Reviews (105)

A Wonderful, magical movie about the power of love.
I recently saw "The Notebook" and am so glad I did. This is my new favorite movie. I've never seen another like it. It's a wonderful adaptation of the book by Nicholas Sparks. It's cinematography is beautiful as well as the script and the acting is unforgettable. Ryan Gossling and Rachel McAddams are wonderful in this and give tour de force performances as the young lovers. They have a great chemistry together that electrifies the screen. Let us not forget James Garner and Gena Rowlands they are wonderfully cast as the older lovers. Sam Sherpard and Joan Allen also turn in wonderful performances in their roles. I cannot recommend this movie enough. It is moving and poignant, there wasn't a dry eye in the theatre when the movie ended. I think it is rare to see a movie that can be that affecting. GO SEE THIS MOVIE!!!!!!! You will not regret it in fact you'll probably want to see it again.

Sweet, Sappy, Romantic, Beautiful
I got to see the sneak preview of this movie this past Saturday (6/12/04) and I absolutely loved it. I've seen Ryan Gosling on television before (Breaker High), but I hadn't seen Rachel McAdams until now. Their characters were so real and so believable. Even though the end may be predictable, this film lacks the typical structure of most romantic movies I've seen. It was interesting to see how the characters evolved and came together.

The film begins with James Garner reading pages out of a notebook to alzheimer(?) patient Gena Rowlands. As the story unfolds, we meet Allie and Noah. Allie comes from a wealthy Southern family. Noah works in the lumber yard. We see their joys as well as their struggles. Though they seem like complete opposites, they fall in love only to be torn apart when Noah leaves for World War 2 and Allie becomes engaged to another man.

I won't spoil the ending, but the two lovers reunite and Allie is faced with the decision of whether to keep her promise to her fiance or to go back to the man she left behind.

my fav. movie of all time
I loved the movie The Notebook. After I saw it for the first time I immediately felt the need to see it again, I ended up going to see it 5 more times that week even though the prices were so high. I havent seen a movie this good in a long time. I laughed, I cryed, and so much more. I felt as if I was experiancing the same things I wanted to be Ali, I wanted to be there. I even fell in love with the cast every 1 that played the roles were perfect. It was just a great movie.

Excellent!!!!
I thought this movie was exellent! I rate it five stars because I don't cry much in films and this was a tissue grabbing type of movie! It had three generations of girls in my family crying all at one time!

Rachel McAdams and Ryan Gosling were fabulous together I thought. They had great chemistry on screen. I love the true fairytale type romance and this was def. a movie that made people wish they were the lead role! I also enjoyed the hints of humor in the movie, even if it was a serious part they made it enjoyable! I think this is a def. buyer! To anyone out there who hasn't seen it, go, you won't be dissapointed! Also, check out Nicholas Spark's books. Nicholas Sparks also wrote the book A Walk to Remember which is now a film as well with Mandy Moore as the lead actress.

The actors were incredible
The plot was mediocre, I won't lie about that, but the one ingredient that saved this movie from being just a disastrous chick-flic was the acting. Rachael McAdams, Gena Rowlands, and James Garner were moving and the movie was remarkably poignant. Ryan Gosling was convincing, to say the least, but I prefer to see him in more intense roles, like The Believer.

If romances are your type of movies, go for it. Chances are you will enjoy it. Bring tissues if you're a crier. Actually, bring them even if you aren't. I've been described as "unsensitive" and I cried for the last 30 minutes. ... Read more

Amazon.com

"So," Tony Soprano asks analyst Dr. Melfi in the wake ofnot-so-dearly-departed Livia's death, "we're probably done here, right?" Sorry, Tone, not by along shot. Unresolved mother issues are the least of the Family man's troublesin the brutal and controversial third season of The Sopranos. Ranked byTV Guide among the top five greatest series ever, The Sopranosjustified its eleven-month hiatus with some of its best, and most hotly debated,episodes that continue the saga of the New Jersey mob boss juggling thepressures of his often intersecting personal and professional lives. The thirdseason garnered 22 Emmy nominations, earning Lead Actor and Actress honors forJames Gandolfini and Edie Falco for their now-signature roles as Tony and hisincreasingly conflicted wife, Carmela.

The Sopranos continued to upend convention and defy audience expectationswith a deliberately paced, calm-before-the-storm season opener that revolvesaround the FBI's attempts to bug the Soprano household, and a season finale that(for some) frustratingly leaves several plot lines unresolved. The secondepisode, "Proshai, Livushka," confronts the death of the venerable NancyMarchand, who capped her career with perhaps her greatest role as malignantmatriarch Livia. A jarring scene between Tony and Livia that uses pre-existingfootage is a distraction, but Carmela's unsparing smackdown of Livia at the wakeredeems the episode. "Employee of the Month," in which Dr. Melfi is raped andconsiders whether to exact revenge by telling Tony of her attack, earned Emmysfor its writers, and is perhaps Emmy nominee Lorraine Bracco's finest hour. Thedarkly comic "Pine Barrens"--another memorable episode, directed by SteveBuscemi--strands Paulie (Tony Sirico) and Christopher (Michael Imperioli) in theforest with a runaway corpse. Other story arcs concern the rise of the seriouslyunstable Ralph Cifaretto (Joe Pantoliano) and Tony's affair with "full-blownloop-de-loo" Gloria (Emmy nominee Annabella Sciorra). Plus, there is Tony'sestrangement from daughter Meadow (Jamie Lynn Sigler), his wayward delinquentson Anthony, Jr. (Robert Iler), Carmela's crisis of conscience, bad seed JackieJr., and the FBI--which, as the season ends, assigns an undercover agent tobefriend an unwitting figure in the Soprano family's orbit. Stay tuned forseason four. --Donald Liebenson ... Read more

Reviews (85)

A series that just gets better and better.
The third series of 'The Sopranos' consolidates the brilliance of the first two, rather than taking it in any radically new directions. The characters, their relationships and their environment are so strong; the dramatic irony between our sympathy with and enjoyment of these people, and our knowledge of their brutal and unhypocritically presented crimes, is so complex, that any blatant originality merely for the sake of it would be a betrayal.

But, because the central components are so strong, there is plenty of room for play - in the way narratives are set up to encourage then defy expectations; in the interplay with canonical gangster texts, especially 'The Godfather'; in the consistently creative use of music - for mood and to emphasise character, yes, but also to create ironic distance, to add montages of 'commentary' over the stories, to connect apparently disparate scenes, to add a depth of texture. Because it is in texture that 'The Sopranos' has really developed - the recklessly confident film-making; the layered scripts; the rich dialogue; and the knowing acting combine to create programmes of truly, yes, operatic density.

There are a number of new plot developments in this series - Meadow goes to Columbia University; the FBI (in a supremely funny handful of episodes) attempt to bug the Sopranos; the Russian mafia grow in menacing importance; Janice takes up with a Christian musician; Anthony Jr. becomes increasingly unmanagable at school and at play, but proves an unexpectedly skilful footballer; Ralph (Joe Pantoliano) replaces Richie Aprile as the major made-guy thorn in Tony's side; Carmela feels increasingly guilty about her mob-financed luxury; Tony begins an affair with a beautiful, smart, successful car saleswoman (Anabella Sciorra) who has even more mental problems than he. Most crucial for the series is the role of Jackie Aprile Jr., college-mitching son of Tony's former mob boss and best friend, who wants to see some of the criminal action, and starts dating Meadow as a spectacularly misjudged entree. The major weakness of the second series - the tokenistic continuation of the Dr. Melfi framing scenes long after they've outrun their dramtic usefulness - is corrected by both bringing the psychotherapist (dangerously) closer to Tony's life, and by having Carmela join in the sessions, to comic effect.

