Description

The strong-willed Dr. Michaela "Mike" Quinn defies the prejudices of her home in 19th-century Boston for the rough-and-tumble life of a new frontier. But the challenges she left behind pale in comparison to the trials and tribulations awaiting her in Colo ... Read more

Amazon.com

From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he's using state-of-the-art digital trickery for the film's exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese's meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail. And while DiCaprio bears little physical resemblance to Hughes during the film's 20-year span (late 1920s to late '40s), he efficiently captures the eccentric millionaire's golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett's uncannily accurate portrayal of Katharine Hepburn as Hughes' most beloved lover, The Aviator is easily Scorsese's most accessible film, inviting mainstream popularity without compromising Scorsese's artistic reputation. As compelling crowd-pleasers go, it's a class act from start to finish. --Jeff Shannon

DVD Features
In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films.He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess."But in general he doesn't talk much about the craft of making the film.That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately).The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.

The second disc collects almost three hours of features.There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other.More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances.Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies).More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda.--David Horiuchi

The Personalities ofThe Aviator

Click the links to explore more movies by these stars.

Leonardo DiCaprio as Howard Hughes "Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind."

Cate Blanchett as Katharine Hepburn Howard Hughes: "You're the tallest woman I have ever met." Katharine Hepburn: "And all sharp elbows and knees. Beware."

	Kate Beckinsale as Ava Gardner Howard Hughes: "Does that look clean to you?" Ava Gardner: "Nothing's clean, Howard. But we do our best, right?"

Gwen Stefani as Jean Harlow Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?"

Jude Law as Errol Flynn Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!"

Director Martin Scorsese "You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese

Other Movies by The Aviator's Oscar® Winners

Production Designer Dante Ferretti
Film Editor Thelma Schoonmaker
Costume Designer Sandy Powell
Cinematographer Robert Richardson
See all the Oscar® winners atOscar Central

The Aviator at Amazon.com

The Aviator soundtrack

The Screenplay

Howard Hughes: The Real Aviator

Howard Hughes movies

Great movies of the 1930s

The films of Martin Scorsese

Reviews (148)

Hughes at His Peak But Epic Biopic Not Quite a Masterpiece
This is an audacious, surprisingly amusing piece of Hollywood filmmaking by a veteran craftsman of the first magnitude, yet for a number of reasons, not necessarily of Martin Scorsese's sole doing, the movie does not resonate as much as you wish it would. In staying true to the spirit of multimillionaire magnate Howard Hughes between the late 1920's and the late 40's, Scorsese and screenwriter John Logan are stuck with the facts as they happened, and consequently, the film feels episodic with a great, sometimes dazzling story in the first 2/3 of its epic 166-minute running time and a pedantic, only occasionally involving last hour.

You need to have some familiarity with Hughes' life to understand his halcyon years proving himself as a Hollywood tycoon worthy of respect, and his legendary excess during the three-year production of the now-forgotten "Hell's Angels" is captured perfectly here with truly thrilling aviation sequences. Scorsese then focuses on Hughes' romance with Katharine Hepburn and captures the oddball chemistry of burgeoning eccentrics amid the frenzied environment of studio-owned Hollywood, in particular, the Cocoanut Grove nightclub. These sequences remind me a lot of Scorsese's failed musical, "New York, New York", but this time he seems far more assured. Ava Gardner enters the picture in the forties, as Hughes builds luxury airplanes that can't fly and his obsessions and paranoia start to take over. There's a magnificently filmed sequence of Hughes crashing his XF-11 plane in the middle of Beverly Hills.

Once he recovers from this incident, the film starts to drag, as the story focuses on his power struggles of positioning Hughes' airline TWA against the European-route monopoly of Pan Am and the machinations of Pan Am CEO Juan Trippe and the corrupt Maine senator Owen Brewster who investigates Hughes' WWII government contracts. Even the legendary mini-flight of the Spruce Goose fails to excite this late in the story. Only Scorsese's famous "Taxi Driver"-like, mind-bending touch brings off the surrealism of the sequences where Hughes locks himself up in his room. The film ends rather anticlimactically with Hughes' successful 1947 appearance before Brewster's committee before he drowns in his obsessive compulsive disorder (OCD).

Leonardo DiCaprio's chief asset as an actor is his intensity of purpose, and as Hughes, he has plenty of opportunities to display this attribute with his character's obsessions with aviation, moviemaking, glamorous movie stars and ultimately germs. What he is missing is a level of gravitas that would have made his character's increasing eccentricities more bearable to watch. Even though the reed-thin Texas-tinged voice is accurate, there is something perpetually juvenile about DiCaprio's appearance regardless of the twenty-year span of the story. This unfortunately compromises the chemistry between him and the obviously more mature Cate Blanchett, who initially seems to be crossing the border into parody as Hepburn. She displays the familiar brusque manner without caution and even affecting the even more familiar voice but with an inaccurate throatiness that belies the legendary actress' high, fluttery pitch at the time. But she eventually finds her grounding, especially as she recognizes their too-similar personalities and softens during the Hepburn family gathering scene.

With less to do, the too-patrician Kate Beckinsale is in over her head as Ava Gardner, unable to convey the real actress' palpable sultriness or predatory voraciousness without posturing. On the other hand, Alec Baldwin is becoming a strong character actor with every new film, and he plays Trippe with disquieting authority. John C. Reilly plays assistant Noah Dietrich in his typically hangdog fashion as he subsists more in the shadows. Alan Alda plays Brewster with Hawkeye's familiar mannerisms unafraid to show the underlying sliminess of his character. All the externals are impressive - Thelma Schoonmaker's sharp editing (the pacing never drags...just the story), Robert Richardson's cinematography, Dante Ferretti's production design, Sandy Powell's costumes. Yet for all of this, the movie fall short as a masterwork in Scorsese's filmography.

The first disc has an excellent commentary track by Scorsese, Schoonover and producer Michael Mann - all full of insights without being pedantic. The number of extras on the second disc of the two-DVD set is staggering, really too much for anyone except for those deeply interested in Hughes. There is one deleted scene and twelve separate featurettes and documentaries covering everything from the production to Hughes' role in aviation to OCD to the music. Beyond the sheer number, my complaint about the set is that it's hard to maneuver around the decidedly viewer-unfriendly menus.

"Bring in the milk!"
Let me state a few facts about myself and, in doing so, set up a very sincere question about "The Aviator."

1) I'm a huge fan of Howard Hughes, an absolute buff on the guy.I've read two biographies of him and have to say he's one of the most interesting historical figures of the past century: His brilliance, his wealth, his flaws, his successes, his peculiarities and the periods in which he lived all combine to create a fascinating figure.

2) I'm a tremendous fan of Martin Scorsese.He's made some of my favorite movies and I think he's probably one of the top five greatest directors working today.There's just something about the way he photographs images and people that makes even his worst movies worthwhile.

3) I also think Leonardo DiCaprio is a really good actor, a fact that has been publicly obscurred (but not hampered) by the "Titanic" hype and by some poor choices (or lack of choices, in recent years).

4) And I think "The Aviator" was probably the best produced movie of 2004.The cast is excellent, the sets and costumes and designs are fabulous, the cinematography is exquisite.

