney, the embittered police chief who scoffs the idea of murderous klowns in his town...until they finally make a "dummy" out of him, literally! All of this comes in a PG-13 package with no nudity and only mild "ketchup gore" for the audience.

One thing's for sure about KKFOS re-release, I'll be well-insured when my original Media Home Entertainment VHS copy becomes irreparably worn-out, which is almost certain to happen soon! Also, I just cannot wait until the sequel finally comes out (hopefully by next year)!

A Fatally Funny & Scary Ride Through The Big Top...
It's hard to believe that an innocuous PG-13 B-movie such as the Chiodo Bros. underrated masterpiece "Killer Klowns From Outer Space" could instill a sense of mysterious dread and thrills to an inveterate horror fan like myself. The Klowns definitely break down the redundant slasher film villian barriers that ran rampant during the 80's and give a frighteningly original, yet humorous flair to their evil work that parallels the old alien invasion films of the 50's (right down to the backwoods farmer and his dog and to the overly-skeptical village police). These extraterrestial jokesters are by no means makers of fun merriment, but rather ravenous predators who hoodwink their victims with circus magic and sinister smiles.

The first time I viewed this acclaimed cult classic, John Mussari's ominous circus synth soundtrack, grizzled Officer Mooney (John Vernon) turned into a klown merrionette, and the corrosive cream pie death of the security guard each made a frightful impact on me! Not only that, I developed a short-lived repulsion to cotton candy after seeing the homicidal Klowns in action! Now, that I'm older, wiser, and even more desensitized, I've begun to see "Killer Klowns From Outer Space" as 70% comedy/30% horror since this film does boast some of the most baffoonish dialogue and action I've seen in a B-movie. Mike (Grant Cramer), Officer Mooney, and the hilariously inept Terrenzi Bros. (Peter Licassi & Mike Siegel) give just the right amount of comedic chemistry needed against the story's spooky premise. The Klowns themselves do offer a couple of cheesy chuckles via the duplicitous "child's play" antics they use to capture and expunge the town populace for their own vampiric food supply. And one just cannot get over the elaborately designed circus tent sets, props, and klown costumes! The theme song video feature by The Dickies is also pretty darn cool. All in all, this indelible pic proves that 1988 was a gem year for the horror genre.

I have been fortunate enough to obtain a previously-viewed copy of KKFOS this year after a near-exhaustive search on the Web! I found it through Amazon's zShop site, which may still have some English-version copies left (knowing that this film has become a rare find both in retail and rental). I wish Media Home Entertainment/HVG Video would get off their languid behinds and re-release the Klowns on VHS widescreen or DVD seeing that the Killer Klowns cult is bigger than they probably realize.

Believe it or not, a Klown sequel is in the planning stages according to the Chiodo Bros' official website (as well as a coveted email I received last year from Stephen himself)...so keep on watching the skies for more intergalatic Big Top mayhem and laughs!

So Bad It's Good!
If you like your movies with extra cheese then this is just the movie for you. It's probably one of the worst and corniest I've ever seen but that's what makes it so entertaining. Perfect for a rainy Saturday afternoon or if you are in the mood for a light movie with goofy humor. Definiately not Oscar material but then again it was never meant to be.

A deserved cult classic
Here's a film that really delivers on the title. They say Killer Klowns from Outer Space, and boy do they deliver the killer clowns. Satanic clown cars, deadly shadow puppets, killer balloon animals ... these filmmakers put some real thought into what it means to be a killer clown from outer space.

This is one of those movies I can watch over and over again.