There is a brooding, elegiac feel to the series, with Tony thinking not just about his mother, but his dead friends, Pussy's actions in the last series, and the future possibilities open to the younger generation. If nothing else, Series 3 boasts the best-ever episode of 'The Sopranos', directed by one Steve Buscemi, which begins farcically, with Paulie and Christopher accidentally killing an irate Russian, and bungling the disposal of his body in a snow-wasted forest; before turning into a nightmare, as they lose their bearings after the corpse runs off, and they are stranded in the middle of nowhere. Loosened from the secure ties and identity-affirmation of family and Family, the episode brilliantly encapsulates what's at stake in the series, as unforgettably as the immortal 'Seinfeld' episode when the quartet can't find their car in the shopping mall car park.

Oddly compelling despite subject matter
The third season of HBO's acclaimed Sopranos continues the established tradition of this film-quality television series. The Sopranos are a fairly normal suburban New Jersey family except that the father, Tony, is the head of an organized crime organization. In the third season, Tony's mother Livia dies (as did the actress that portrayed her, Nancy Marchand), daughter Meadow goes off to Columbia University, son Anthony, Jr. struggles to stay in high school, and Tony's mobster friends continue with their regular business ventures. James Gandolfini's portrayal of Tony is always at the heart of the series' success. He is able to pull off the difficult task of being likeable as a suburban father while simultaneously cheating on his wife and killing people. People I know who don't usually care for onscreen sex, violence, and foul language are irrestibly drawn to this series because of its compelling performances, professional direction and screenwriting, and long-spanning story arcs. There is a large cast of supporting characters whose stories progress as the audience becomes more familiar with them, as in a daytime soap opera. Of course, some of them get whacked. Actually, the third season has considerably less killing and nudity than the first two. But the profanity continues in full force. This is not material suitable for the kiddies. To me the best aspect of the content of this series is the way it examines the themes of integrity, responsibility, and especially loyalty. There is a perverse sense of justice when a disloyal mobster is "disappeared" by the collective efforts of his mob family. The DVD extras are very slight. The featurette is very short but does offer a chance to hear the actor who portrays Furio speak without his Italian accent. The audio commentaries by actor/screenwriter Michael Imperioli, director (better known as an actor, though not of Sopranos) Steve Buscemi, and creator David Chase are among the least informative I have ever heard. Buscemi, one of my favorite actors, is entirely too humble and deferential to the set-in-place Sopranos powers-that-be to deliver any sort of authority on his commentary. But despite the lack of substantive DVD extras, this package is well worth watching to those who like competently delivered episodic television. But do definitely start with the first season!

My Favorite Season of the Sopranos
I'm a great fan of the series and have all four seasons on DVD and just finishing watching 5 on HBO. The third season is my favorite by far. Some reasons why:

The introduction of Ralphie Cifaretto to the show (played outstandingly by Joe Pantoliano), the hilarious and well acted Pine Barrens episode, the great chemistry and high drama between Tony Soprano & Gloria Trullo (Anabella Sciorra), and Jason Cerbone as Jackie Aprile (nice plot line involving him and besides he's great eye candy), the return of Janice, Carmella's scene in the male psychiatrist's office when she briefly confronts the reality of her life.

It's just fantastic and like the entire show so far, it's a must see. Although some were disappointed with Season 5 and truthfully it could have been better, the Sopranos continues to be complex and quality TV. It's more than just a mob show, for sure.

BADA BING...BADA BOOM...
If you are looking at this review, you probably already have the first and second season. All I can tell you is that the third season is as good, if not better, than the first and second. This is truly one of the best series ever to have graced the television screen. Leave it to HBO to have come up with such an engaging, well-written, well-acted, and totally addictive series.

There are some major plot developments this season. Starting off slowly, the first episode chronicles the synchronized, often comical efforts of the FBI, which is trying to get an electronic surveillance bug in place in the Soprano's household. The season then heats up considerably from thereon.

Livia Soprano, Tony's wicked mother and a canker in her children's lives, dies, bringing daughter Janice back from where she had fled, after she had bumped off her manic boyfriend, Richie Aprile, last season. Janice returns with a narcoleptic, musician boyfriend who is the antithesis of Richie. As always, Janice likes to stir up trouble, and her mother Livia's wake and funeral services are fertile country for her new machinations and self-importance. When she tries to stir up trouble with Livia's one legged, Russian caregiver, which leaves the caregiver searching for her missing prosthetic leg, however, Janice soon discovers that she has gone too far, and her chickens come home to roost with a vengeance.

Meadow, the Soprano's daughter and eldest child, a college student at Ivy League Columbia University, gets a new boyfriend, Noah Tannenbaum. He is handsome, intelligent, and articulate, and Tony hates him on the spot for reasons the viewer will quickly discern, as Tony pulls no punches with Noah. This will create a certain amount of tension between father and daughter, and an estrangement ensues. When Noah breaks her heart, Jackie Aprile, Jr. is waiting in the wings with her parent's blessing, and Meadow goes from the frying pan into the fire.

Anthony Soprano, Jr., the Sopranos' other angst ridden teenager and youngest child, who has turned out to be an unexpected gridiron wonder, is also sowing his wild oats, getting himself in deep trouble at school, much to his parents' anger and dismay. When Anthony, Jr. continues in this vein, there is a big surprise in store for him, causing him to undergo a major life change. He is not, however, the only Soprano family member to do so.

Tony finds himself head over heels with Gloria, another of Dr. Melfi's patients. A Mercedes car salesperson, Gloria, the new light of Tony's life, is gorgeous, passionate, and a totally loose cannon. She will cause quite a bit of conflict for Tony as their affair heats up, as Gloria likes to fight fire with fire. Gloria has to watch out that she, herself, does not get burned.

Carmela, Tony's long suffering and patient wife, being only human, finds her thoughts increasingly absorbed by Tony's henchman, Furio, the sexy, pony tailed Italian. The problem is that Furio, too, is experiencing deep feelings for Tony's wife, a situation that can only become increasingly dangerous for all concerned. How Furio and Carmela handle their feelings and resolve this potentially dangerous development is of great interest.

Dr. Melfi herself undergoes great personal angst this season, following her violent rape at the hands of a stranger. A very conflicted Dr. Melfi finds herself on the edge of taking a path from which there can be no return. This season also finds Dr. Melfi doing husband/wife tag team counseling with both Tony and Carmela, a venture that provides some comic relief and gives rise to potential conflict of interest.

Meanwhile, Jackie Aprile, Jr., Tony's godson and Meadow's new main squeeze, the deceptively soft spoken and good looking son of the late mob boss, Jackie Aprile, Tony's best friend, is up to no good. Lying through his teeth about everything to everyone, he is misguided by his seriously unstable step-father, mob made man Ralph Cifaretto, who is busy plying both sides of the coin. It seems that Ralph, dissatisfied with the role to which he has been relegated within the family, is doing Tony dirty, going against his wishes at every turn, and the situation with Jackie, Jr. is no exception, a situation that will culminate in heartbreak for all concerned.

Back at the ranch, Tony's other henchmen seem to have their own troubles. Corrado "Uncle Junior" Soprano, the nominal boss of the family, who is kept in check by his nephew Tony, is busy battling cancer and a federal prosecution. Young Christopher Moltisanti, Tony's nephew, gets his long desired promotion, and is told to report to Paulie "Walnuts" Gaultieri. Christopher soon finds out that with Paulie "Walnuts" business is business. Meanwhile, Christopher gets involved in a sideline that bodes ill for him and his fiancee.

When Tony sends a resentful Paulie "Walnuts", accompanied by Christopher, on a mission that should have been that of another, Christopher sees an unexpected side of Paulie. When the mission, involving a member of the Russian mob, goes bad at the hands of an angry Paulie, Christopher discovers that Paulie may not be as stand up a guy as Christopher thought. While this is a terrific episode, very funny in a macabre sort of way, it also cleverly sets up Paulie in a new light for future developments. This particular episode, one of my favorites, is a feather in the cap of actor Stephen Buscemi, who directed it.

These are just some of the highlights of the third season. There is so much more! The writing continues to be intelligent, and the story lines are as well thought out and engrossing as ever. The performances are uniformly stellar. The late, great actress, Nancy Marchand, whose portrayal of the venomous Livia Soprano was a feather in her cap, left a legacy of memories, having died after creating such a memorable character. She will sorely be missed. This third season's attempt to bridge her death and use existing footage and computer effects to create a dialogue between Livia and Tony, however, was misguided, as its effect is a tad ghoulish, as well as disturbing. Nonetheless, I absolutely love this series!