So, THAT SAID, why didn't I like the movie more?It's an impressive achievement but I seem to appreciate the parts more than the whole.And as good as DiCaprio is, I think he may have been miscast.Only a star of his level could've gotten this kind of budget, but he simply doesn't look right in the part.It's not until after he grows a moustache that he really start to resemble Hughes.Most of the time, Hughes looked like a guy who was quietly trying very hard not to leap out of his skin but DiCaprio seems more intent on burrowing deeply *into* his body.
He just doesn't have the same kind of intrinsic uncomfortability.

Still, it's an impossible movie not to recommend.There are long stretches of space but every so often, there's a brilliant explosion.

The opulance and scope. Brought to you by Scorsese.
This film is entertaining, and much more effective than any one biography of Howard Hughes. The pace of the movie, coupled with the fantastic acting by Leonardo DiCaprio as the livid Howard Hughes, gives an aura of 3hrs much in the way of inspiration. For underachievers this is a shockingly, unbelievable film. You can feel the energy pulse out of the life of Howard. Sharing his passions for aviation. Revealing the breadth of his contributions to air america. The esprit de corp is flavorful, in symbolisms of the fastest jet planes and the hardest hitting reality at zero hour. A much more breaking of the usual norm of film. It is so wonderful to think that movies such as these aren't being overlooked by the latest craze. When will Scorsese win a *(**( academy award for best director!

IT WAS OKAY!
THE AVIATOR WAS OKAY I REALLY DIDN'T CARE TOO MUCH ABOUT IT IT WAS TOO LONG!

FROM KIRSTEN

Another Oscar-worthy epic from Martin Scorsese.
Director Martin Scorsese makes filmmaking look so easy sometimes.With "The Aviator" he once again breaks from the Gangland themes of his more famous films such as "Mean Streets" and "Goodfellas" and journeys off on yet another unexpected road (e.g. "The Age of Innocence," "Kundun," "The Last Temptation of Christ").Yes, he recently directed "Gangs of New York," but he followed that with yet another left turn by doing a biography on the intensely eccentric Howard Hughes, "The Aviator."Leonardo DiCaprio owns his role here of the off-center genius who has frequent and exponential mental breakdowns, leaving all around him wide-eyed and wondering why he keeps repeating himself as if a record in his brain is skipping.This is easily the best work he has done in years.There are two other actors here that match him.One is Cate Blanchett who nails her characature of the late, great Katherine Hepburn and her short-lived romance with Howard Hughes.Her performance is a breath of fresh air amid all the seriousness of the story.The other is a diabolical and utterly slimy turn from veteran actor Alan Alda.It doesn't hurt that he has some of the best lines in the script, but his scenes with Leonardo DiCaprio have some of the best ebb-and-flow, subtelty acting that I've seen in a very long time.The two pros are butting heads and enjoying every minute of it!There are many solid acting performances from a stellar cast of name actors, though it would have been nice to see the character of Ava Gardner, played competently here by Kate Beckinsale, in depth and her more substantial connection to Howard Hughes.But the movie was long enough, anyway.The visual effects and overall production value are excellent, and the scope of the picture is epic and professionally done.This is top-notch filmmaking in every respect, and is easy to recommend. ... Read more

Reviews (71)

Finally An Affair To Remember is on DVD
In April of this year I bought this DVD. I love it so much. I remember when I was little and saw it . It brought tears to my eyes. I especially love the special features that are on this DVD. I have always loved The Extremely hansome an Debonair Cary Grant. He is a role model of what Male Actors Should Be.

Cary Grant, and Deborah Kerr meet on a Ocean Cruise well they meet and they fall in love. But one problem They are both already engaged to different people. Well as the Ocean Voyage goes on they get more and more romantic. Well when they get off the boat they make an agreement that 6 Months from that day they would meet at the top of the Empire State Building to see if they still love each other. Well that day comes and Cary Grant is on the top floor. But as Deborah Kerr is running to the Empire State Building she gets ran into by a car and is paralyzed. But at the end Cary Grant finds her and they Kiss and Get Married. Great Movie. The way that all movies are supposed to be.

Better than I anticipated....
"An Affair to Remember" with Cary Grant and Deborah Kerr has a lot to offer. I was skeptical when my wife brought this video home for "us" to watch, but I decided to give it an honest try. Once the movie got underway, and the character development started to take place, I became interested. There was more to Grant than a womanizing cad (thought it took a while for him to shake that image in the movie), and Kerr came across as a world-wise, yet innocent (in a sense), former night club singer.

While they are both committed to other people, Grant and Kerr meet and fall in love on a ship cruising from Europe to America.

Some of the dialogue and situations appear to be somewhat contrived, but the acting and story line development stirs true emotion.

This is probably not a movie for the bump and grind Monday Night Football crowd, but it is both watchable and enjoyable. Maybe I was primed to watch it by seeing "Sleepless in Seattle" recently, a movie that my wife and I both enjoy.

Anyway, give this movie a chance...it's somewhat dated, but it's still got something to offer.

Overrated Tearjerker
The first part aboard the boat seems convenient & affected. The bit where she takes him to meet her relative is charming and pretty but pointless. The accident and her subsequent behavior bespeaks of underlying insecurities and purhaps subconcious concerns about his character. I didn't feel particularly sympathetic toward either character and, thus, the reunion doesn't touch me.

One of my favourite movies
While I haven't seen the remake of this film, I have seen the original, and this is by far one of my favourite movies ever. The picture is beautiful, the casting is flawless, and the story timeless. I would recommend this for chick-flick lovers and even those who aren't particularly fond of romantic-comedies.

Practically nobody, huh?
Amazon says "practically nobody" likes the 1994 remake with Warren Beatty and Annette Bening, but actually I would prefer that one to this any day. However, if you have to see the original, amazon is where to get it. ... Read more

Reviews (3)

The Best Season
In My opinion, fourth season is by far the best season yet.The characters have never been so real.Anyone who ever had a troubled relationship with family/lovers can rely on this show. Because it feels so real, I think that makes of SFU, one of the best TV shows ever made.This is strong, funny, sad, full of hopes, full of despair, just like life is...
Too bad it's almost over for the Fisher family.Without givin' away plots for those who haven't watched it yet, all I can say about my favourite episodes is that...

"Falling Into Pieces" almost made me cry. Peter Krause has never been better!

"That's My Dog" proves that Michael C. Hall is really an amazing actor and the plot is so twisted I could not believe I was actually watching a SFU episode.

"The Dare" is one of the most "relationship-based" episode and has a really fine storyline with almost every couple running on a very thin line...

"Untitled" has the nicest and most shoking twist of the season. Also kind of let you think that it's time for Claire to get herself together.

Arrrf... Now we just have to wait...
Unfortunatly: "Everything. Everyone. Everywhere. Ends.":'-(

A true series
Six Feet Under is a must-see series. I am sad to see the show come to an end after five seasons. There is nothing like it on TV today. The characters are real and interesting, and I can identify with David the most. He is a riveting character. Good luck to everyone when the show ends. This has been a great ride. Thanks for a fabulous show! I will own all five seasons and cherish them all.

