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| 181. Blast | |
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Reviews (77)
I marched in the Blue Knights Drum and Bugle Corps from Denver, CO. and had the pleasure of going head to head with The Star of Indiana during the summer of 1989. Star of Indiana went on to win the World Championship a couple of years later in 1991. I know exactly what those musicians and dancers do to put that performance on the stage. They work at least 14 hour days, seven days a week. It's hard work, perfecting not only musical aspects but also the movements on the stage. That work has paid off and the product is Blast! I give this DVD all the recommendations I possibly can. You will not regret this purchase. Now, if you can't see the actual Blast! performance live, the 2002 Drum Corps season is about to kick off. Watch for a local Drum Corps show near your home town. They are all over the U.S. If you can't find one, check with your local High School band instructor, they can tell you where there is one or visit www.dci.org for a listing of competitions. These shows are the ORIGINAL Blast! You will be amazed at what 128 people can do with horns, drums and flags on a football field. Oh, and not one of them is over the age of 21. Marching band pails in comparison to Drum Corps! From what I could tell, every member of Blast! had Drum Corps exerience. Buy this DVD!!!!!!!!!
This collection of music and movement does its best to avoid classification. There is simply nothing like it. Imagine seeing the following: A drum team with the precision of Riverdance There are two themes that thread through all of the productions. The first is the use of color. Flags, lights, costumes and props take the production through the rainbow. The second is that these performers really love what they are doing. Just look at their faces. The camera work is well done. Angle change to show what is going on without being to spastic like in Lord of the Dance. There is even an intermission where several performers join the audience and use stools for drums. My only complaint is that some numbers are actually several pieces in a row without their own separate tracks. So when watching the drum battle, if you want to see the precision blindfolds, you will have to watch the pieces before it (at least until you set your own bookmarks). My whole family really loves this one from my wife and myself to my one-year-old and my four-year-old. The visuals are gripping and unbelievable. While the music itself is great, anyone who just gets the CD is really missing out. ... Read more | |
| 182. The Men Who Killed Kennedy Director: Nigel Turner | |
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Reviews (40)
If you are not familiar with the assassination or this series, buy it! I have viewed it several times. Each time I become more outraged that something of this magnitude could have occurred. The medical and Secret Service information was enough for me to conclude a conspiracy existed. The newest tapes "The Final Chapter" were equally amazing. Great tapes!! If you are a history buff don't miss them.
I think this tape series is well worth one's money and time.
And the 1995 "sequel" chapter ("The Truth Shall Make You Free"), though also worthwhile and very disturbing, seems in places to be infected with some of that latter-day media mindset of 'well-if-we-have-to-admit-that-maybe-there-was-a-conspiracy-then-let's-make-the-Kennedy-brothers-seem-like-they-essentially-brought-it-on-themsleves', which I don't appreciate. The recent "Final Chapter" was pulled from distribution and is not available for purchase because it implicates LBJ as complicit--- which caused an uproar and, in the mood of 2004, even very old information that would never raise the eyebrows of "students" of this subject, can get suppressed all too easily. (Until it's ever released, a seance with Madeliene Brown will have to suffice). Nevertheless, despite what you may have heard "TMWKK" is a very serious, chilling documentary, if an imperfect one.
There is no doubt that evidence exists to dispute the findings of the Warren Commission report on the assassination of President Kennedy. This DVD presents a lot of that evidence in a organized fashion. It is good to actually see the people interviewed who say the shots were coming from the grassy knoll. I liked looking at the photographic evidence that critics claim show a person (badge man) shooting from the knoll (I don't see anything). The DVD at least allows you to see the people and the evidence and make a lot of judgments for yourself. A lot of the witnesses are not convincing to me, and a lot of the so called evidence just looks like junk. I have a natural tendency to distrust testimony from strippers (or former strippers) and I don't see what others say is clearly present in certain photographs. I am a lawyer (not a trial lawyer) so I suppose I look at evidence a little differently than most and probably take a more skeptical view, but I still like to see it myself and not let someone else tell me what something shows or who to believe. I think the DVD does raise significant questions about the killing of the President as presented by the Warren