Tony is harder, more killings and rape.
If the last episode of Season Two got you hooked, you're going to be on the edge of your seat for Season Three. The DVD screensaver intro is different than past collections. Special features are also on Disc 1 which leads to cast and filmmakers,series index and DVD-ROM/Weblink. If it has been awile since you've seen Sopranos, it also offers you a Season One and Season Two recap. Actress Nancy Marchand who played "Livia Soprano" died so they used prior footage and also a body double with CGI computerized image of her face to complete the scenes in the second episode (#28) of the Third Season. Tony's psychotherapist is attacked and raped by an Italian (played by Mario Polit) who she thought was Puerto Rican. She tells her husband, but tells everyone else she was in an accident. If you are in the mood for a hilarious episode. Episode #37 (11) is the one. Tony's numbskulls shoot a Commie in the snow-ladden woods. They follow the trail of blood, but no body. They must find the Commie's body. Tony is having a fit. Joe Pantoliano joins the series. Burt Young is in episode #31. The Fourth season of "The Sopranos" is now available on VHS and DVD. ... Read more

Amazon.com

The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: Like 1999's other screen touchstone, American Beauty, the HBO series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.

The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.

Unlike Francis Coppola's operatic dramatization of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchmen and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.

The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland ... Read more

Reviews (232)

How the Sopranos saved Christmas.
On December 22, 2000, I recived the Sopranos First Season on DVD. It was a Birthday/Holiday gift form my girlfriend of 5 years. Over the course of the next week and a half, if there was any doubt of my whereabouts, it was a safe bet I was watching the next episonde. I am a 23 year old actor. My VHS collection numbers 350. My DVD collection a mere 20, however the Sopranos box set delivered more hours of riveting enjoyment than anything has in a long time. The show is, in my opinion a perfect blend of satire, drama, social comentary and fantastic story telling. Every person I introduce to the Sopranos is throughly impressed with all aspects of the series. On a personal note, I think James Gandolfini has finally given us something that Robert DeNiro and Al Pacino have long strived to achive. Gandolfini brings a familiarity to this roll that is one of the key elements to the show's success. He has created a character that is not out of reach for the veiwing audience. Edie Falco and Nancie Marchand are also invaluable components to the creation of the overall feeling of accesability. While we may not all know what it is to have an AK-47 within arms reach, we do know what it is to have a nagging mother and a confused and judgmental spouse. The icing on the cake of this series is its supporting cast, the boys at the club and kids at home create an atmosphere that is simply tantilizing to the veiwing audience. I recomend this set to mafia fans and house wives alike. Get it for the gangster in you, after all...a hit is a hit.

Woke up this morning and got myself the Sopranos...
Anyone who knows me could tell you I'm a huge fan of mob/crime films, so it's rather weird that I never had a huge interest in this show until now. I don't have HBO in my house and simply never cared enough to go out and rent/buy all four seasons. Then my parents watched it and were suddenly in love with it. Knowing that my mother wouldn't go within ten yards of a film like "Goodfellas," I figured this had to be an excellent show.

And I was right.

I still don't get HBO, but when I think of the past five years where I could have been watching this show on DVD instead of "Paradise Hotel" on FOX, I kick myself. I've only watched the first season and am looking forward to what comes next. "The Sopranos" is a meticulously crafted drama that's unlike anything else I've ever seen on television. Frankly, I was always just into comedy sitcoms because I didn't have the interest or patience for this type of TV. But, in "the Sopranos'" case, I'll make an exception. I'd only be cheating myself if I didn't.

I might be five years late, but at least now I understand what the hype is all about. Highly recommended for other late bloomers.

HBO's way of telling us to thank God our dad isn't a mobster
"The Sopranos" has done more than just revolutionize television...being one of the best shows on TV with compelling story lines, quarky characters, and snappy mafia lingo...the show has redefinied the definition of family. But while we've grown up with our family, we've grown up with Tony's family and it's HBO's way of telling us to thank God our father isn't a mobster. The first season is great when we see Tony desperately trying hard to hide the salomi with his psychiatrist, Dr. Melfi. There's his dutiful wife that suspects that he's been cheating. TRUST ME THE LAST THING THAT I NEED TO SEE AT NINE O'CLOCK AT NIGHT ON HBO IS JAMES GANDOLFINI'S SLUGGISH, BEARISH BODY ON TOP OF A HOT CHICK. But it only fuels to the show. The violence. The sex. The language. It all accomplishes the real grit of being a mobster. I've heard fans say that they think Tony is the tragic hero-type, but HE'S A COLD-BLOODED KILLER! There's nothing heroic about that. Then there's the fact that a few years ago, somebody made a real adult film based on "The Sopranos". That's when you know you've become part of pop culture. Five stars all the way, for the cinematic effect that the collage of episodes brings to the small screen. Now you've got the skinny on "The Sopranos"...kapish?!

HBO's way of telling us to thank God our dad isn't a mobster
With compelling story arcs, quarky characters, and catchy mafia lingo, "The Sopranos" has taken the definition of family and redefined it. But ever since the beginning, "The Sopranos" has sparked a sensation with American pop culture and has revolutionized television with the use of sex, drugs, violence, and profanity to fuel complex story lines. For example, "The Sopranos" has had so much of an impact that there's an adult film called "The Sopornos" based on it. That's when you know you've got a hit. NOW THE CRITICISM: As always I've got to slam every movie/show I see, so first of all, what is the deal with Tony Soprano (Gandolfini) trying HIDE THE SALOMI with Dr. Melfi. And why doesn't his wife Carmella (Falco) give a s*#%. Second, Dr. Melfi (Bracco) doesn't have a right to complain since all she has to do is transfer her mob boss patient out of there, but SHE DOESN'T. I THINK SHE NEEDS A PSYCHOLOGICAL EVALUATION OF HER OWN. There's Uncle Junior (Chianese) with his grandpa nit-picking. I liked the start of the show when Tony and Uncle Junior were warring over turf. Why can't Sirico win the Emmy for Paulie Walnuts. (...) Another thing, I bet if I had a ring stuck on my finger, I'd just run it through Silvio's greasy hair and it'd fall off, shelled in hardened vasoline. Finally, what is with the audience, thinking Tony is a tragic hero. He really isn't, HE'S A COLD-BLOODED criminal. Just because he provides for his family doesn't justify his actions. While Chase (writer/producer) humanizes him, he's still a vicious guy that treats women like garbage. Note: The last thing I need to see at 9:00 on HBO is Gandolfini's sluggish, bearish body on an intensely hot chick. BUT this is certainly one of the best shows on TV, if not THE BEST! "The Sopranos" is great in its writing, directing, and acting. I JUST WISH THOSE PROTESTORS WOULD SHUT UP , STOP RANTING, AND STOP RUINING IT FOR THE REST OF US. I IMPLORE YOU TO WATCH THE FIRST SEASON AND I GUARANTEE YOU'LL GET HOOKED, at least for the first three seasons. NOW I'VE TOLD YOU THE SKINNY, SO CHECK IT OUT...KAPISH?!

It's a hit!
EXCELLENT DIRECTING/PRODUCING/WRITING/ACTING. Great performances and the originality is unbelievable. ... Read more

Amazon.com

Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. It's only until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark Englehart ... Read more

Reviews (259)

4 great actors, 4 great stars
This is the story of four people: two men and two women. It souds plain simple, but the story is not so. It is not the typical story of a love quadrangle. It's a story of power, pride, self-confidence and, of course, love.

The greatest and the lowest of human condition. All for love, but all for gaining the higher respect and best appearance in front of the rest of the world.

The story is fantastic but, what to say of the actors? It is not only Portmann to take care. I think Julia Roberts makes her best acting ever. Jude Law is plain correct but Clive Owen is the great discovery for me. It is clear that this is "a film for actors", to show the best of them and they really succeed.