Just when you thought that 6' Under couldn't get better...
Just when you thought this series couldn't get better...it does!
This is one of the few TV series that I quite happily watch over & over again.
Series 4 develops each of the complex, engaging & believable characters with some amazing twists & turns along the way. Episodes 44, "That's my dog", & 51, "Untitled" spring to mind as being particularly amazing/devastating.
If you haven't come across "Six Feet Under" before (Is that possible?!!), start watching it from the beginning of the 1st series...you'll be addicted, like me, before you know it!
Roll on August 23, 2005! This DVD box set will definitely be added to my collection.
Waiting patiently, here in Australia, for Series 5 (sob!) the last one!
... Read more

Amazon.com

Dashing Ioan Gruffud stars as dashing Horatio Hornblower, unparalleledBritish naval hero, in two more delightful episodes from the A&E series.In Loyalty, a peace with France has left Hornblower decommissionedand short on funds. Only the help of his landlady's daughter Maria(heartbreaking Julie Sawalha, Absolutely Fabulous) keeps him frombeing kicked out into the street. Fortunately for our hero, Napoleon'sarmies are afoot, and Hornblower soon finds himself sailing to France incommand of the Hotspur, grappling with Irish traitors and Frenchskullduggery. Duty picks up where Loyalty leaves off;Hornblower marries Maria with some ambivalence, but the day after hiswedding sails for the coast of France to find a missing ship. Afterrescuing a supposedly Swiss man and his American wife in a storm,Hornblower finds himself caught between an old foe in France and diplomatsin England. Though the derring-do is sometimes melodramatic, HoratioHornblower swiftly becomes engrossing and suspenseful. Credit is dueto smart scripts, efficient direction, Gruffud's heroically curly hair,and a superb supporting cast, including Robert Lindsay and Paul McGann(Withnail and I). --Bret Fetzer ... Read more

Reviews (20)

Hornblower Lives! Three cheers for A&E!
A&E continues to treat fans of the Horatio Hornblower book series with two new movies. These movies are at least of equal quality, if not better, than the six previous films. Everything from the ships to the costumes to the sets hit all the notes and make you feel a part of the period.

Likewise the stories and acting are fabulous. Horatio is given command of the Hotspur and is forced to deal with a new crew (with some old faces), the French, spies, and rebel Irishmen. Coming through with flying colors, Hornblower tackles the unthinnkable - marriage. This second film, Duty, is the best of the series. The central theme of 'duty' is so thoroughly woven into the fabric of the story that almost all of the relationships in the narrative are faced with the question of duty.

Ioan Gruffud continues to give a truly inspiring performance as Captain Hornblower. He continues to let the character grow and mature, while at the same time maintaining the core identity of Hornblower - an honorable, intelligent, courageous soldier who is wholeheartedly devoted to Britain and her navy. The relationship between Hornblower and Admiral Pellew continues to become more of a father-son relationship. Paul McGann (of Doctor Who fame, among many other things) returns as Lt. Bush. McGann gives a strong performance as Hornblower's second in command, showing that that he is more than capable of both being a leading man and an excellent supporting character.

Something that many may find as a negative is the lack of totally new music. Much of the score seems to be a reworking of the major musical themes found in the first four films of the series. Personally, I find this a 'plus.' It helps establish a certain continuity to the series that is nice. I always find myself grinning when the "Horatio has done it again" theme begins playing across the cheers or astonished looks of the other characters!

For those of you who have seen the Gregory Peck film, Horatio Hornblower, the A&E series is just about to catch up (chronologicall) to the events portayed in that film. Let's hope that A&E continues producing the films until the complete life & times of Horatio Hornblower are done with such excellent acting and production values!

Hip-hip Horay! Hip-hip HORAY! HIP-HIP! HORAY!

Those of you who giggle at the word ¿frigate¿...
Will nevertheless enjoy the latest two entries in this neat little series of movies. Fifth Officer Lowe from Titanic has received a promotion to Captain Horatio Hornblower in this rousing seafaring adventure. Ioan Gruffudd, a charmer in the tall, dark, and handsome mold, plays C.S. Forrester's idealistic early 19th century British naval hero in two movies, "Duty" and "Loyalty." Hornblower is passionate about the sea and his duty to King and country, but less so about the woman he marries, Maria Mason. Forrester's hero is a man so ethical that he marries beneath him not out of love, but duty (hence the first title). He cannot bear Maria's complete adoration of him to go unnoticed, and for her to realize his own lack of feeling for her, so he marries her and lives a charade. Alack and alas, this pairing is bound to be ill-advised.

Those who dig rip-roaring stories of the sea will enjoy this one. The writing and direction are excellent. There is enough historical information to please purists. There are swordfights, spies, war, cannons, Napoleon, and enough things blowing up to please action fans. Still, the series is suitable for older children, as the violence is rather tame and the lack of sparks between "Horrie" and the dumpy Maria translates into prim kisses but little else. The relationship between Hornblower and his superior, Admiral Pellew, is distinctly father and son, and between Hornblower and his second-in-command, Lieutenant Bush, distinctly brotherly. Shades of gray do not appear in Forrester's stories as A&E has brought them to the screen; characters are mostly polarized as good or bad. The turncoats aboard Hornblower's ship are entirely devious, the loyal ones entirely good.

The somewhat priggish Hornblower is idolized near-completely by his crew, especially when he throws himself on a bomb thrown on board the Hotspur and claps it out with his hand-knitted gloves (two guesses who lovingly knit them). Then he orders it thrown overboard. Why not just throw it overboard to begin with? Then he is too modest to mention it in his report to the Admiral. When Maria reads of his bravery later, she starts blubbering, as per usual. I love Julia Sawalha, and she does her job well here, as Maria is too googly for words.

The effects aren't half bad, but the same picture of the harbor standing in for Portsmouth every time got a bit tiresome. Comic moments abound, my favorite being with the hapless Styles, who gets into trouble at every turn. "Who's first down the privy, then? Styles?" Barbara Flynn as Maria's conniving mother and Hornblower's landlady, seems to have trotted directly out of a William Hogarth illustration, albeit she's about fifty years out of date. Also brilliant is Greg Wise as Major Cotard, the Frenchman "frog dandy" who Hornblower suspects may not be on the side of the British after all. He is almost, but not quite, as dashing as Mr. Gruffudd, who appears to have a nifty little franchise going here in the upright Hornblower. Let's hope he gets a spirited woman companion to loosen him up a little in later episodes.

All in all, most will enjoy the story, acting, and production values. It appears to remain true to the novels. Rent it or buy it, you will not be disappointed.

The best yet!
Of all the hornblower movies, the two newest are my favorite. All the old charecters are still there- Bush, Matthews, Pellew, Stiles- and better than before, with some interesting new charecters. Keeps you gessing who the enemy is. A new twist to an old tale, you're sure to love these!

Worth Every Penny
Our boy is back. This time he is on a secret mission to return a French defertor to France. I know that doesn't make any sense but you have to see the show to understand. Also at home he stuggling with a marriage that he does not want be involved in. Really interesting to see him back a decision, will he grow up or have the mindset of a midshipmen forever?