Balloon dogs are vicious!!!!
Awww, man, the only thing that sucks about this movie is that is failed to attract my attention back in the late 80's! I wish I had seen it back then, because by now it would not only be a great fun movie, but also have that additional nostalgic factor to it. But regardless, there's still enough 80's atmosphere and cheese to daze my brain. That and the movie is actually pretty good. I'm a huge fan of movies that take place in one day/night. This movie takes place all in one night, is all shot during the night hours, so there's none of that pesky mood-killing daylight to worry about. I may have missed this back in the 80's, but at least they have it on DVD now, and it looks great. I just finished watching it the second time. Also, the commentary by the Chiodo brothers is entertaining and funny. What a miracle it was that the executives okay'ed this movie! Too bad movie producers don't seem to have the guts these days to take shots on such wild ideas. I keep hearing the brothers are going to make a sequel (that would rock!), but the rumor has been spinning for years now. C'mon, we want more Killer Klowns! Come back, Klowns, come back - earth needs you! :) ... Read more

Amazon.com

B movie maverick Larry Cohen always enjoyed slipping a littlesocial commentary into his genre pictures, and the satirical sci-fi/horrorcomedy The Stuff is no exception. A mix of Invasion of the BodySnatchers and The Blob, The Stuff is an insidiously addictive, low-calorie dessert sensation that soon wins the hearts and minds ofthe nation, but mostly the minds. You see, to borrow a title from another Cohen classic, it's alive.

Michael Moriarty is an industrial spy with questionable ethics and acertain moral flexibility behind his disarming drawl. "No one is as dumb as I appear to be," he informs his newest client, a snack food CEO who wantsthe secret of The Stuff. Needless to say he becomes the film's hero, asmart-talking everyman battling a compromised FDA and a corporate baddiewho sees dollar signs in every Stuff snarfing zombie he converts. Cohen'ssatirical swipes at consumerism, advertising, and the ethics of corporateprofit come fast and furious, if not exactly focused, and help drive thefilm past his--at times--sloppy direction. Moriarty's energetic performanceis hilarious, and his rag-tag crew includes Andrea Marcovicci as anadvertising wunderkind (who improbably falls in love with Moriarty),Saturday Night Live alum Garrett Morris as "Famous Amos" parody"Chocolate Chip Charlie," and Paul Sorvino as a commie-hating,conspiracy-spewing militia leader.

The DVD features commentary by Larry Cohen along with trailers and detailed biographies. --Sean Axmaker ... Read more

Reviews (30)

The Stuff ... there's never enough!
The stuff is an alien substance of sorts, found bubbling out of the ground in small towns across the United States. It looks like ice-cream, tastes great, but ... once it takes hold of you, it becomes addictive and deadly. But what is its secret ingredient?

Enter Michael Moriarty ('Troll', 'Courage Under Fire'), who is hired as an industrial saboteur by representatives of a food company to discover just what makes the stuff so addictive. As the stuff becomes more readily available, the people selling it are no longer content to merchandise through the smaller outlets. They begin to advertise it nationwide.

David 'Mo' Rutherford (Moriarty) tracks the stuff across the country with the help of Nicole (Andrea Marcovicci) and a young boy, Jason (Scott Bloom), witnessing its effects on the population. During their efforts, they are assisted by Col. Malcolm Grommett Spears (Paul Sorvino) and the wacky cookie entrepreneur, Chocolate Chip Charlie (Garrett Morris, 'Saturday Night Live'). As the film progresses, it becomes impossible to know just who to trust, and resisting the stuff becomes increasingly difficult.

Larry Cohen has become a hero to those whose interests are in cult horror/sci-fi films, having turned out classics like 'A Return to Salem's Lot', 'The Ambulance', and 'Q: The Winged Serpent'. This is his fourth collaboration with Moriarty and it is well worth the money. 'The Stuff' contains comedy, action, science fiction, and horror - a combination of 'The Blob' and 'Invasion of the Body Snatchers', with Cohen's crazy sense of humor thrown in for good measure.

Also stars Brian Bloom, Danny Aiello, and Patrick O'Neal.

Bonus features on this edition include an informative audio commentary with director, Larry Cohen, TV Spots, original theatrical trailer, and widescreen presentation.

Buy it! You'll be addicted.