The only problem is that these two facts (story and acting) hide a poor direction and some minor aspects. Personally, I think the producer did the budget and realized he has nothing to spend in such details.

But it is a very recommendable movie to spend the afternoon at home. I saw it in the cinema and I had such a great impression that I hired it to see it again (and I haven't done it in more than ten times).

Shockingly Disappointing
I don't understand how anyone could enjoy this film.It was by far the worst movie I've seen this year.In fact, it was so bad that I doubt I'll be able to enjoy watching the main 4 actors ever again.

Although some people feel that watching 4 people destroy each other is beautiful, I find it to be depressing.This movie is about 4 "lovers" who use each other uncaringly, cry a lot, use the "f" word multiple times in every sentence, and who are completely unlikeable.It's like the director thought that having 4 beautiful people in a film was enough.I love a good drama, but this wasn't even close.

The plot is as shallow as the characters.The ending is very silly; we find out information that the film makers thought would create a "Usual Suspects" type of ending, but it all falls flat and seems contrived.Amazon has many better DVDs for sale than this garbage.

Mike Nichols at his best...
Genre: Dark Romance

Genre Grade: A+

Final Grade: A

This was a great movie - except it's possibly one of the most verbally sexual movies I've ever seen - but I can handle a little sex talk! There were about, I dunno, eight people or so who walked out of the movie because of the offensive language and sex talk. This movie breaks many barriers and talks about problems in relationships and tries to take a closer look at the raw emotions of affairs. The acting was Oscar-worthy from each person, Clive Owen coming out on top in my opinion. Natalie Portman was amazing as well, and Julia Roberts actually gives the audience something new.

This movie is extremely depressing, and is not a date movie unless you want to walk away feeling hopeless. It leaves us with a despairing look at humanity and our own desires, and the film brings to light things that are normally left in the bedroom or simply remain unspoken. Definitely worth seeing just for the performances (especially the amazing encounter between Julia Roberts and Clive Owen, and then later the discussion between Jude Law and Clive Owen), the AMAZING dialogue, and just because of the fact that Mike Nichols directed it.

Great Performances save this film!
This movie is hard to follow.No question about that.Most movies that are adapted from Broadway plays don't fair well on screen unless they're made from the classic playwrights (Tennessee Williams, David Mamet, Eugene O'Neill, etc.).Many of the negative reviews here on Amazon.com expecting more action are justified.However, I found the movie to be better than expected.Mike Nichols is one of Hollywood's finest directors.And with four of the best actors around, he does very will with the challenging subject matter.Natalie Portman has become the "Harrison Ford" of the Star Wars genre by breaking out into a great Oscar nominated role.British TV star Clive Owen also breaks free of his shell with his excellent performance.Juila Roberts & Jude Law round out this excellent cast.If you can stay with it for the performances, you'll be amused.

One of the worst movies I've ever seen
I was really excited about seeing this, since it got such good reviews. Boy, was I surprised. This movie is so depressing, with everyone cheating on each other and getting hurt. There was a review that said that this is a real love story, but if that's true we all might as well throw in the towel. If you like feeling like you want to slit your wrists, then watch the movie. If not, definitely look elsewhere. ... Read more

Description

From Alan Ball, the Oscar(r) winning writer of "American Beauty", comes a series that digs where others fear to tread. When a bus kills Nathaniel Fisher, owner of the Fisher & Sons Funeral Home in Los Angeles, the tragedy casts a pall on the homecoming of his prodigal son Nate. Together with with mother Ruth, brother David and sister Claire, they must address the family business, and the many more personal matters that arise when your life is Six Feet Under.

(c) 2003 Home Box Office.All rights reserved.HBO(r) and The Six Feet Under(r) are service marks of Home Box Office, Inc. ... Read more

Reviews (127)

frantic fan
This has to be one of the best series ever made for television. It follows the everyday lives of a family run funeral home. It has a great cast. Micheal C. Hall is great as David Fisher. Peter Krause is also great as Nate Fisher, who has come home after the untimely death of the Fisher patriarch, Nathanial Fisher, Sr., only to find out that he has been left half of the business in his father's will. Rachel Griffiths shines as Brenda Chenowith, a far cry from the role she played in the movie "The Rookie" last summer. Claire Fisher is played by Lauren Ambrose. I had seen her in the movie "Psycho Beach Party" and this show solidifies her talent. The character I enjoy the most is the role of Ruth Fisher, the mother, brilliantly played by Frances Conroy. Her expressions alone leave me laughing hysterically one minute, touched and tearful the next. I have watched this show from it's beginning and was hooked. I suggest that anyone who hasn't seen this series buy this DVD along with the future seasons I'm sure will follow. You will not be disappointed!!

Best TV script ever.
Sorry my title mimics that of others, but that's what I've been saying about it for a long time.

Like the Sopranos, this is a series the hype for which I didn't give in to orginally. Then I saw some reviews by one of my favorite Washington Post critics that teased me. So I watched, probably close to half way through the first season. It hooked me instantly.

First, as others point out, the acting is incredible. My spouse and I are wondering each episode who's the best actor. In one of the DVD episodes tonight, I felt it was Frances Conroy (Ruth) who I usually do. I've always been in love with Lauren Ambrose (Claire). All right, I have many friends with daughters older than she. What I mean is, I envy the kid. She's got a great future with her acting talent (and her expressions which will break you up!) The others are all fabulous too. Jeremy Sisto (Billy Chenowith) really does convince you that he's absolutely nuts...a change from his portrayal of Jesus in a TV movie a few years ago! And I've never seen his sister Brenda (God help me, I can't think of the actress's name) slip into her New Zealand accent. Again, they all vie for best actor/actress each episode!

There is an uncannily good mix of humor and drama. That's why I say it beats anything else on the tube. If I thought of getting rid of HBO, it's this series...and maybe The Wire...that would keep me. For months in advance my wife and I talk about the coming season; we can't wait for it.

It's risque without being gross. The gay issue is intelligently handled. Oh, and I've always wondered if Peter C. Marshall (David) and Matthew St. Patrick (Keith) were straight in real life. Among the extra features of the DVD set is that you learn that they are.

Another feature of the DVD set is the discussion among all those responsible for the opening sequence and theme music. Then there's the discussion with cast members as to their favorite scenes. (My favorite is also Lauren Ambrose's, when she's lethargic about being in love. A gem!)

It's a fabulous series that can't be beat. Well, my inlaws wouldn't like it. And don't show it to any of your guests or relatives who are prudes. I got in trouble with some family members at the beginning of one in the second season. And some of the gay scenes while, again, not gross, are threatening to people not accustomed to gay scenes. But it covers oh so many subjects you don't normally see covered...too many to even mention here. The scripts are brilliant, the acting the best. And the added benefits of the DVD series are well worth the cost of the set, in addition to having those superb episodes to watch again and again. They'll never bore you, believe me.

Another gem from HBO ...
American Beauty and Twin Peaks rolled into one, this series offers black humor, twists and turns and more character development than the first three seasons of Sex and the City. I will not go into detail as many reviewers have already done so. Only one thing: What's with that price? I bought it in Europe with four different language soundtracks and subtitles for only EUR 39.99 ! I would suggest boycotting until the price gets lowered, but die-hard fans will buy it anyway. I must admit, it's still worth it :-)

HBO broke the mold, when they made Six Feet Under
Six Feet Under is one of HBO's outstanding programs, as well as others such as Sex and the City and The Sopranos. The Complete First Season features a 4 disc set of all First Season episodes including "Pilot", and special features including a 15 minute special on the making of the title sequence and a exclusive preview with interviews from the cast on seasons 1 and 2. Six Feet Under is brilliantly casted featuring: Peter Krause, Michael C. Hall, Frances Conroy, Rachel Griffiths, Lauren Ambrose and Richard Jenkins along with others.

The disc features the following episodes:
Disc 1:

Pilot
The Will
The Foot

Disc 2:
Familia
An Open Book
The Room
Brotherhood

Disc 3:
Crossroads
Life's Too Short
The New Person

Disc 4:
The Trip
A Private Life: Finale Part I
Knock, Knock: Finale Part II

Buy this! You'll be glad you did! HBO at its best!