Overall-I always enjoy the vast majority of A&E stuff especially these movies. The characters are mostly due true to the books, the actors seem to care about their job and when the movie is boring it never stays that way for long. highly recommended

Great Fun!
Horatio Hornblower and the crew of the Hotspur are sent to investigate Napoleon Bonaparte and the rising threat of the French. Accompanied by a suave French officer and the young son of a rival officer, Horatio is challenged by saboteurs, a shipboard fire and other menaces. Along the way Horatio marries the daughter of his landlady not out of love- but more out of guilt.

I really loved this 2 DVD set! Horatio shows a great deal of humanity and some weakness in this series and we learn a bit more about the rest of the crew.

Peeves: I'm probably the only one, but I thought his Steward was treated terribly. I felt Styles was awful towards him, and that anyone could see that the Steward did not intentionally hit the officer. I also wish that Horatio's relationship with his wife was more solid. I just didn't get the sense that he was happy.

Overall, an excellent, excellent video series. I hope and pray there will be another sequel. ... Read more

Amazon.com

Tinker, Tailor, Soldier, Spy stars Alec Guinness as George Smiley, John le Carré's familiar, aging British Intelligence agent, called out of retirement to discover the identity of the high-ranking Russian mole who has burrowed deep into "the Circus"--codename for the British secret service. This slow-burning, complicated, and ultimately rewarding BBC adaptation, dramatized by Arthur Hopcroft and directed by John Irvin, perfectly captures Le Carré's own insight into the shady underworld of spies and the political climate during the cold war.

Le Carré's style is the antithesis of his contemporary Ian Fleming's--far from the glamorous lifestyle of James Bond, with his fast cars and faster women, these agents ride around in Skodas, and Beryl Reid is the closest thing to a femme fatale, save for Smiley's elusive wife, Anne. An extraordinary cast (including Ian Bannen, Hywel Bennett, and Ian Richardson), gritty realism, and close attention to detail make Tinker, Tailor, Soldier, Spy an outstanding piece of television drama. --Nicola Perry ... Read more

Reviews (15)

Patience is a virtue
Old, owlish, bookish George Smiley, retired spymaster, is approached in dead of night to covertly journey through the archived past to reassemble the threads and events surrounding the capture and torture of a British spy (and the forced retirement of Smiley and his discredited mentor). Smiley's slow, methodical work (through back door interview, through deduction, and through anecdote and flashback presented to the viewer) confirms the existance of a 'mole'. He prepares a plan to flush out the person (hidden among several probable), and puts it in motion.

I recorded this film off PBS (6 hours on Beta!) over three nights in the early 80's. Very, very slowly, the story draws the viewer in as George Smiley peels off layers of deception to get to the hidden core. The dialogue tosses around terms like 'mole' and 'safe house', and slang for the intellegence trade, that adds British flavor to an atmosphere of sad menace. The story is well-crafted; the melancholy atmospheres suggest a drawing-room who-done-it mystery. A conscious effort to be patient is necessary to appreciate the author (and the unmatched Alec Guinness) as they untangle the threads of an inside-out puzzle linked to code names like 'Testify' and 'Gerald'.

Recommendation: Buy the DVD(s) and set aside 2-3 evenings to watch. Then watch it again to see the missed clues, many subplots, and to appreciate the strength of the ensemble. On the other hand, if half hour plot resolutions are your forte', this probably moves too slowly; consider another movie instead.

TV that exceeds all boundaries
While I agree with the prior reviewer that Tinker Tailor (and its companion Smiley's People) are excellent TV, their comments about the state of American TV are perhaps unwarranted. While I would grant that Prime Suspect, The Singing Detective, The Office, Elizabeth R, Six Wives of Henry the Eighth, House of Cards are all "brilliant television shows", they also represent highlights cherry-picked from three decades worth of productions (and only two of which are even fairly recent). It's also worth noting that the shows picked are essentially all mini-series. One could easily cherry pick a list of US TV shows of a similar quality level that ran far longer than any of those British shows (Homicide, Scrubs, Taxi, St. Elsewhere, The Mary Tyler Moore Show, West Wing).

That is all, of course, beside the point. This is because "Tinker, Tailor, Soldier, Spy" is such a unique and marvelous piece of television drama that it really should be viewed not just as a shining example of British TV but rather as one of the finest achievements of human culture, period! If aliens were preparing to vaporize the planet unless we could prove that we were an intelligent and enlightened species, Tinker Tailor would be exhibit A (or at least B) for the defense.

The source material is, of course, marvelous and Arthur Hopcraft's script is a text-book example of how to adapt a novel for the screen. Add to that, a skilled director who enticed some of Britain's (and by default the world's) best actors to give performances that rank among each one's career highlights. While I don't wish to downplay the sublime art of this series, there is a scientific (and therefore universal) principle at work. Start with your basic material (le Carre's book), add a catalyst (good script-writer and director, excellent actors, etc.) and the end result can be something truly marvelous.

Like the book? This production will blow you away!
Sometime in the early 80's in New York I was working on something and looked up at the TV because I knew I recognized that man speaking ... who is that? Oh right! That's George Smiley! What's he doing on TV?

Guinness captures Smiley so perfectly, so completely, that it was the character I recognized and not the actor. Only then, of course, did the penny drop and I realized what I was watching. It's among my top 5 favorite novels of all time, and this production fully captures the delightfully intricate plot-within-plot-within-plot.

The casting is exemplary and the acting and direction are superb examples of what one has come to, if not expect then certainly hope for from the land of the RSC.

If you know the books, you will not be disappointed. Stop reading this and click on "add to your cart".

Several years ago I discovered this production on PAL video (not NTSC as we use here in the States). I unhesitatingly purchased a universal VHS machine solely so that I could watch this series, which I purchased from Amazon UK. I've watched it lovingly perhaps 6 times.

Anybody wanna buy some used tapes? :-)

The Real Cold War? US vrs Brit TV (and boy are we losing)
Tinker Tailor, Smiley's People, Prime Suspect, The Singing Detective, The Office, Elizabeth R, Six Wives of Henry the Eighth, House of Cards ..... All brilliant television shows, and oh boy! do the Brits know how to do intelligent TV well. By comparison, US television looks like garbage - because it is! Outside of the shows on cable like Sopranos and Six Feet Under, quality US television has been in steady decline for years (not to mention its IQ quotient). What the heck is our problem?

Best of the Cold War
Excellent TV series. Production on DVD runs almost 6 hours on 3 DVDs. Every actor in this production can actually act. Worth the purchase price just to see Guinness. If you have not read the book, go ahead and watch the DVD, read the book, then watch the DVD again. They are complimentary, neither the book nor the DVD spoil each other. It was originally a TV series, so don't expect excellent video quality or wide screen, it was shot in the late 70's for tv. ... Read more

Amazon.com

Prepare to get hooked on Everwood, a family drama-comedy from the WB television network that looks and feels like a hybrid of Northern Exposure and Picket Fences--both shows, incidentally, being major influences on Everwood's talented creator, Greg Berlanti (Dawson's Creek). A fish-out-of-water tale with unusually high stakes in the relationship arena, Everwood gets much of its charge from near-perfect performances by Treat Williams (The Deep End of the Ocean) and Gregory Smith (The Patriot) as a contentious father and son trying to keep their family going after a catastrophic loss. Williams plays Andy Brown, a world-class neurosurgeon whose Manhattan practice caters to the rich and famous; it also keeps him far removed from daily life and big events within his family. After Andy's wife (Brenda Strong) dies in a car accident, he finds himself raising a gifted 15-year-old boy, Ephram (Smith), who hates him because of years of neglect, and the much younger Delia (Vivien Cardone from A Beautiful Mind), who is scared and confused without her mom.