Excellent sci-fi and marketing satire!!!
This movie works on many levels. It's a sci-fi movie about Stuff that bubbles up from the ground to become the latest food rage. The problem is the more you eat the more it takes control of you. But at a more critical level it attacks the product marketing by executives and ads that will sell us anything as long as they can make a buck. Even stuff that will destroy you.

The DVD has the added value of comments by the director Larry Cohen which include great stories about making the film. Michael Moriarty is great as the quirky industrial spy hired by the ice cream companies to find out the secret formula for the stuff. Garrett Morris plays Chocolate Chip Charlie an obvious takeoff of Famous Amos.

Simply a great movie.

Silly, Gooey Fun!
Larry Cohen did it again with THE STUFF (1985): he concocted another Horror/Social Comedy offering, this time using the theme of food as the point of entry! A biting satire of advertising and consumerism (the best since George A. Romero's 1978 classic DAWN OF THE DEAD), THE STUFF is entertaining, gross and flat-out fun. Starring Michael Moriarty in another of his patented quirky Tab Hunter-Gone-To-Hell performances, this film is not great, but it is quite likable. After his breakout starring role in the great baseball drama BANG THE DRUM SLOWLY (1973), the Method-trained, blond-haired, blue-eyed, 6'4" Moriarty has carved out a niche starring in "B" movies (usually for Larry Cohen), and he's always fun to watch!

Here he plays a Southern-drawlin' FBI agent named David 'Mo' Rutherford---"'cause no matter how much ah get, ah always want mo'" (great line!)---who is hired by the dairy industry to find out mo' about The Stuff. You see, The Stuff was discovered by an oil-well worker who witnessed a strange meteor crash and found a pool bubbling with thick, white goo, decides to taste it, discovers that it tastes sensational, and is quickly able to market it to the general public as---what else?--The Stuff! An instant hit, outselling ice cream by five-to-one, The Stuff unfortunately has some gruesome side-effects that gradually become known to the few who do not partake of it. Let's just say that it has a similar result as those nasty space-plants in INVASION OF THE BODY SNATCHERS (1978). Mo and a ten-year-old boy named Jason (who is the only one in his family not to have eaten The Stuff) begin to get to the bottom of things, aided by a most unlikely pair: A black cookie entrepeneaur nicknamed Chocolate Chip Charlie (the hilarious "SNL" alum Garrett Morris) and a racist militia leader named Col. Malcolm Grommett Spears (an even-more hilarious Paul Sorvino). Add to the mix veteran actors Danny Aiello and Patrick O'Neal, and you have a recipe that calls for you to just sit back and have fun! THE STUFF may not be for everybody (certainly not for anyone under 13), and it's not to everyone's taste (or lack thereof), but if you like "B" films---especially those by schlock-meister Larry Cohen---then give THE STUFF a try. Don't say I didn't warn you!

RECOMMENDED
HIGHLY RECOMMENDED FOR LARRY COHEN FANS

Awesome and Funny
The Stuff, what an awesome and funny film this is. Though there are some funny parts to it, this B-film presents itself with some gore to it. All of the actors did a good job in this low budget film. While this isn't your typical big budget film, I highly recommend it to enjoy.

Ummmm....
I wanted to see this movie so very bad when my friend and I saw the preview of it. The preview made us laugh so hard and it looked like a good ol' B movie. Well, I hate to say it but this movie was a dissapointment in my book. Everything you see that is cool in the preview is the only thing worth watching in the movie. This movie had its funny parts but few and far between. If it is at your local video store and you have a free coupon this is a good movie to rent with a bunch of friends. This is a type of movie that is just so bad that your friends will have fun making fun of it. The movie would have been better if I didn't expect it to be an awesome B movie. ... Read more

Reviews (113)