Another diamond series on HBO
Six Feet Under is one of those shows that will suck you in and become highly addictive by the end of the first episode. The show revolves around the Fishers who operate a family owned funeral home. All of the characters stand out and develop greatly on this show. Sometimes you will watch this show and you will laugh up a storm other times you will watch it and the emotion makes you want to cry.

Six Feet Under is written by Alan Ball and he directed American Beauty. American Beauty is one of my favorite movies and there are a few similarities in between both. When I say similarities I mean that both American Beauty have a great sense of dark humor and great drama. I found both of Alan Ball's works to be one that make you sit back and reflect on life. After watching American Beauty you look around for the beauty of things on earth and in life. The same applies with Six Feet Under but questions are brought up like "Why do we have to die". I liked American Beauty and I felt right at home with Six Feet Under.

The characters in this show are relatable and even though they have a different way of making a living I still found them relatable. The main characters I would say are Nate, David, Ruth, Claire, & Nate Sr. Of course they are the Fisher family who own the funeral home. Another few huge character on this show are Brenda and her brother Billy. Of course there are other big characters but I can't name everyone.

In the pilot episode the Nate Sr. dies in a horrible bus accident and he has to hand over the funeral home to his two sons Nate and David Fisher. Even though he his dead Nate Sr. watches over his family and communicates with his family. Alot of the scenes he appears in are hilarious. Oh ya did I mention he is dead! His sons both have good developing characters who are very different in their own ways. David Fisher is a cool character who is very businesslike and is also gay. He has a boyfriend named Keith is a cop. You will find there relationship evolve as the season goes on. The other brother Nate, has never worked a day in the funeral business because he left for Seattle to pursue his own life. Nate is a pretty cool character but his world is in a blender with the passing of his father and his relationship with his newly met girlfriend Brenda. His girlfrend Brenda in my opinion is the star of the show. She is full of crazy/cool energy and always has an appetite for sex. You never know what to expect with her character. The mother, Ruth Fisher is kinda of a control freak who seems very depressed, worn out, and saddened over the loss over her husband. She snaps very quickly and she is too a memorable character. Finally the Claire Fisher is another cool character. She is the youngest of the bunch and she is a teenager in high school. She is somewhat of a loner but she has alot of character and she is far from ordinary. She drives a freakin hearse to school!!! Enough about the characters I can't spill everything out or I will spoil the season for you.

I know what your thinking. Your like well ok thats great Adam but you know what, if I come home with this the wife will have my head on a platter. I will admit it is pricey but I think Six Feet Under is a great enough show to where the quality over shadows the price. It is on HBO so there is alot swearing, sex and other stuff you would never see on regular television. I think HBO produces great television shows. Just watch The Sopranos, Sex & The City, Oz or many of there other series. You know it is quality and they are great television. Well guess what Six Feet Under plays on that same field. I find it to be my 3rd favorite television show behind 24 and the Sopranos.

Well let me conclude by saying you will be satisfied with Season One of Six feet Under. I haven't seen the other seasons of this show but I will definetly be buying Season 2 when it is released in June. If you like quality acting, drama, and dark humor give this show a shot. ... Read more

Reviews (2)

Another trip down the blood soaked yellow brick road
What is it that makes HBO's ultra volitale men in prison drama Oz such compulsively addictive viewing?Perhaps it's the layers of storylines being told over one another, perhaps it's the fact that this is one of the finest ensemble casts ever assembled, or, possibly, because one is so shocked at what is seen on screen that they anxiously, or dreadfully, await to see just who gets shanked next or what else develops.Whatever the case, Oz remains one of the best shows to ever grace HBO, and one of the most underrated.The fifth season of Oz begins with the aftermath of the kitchen fire, followed by the power control triangle between Tobias Beecher (Lee Tergesen), white supremiscist leader Vern Schillinger (J.K. Simmons), and Kareem Said (Eamon Walker).In the meantime, the mother of Ryan and Cyril O'Reilly (Dean and Scott William Winters) comes to the prison to teach the prisoners of performance arts, while a few inmates train some dogs to be guides for the blind.Of course not all of this ends well at all, but what else would you expect while taking a trip down this blood soaked yellow brick road?Standout performances from Tergesen, Simmons, Walker, the Winters brothers, Kirk Acevedo, B.D. Wong, Ernie Hudson, Terry Kinney, and the rest of the usual suspects are highlights here, but it's Law & Order: SVU's Christopher Meloni who steals the show as Beecher's psychotic lover Keller, who has coming agendas of his own.By the time season five comes to a close, it is apparent that the end is soon near, and by the time it reaches it's climax, you'll be begging to see how it all comes to an end.

Oz - Fifth Season
Oz, that's the name on the street for the Oswald Correctional Facility - Level Four.

Season Four ended with a gas fire in the kitchen.We start out the fifth season, some months later, with the first visitation from the inmates' family and friends since the fire.

In the fifth season, Em City plays host to a 'seeing-eye-dog' program, where three inmates attempt to train some dogs for the blind.

A lady named Eleanor joins the staff at Oz as a liasion to the governor.

Ryan O'Reilly's mother, Suzanne, comes to Oz to teach the inmates some performance arts (as an act of community service) - in this season she teaches singing lessons.Something which the ever-so-annoying Omar White takes part in.

Peter Schibetta, who was sent to the psych ward at the end of season two, returns with revenge on his mind - hoping to take care of some Italian business.

As for the Tobias Beecher-Vern Schillinger storylines, last season ended with Schillinger and Robson attempting to kill Beecher and Keller - but Kareem Said shanks Schillinger and Robson from behind (saying afterwards, "Adebisi lives!").This season starts with Beecher, Schillinger, and Said in Sister Pete's interaction sessions.

An old friend of Beecher's family gets sent to Oz - Adam Guenzel (along with his friend Franklin Winthrop) for raping a woman.Adam seems pretty happy to have an old friend like Beecher as his sponser, until he finds out about Beecher's first few months in Oz.

Not one of my favorite seasons, but not a bad one.Check out the beginning of this set for an inmate played by rock band Kiss's Peter Criss.And later, an embarrasing experience for Aryan member Robson at the dentist.My least favortie group in Oz (probably most people's)
... Read more

Album Description

Import only NTSC/Region 1 DVD. Megan Follows, Tony Award-winner Colleen Dewhurst & Academy Award-nominee Richard Farnsworth give unparalleled performances in this critically-acclaimed motion picture, based on the international best-selling novel. Filmed amidst the spectacular scenery of Prince Edward Island, Canada, this Emmy Award-winning production follows the provocative life drama of orphan Anne Shirley (Follows), from her struggles as an adolescent to her triumphs as a young woman. A delicate epic full of wit, style & emotional power. Special features include behind-the-scenes clips, missing scenes, director's commentary, cast bios, previews, Megan Follows' audition. production stills & scene index. 1995. ... Read more

Reviews (231)

Excellent film!
This is a terrific adaptation of the classic L.M. Montgomery coming of age story. It centers on young Anne Shirley, a strong willed, independent orphan who is adopted by siblings Marilla and Matthew Cuthbert. They originally wanted to adopt a boy to help out at their farm, but instead received a surprise when Anne arrived at the train station. Anne's adventures growing up are both funny and heart-warming. This is a fantastic movie that will please youngsters and adults alike, as there is something here for everyone! Megan Follows is excellent as Anne Shirley, Colleen Dewhurst is wonderful as the stern but loving Marilla and Richard Farnsworth is great as gentle Matthew. The supporting cast also give splendid performances. Highly recommended!

Timeless memories of a Canadian childhood
I can still remember the excitement I felt when I first saw Anne of Green Gables almost fifteen years ago. It accurately and lovingly captures the thrills of childhood, of breathless anticipation, the joys of friendship, and the final moment when we must bid our childhood goodbye and take our place in the grownup world. The performances are flawless and capture the original flavour of each of the characters from the book. Megan Follows IS Anne Shirley, Shuyler Grant is a kindred Diana Barry, and Colleen Dewhurst is the stern Marilla Cuthbert who finds her heart unexpectedly embracing the joys of motherhood.