Report on the assassination. I have read portions of the Warren Report and I have read a few books on this subject authored by both the critics and those who support the Commission's conclusions. While I would say this DVD does contain some speculation that is impossible for the viewer to make an independent decision on, and it contains a lot of language that is less than clinical, it does present a lot of solid evidence. Actual interviews with the Dallas police officers who were there and who talked with Oswald and Ruby are just invaluable. So are a lot of the other interviews. Just a list of those who have been sent to an early grave that had facts to support a shot being fired from the grassy knoll is unnerving. To see some of those same people on screen telling their story near in time to the killing of the President is compelling. If you believe what they have to say a lot of the Warren Commission's findings are not accurate. If you are not interested in mysteries this isn't for you. In the end there are a lot of theories that can be supported depending on which set of facts you find to be most important. The assassination of President Kennedy is a mystery because so much is left unexplained. For example, there is no doubt the evidence in the National Archives has been corrupted. The brain is missing and at least some other evidence has disappeared. Once evidence has been tampered with a person is allowed to believe it is all under suspicion. The evidence is the foundation of analysis, and when that is gone mystery remains. So the viewer will not get a solid "we have it all figured out" explanation at the end. No murderer jumps up to confess in the last scene and reveal all. The mystery remains and the uncomfortable feeling that comes with mystery - real mystery - is there. We will probably never figure it out because the list of "oops" or whatever is almost endless. Criminal incompetence on the part of the Secret Service, incompetent medical examiners, missing evidence, incompetent police procedures, consistent failures to follow even the most elemental criminal evidence protection steps, failures to tape or record critical interrogations, failure to follow up important information, investigators ignoring certain aspects of the case (who were the men who displayed Secret Service credentials to the police on the day of the murder), inconsistent statements from important witnesses etc. This is a real mystery. A lot of people are murdered every year without explanation. The real world can be a messy and inhospitable place. We tend to want to think that the murder of the President of the United States would be different. With some of the best police agencies in the world working on the case we could figure it out and close the file and be at least comfortable with the idea that we know what happened. This film will not allow you to think that way. This was a messy event with a lot going wrong - as it usually does - and this DVD lets you know that. No nice world tied up in a nice package with a bow on it. No...this is reality. And a lot of it. A very good DVD and well worth the price. ... Read more | |
| 183. Cirque du Soleil - La Nouba | |
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| 184. National Geographic's Strange Days on Planet Earth | |
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Reviews (1)
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| 185. Original Cast Album - Company Director: D.A. Pennebaker | |
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Reviews (11)
Though this documentary following the recording of the original cast recording of Stephen Sondheim's musical Company is over thirty years old, it still feels fresh and important. While you shouldn't buy this expecting to hear all the great tunes from the show (that's what the cast recording itself is for), if you want the inside story on how it was put together--filled with as much humor, drama, and tension as a play itself--then you have to check this out. Though the most thrilling (and harrowing) segment deals with Elaine Stritch's struggle with her big solo, "The Ladies Who Lunch," this recording grips the imagination and is a vital historical record of a fascinating and important musical from the 1970s. If you love theatre, particularly musicals, this should be required viewing.
When I ordered it I was under the impression that it was a stage production recording. I looked over it again and found that it was a film of them recording the cast album for the musical of Company. I was no less eager to still see the film. I enjoyed the camera work of Pennebaker, he was able to catch the mood of the actors and actresses that were certainly giving all that they could to make this record work. It was also wonderful to see Stephen in his element - making words to music to work. As I said he is the master. Portions of the film are quite humourous, most of it though is quite serious as they are only recording this in one night and finishing late in to the morning. One thing I have learnt is that Elaine Stritch is one hell of a performer. If you have listened to the original recording and want to see more, I would recommend this DVD. I hope you found this helpful.