Gilliam achieves much with little
Worth it for Gilliam and indie film fans. A group of renegade shrubbery-designers on the lam from the Supreme Being stumble through a hole in space-time into the bedroom of a small boy, whom they abduct to help them steal the treasures of history. Okay, Gilliam fans, rejoice. Python fans, rent it first. Indie filmmakers - here's how to make a plausible looking fantasy film on a (still big) budget. The executive summary: 1. Acting - well done and believable. Appropriately over-the top in places. 2. Plot - fun fun fun and I want that map! Touching in places, and the non-Hollywood ending is perfect. 3. Production design / special effects - good enough. On par with Monty Python episodes / Holy Grail film. Notable exception - everything to do with "Evil". Bonus: see the origins of the "insidiously cheesy machinery" look Gilliam later perfected in "Brazil" and "12 Monkeys". Sets and props are extremely well-used (pay attention to the kids' room at the beginning!)and add richness to the film. The DVD has commentary by the now-grown child lead, as well as some Gilliam miscellany. For fans, well worth the extra investment, even if you already own the VHS edition. Key issue - this is only a date movie if your date can handle "silly." Most American ladies (in my experience) find Monty Python really unfunny. This film is not true Python when taken as a whole, but anything with a little slapstick and cockney accents seems to get painted as such. Warning: I thought that since one lady friend of mine liked Adam Sandler, she'd like TB - I was wrong! Be warned! Overall - fans, buy it. Others - rent it or ask for it for a gift.

PYTHONESQUE ADVENTURE
From a script written with fellow Python Michael Palin, Terry Gilliam's TIME BANDITS Divimax Special Edition (Anchor Bay) is a certified cult fave of wonder, wit and unbridled imagination. A school boy is sucked into a crime spree by a time travelling gang of dwarves who have a map to the holes in the space-time continuum. Along the way, they encounter Napoleon (Ian Holm), Robin Hood (John Cleese), King Agamemnon (Sean Connery), Evil Genius (David Warner) and God (Sir Ralph Richardson) -- who almost answers one of the supreme theological questions.

This new two-disc edition in Divimax is a state of the art hi-def transfer. The bonus disc features interviews with Gilliam and Palin and a career retrospective that includes Brad Pitt, Shelley Duvall, David Warner among others.

Pretentious junk
Save your dough.

A british kid goes on adventures with a bunch of hammy-acting little people. At the end, his parents die for no apparant reason. (Before some film school moron e-mails me with the reason, I got it. It was just dumb.)

Get "Brazil" or "Munchausen" instead. Gilliam's off his game here. Or try "12 monkeys." That's a great film

A Concept Film that Doesn't Know When to Quit
Like a big candy bar. Eye-popping but unfulfilling. Momentarily pleasing but undernourishing. Couldn't help but think this could have been so much better. It's kind of a Monty Python reimagining of The Wizard of Oz. More mature and cleverer. A plucky resourceful child is transported to a parallel world where the child must make things right before he/she is allowed to go home. The Munchkins are the stars this time. The Supreme Being is, of course, Oz. Evil is the Wicked Witch. Instead of the fantasy world sing-a-long; Gilliam goes with Sci-Fi time travel. Either the movie should have been longer to allow for more story & character development or some of the great ideas should have been shelved for other projects. There's a certain episodic feel to the proceedings as the time travelers jump from time to time but don't really get anywhere; much like the film itself.

an interesting film for older mature children.
This review is for the Criterion Collection DVD edition of the film.

This film was marketed as being for children. I thought that this film is too morbid for small children and recommend that children be at least 8 years old to watch it.

In this film, a young boy joins a troupe of dwarves who travel through 'holes' in time with the aid of a time map stolen from a deity. They rob famous historical figures such as Napoleon and Agamemnon. Later they are captured by an evil sorceror who takes the map from them.

This film has several creatures in it that I think would frighten younger children I urge parents to watch the film by themselves before showing it to their children.