Everything about Anne of Green Gables is done with the utmost love and respect in regard to the original novel by Lucy Maud Montgomery. Anne is every child, with her eyes open to the world, her thirst for knowledge, her immediate trust, her quest for adventure, and most of all her imagination. Megan Follows captures the timeless appeal of the orphaned Anne with spirit, grace, and wit. Her humorous mishaps, personal struggles, and her newfound love for the Cuthberts as well as her love for Avonlea make her an enduring heroine throughout the ages. Who knows? After seeing this film you may discover that you are a kindred spirit as well!

its a classic!!!
What can i say, I LOVE this movie. I grew up watching this one and Anne of Avonlea(now the sequel) I also read the books when i was young. I still enjoy watching them as an adult. I just wish i had a daughter to watch it with and enjoy with me. (we have two wonderful boys and most likely wont have any more) The characters fit the roles perfectly and are excellent. You just fall in love with them all.

DVD QUALITY GREAT ! I can see the print of the wallpaper
After watching this often on vhs I bought a DVD and I noticed the difference right away! You can see the print of fabrics, wallpaper, and details of everything much better. This is a wonderful story and the music is beautiful. All the actors are excellent. Great movie for little girls with red hair! Its not easy growing up with red hair. I love the way Anne is portrayed in this movie. There is a black and white version made in the 1930's and its okay. This movie also shows a girl taking her education seriously. The only thing I didn't like was that Gilbert is a little too much the lovesick fool. I think most guys would have given up on her, she was very mean to him.

A Favorite For Any Generation
This series has always been in my heart and always will be. I can always see myself in Anne Shirley, just as I'm sure every other young girl will. Kevin Sullivan did a beautiful job of bringing to life the works of Lucy M. Montgomery's series of Anne of Green Gables. I loved this movie the first time I saw it on television on PBS and I was thrilled to finally find it on DVD. Anne Shirley is a young orphan girl with a huge imagination, daydreams, and a huge talker. She's transferred from home to home and then back to the orphanage until she is finally picked to live in a town called Avonlea. She lives with a family Marilla & Mathew Cuthbert (played by: Colleen Dewhurst & Richard Farnsworth). After worrying she wouldn't be adopted because she's not a boy she warms their hearts and starts a new life with them. And she then soon meets her bosom friend Diana Barry (Schuyler Grant) and of course Gilbert Blythe (Jonathan Crombie). We follow the lives of these characters that Anne meets along the way. This series is for any young girl or for any girl at any age to enjoy and the entire family. The fun part is you can also see parts of the cast that end up being in Kevin Sullivan's production of Road to Avonlea. But this series is wonderful, charming, and full of adventures. The supporting cast is quite amazing as well they include: Rachel Lynde (Patricia Hamilton), Miss Stacy (Marilyn Lightstone), & Aunt Josephine (Charmion King) just to name a few of my favorites. This movie is also about life and the human heart that we see through Anne's eye's. The DVD is full of tons of great stuff such as Megan Follow's audition, a small behind the scene's moments, missing scene's, & tons more. So I do highly recommend this film for everyone. ... Read more

Amazon.com

The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions.Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling").

This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humor. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney ... Read more

Reviews (301)

A Mixed Bag (but still wonderful in my eyes)
Buffy Summers died saving the world at the end of the fifth season of BUFFY THE VAMPIRE SLAYER, so the sixth season had a lot on its hands when it started up the next fall.

Season 6 spends much of its time delving into the darker sides of the characters. Buffy has to deal with being alive and suddenly having the responsibilities of family caretaker. Willow finds out just how addiction can ruin a life. Xander and Anya realize that they're not as ready to be grown up as they thought they were. Spike lets his worser half get the better of his love for Buffy. Dawn explores her bad girl side by shoplifting and sneaking out ever more.

In some ways, this darkness gets a little too big for the show. It's the dark sides of the characters themselves that turn out to be the Season 6 "Big Bad", not the Geek Trio of Andrew, Warren and Jonathan. (The geeks are amusing if you enjoy seeing geeks extensivey mocked, however, they do start to grate as the season progresses.) The season follows the depression of the characters. At the beginning, before things start to fall apart, it's interesting to watch. Almost every one of the first 8 or 9 episodes of the season are at least good, peaking with the amazingly underappreciated (at least by the Emmy powers that be) musical episode, "Once More, With Feeling". The problem is that after that, the season plunges into the steaming pile of dung that makes up the middle of Season 6. (This contains two of my least favorite episodes EVER, "Doublemeat Palace" and "Normal Again". "Hell's Bells", however, is a worthy exception to the rest of the mid-season rubbish.) Things pick back up with "Entropy", and the season manages to redeem itself through an amazing, if heartbreaking, turn of events in the end (which I'm trying hard not to spoil with this review).

However difficult the middle of the season is to watch, this DVD set will be worth it for "Once More, With Feeling" alone. It's Joss Whedon's (BUFFY creator and ruling lord) masterpiece. With little to no music writing experience, he manages to write a 50 minute musical that plays to the strengths of his non-musical cast. The cast, ever the troopers, sing and dance their way through with enthusiasm and finesse. It's often clear that they are not singers or dancers by trade, but they are all so charming (especially Emma Caulfield as Anya) that it's easy to forgive them their occasional off-key notes and missteps. And then there's Hinton Battle, the demon villain of the episode. He dances. He sings. He's probably the most charismatic thing to hit Sunnydale since Spike crashed into town in Season 2. It's a shame that he only got to have the one episode, but what an episode to have!

There are other gems in the season. Check out "Tabula Rasa" and "Life Serial" for some of BUFFY's funnier moments. It's a shame that the middle of the season is so hard to stomach, but I think that it all pays off in the end.

A Masterpiece
Season Six of Buffy the Vampire Slayer, is, simply put, a masterpiece. Season Six is different; it is dark, edgy, scary, a far cry from the earlier, but equally impressive, previous seasons. I applaud Joss Whedon and Co. for taking this incredible series to different places, exploring new story arcs and aspects of the multi dimensional characters. The writing, directing, and acting are up to par with the best shows and movies out there, in many instances surpassing them. Sarah Michelle Gellar provides an incredible performance as Buffy dealing with her resurection, being pulled out of heaven by her friends, and having to deal with what she feels is a hell on Earth. The scenes where she expresses her distress over dealing with the emptiness inside her are truly moving. Alyson Hannigan also gives an incredible performance as Willow, dealing with her "addiction" to magics, and the consequences her problem causes with herself and her friends. James Marsters also gives a great performance as Spike, a souless vampire trying to understand love and human emotions eventhough he is spiritually unequiped to. Sure this season contains its duds (Doublemeat Palace for example), but the great episodes of this season far out shine the bad: Bargaining Parts One and Two, Tabula Rasa, Life Serial, Seeing Red, Two to Go, Grave, and ESPECIALLY the musical, Once More, With Feeling. The genius of Once More, With Feeling is reason enough to buy this set. I will say this again, Buffy Season Six is different, it is very dark, almost disturbing in some cases, it is scary, and very emotional, but this change is welcome and wonderful. It works, and season six is incredible

what is everyone talking about?
ok i just bought season six(but ive already seen all the eps)
and everyone has their own opinion but this season kinda sucks. But i am basing this on one thing: spike and buffy relatioship! the two characters i once loved i cant stand! they are so bitter! anyways a good season for all the other characters especially willow. besides for spike and buffy its watchable.

Cinderella, one past midnight
With this season, the magical carraige that was "Buffy" turned back into a pumpkin. It's no surprise, really: five years is generally the point at which a show starts to show signs of exhaustion, and while season five was a definite thumbs-up, there were a a number of sure signs of trouble to come:

1) Dawn. Adding a "baby" to a family is an old sitcom device to shake things up. It worked because of the clever writing and, obviously, Michelle Trachtenberg.
2) Glory. Upping the ante in the villain department every season is a good idea, but how do you top a God?
3) Spike. Changing a character's basic nature from evil to good (or good to evil) is an old soap-opera trick ("What, he's good now?")
4) Buffy. She died. Again. Since death is the ultimate sanction, undoing it takes the finality of death away, and stops us from caring if future characters are killed, because they can always be brought back.