Andy, often seen in the first couple of episodes speaking to his late spouse, decides the best way to honor her memory is to move the family to little Everwood, Colorado, a special place in her memory. Not just a move--more of a wholesale re-invention, beginning with Andy's new salt-and-pepper beard and including a no-charge medical clinic he opens in Everwood's former train station. The free practice puts Andy at odds with the unpleasant Dr. Abbott (Tom Amandes of the syndicated The Untouchables), whose daughter, Amy (Emily VanCamp), develops a friendship with lonely Ephram while she also pines for her boyfriend, Colin (Mike Erwin), long lost in a deep coma. Over the course of the first season, many lines of connection will be drawn between these folks. Andy will be asked to attempt a risky operation on Colin, with ramifications affecting his son, Amy, and others. Abbott's sour relationship with Andy will lighten up enough for the former to join Andy's practice, and other surprises are in store.

The series is filled out by other, sweet and eccentric regulars, including Debra Mooney as Andy's nurse (also Abbott's plain-speaking mom), John Beasley as her husband and Delia's bus driver, and Stephanie Niznik as Andy's neighbor, Nina, a surrogate mother. Surprisingly gutsy storytelling, generally understated dialogue, heartfelt performances, and gorgeous Colorado exteriors keep one coming back for more. --Tom Keogh ... Read more

Reviews (7)

Unbelievable
This is like a dream come true!!
I cannot wait for the second season to come out!!

everwood
this is awsome everwood is the best shoe ever. the whole family can relate to the many colorful and differnt people in the show

it started with a train station....
this is a magical drama that gives you the feeling of curling up by the fire with a warm drink and a good book. the characters struggle through the undeniable hardship of losing the beloved mother of ephram and delia, julia brown. her husband andy, a workaholic doctor, is grief-stricken and makes a split-second decision to relocate the family from the bustle of new york city to a small town that julia had once seen when her train got delayed as a child. everwood, colorado brings the brown family into a small world complete with its own trials and tribulations. amy abbott's struggling with the injury of her comatose boyfriend, and yet somehow she and ephram collide, helping each other, and ultimately getting hurt. this is an amazingly intelligent, thought-provoking show unlike any other.

Now Entering Everwood, CO
Thank God for the WB. It has been a while since there has been a family drama that is so refrshingly honest, sincere, engaging, and brave. Since it's debut in September of 2002, this show has emerged as a crown jewel in the network's arsenal. Filled with fresh stories and new twists on old conventions, the show also boasts an incredible cast who bring to life realistic and engaging characters. Treat Williams stars as famed New York surgeon Dr. Andrew Brown. A workaholic with a wife and 2 kids. When tragedy strikes the family, he makes an about face in his life and moves his kids to the idyllic environs of Everwood, Colorado. There he sets up shop with a practice in the town's old train station right across the street from the town's only other physician, Dr. Harold Abbott(Perfectly played by the fantastic Tom Amandes). Andy's son is 16 year old Ephram(The superb Gregory Smith), a loner type kid with a major chip on his shoulder concerning his father. And then there is 9 year old Delia(Vivian Cardone), a little dynamo with a penchant for baseball caps. Others include Dr. Abbott's daughter Amy(the adorable Emily Van Camp), his son Bright(the entertaining Chris Pratt), Abbott's mother Edna(the great Debra Mooney)who also becomes Andy's nurse, her husband Irv(John Beasley), who is the town bus driver and the show's narrator, and Andy's neighbor Nina(Stephanie Niznik). It had been a long time since I had seen such a stellar debut season. It was perfect. The show manages to be as realistic as possible and tries to go as far as a show can with a certain topic. One of the show strengths is taking overused storylines and giving them a fresh and invigorated new shot at life. The ongoing arc this season between Ephram's love for Amy and her comatose boyfriend Colin Hart regaining his self and wanting to be Ephram's friend, is one example. The show is intelligently and creatively written, and it is one of the most beautifully shot shows on TV. Treat Williams has been given one heck of a career resurgence. He is so perfect for the show and this is really his moment. Tom Amandes as Dr. Abbott is right up there. He has made his character a pompous fuss bucket and then turned him into a real human being who isn't all he seems. The banter and wars between him and Andy are priceless and are about as enjoyable as you can get. Episodes here range from the great to the fantastic. Some include the brilliant "Episode 20", about abortion. A teen mother comes to Andy with help about terminating her pregnancy. What happens is an episode that is impeccably written and able to view both sides and different angles of the subject and it's choices. Very well done. And other highlights include "A Thanksgiving Tale", "Is There A Doctor In The House", "The Kissing Bridge", "Colin The Second", and the fantastic finale, "Home". The kids here are all very well represented and Smith is a true find. Give this kid some award nominations now!. His performance as Ephram is one of the most refrshing presentations of a kid who isn't perfect and has issues on TV. Van Camp is equally engaging as Amy, the object of Ephram's affection. Her big doe eyes are nice too!. This is a show that is nothing but honest, tender, funny, realistic and brave. A show that The WB should be proud to call it's own, and a show that any one who loves good TV would be glad to get hooked on. Hoped you liked your visit in Everwood. Please come again

Great Show
Everwood is one of the best shows on T.V. Since it's 2002 first broadcast I have been hooked. Treat Williams is a great actor and his very entertaining acting skills are well used here. As for Gregory Smith, he is also a great actor and very hot too! The DVD box set will be in Widescreen for the pilot and finale and Fullscreen for the rest. ... Read more

Description

Shakespeare is rightly considered the world's greatest playwright for the soaring beauty of his language, for his profound insight into human nature, for the truths he dramatized and for the realism of the characters he created.He was, and remains, a superb entertainer.

These BBC and Time-Life film productions feature some of Britain's most distinguished theatrical talent (Anthony Hopkins, Sir John Gielgud, Patrick Stewart, Derek Jacobi, Claire Bloom and more), these DVD's now are the number-one choice for continuing personal enjoyment.

This special Drama DVD Giftbox Set contains 5 of Shakespeare's most popular tragedies: *Romeo and Juliet

*Hamlet

*Macbeth

*Julius Caesar

*Othello.

The Plays contain sub-titles in English that can be turned on or off.

TV Guide Raves: "Shakespeare Would Be Amused.by the care, money, time and talent that are being lavished on the mammoth task of producing all 37 of his plays." ... Read more

Reviews (2)

At Last! The First Part Of The Ambrose Series!
This is the Ambrose video series that many libraries have purchased...The 37 play VHS series is still >$2,500 with individual plays around $100. The series was remarkable in that it actually included all 37 plays in full with a solid set of players (some famous) who worked hard at maintaining as much historical accuracy as possible, but especially with the verbiage.

This set has selected some of the best ones, so it is well worth the expense. The problem is that many of the scenes are less than sparkling....it's very much like watching the filming of the series of plays instead of watching a movie or TV version.....even the Bard himself would have struggled to keep the life in them with no audience. Sometimes the effort for accuracy actually shows in some of the acting. You have to give the various troups credit for sticking to the goals of the series, but realize that it is done with some sacrifices to the thrill and magic at some points.