The Criterion Collection has special features including a theatrical trailer, a slide show of production photos and a video, and full-length audio commentary by selected cast & crew. ... Read more

Description

Honored at film festivals the world over and revered by tromites and tromettes worldwide, Terror Firmer is an unforgettable look into the set of one of Troma’s movies of the future! Featuring director Lloyd Kaufman in the role of blind director Larry Benjamin, Terror Firmer tells the story of a low budget film crew trying to make The Toxic Avenger Part IV, only to find themselves stalked by a sexually confused killer!A satirical schock-comic tro-masterpiece, Terror Firmer stands as the tro-magnum opus of blood, breasts, gore, satirical laughs that will stick with you forever! And that’s not even including the extra features!A second disc features the feature length making-of documentary, "Farts of Darkness," which is must-see viewing for anyone interested in making their own damn movie!With over two hours of extra features, Terror Firmer delivers the troma-riffic goods! ... Read more

Reviews (43)

Sick and twisted baaaaby!!
If your looking at buying this movie then you really don't need to read this review. You know exactly who Troma are and exactly what they do. Troma delight in making the sickest, most twisted, perverted flicks that can be put on film.

Terror Firmer is Troma's swansong (though im sure another will rear its ugly mutant head sometime) and easily sits beside "classics" such as, Tromeo and Juliet, Surf Nazis must Die, Cannibal:The Musical and Toxic Avenger. Definately one of thier best. Its gross, its disgusting, its hilarious and I love it!!

This is an excellent 2 disc set that is an easy buy for any fan of gonzo/horror/sexploitation/weirdo movies. ...

TERROR FIRMER: The One Troma Fans Have Been Waiting For!
TERROR FIRMER is one of Troma's newest films to be released and now it's making it's debut on DVD. I can't wait to get it. I haven't seen the movie but I know the straight plot of it: A low-budget independant film crew find themselves being stalked by a maniac killer. There's plenty of nudity, sex, Troma-tic violence, and bad cheesy acting in general...only from Troma, of course! Well, since I'm a big fan of most Troma movies, I'm giving this one 5 stars before I even watch it. Any Troma fan with a DVD player should just pick this one up!

Wheres my damn poster?!?!
Decent flick, but where the hell is the mini poster advertised on the front of the movie?

ioncetookatexantoawedding
this movie is bad even for troma. its not gross or shocking or funny. it's very long, i think about 9 hours. i wasn't offended or entertained, just bored and i got diarhea. troma fans are overwight. i bought this movie and i can't get rid of it. i can't sell it to stoners, give it away to homeless people, or trade it for a banana at lunch. it didn't even come with the free poster promised on the case. also it breaks your dvd players

Terror Firmer
A film writhing in dark humour, gore and a wonderful storyline, Terror Firmer is a must for anyone who loves Troma and anyone who doesn't. The film is one of the best black movies I have ever seen, and I recommend it to you, because it is fantastic and a classic. ... Read more

Amazon.com

Australian writer-director Rolf De Heer's 1993 semi-comic satire, Bad Boy Bubby, won the Grand Jury Prize at the Venice Film Festival for its sometimes savage vision of a modern society in which a Kaspar Hauser-like figure suddenly appears. Nicholas Hope is masterful as 35-year-old Bubby, who has been shut within his corpulent mother's airless apartment all his life, enduring sexual exploitation and mom's lies about the outside world being poisonous. When Bubby's estranged father turns up, the boy-man seizes an opportunity to flee, and embarks on a dark journey to encounter the unknown. De Heer keeps his innocent hero moving from situation to situation, like a great blank slate (think of Peter Sellers in Being There) absorbing and repeating whatever he sees and hears. Meanwhile, the people who meet him perceive exactly what they want to perceive. De Heer may be on a Swiftian mission to underscore humanity's corruption, but Hope is brilliant at the more subtle job of constructing, using few tools, Bubby's increasingly complex inner life. --Tom Keogh ... Read more

Reviews (4)

Awesome.
Get this movie. It's amazing and everyone should give it a try. It has some of the most sick and bizarre scenes in cinema history, yet it's just awesome. If you miss this rare cult classic you will regret it. This is a movie in a genre of its own.