Season Six dealt with the problem of topping Glory by going the opposite route, and creating the Triad, three hapless nerds who in no way were worthy successors to the Master, Angelus, bad Spike & Dru, evil Faith, etc. It was often hilarious, but not really strong enough of an idea to sustain over a whole season. The Triad would have made a very funny three story arc, but beyond that, their limitations were obvious.

It also made the fundamental mistake of pushing suspension of disbelief right over a cliff (that shark-headed gangster demon boss was just the worst idea in history....what were they thinking?). Also of betraying some signs of insecurity about the things they had done in season five and in six as well, and then trying to cover it up with clever humor, such as when the shrink tells Buffy that the retro-active addition of a sister (Dawn) into her alredy established family is a "ridiculous plot device" or that the Triad were "pathetic" villains. Tongue-in-cheek is one thing, farce is another. The episode where they allude that Buffy is in fact in a mental institution and everything you have seen in the previous 100 episodes is nothing more than the fever dreams of a schizo nut case is the classic "Bobby Ewing" mistake...."That last season? It was only a dream!" This was just insulting to the audience.

I also felt the middle episodes suffered badly from the absence of Giles and from an overdose of Spike. Sometimes the best thing you can do with a great actor/character is hold him back a little bit, so as to leave the audience hungry. Spike is a great character and James Marsters a great actor, but sometimes less is more.

This is not to say there were not some truly good moments in the season, such as Riley showing back up (didn't realize I liked this character until he left) the crotchey old Doublemeat Palace demon ("You may want to flail your limbs while you still have time"), the musical episode, the capricious and brutally violent way that Tara is killed off, or the fact that ordinary Xander finally got to save the world when all the super-powered people failed. But overall, season six left me feeling a bit like Buffy after her ressurection: down, disappointed, and ungrateful. Five out of six ain't bad.

Not the Buffy We Fell in Love With, but Still Damn Good TV
Season 6 is kind of the dark horse among Buffy fans, and having watched the show during its initial UPN run I can understand why. Heck, even I was turned off by the dark, relentlessly depressing nature of the season, the lack of a traditional big bad, and the network's sporadic airing of new episodes. Thank God for DVD, because thanks to this set I have a whole new appreciation for Joss Whedon, his writers, and the highly talented actors.

Without the weeks or sometimes months between new episodes (God bless UPN for keeping Buffy alive, but couldn't you have shown new episodes closer together?), the narrative structure of the season works so much better. It is much easier to watch and appreciate the growth and change experienced by the main cast, all of who slowly grow up throughout the season until they are nothing like the group of high schoolers we first met. The writers did a wonderful job of providing a distinct arc for each character, and the actors did a brilliant job portraying the evolution of the characters.

Sarah Michelle Gellar is once again stellar as Buffy Summers, whose emotional problems this season make all the angst up until now seem like kiddy stuff. I'm so glad Joss and company made the effort to earn Buffy's resurrection instead of simply reviving her and then letting everything immediately go back to normal. They took the much more difficult and ultimately more rewarding path of having Buffy slowly readjusting to her life, not fully reintegrating herself into Sunnydale until the end of the season.

All the other actors actors are equally fine, but Emma Caulfield deserves special recognition for her charming and underappreciated Anya. Consistantly hilarious, Caulfield takes a character who was clearly added to the show's roster as comic relief and makes her multi-dimensional and surprisingly human. By the end of the heart-wrenching "Hell's Bells," Anya shows an emotional depth that makes her possibly the most tragic character of the season, and Miss Caulfield handles the part beautifully.

And of course, season six of Buffy gave us the much lauded musical episode "Once More, With Feeling." I'm not ashamed to admit that it is my FAVORITE episode of the entire seven season run, encapsulating just about everything that makes Buffy special. It's smart, well written, irreverant, and packed with a surprising amount of emotional resonance. No, most of the cast won't be going to Broadway anytime soon, but bravo to the entire cast for handling their own singing, which actually only serves to make the episode more charming.

Season six of Buffy brought the characters to new low points in their lives, the show to new heights as far as writing and storytelling go, and produced some of the most entertaining adversaries the show's every seen (maybe I'm a nerd, but I find the Trio to be absolutely hysterical). If you've been watching the show since day one, now certainly isn't the time to stop, and if you've never seen the show, you're missing out on one of the most consistantly excellent programs of the last decade. ... Read more

Amazon.com

In some ways, HBO's Six Feet Under plays kid brother to stellar BMOC The Sopranos: it's spunkier, less refined, chancier, and a bit of a punk. Nevertheless, the show set in the Southern California mortuary Fisher and Sons deserves its place in the pantheon of great television series. The initial season was a showcase for the most original characters, including tight-lipped brother David (Michael C. Hall) coming out of the closet, emotionally trippy mom Ruth (Frances Conroy), and the most complex girlfriend on the face of the planet, Brenda (Rachel Griffiths). Slowly, the major force in season 2 is the unassuming lead, Peter Krause. Part of the long line of good-looking actors who never get respect because they make it look too easy, Krause (Sports Night) finds the perfect blend of optimism with a wonderful, bittersweet anguish as Nate, the prodigal son.

The initial season's happy ending is forgotten as relationships change, the business is still under fire from the evil conglomerate Kroehner, and a lively dream sequence is just around the corner. As with the premier season, creator Alan Ball lets many others direct and write the show, but his stamp is all over it. The eccentricities of the characters are shaped, and not always suddenly. Take daughter Claire (Lauren Ambrose), who sheds her bad boyfriend only to find more complex relationships on her road to discovering her own groove. One person in the mix is Ruth's beatnik sister (Patricia Clarkson, in an Emmy-winning role), a joyous embodiment of thriving--if aging--counter culture. Another new character is Nate's old girlfriend, the granola-loving Lisa (Lili Taylor). With Brenda heading down another destructive course, Nate is at more than one crossroads by season's end. For fans who groove with the wild, serio-comedic world of the Fishers (and let's face it, many didn't), the second season goes down like a fine meal of fusion cuisine. The show shares an unfortunate family trait with its HBO big brother: although both were lavished with multiple Emmy nominations the first two seasons, both took home only token awards. But then there's always next year. --Doug Thomas ... Read more

Reviews (90)

It's about time!
This is one of the smartest shows on television, and Season 2 is no exception. Much of the action is paced slower than Seasons 1 and 3, but it's still an incredible season that focuses on Nate's secret illness, the relationship between David and Keith, and Brenda's...um...new hobbies. I don't understand why it took over 2 years for Season 2 to be released, but I'm glad it's finally coming out, and I hope Season 3 won't be far behind. (I wish the cover of the Season 2 DVD set was a bit more unique, though...I loved the corpse/lipstick image used for Season 1, and I think they could have come up with something a bit more creative instead of just slapping the standard logo on there, but oh well.)

Your Fans Are Dying For This....PLEASE RELEASE :)))
I LOVE SFU, this show gripped me from episode one. It's quirky, clever, original. The acting, writing and direction...everything about it is fantastic. I have every episode taped, I got SFU season one immediately when it came out. I just checked in here to see if it was available to put on my Chistmas list and was dissapointed to see it hasn't even been produced yet? Well....put me on the list of people who are "dying" for it to come out. I'm in withdrawals on Sunday nights until God knows when it's coming back? ALSO...sorry just my opinion BUT, WHEN is Peter going to win an Emmy? His portrayal is always excellent. But this season his character grew as a person and showed so many more facets of his personality and ran the gamut of emotions. FIVE STARS! Every episode is good, not a bad one in the bunch. PLEASE RELEASE Thank you....