Romeo & Juliet stars Sir John Gielgud, Rebecca Saire, & Patrick Ryecart
It's difficult to make a really bad R&J and with these folks this is a good version.

Hamlet stars Derek Jacobi, Patrick Stewart, & Claire Bloom
Jacobi makes this work....because it certainly is possible to do a horrible Hamlet.

Macbeth stars Nicol Williamson & Jane Lapotaire.
The scenes work even though there are times when you know for sure they are filming a play, not acting for the big screen.

Julius Cesear stars Richard Pasco, Keith Michell & Charles Gray.
I have to admit that this is the one play where my kids were so bored they actually asked if they could just read it instead of watch the video.....this one is not done as well as the rest of the series....I'm surprised it was chosen for the DVD set.

Othello stars Anthony Hopkins, Bob Hoskins, & Anthony Pedley
Hopkins said Othello was the one role he most wanted to play, so they gave it to him.....of course he's good....this is by far the best of the 5 play set

What I like about the Ambrose Video series is the hard-to-find plays.....like All's Well That Ends Well, Coriolanus, Cymbeline, Measure For Measure, Henry VI, Henry VIII....it's nice to see the whole Henry and Richard historical series with the same troup. Perhaps we'll get a "rare" set and a "historical" set on DVD out of them next.

The Best of Shakespeare
In this gorgeous set of 5 plays produced by the BBC & Time-Life you get the pleasure of seeing some of the most wonderful talent such as, the late Sir John Gielgud in Romeo & Juliet, Jane Lapotaire in Macbeth, Anthony Hopkins in Othello, Patrick Stewart & Derek Jacobi in Hamlet just to name a few!!! The set comes with a full cast list for all titles and english sub-titles so you can read along. A must-see. ... Read more

Reviews (182)

Cameron Crowe's Masterpiece
I don't know if it's just me, but writer/director Cameron Crowe always seems to hit the mark. Whether it be his first effort at writing a Script (Fast Times at Ridgemont High), his second directorial effort (Singles), and the absolutely fabulous Jerry Maguire and this year's sure fire Best Picture, Almost Famous.

Unlike most films, which begin with a screenplay, producer, James L. Brooks asked Cameron Crowe to write the story in prose first. The result was a 90-page novella that became the outline for the film, and from which Crowe wrote the final screenplay.

This movie stars John Cusack (who must have been about 19) as Lloyd Dobler, an eternal optimist who seeks to capture the heart of Diane Court (Ione Skye). He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over possessive, divorced Dad (John Mahoney) doesn't approve and it's going to take more than just the power of love to conquer all.

This is my favourite movie by Cameron Crowe. As with all his movies, the dialogue is true to life and flows. Every aspect of this film borders on unbelievable brilliance. John Cusack is terrific as Lloyd Dobler, the sweetest guy in the whole world. He's one of those guys that girls would love to have, but one of those guys that guys would love to be. The situations are true to life situations teens would absolutely be put in (I love watching Lloyd make his first phone call to Diane -- it reminded me of me) Ione Skye is also great as the object of Lloyd's affection torn between her love for her father and her love for Lloyd.

Besides being Cameron Crowe's best film, this movie also sports the greatest love scene of all time (I won't ruin it for those who haven't seen it), and can give inspiration to any guy who has ever wanted a girl as much as Lloyd. Guaranteed though, after seeing this particular scene, be prepared to fall in love with Peter Gabriel's Song "In Your Eyes".

If you haven't read through all of this (if you got bored, I don't blame you), just read this last paragraph. This is a terrific movie. One that you can watch over and over again without getting tired of it. If you haven't seen it, you are indeed missing out. Roger Ebert declared it one of the best films of the year in 1989.

- "We just don't want to see you get hurt" "I wanna get hurt"

John Cusack's 2nd Best Movie of All Time
There is no denying that "Say Anything" is quite simply one of the best films of all time!

HOWEVER...John Cusack's best role will always be that of Walter Gibson in "The Sure Thing".... which needs to be released on DVD IMMEDIATELY.

"Say Anything" is a different film than "The Sure Thing." It is in a class all by itself. It is quite simply marvelous, poignant and forever endearing. It deserves so much more than 5 starts! 10 stars for this beautiful film.

What can be said about this film that hasn't already been said? It is the perfect love story. Lloyd meets girl. Lloyd falls in love with girl. Girl's father objects to Lloyd. Lloyd loses girl. Lloyd wins her back. True love reigns.

This DVD is PACKED. Worth every cent you will pay should you wish to own a classic gem. There is commentary by director Cameron Crowe, John Cusack, & Ione Skye!! (Right there, worth the price!) There are so many behind the scenes stories and anecdotes to be listened to here. There are theatrical and television trailers, 10 deleted scenes, 13 extended scenes & 5 alternate scenes with commentary!! What more could you want?!

DO NOT miss out on owning this DVD. If you've by some chance never seen "Say Anything" do yourself a favor and do so right away! You're truly missing out.

SPOILER FOR THOSE WHO MAY NOT HAVE SEEN IT.... No matter how many times I have seen this masterpiece, I still get choked up when Lloyd tells Diane, "You've just described every success story." And then we wait for the "ding" along with them.

And then... the "ding." CUT TO BLACK. (Gets me every time.)

I love this movie. Absolutely love it.

SOMEWHAT SIMPLISTIC BUT CHARMING TEEN ROMANCE DRAMA..
Whether it is young John Cusack's skittering sense of comic timing, Yione Skye's riveting beauty (no idea why she hasn't been in other known films!), or the sweet but memorably amusing moments littered throughout this film, there is something very charming about this candypop romance from the 80s.

A dorky but confident guy falls head over heels in love with the school's super brainy girl. Things happen, ups and downs ensue, all leading to an ending that is so satisfying, so overwhelmingly right, that immediately we fall back into step.

My minor grouse with the story was how conveniently the solid parental characterization of the girl's father turns out to be such a snake. One wonders if teenagers may not pick up from this the tired and rather sad message that parents are not to be trusted, no matter how sincere.

But that doesn't detract Say Anything from being a hot recommendation from me, particularly if you have a thing for lovey-dovey light dramas. It generally maintains an intelligent and realistic contour, which is more than one can say for most romantic comedies being made today.

A Modern Romance Classic
It's so pertinent for our times. I think almost anyone can relate something similar in their lives to the scenes in this movie. That's why it's so appealing. In a world where not every guy gets the girl, this is the stuff of dreams...and for a little while, somebody out there who is watching it gets to live that dream.