The DVD has a commentary track, as Stritch, Hal Prince and the filmmaker reminisce about the session 30 years later. There's also a strange feature where one of the songs not covered in the doc can be listened to over B&W stills from the theatrical production. This didn't do anything for me, but there's no harm in having it there, either. So this is a very good documentary. But it could have been even better. Two of the most complex and interesting songs, the opening number and "Side By Side/What Would We Do Without You," are barely covered in the film. I really wanted to see how they pulled off these extraordinarily complex numbers with the complete cast "live," but the documentary doesn't show it. Too bad. A 90 minute documentary with this material would hae been so much better than a 60 minute documentary without. It's probably true the 60 minute limit was imposed by ABC, which originally aired the documentary, but I'd be surprised if the filmmaker didn't save material that could have been added back for this DVD. Still, this is worth owning, if a little pricey for a 53 minute CD (not 58, as advertised on the case). In some ways this musical is a classic, and in others it's incredibly (and amusingly) dated. Both qualities just make it all the more wonderful. ... Read more | |
| 186. Lost in La Mancha Director: Keith Fulton, Louis Pepe | |
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Description Reviews (27)
Lost in La Mancha is a document of what can go wrong on a film shoot. During this documentary, a crew member states that if someone would write this story, nobody would believe him. Everything that could go wrong did go wrong. We see a brief bit about the history of trying to film Don Quixote including Orson Welles' twenty year obsession and ultimate failure to get the movie off the ground. This leads into Terry Gilliam and his ten year obsession with the same thing. We begin with the six weeks of preproduction and the principal actors do not have signed contracts and the ones that do are not quite living up to the requirements of the contract. Costume fittings and rehearsals are being missed and the studio for some of the filming is nothing more than a warehouse with no acoustics to speak of. Things just have the feel of slipping out of control. It is suggested that this is the way Gilliam works, but even Gilliam feels that things are slipping. He mentions the fiasco of Baron Munchausen. Gilliam states that things are similar. Munchausen had actors but no costumes or sets. Don Quixote has costumes and sets but no actors. The film is slipping away from him. Finally the actors arrive (including Johnny Depp). There is minimal rehearsal but they are ready to begin. They are filming the first scenes nearby a NATO bombing range in Spain. Supposedly NATO only uses it an hour a day. Filming begins. NATO flies the fighter jets overhead so that sound is ruined for these scenes. An extra wasn't there for rehearsal and ruins another shot. A storm that was not mentioned on any weather report for three days rains down and floods the set. Not only is equipment partially damaged, it changes the color of the landscape. Gilliam selected that location because of how it looked. The color of the dirt has changed because of the rain and mudslides. The lead actor playing Quixote (a Frenchman) has a prostate infection and can't sit on a horse. He'll be gone a day, a week, another week. The film has come to standstill and there has only been six days of actual filming. Finally, Gilliam's movie is done. Nothing more can be salvaged and it is taken as a loss. Lost in La Mancha is a fascinating look at the breakdown of a movie (and one that looked like it could be good, too). I didn't know that a documentary about how a movie didn't get made could be so interesting, but it was.
Directors Keith Fulton and Louis Pepe did not, of course, set out to record such a debacle. Like all the people involved in the making of 'The Man Who Killed Don Quixote' ' a film intended to star Jean Rochefort and Johnny Depp - the documentary filmmakers assumed that Gilliam and his crew would end up with an impressive finished product and that their own work would serve as little more than supplemental material on a future DVD release of the film, certainly not a theatrical release in its own right. What none of them foresaw was the series of almost Biblical disasters that would ultimately doom the film to a state of perpetual nonexistence. Flash floods, health problems, nervous investors and bottom line insurance agents all eventually conspired to prevent Gilliam's dream from becoming a reality. Thus, what became a bust for Terry Gilliam turned into a boon for Fulton and Pepe. With the benefit of hindsight, the filmmakers ensure that the parallels between Don Quixote and Gilliam himself are never far from the viewer's mind. Gilliam, a maverick director whose movies have always tested the boundaries of the film medium, is clearly an artist and a visionary obsessed with impossible dreams of his own, but dreams that inspire those around him to strive for a greatness not always nurtured by the mundane realities of the everyday world. The fact that, in this particular case, those realities intervened to bring his vision crashing back to earth only completes the connection to the Quixote figure. Gilliam spends most of his time in this film tilting at his own windmills, only to find that the vagaries of fate are more terrifying than any giants Quixote might have imagined. The documentary also notes that Gilliam is not the only major director to have been stymied in his attempt to adapt this material; the great Orson Welles failed to complete his version of 'Don Quixote' as well. The irony of these two innovative cinema giants both failing with THIS particular material pervades the film with an eerie sense of doom and foreboding. 'Lost in La Mancha' is an instructive film on a technical level, but also immensely sad on an emotional one. Because we know from the beginning that this venture is doomed to failure, even the moments of hope and optimism early on in the film carry with them an air of fatalistic melancholy. This pre-knowledge also turns the many admittedly humorous moments into genuine black comedy.
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| 187. The Smashing Machine - The Life and Times of Extreme Fighter Mark Kerr Director: John Hyams (II) | |
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Amazon.com Reviews (23)
This movie shows us what fighters go through in order to prepare, now granted not all of them might have a drug problem like Mark did but it's definately a wakeup call, yes these guys look great, they perform in front of thousands of people but that doesn't mean they are happy or they are living a great life I thought this movie gave you a very gritty look at Mark Kerr's up's and down's, ANYONE with even a remote interested in MMA then at least rent this movie, you won't be sorry, definately worth a look
The fact that people like watching this kind of thing attests to the fact that we are not evolutionarily too distant from the patrons of gladiator sports in roman times.And gladiatorial this certainly is. Kerr is quite a revelation, for someone so merciless in the ring. He shows a disarmingly vulnerable aspect of himself with his relationship and substance abuse problems. He admits to being physically sick from anxiety before his first MMA-Mixed Martial Arts-contest. Therefore he turns to painkillers, et al to allay his constant anxiety, finally turning addict. He talks about how alive , in-the-moment and spiritual this mode of combat makes him feel. His combination of tremendous physical strength, high pain threshold, skilfull takedowns, heavy punching, and great flexibility - all point to a fantastic genetic soup. Looking at him in action, I wondered if there could be any other activity at which he so excelled. For Kerr, this is his "bliss"...and there are enough of these creatures around to have an actual, sponsored sport! (...) I guess, for those who dare, there can be no physical high greater than a full-contact bout. The documentary is great, but Kerr is not my favourite fighter. That would be Don "The Predator" Frye. From the non-violent styles, I love Royce Gracie's amazing victories. Check them out if you haven't already.