Remarkable
In the film Bad Boy Bubby, the title character is a thirty-five year old man child who has been locked inside a cramped, dingy room by his abusive mother for his entire life. When Bubby's Pop suddenly shows up after a thirty-five year absence, Bubby is flushed out of his home, and the only world he has ever known, by his Mom and Pop, and into the "real" world, where he experiences equal measures of human cruelty and human kindness.
The film is at times bleak, harrowing, funny, heartbreaking and ultimately hopeful. All of the actors do a very fine job, but Nicholas Hope's performance as Bubby is absolutely stunning. There's a long tradition of actors delving into roles of this type, Sling Blade, Awakenings or Rain Man for example, and while Hope's performance isn't as widely regarded as the lead performances in these three films, it surely would be if the film Bad Boy Bubby had received a wider release - especially in the United States, where until now it has been practically nonexistent.Now however, thanks to Blue Underground and this great DVD release a much wider audience will hopefully be able to see this exceptional film for the first time.
Once again Blue Underground has done a really topnotch job. The film transfer looks great and there are two sound options: a 5.1 Dolby Digital Surround and a Dolby Surround 2.0. Of special note, the sound for the film was recorded using a binaural sound system that is meant to allow the viewer the experience of hearing everything the same way the main character would.The extras on the disc are a 24 minute interview with director Rolf de Heer, who describes the interesting binaural recording process and reveals a lot of fascinating insights and details, including the fact that over 30 different cinematographers were used to shoot the film. There is a second 15 minute interview with Nicholas Hope who discusses his career before, during, and after Bad Boy Bubby.The short film that led to Nicholas Hope being cast in the role of Bubby, titled Confessor Caressor,is also included. And finally, there is also a theatrical trailer for Bad Boy Bubby and a poster/stills gallery. In all a great disc befitting a remarkable film.

The less you know before seeing this the better.

Here's one you haven't seen before.

And you just have to stay with it, because you probably won't know what to make of it for at least the first hour.

I saw this years ago at a Berkely art house. There was a warning posted at the ticket booth, which is probably the only reason I don't remember any walkouts. Recently it came to mind and I wondered what ever became of this bizarre little movie. Well here it is, thanks to the wonderful folks at Blue Underground.

The first half will probably surprise you, and the second half is likely to surprise you in an entirely different way. And I don't want to say any more than that.

SICK AND TWISTED
THIS MOVIE IS RARELY SEEN BUT I USE TO OWN THIS ON VHS AND ONLY WATCHED IT TWICE AND DIDNT NEED TO SEE IT AGAIN/BAD BOY BUBBY,ABOUT A MENTALLY HANDICAPPED MAN WHO IS TOLD BY HIS MOM IF HE GOES OUTSIDE HE WONT BE ABLE TO BREATHE AND HE WILL DIE/EVERY NITE HE HAS SEX WITH HIS MOM/HIS DAD COMES HOME ONE DAY FROM YEARS OF BEING GONE AND HE EVENTUALLY KILLS BOTH HIS MOM AND DAD AND TAKES HIS DEAD CAT AND GOES ON THE MOST BIZARRE ADVENTURE EVER INTO THE WORLD HE KNOWS NOTHING ABOUT/HE ENDS UP GETTING ARRESTED FOR ATTACKING A WOMAN,TAKING UP WITH A BAND IN WHICH HE BECOMES LEAD SINGER/MEETING A WOMAN AND HAS A KID AND THEN KILLS HER PARENTS CUZ THEY ARE VERY RELIGIOUS AND DONT AGREE WITH THEIR BEING TOGETHER/I CANT EXPLAIN EVERY DETAIL OF THIS MOVIE BUT IT WILL BLOW YOUR MIND/BY THE END YOU WILL NOT BE ABLE TO TOTALLY FATHOM ALL OF WHAT YOU HAVE SEEN BUT THE FIRST HOUR OF INCEST AND ABUSE IS ENOUGH TO PUT ANYONE OVER THE EDGE/I HAVE NEVER SEEN ANYTHING LIKE THIS OR HEARD OF ANYTHING LIKE THIS/A MUST SEE FOR EVERYONE ... Read more