Teen Charmer
A teen movie of the late 80's, I found this charmer, "Say Anything." John Cusak is the quirky misfit teen in love with the unattainable. The unattainable is the senior class brain, Ione Skye. Ione has a wonderful smile, which she uses to disarm. Her acting skills are limited however, so Cusak's antics move the story to the opposites-attract finale. John Mahoney, the dad in "Frazer" on TV, plays Ione's businessman, father in deep soup with the IRS. He wants her to go to England on a scholarship. She is wooed, charmed, and then makes it with shiftless Cusak. I must say that Mahoney is believable in a complicated character, both loving father and a secret embezzler. Ordinarily in these teen operas, parents are total dotes. There is the obligatory teen beer-bash, but this one is fairly realistic with kids that actually like each other, as opposed to bashes where kids are trying to be too cool. Nice little date flick for teens. ... Read more

Amazon.com

Four years after Showtime made gay men the focus of its original series Queer as Folk, it was time for a little turnabout with The L Word (bad title, great show). Centering around a tight-knit group of lesbians in Los Angeles, this drama was far removed from its working-class male counterpart in both style and content. While the men of QAF enjoyed a fabulous if melodramatic life on the middle-class streets of Pittsburgh, the women of The L Word lived it up in sunny California, with gorgeous houses, glamorous careers, and sexy wardrobes. Ironically, though, The L Word adhered more to the everyday drama of ensemble shows like thirtysomething than the soap opera antics of QAF, and the results were surprisingly heartfelt and effective, appropriately stylish but never over the top. There was plenty of room for titillation, but creator Ilene Chaiken fashioned from the start a show centered on characters and not just sex, aiming for the heart rather than... well, other places.

The L Word focused primarily on committed couple Bette (Jennifer Beals) and Tina (Laurel Holloman), a former power-career duo who've decided to have a baby; however, artificial insemination and the changing dynamics of their relationship throw their previously happy existence off-kilter. Within their orbit are spunky journalist Alice (Leisha Hailey), sultry hairdresser Shane (Katherine Moenning), closeted pro tennis player Dana (Erin Daniels), and espresso bar owner Marina (Karina Lombard) who, in the show's most polarizing storyline, bedded the seemingly straight Jenny (Mia Kirschner) and shook up her heterosexual world. Jenny's am-I-straight-or-not? kvetching frustrated both her fiancé (Eric Mabius) and many viewers, who were alternately irritated and intrigued by her inability to decide one way or the other. But Jenny's weakness was part of The L Word's strength: in exploring many sides of many issues, both domestic and political, it never came up with an easy answer for any of them, making the show all that more fascinating--and compulsively watchable. --Mark Englehart ... Read more

Reviews (2)

Can't Get enough of the Girls
I absolutly can't wait for THE L WORD dvd set to some out on Nov 9th. This Show is history in the making. The cast and the characters storylines are remarkable. I recommmend the everyone watch the show on Showtime and to buy the dvd set. Bette and Tina forever

Fantastic - Can't Wait Until It's Out! (Pardon the Pun)
I saw the series on showtime and I was hooked since the first episode. The characters and their lives are detailed, complex, and very entertaining. They all have their quirks and it's great to see a collection portraying lesbians as normal people. The relationships between all eight woman (20s to early 30s)are complex yet you still "get" the feelings they encounter with eachother.

There is plenty of sexual scenes however you don't feel like your watching porn because it's filled with various emotions: passion, lust, desire, pain, and much more. It varies from casual sex to commitment so you're covered any way you go.

Anyone who's looking for something more than just girl on girl porn and movies that lack any plot please watch/buy this. You're gauranteed to love the characters and wish some of them were your own friends. Enjoy! ... Read more

Amazon.com

By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wallis a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed.

The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerizing film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon ... Read more

Reviews (323)

Same as the last DVD release but still a great film
If you are a fan of this film, as I am, please note that this release is an exact duplicate of the last DVD release but with new packaging.The documentaries are worth the price of the disc alone, as they are excellent.A great transfer of a great film.

As a side note to "Der Kommissar", the last I heard, we have freedom of speech in this country.So, I am mentioning your "review" in my own and there is nothing you can do about it.I could care less if you are a "top reviewer" or not - never presume to tell me what I can or can't do again.Who the hell do you think you are?

New but....whats new?
I did notice a clearer picture overall when comparing it to the first DVD release, since it does say high definition. As far as audio is concerned...havent ran it on a legitimate 5.1 or better system to compare the audios...email me if anyone knows if this new version is remastered, again?

jorgejz@bellsouth.net

Greatest Rock Movie Ever!!!
Pink Floyd is the greatest band ever and the wall is one of their best albums. The movie is not for everyone though. If you don't like Pink Floyd then you probably won't dig the movie. But if you like Pink Floyd, you will definetly like the movie.

Respectable
I am a long-time fan and follower of The Floyd, their music has touched me in a way that no other band has. My favorite works by them are Dark Side, Animals, and Meddle. The Wall is an amazing story more than it is an album. Although it is great, it is not really a Floyd album to me, because it lacks the greatest asset that floyd has to offer: the epicly symphonic pieces of rock music. (excepting Comfortably Numb). The album was made to be listened to by yourself in a dark room. The story is meant to be composed by you, in your head. It is supposed to be meaningful to you in your own head. You deserve to have your own interpretation of it. The Wall is a good movie by movie terms, but it goes against everything that the Wall stood for. The album is ofcourse, asking for a movie like this, but it is much better for the movie to just be in your head, not spoonfed to you by the screen. If you want the quintessential Floyd movie, sync up the Wizart of Oz with Dark side of the Moon, and you will see the Floyd for what they really are.

A horrible disappointment and mangling of The Wall
I just watched this movie this afternoon for the first time and I was truly stunned and blown away with how absolutely abysmally horrid this movie is.What makes it truly unbearable is that in addition to just being a bad movie in the first place, the actual music of The Wall is distorted and re-recorded in such a horrible way -- for example, the actor who plays the teacher says "Stand still, laddie!" instead of the original recording, and says it very badly and unconvincingly. ... Read more

Reviews (1707)

Titanic Triumphs Over Sinking Feeling
James Cameron's 1997 Titanic is, of course, the biggest box office hit of all time, edging out such blockbuster films as E.T., Star Wars, and Jurassic Park for that title. This film, with its tale of star-crossed lovers Rose and Jack intertwined with the real-life tragedy of the Royal Mail Steamer Titanic, won 11 Academy Awards and the loyalty of its millions of fans.
In 1997, though, no one involved in its making (except maybe the determined Cameron himself) believed this movie would float to box office glory. It was so ambitious and so expensive that not one but two studios (Paramount and 20th Century Fox) financed it, splitting the distribution rights and spending over $200,000,000 to recreate the fatal maiden voyage of the 1912 world's largest ocean liner. Yet Cameron, who had previously directed the first two Terminator movies, The Abyss, and True Lies, was proven correct when world-wide audiences embraced this touching and technically brilliant movie.
Yes, this first movie to reap $1 billion in box office gross did capture the hearts of millions of teenage girls who repeated screenings to see Leonardo DiCaprio's Jack Dawson woo Kate Winslet's feisty socialite (and soon-to-be-wed) Rose. And while many detractors scoff at this admittedly clichéd poor-boy-meets-rich-girl love story, it is exactly through this pairing that we get a feel for what it was like to travel at sea in those Gilded Era days before the First World War destroyed the old Europe forever.
This film has much going for it. It has, in addition to actual location shots of the real Titanic wreck (the minisub sequence is NOT special effects), a winsome couple, a classic mustache-twirling villain (Billy Zane) with the usual henchman (a menacing David Warner), a great supporting cast which includes Danny Nuccio, Bernard Fox (who used to guest star in TV series such as Hogan's Heroes and Bewitched), Kathy Bates, Bill Paxton (who has appeared in most of Cameron's movies) and Gloria Stuart (who plays the older Rose Dawson). Titanic also has a great musical score and incredible visuals: the sinking of the great liner is certainly realistic - even if the CGI effects are a bit artificial-looking. This picture certainly was difficult to make .... Thankfully, in spite of the media hype and negative publicity, Titanic proved to be a good and entertaining film. I recommend it to anyone who likes love stories or epic disaster films. This movie mixes both genres very well.