Kerr, lured by the promise of large paydays and fueled by the euphoria of his early victories, is forced to do battle with physical injuries and his inner fears. The chaos of these matches weigh heavily on the minds and bodies of these athletes, and some like Kerr deal with the physical and psychological trauma by turning to drugs. Kerr's addiction is shown in raw form, and the camera does not shy away as he desperately solicits drugs from friends and event staff, and injects pain killers into his veins. Fans who remember Kerr's shocking loss to Fujita in Japan, will finally understand the forces behind Kerr's undoing. Especially intriguing is seeing the relationship between Kerr and the wily vetern fighter Bas Rutten, who helps train Kerr and is then forced to watch the unraveling of his pupil. It is a story that can be difficult and gut-wrenching to watch. The documentary has few cheerful moments, and a dark mood hangs overhead even when Kerr wins his matches. It seems to suggest that pain and blood are always right around the corner in the lives of these fighters. Outside the ring, Kerr's gentle nature and thoughtful commentary make him an endearing figure. However this story does not have a happy ending, and may leave fans with mixed feelings over what they just saw.
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| 188. Dolphins (Large Format) (2-Disc WMVHD Edition) Director: Greg MacGillivray | |
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Description Reviews (16)
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| 189. OT:OUR TOWN. A Famous American Play in an Infamous American Town Director: Scott Hamilton Kennedy | |
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Video Description | |
| 190. The Way Things Go Director: Peter Fischli, David Weiss (II) | |
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Reviews (25)
My family began watching this when our youngest was nearing two years old and my oldest was four: both were glued to the screen. My husband and I enjoy it as well. Our four-year-old was so inspired he wanted to create a similar and large set-up (with fire and everything) in our home! I was able to convince my son that we could not do a large set up with fire, etc. so while I was busy makign dinner, on his own he made a chain-of-events set-up out of wooden unit blocks and wooden cylinders, and toys that would roll. He called me to see his demonstration and then we had discussions about ideas of what would work, tried them and then brainstormed other ideas when it did not work. I was surprised at the creative thinking this video inspired in my four-year-old. I am just amazed at the creativity and imagination at work in this video and that such a huge project was set up and obviously practiced many times to ensure that it would work as it was being filmed. This is entertainment and education rolled into one. This is a welcome change for children to watch from the usual children's video programs that are available (although it is for people of all ages).
There are obvious cut scenes that sceptics will pick up on. One minute it's daylight, the next it's DARK! MMmmm.... Why didnt they have an overhead camera to prove that this was Scepticism aside. This is worthy of being in your eclectic DVD
For about the next half hour (it seems like a lot more), each object in the chain bumps into the next, pulls the support from under it, launches a bottle-rocket into it, or somehow kicks off the next step in the chain. There must be hundreds of steps, involving flame, weighted cylinders rolling up hill, and a few episodes of oozing spooge. The presentation is very plain, just the documentary of this incredible sequence chaining cause to effect. There is no sound track except for the noises made by the parts of this wild "machine". Even the parts themselves look like nothing special: teapots and tires, soda bottles and sugar cubes. It's the action that counts, and the time and creativity that brought it into being. Perhaps the creators cheated at a few steps. There are some cuts in an otherwise continuous stream of action. If some purist lets that interfere with their enjoyment of the spectacle, it's their loss. If someone wants a "point" to the sequence, that's not my problem. It just is, and it's wonderful. ... Read more | |
| 191. Classic Albums - Metallica: Metallica | |
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Amazon.com Reviews (17)
Featuring the five singles from the album, Enter Sandman, Sad But True, The Unforgiven, Wherever I May Roam and Nothing Else Matters, this is the compelling story of one of the biggest selling albums of all time,a true Classic Album. I guess this will help know more about what your buying...