Reviews (33)

Another review of the German DVD
If you are able to play Region 2 PAL discs (as I am), the German edition of Lost Highway on DVD is the way to go. The English soundtrack is included in Dolby 5.1, and (unlike the Canadian edition) it's in W-I-D-E-S-C-R-E-E-N. Another review of this disc convinced me to purchase a copy from Amazon.de. Surpisingly, Amazon.de recognized my Amazon.com login! And placing the order was pretty easy, even though my German is almost non-existant.

The picture and sound quality are good (though not exquisite), and the disc even has some extras - which, on Lynch DVDs, are usually scarce. The sound track does appear to be slightly out of sync with the picture, but that could be an artifact of converting PAL to NTSC on the fly. What I wouldn't give for a multi-standard widescreen monitor...

The film itself is a dark psychological study similar in many ways to David Lynch's more recent Mulholland Drive. It's about obsession, murder, guilt, secret identities, and the demons that often drive people to desparate, destructive acts. Don't try to make sense of it the first time through; just go with it. Then, on repeat viewings, look at it as a symbolic map of a man's mind stressed beyond the breaking point. Apply a little Jungian psychology, and its meaning should, if not exactly come clear, at least brush past you close enough to touch.

Lost Highway is an underrated masterpiece of psychological horror, and not to be missed by fans of David Lynch! C'mon, you can get through the German...

A Masterpiece of Crime Cinema
I'm not an audiophile nor an expert on video quality. However, I have quite a number of DVD's in my collection and this one plays just as well as any of the others. Anyone saying otherwise are maybe hoping to generate interest in a new edition of the film on DVD or something, which I certainly wouldn't be against if it contains some nice extras.

If you're already a David Lynch fan then I won't preach to the choir because you already must love this film. However, if you're new to Lynch's work, you must not expect anything 'normal' to happen. He usually breaks the rules of linear story-telling. This effort is no exception. The film, according to one theory, is one man's nightmare dreamt from inside the cell of a penitentiary, but it is time displaced and characters switch roles. The nightmare is based on what we can only assume is real events that involve the main character murdering a young woman whom he loves, but who is tied to a nefarious character named Mr. Eddy. It's hard to tell who Lynch sees as the real villain here - Mr. Eddy or the girl.

Knowing the dream/nightmare premise, though, you can stop wondering what's going on and just enjoy the ride. If you're of the Freudian psychoanalysis school of though there will be a lot to keep you focused. If not, there's still enough linear filmmaking here to keep you enthralled as in a 'normal' movie, but there's enough strange weirdness (Robert Blake's character for instance) that tips you off that this is all a really wacked out nightmare. The fact that it is probably based on actual events that the main character is remembering in the dream makes it all the more chilling.

insane Pyshc Thiller, or devilishly complex mystery
This movie left me bedazzeled for a week. After I watched it I was still trying to solve it,once i did figure it out, {i'm no dummy}, my senses were delighted

WARNING! STOP! RED LIGHT! LISTEN UP!
DO NOT BUY THIS LOST HIGHWAY IMPORT DVD! I should have trusted the other reviewer who said that the transfer quality is beyond awful because it is! Honestly, the quality of this import DVD is as bad as a poor quality bootleg DVD. There is a small strip on the left side of the picture because the picture isn't centered. The look of the picture is very poor and grainy. The sound does not even match up with the picture. I love this movie, but do yourself a favor and do NOT buy this import DVD. The VHS version not only looks better than the import DVD, but it is also in widescreen.

Lost Movie
This is my theory on David Lynch. He is either the greatest filmmaking genius of our time, or he is completly insane. Take your