The Maiden Voyage
O.K. I'll admit it, while I'm usually not much for the sappy romantic films, James Cameron's Oscar winning epic Titanic is a very good movie. And I did see it more than once on the big screen.

An undersea expedition, led by explorer Brock Lovett (Bill Paxton), is searching for a valuable diamond aboard the wreckage of the Titanic. The team, instead finds a drawing of seventeen-year-old Rose DeWitt Bukater, (Kate Winslet) who is on the way to her wedding to wealthy tycoon, Cal Hockley (Billy Zane). Now an old woman (Gloria Stuart) Rose tells her story of the fateful voyage to the team. While the ship races to meet its fate with an iceberg, Rose falls in love with Jack Dawson (Leonardo DiCaprio) a free-spirited artist and third-class passenger who ignites a passion inside her.

The film itself is a technical marvel. Cameron and his crew recreated the ship and her history with such skill and percision that it's easy to go along for the ride. I liked the way the fictional story of Jack and Rose was interlaced with actual historical figures and facts. For example "The Unsinkable" Molly Brown (Kathy Bates), Captain Edward J. Smith (Bernard Hill), and shipbuilders J. Bruce Ismay (Jonathan Hyde) & Thomas Andrews (Victor Garber), all have a place within the love story. Speaking of which, for me, it's Stuart that sells the romance. Acting as "narrator", she makes it possible to care about these characters more than you would have otherwise. The chemistry between DiCaprio and Winslet is very apparent and Zane is pitch perfect as Cal. The sinking sequence is really something and no disaster film since has matched its scope.

As it stands right now, the DVD doesn't have any bonus material on it, save for the theatrical trailer. Enough time has passed that another edition is warranted. That said, the bare bones DVD is recomended. For some additiional perspective on the history of the disaster, I also suggest, James Cameron's documentary Ghosts Of The Abyss.

movie hits an expensive iceberg
this is my opinion should have its own category in the video store.by this i mean it should be under terrible movies that cost to much along with the day after tomorow.I think that this movie really did hit an iceberg and it was only popular because of its stars these stars i must add were not that great they were ok but nothing special.And i would rather shoot myself than hear another person singing my heart will go on.I really do not like this over expensive movie bu5 i suppose that thats just my opinion.

LOVE IT!
THIS IS ONE OF MY FAVORETE MOVIES OF ALL TIME!THE ONLY GROSS PART IS WHEN ROSE TAKES OF ALL HER CLOTHES!?YUCK!BUT ANYWAY,IT`S A GREAT AND ROMANTIC MOVIE!

build a bridge
titanic...The Movie....Is just that.
I enjoy the story, from that perspective.
I appreciate the effort to create a level of interest in such an event. Drama can attempt to capture, only you can respond!
In reading short 4-5star reviews, and Loooong 2-3star reviews, I believe the connection has been made, as planned! ... Read more

Amazon.com

When 12-year-old Renato, riding through his small Italian town on his new bicycle, sees the voluptuous Malèna, little does he know he's launching on an infatuation that will carry him through the tumultuous days of World War II. Malèna begins as an enraptured depiction of Renato's adolescent mind--the way he stares, hypnotized, at Malèna's garters pressing through the material of her tight skirt, or his frustrated rebellion against the indignity of wearing short pants--but soon transforms into a portrait of small-town prejudice. Malèna's looks spark lust and envy in the townspeople; when her husband dies in combat, the gossip only intensifies, to the point that Malèna is dragged into court to defend herself against accusations of adultery. When the women of the town refuse to sell her edible food at the market, Malèna has little choice but to become what she's been unjustly accused of being. At the end, a twist of fate turns this tale of longing and jealousy into a heartbreaking love story. Monica Bellucci exudes the can't-help-it eroticism that makes Malèna such a lightning rod for everyone's desires; she's like a more zaftig Isabelle Adjani. The movie seems to wander at times, but the ending has a powerful emotional impact. From the director of Cinema Paradiso. --Bret Fetzer ... Read more

Reviews (79)

One of the best!
Malena is truly a great film. It works on so many levels. I have a relative who doesn't usually like foreign films but had to admit this is a great one. Its funny, its sad and it has a message. The story of the beautiful Malena is one that is heart-breaking. Malena is a beautiful woman whose husband is fighting in World War II and is left alone in this town. She is subjected to constant rumours and harassment by the men and women in their village.

Renato is the young boy obsessed with her. He is also the only person who knows the truth about her and knows she doesn't do the things people say she does. Malena wasn't dating everyone, she was sewing for people into the night, carrying her husband's picture and dancing to their favorite music. The sad thing is that Malena has to become what everyone had labeled her once word got back that her husband was killed. Women refused to sell her food and she had to sleep with men to survive. There is a scene towards the end that really upset me. This movie shows how rotten both the men and the women were to her. Malena shows how dangerous lies and assumptions are to a person's standing in their community and their own self-respect.

Malena is a very funny movie at times. There are scenes with Renato that made me laugh out loud. However, its a film that goes deeper than many out there. I would have to say this has become one of my all-time favorites. A beautiful, thought-provoking film.

A Beautiful Film
This lovely and heart-wrenching movie was made even more special by the fact that the two main characters barely speak (well, one of them IS the narrator). I had never heard of the beautiful actress Monica Belluci (Malena) but now look forward to seeing her perform again. She was exquisite and spoke volumes with just her facial expressions.

Giuseppe Sulfaro played Renato, a young boy feeling the first stirring of his sexual awakening who falls in love/lust with the beautiful Malena. His acting was very touching, especially when he goes to the church and lights a candle every day to try to ensure that Malena will come to no harm.

This coming of age film about love, jealousy, ostracism, and hate during four tumultuous years of World War II was filmed on the coast of Sicily - and what beautiful cinematography it was. The score was also magnificent, befitting the gorgeous setting.

ETMR - Malena
1. Humanity: The boy Renato, we learn, is a free spirit. He expresses, out of all the characters in the film, the willingness to step outside his natural, cultural boundaries and grow past his traditional philosophy. This film is not only about the life of Malena, but also about Renato's growth into an adult. What events force Renato to grow into this new kind of thinking?

2. Implications: The film shows the evolution of Europe, and the break from traditional values, not only through Renato but through the insanity of the war. In what ways does the movie show a critical eye to the old world?

3. Evolution: In what ways is the movie distinctly European, and yet more in detail, distinctly Italian? Do you think the film is trying to make a general statement on the madness of war, or is it trying to make a visceral attack on the rigidity of Italian traditionalism?

4. Realism: The story premise is interesting: imagine if you had a guardian angel in the form of a young boy, but you never knew he existed... do you think the set-up of the story was meant to describe an actual sequence of events with the boy, or is the movie playing a more important role with symbolism?

5. Stageplay: The script provides for