First off, this DVD doesn't get ratings for the videos from the Black Album, it's a documentary...if you want music videos or sessions, buy A Year and A Half... There's no comparison between the two. ;) If it contained most of the same material, I think that would be a bigger waste of money.
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| 192. The Day After Trinity Director: Jon Else | |
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Description Reviews (6)
Day After Trinity connects the humanity of the project with the horror of the result. The destruction at Hiroshima and Nagasaki make it hard to imagine the sort of people capable of creating such mass destruction. Perhaps for that reason, the creators are sometimes written off as mad scientists, or lumped in under Oppenhiemer's personality. But the people on the screen are brilliant, insightful, agonized, and funny. It contributes a great deal toward our understanding of the bomb, without making it any easier. Aside from the overall content, there is priceless footage of Robert Serber, Stanislav Ulam, Dorothy McKibbon and many others.
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| 193. The Manson Family (Unrated 2-Disc Special Edition) Director: Jim Van Bebber | |
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Description Reviews (16)
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| 194. Spellbound Director: Jeffrey Blitz | |
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Description Reviews (71)
Blitz does what every good documentary filmmaker tries to do. He personalizes his subject. By focusing on eight competitors from different parts of the United States, from a variety of ethnic groups, and from different social classes, Blitz engages the audience's interest in the individual contestants. From Angela, the Mexican-American daughter of a laborer who speaks no English, to Emily, the privileged daughter of wealthy parents, we get a close look at the hometowns, the family lives and the personalities of these eight bright and ambitious kids. "Spellbound" enchants because of its great storytelling, its sharp editing, its humor and its celebration of a piece of Americana. In an age of high-speed computers, digital cameras and PDA's, it is quaint and enchanting to observe children who still regard the written word with reverence. Are the parents too pushy? Undoubtedly. Is there an element of child abuse in putting kids through this torture? Perhaps. However, no matter how you look at it, all of the contenders are terrific kids and Jeff Blitz has done a wonderful job of bringing their stories to life.
It follows eight children who are all headed to the National Spelling Bee in Washington DC. We meet kids from all places (Texas, California, Florida, DC, Pennsylvania, etc.) and backgrounds (children of poor Mexican immigrants, children of wealth in New Haven, etc.) and genders, of course. They are a delightful range of children, and getting to spend a little time with each is a blast. We meet all eight during the first half of the film, and naturally, everyone will be rooting for their favorites and "placing bets" on who will win. The second half follows their grueling time at the finals. We've seen these kids at their most relaxed, and now we get to see them at their most stressed. We feel for them and sometimes, if we're lucky enough to know how to spell the word, we try to "feed" them the spelling. It feels like a TV-reality show without the annoying host and without the artificiality of those shows. This is real and this is objective. Either the word is spelled right or it isn't. No "immunity challenges" or eating gross things or letting the audience vote. These young kids (11 to 14 years old, mostly) are totally on their own. We've seen them training and studying (some to amazing extremes) but in the end, it's just them against the word. The filmmakers found a great slice of children to work with. Emily comes from priviledge in New Haven, CT, and she's bouncy, speaks like an adult, has lots of interests and is both annoying and endearing at once. Nick comes from a seemingly well-to-do Indian or Pakistani background, and his father is driving him to succeed. His dad puts nearly as much time into the prep as Nick does...and he's hired tutors and language experts. You're never sure if Nick is all that interested in winning, but Dad sure is. On the other side, there's Angela, whose Hispanic parents don't even speak English. She lives in a small time and has to be her own motivator. She is doing it FOR her parents, to show them their sacrifices were worthwhile, but she seems more like a "regular" kid her age. Then there's Harry, a manic 12 year old who can't stop talking and bouncing around and making faces. Here's a kid who probably always had a hard time making friends. It looks like he only has a mother on the scene, so no doubt he is troubled on many levels. This bee seems to be a way to keep pouring enough stimulus into his active mind to keep him even slightly calm! Anyway, as with the best documentaries, we know that things will NOT turn out neat and tidy like in a fictional film. We hope things will go a certain way, but alas, they rarely do. How things DO turnout is another matter, and it's what makes the film fun. In the end, we find that we don't really "care" who wins all that much...we just feel for the kids, and take pride in their achievements and feel bad for their disappointments. And we feel good about the "next generation." These kids, quirky as many are, can be seen as a little slice of what is around the corner for our country...and the weirdnesses of Harry aside, things look pretty good. These are DECENT kids, and capable and joyful and good. It's a shame they can't all win the contest, but they are certainly all winners. I highly recommend this G-rated film for EVERYONE. I can't imagine one single viewer not being highly entertained and involved in this outstanding movie. PS: The DVD doesn't have loads o | |