The Best Show. The Best Season. Alan Ball is' a genuis!
First off, Six Feet Under's first season was stunning, mind blowing, a dazzling piece of eye candy that will no doubt go down in TV history. Alan Ball, the show's creater is a true genuis in all shapes and forms.If for some bizzare reason you don't no about the show heres a brief summary: The show is about a family who make a living as funreal directors. They are the fisher family and live a very interesting life. Each epiosed deals with and people close to them confroting lifes daily issues in very unique and fasinating ways.*For more indepth summry see any reviews for the first season.

Now, here is the second season of Six Feet Under which is in many ways a more darker season then the first and so far the third. I think what made it the best season/show was becuse of the darker subject matter being so well blended with humorous or more light weighted things. It's still very touching, off beat, warm and funny but a few disturbing death's mixed with the character of Brenda, who goes sexual out of control keeps the viewer on teh edge of their seat. In my opinion, Brenda's sexual adventures with starngers was one of the height lights of the show. They were done in a profound and memorobal fasion that was dark but did not turn the viwver off. Brenda is by far the show's most complex and intriging charachter and in this season you really explore what she is feeling and going through. The characters all explore new meanings, problems and love. Claire gets ready for college, Ruth attends a inspiring group known as the plan, David and Keith get back together, Nate deals with his AVM, and as I mentioned Brenda begins having sex with strangers. Its very dark, very fuuny, very sad, very happy, very interesting and its one of the best things ever created- aside from the gloureous and memorizing American Beauty- this season is a must have for anyone. The sooner its released the better. When you buy this DVD you will not regreat it. The DVD will transport you to the haunting realm of Six Feet Under, a place you'll never forget!

Not much surprise, but still fascinating
The second season, honestly speaking, is not as fascinating as the first one. Yet, it still outstands lots of other dramas. The first season strikes many of us because of its style and the captivating characterisation. Each character is so distinguished from each other and each has his/her own charm. Once we are used to this formula, season 2 seems to offer less surprise to the audience. However, what season 2 does is to complicate the plot and the closure of each problem still brings joy to many of us.

The most brilliant part is season 2 is the adding of Taylor, Keith's niece into the drama. She evolves around David and Keith, sharing the homosexual secrets from the child's point of view. It's very interesting and the chemistry IS there. However, what disappoints me most, personally, is the pitification of Ruth, the mother in many episodes. Season 2 tends to victimize Ruth as a mother who shares one-way communication to her Russian lover, Nikolai, and the communication problem worsens between her and her children. Each episode tends to amplify this theme of victimhood and even in epsiode 13, her strong will is not restored completely. The whole season ends with a scene in which Claire and David hug their mother for love and concern when Nate is undergoing an AVM surgery.

Season 2 also brings more emphasis on the sidecast of the drama. Rico and his wife, Brenda's parents or even Brenda's new prostitute friend do stir a certain storm in the character's life. The second season extends the problems plotted in the first season - Keith and David's crisis, Nate's health problem, Brenda's obsession with wild sex, Ruth's incompetence and helplessness and Claire's cynicism. All these themes are touched in season 2.

Everybody who loves the first 2 seasons is waiting desperately for Season 3 on DVD. I just hope the studio does not take another 9 months to release their money-making discs.

It's not supposed to be in widescreen.
To the gentleman who was upset about the DVDs being offered in full-screen format:

Widescreen is preferable if -- and ONLY if -- the television program was originally shot in widescreen format (as most feature films are). But if the show was shot using the standard television aspect ratio of 4:3 (as "Six Feet Under" was), then you WANT it in full-screen format, because that's how it was intended to be seen. A lot of shows are adding black letterbox bars to their DVD releases in an effort to make the shows look more "cinematic," but if the show was not originally shot in widescreen, the black bars are actually COVERING UP part of the frame, damaging the composition in order to appeal to DVD collectors who don't realize that NOT EVERYTHING is shot in 1.65:1.

"Six Feet Under" is being presented the way it was shot and the way the series' directors wanted it to be seen. Kudos to HBO for NOT presenting the series in faux-widescreen. ... Read more

Amazon.com

The third season of ER had some of the series' most compelling and wrenching story lines.John Carter (Noah Wylie) is now an intern, but his surgical dreams continue to be thwarted by Dr. Benton (Eriq La Salle), a frustration shared by fellow student Dennis Gant (Omar Epps).Benton also torments former lover Jeanie Boulet (Gloria Reuben), who has tested positive for HIV.Because he has tested negative, he's free to badger her about the risks involved in her treating patients while moving on to his next potential conquest, a sexy waitress named Carla (Lisa Nicole Carson).Mark Greene (Anthony Edwards) continues to be one of the series' focal points, struggling to survive the bureaucracy of management and still feel like a doctor.And now single, he goes on bad dates as does Dr. Lewis (Sherry Stringfield), both ignoring the obvious until a seemingly casual vacation invitation sets a number of uncomfortable wheels turning.

The other focal point is nurse Carol Hathaway (Julianna Margulies), for whom things go from bad to worse. She has serious money problems, her career choice doesn't look so good anymore, and when a patient dies, she finds herself suspended.That sets the stage for one of the series' most memorable episodes, which takes place almost completely outside the hospital.Hathaway goes to the corner drug store, where she meets guest star Ewan McGregor, and things take off from there.She also wisely keeps her distance from former lover Dr. Ross (George Clooney), who may have really done it when he brings into the ER a one-night stand suffering from a seizure and has to admit he doesn't even know her name.

County General survives a closure scare, but instead has to absorb some new additions, including chief of staff Donald Anspaugh (John Aylward), intern Maggie Doyle (Jorjan Fox), and the best pediatric surgeon in Chicago, Abby Keaton (Glenne Headley), who attracts the attention of Benton and Carter for professional and/or personal reasons.But those additions are countered by two emotional goodbyes, and other gritty story lines, including a troubled teen (Kirsten Dunst) and an assault on a doctor, helped make ER's third season often tough to take, but unforgettable.

Special features consist of commentary tracks on two episodes; a 15-minute spotlight on the episode "Fear of Flying" with new interviews with Sherry Stringfield, Noah Wylie, and Glenne Headley; bloopers and outtakes; and a featurette on the ER's nurses with interviews of Yvette Freeman, Abraham Benrubi, Ellen Crawford, and others, but not Julianna Margulies.--David Horiuchi ... Read more

Reviews (15)

New look for the cover art
I am so pleased to see Season Three of what has become one of the most respected and influential television programs.I am also pleased that episodes are released on a one-sided as opposed to two-sided discs.

Here's hoping we will see the DVD release of such popular medical shows as St. Elsewhere, Medical Center, Marcus Welby, M.D., Dr. Kildare, and Ben Casey, without which, there would certainly not have been an ER.

ER Third Season
It's ben a while but ER the complete third season is finally out!The day it came out I went straight from school to the store to pick it up.I went through the season in about three days....and wow...I am counting down the days until season 4. Although it was a great season there are some weak points and even a cast member leaves but I wont spoil it. The six disc set makes it easier to use although you find yourself pulling out a new disc every so often.Overall I give it five stars and with the great price it was worth the wait.....enjoy.

Better Layout
I have seasons One and Two and I think season Three is a better layout overall. I don't mind that Seasons 1 & 2 are double sided discs, what bothered me about them is they are not labled so you wouldn't know which side you are putting into the DVD player. However, season three is nothing like that. It's easier to deal with. Now I cannot wait until season 4 and I hope they keep the same layout and design.

Season 4 coming soon....
For those that are interested, Season 4 will be out in May in the UK. For some reason the UK releases, which were about 3 months behind the US for seasons 1 and 2, are now storming ahead with the next releases. Perhaps you guys in the US are more patient than us??!

If you just CAN'T wait
Seasons 1-8 can be found with some difficulty in Japan. They can be quite expensive! While the DVDs were created for the Japanese market, they can be played with the original English soundtrack if you have a DVD player that will play DVDs for that region (or software which will "liberate" the DVD.)

Don't ask me why they don't release them here first because I just don't know. Surely the demand is here.

The eBay DVDs appear to be knockoffs of the Japanese DVDs with the exception of season 4 -- where the bootleggers seem to have screwed up when they were making the copies. Caveat emptor. ... Read more