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| 1. Queer as Folk - The Complete Third Season (Showtime) | |
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Amazon.com Snaps to the makers of QAF for trying to bring their characters into the grown-up world Michael, Emmett, and Ted started their own businesses; Justin finally cut loose from Brian-but too many melodramatic plot twists and turns impeded a lot of the character development this show worked hard at during its first two seasons. Still, most of the cast was topnotch, including Harrison, whose Justin finally came into his own, and the always dependable Harold, who made Brian a fascinating creature through all his steamy travails and over-the-top encounters. --Mark Englehart Reviews (52)
Scott Lowell's performance as Ted addicted to crystal meth is outstanding. Peter Paige also does a spectacular job as Emmitt, Ted's boyfriend, trying to deal with the addition. This saga within the series is one of the best parts of season three. That being said, I could have done without Hunter: was he added to the show simply to have a twink on hand now that Justin is maturing? Also, I would love to see just ONE episode where it isn't necessary for the cast to get their freak on at Babylon, the disco. I cringe when I see the illicit, casual sex and casual drug use on the show. I will respect the writers' decision to include it, as it's part of gay life. But the writers could be more inclusive of the diversity of opinions in the community by adding a character that is opposed to casual sex and recreational drug use. They do exist!
The season spans over the duration of a political campaign for a new mayor of Pittsburg, and the lives of all characters are directly and indirectly affected by the ex-police chief and running candidate Stockwell. Interspersed with serious themes and events are charming scenes, nightclubs, sex, drugs, love, work, school and all the other things that form part of daily life. Of course, the sex is what stands out for a lot of people, but after the first two episodes, this becomes more like background music and the camera hones in on the characters. Certainly, the sheer abundance and exposure of sex and drugs is what makes this show edge and "out there". The producers are careful, however, to show the unglamorous aspects as well as the glamorous ones and don't view the world through rose-tinted glasses. It's realistic, it's in-your-face and it's powerful. It's really too bad that there isn't more of it. Season 1 and 2 had at least 20 episodes, this one has only 14 - so you're getting less for your money, although the quality remains high (and the music fantastic). The box set does come with lots of extras, both for the DVD and computer. You get to see some documentaries and other surprises. Highly recommended, but a health warning: you WILL get hooked, so try to watch this over a weekend, rather than sitting up through a week night and facing the consequences of having to go to work the next day!
It's as if we've come to know Brian Kinney (more than enough as the number of smack bottoms he took back to his bourgeois loft), his (...) lucky pal Michael Novortny who seems to have it all, his custody shared longtime friend Lindsay and her absolutely perfect lesband Melanie, and his oh-so-predictable one-and-off whatevership with so called brighter-than-sunshine but bored-than-britney Justin Taylor. Enough crystal drama for the newly coupled Ted and Emmett, and definitely a big enough mouth for enough fabulous mama Debbie. Season Three also tend to consolate the gay activists by creating a win-win result over a election campaign, and add one more new member to the Diner's family, a teenage street hustler named Hunter, who came around a little rather imaginative for the storyline. However, not enough has been explored on a few members of this family. I personally feel Melanie and Emmett are actually two potentially very explorable characters among the gang that would give the directors a good run of scripts. Melanie's coming strong in-your-face dyke attitude should be treated with a little extra indepth focus and Emmett's flamboyant outshell may as well worth a closer look. Just ask yourself, if the entire characters in the show were your real life friends, how much do you know about Melanie and Emmett after watching the Season One, Two, and Three? Do you know where they come from? The answer is no, see. ... Read more | |
| 2. Queer as Folk - The Complete Second Season (Showtime) | |
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Amazon.com While the writing tended to flail about a bit, thankfully coalescing by the season's end, the show continued to be anchored by stellar actors, especially Peter Paige's Emmett, who grew the most during the second season; Michelle Clunie's Melanie, the alternately wry and sweet lesbian who became the show's secret weapon; and, as always, Gale Harold's Brian, the lothario with a heart of tarnished gold. Frustrating, fascinating, exasperating one moment and charming the next, Brian perfectly summed up the guilty pleasures of Queer as Folk, where humanity peeks out every now and then from behind the curtain of fabulous comedy and drama. --Mark Englehart Reviews (77)
Having exhausted plotlines from the original British TV series, the second season of Showtime's "Queer as Folk" strives to establish its own identity, and largely succeeds on its own terms. Despite the grim storyline surrounding Justin's recovery, the tone of the series is considerably lighter this time around, with an emphasis on character-based comedy and fruity one-liners, many of which appear to have strayed from a particularly filthy 'Carry On' movie! Comedy aside, however, the writers make room for a number of important social issues, including HIV and AIDS, barebacking, pornography, and the gay community's apparent indifference following the death of a young man who was killed by a stranger he picked up in a nightclub. The emphasis on drugs which characterized the opening season has been considerably downsized, and the simmering relationship between Michael and Brian no longer dominates proceedings, while Mel and Lindsay are brought out of the shadows to take their rightful place at the forefront of the QAF ensemble (the 'wedding' episode is a joy). Performances are uniformly excellent, though Gant's character (Ben) is basically consigned to the periphery. Former model Sakovich plays Leda with genuine relish (her brief scenes with Brian are a scream), and ultra-sexy Filippo turns up the heat as a gifted but lonely musician who throws Justin's world into disarray. Overall, Season Two lacks the dramatic punch of its predecessor, and the lighter tone has led to accusations from some quarters that the show has descended into routine soap opera. Even if the criticisms were justified (and they're not), there's actually nothing wrong with 'soap opera', so long as it's done well, though Brian's stubborn refusal to acknowledge Justin's emotional needs results in a disappointing season finale, whose outcome is never in doubt. Inevitably, perhaps, it's the small moments which make the biggest impression: The profound, but unspoken, love between Brian and Lindsay whenever they're alone together; Justin listening to a CD recording of Ethan's music as he contemplates a life-changing betrayal; Michael breaking down in a hospital corridor as Ben falls prey to an opportunistic illness (Hal Sparks' distress in this scene is achingly realistic). Season two may not scale the same heights as its illustrious predecessor, but it's still as dramatic, funny and empowering as ever, an essential part of the American TV landscape at the beginning of the 21st century. Showtime's region 1 DVD - which runs a total of 955m 10s - spreads all 20 episodes over five discs, with a sixth disc reserved for supplemental materials. The image is letterboxed at 1.78:1 (anamorphically enhanced), and picture quality is fine, though a little grainy in places. Dolby Surround is credited at the end of each episode, but the discs have been encoded in Dolby 5.1, which is only really noticeable during the nightclub sequences (love that HEAVY bass!). Closed captions are provided. The supplemental material is fun but superficial, with only minor contributions from the show's main cast. Brief snippets (less than a minute in most cases) have been included from what must have been longer interviews, though Gale Harold seems a little uncomfortable vocalizing his characters' motivations. By the way, viewers are advised that the previews of forthcoming episodes - listed as 'Next On' in the sub-menus of each instalment - contain some ill-advised spoilers (the preview for the season finale even gives away the ending!), so you may want to watch the previews AFTER you've seen the episodes in question... All in all, a fair continuation of the lives, loves and adventures of these extraordinary characters, though slightly compromised by its lack of heavyweight dramatic fireworks. Brian remains the driving force behind the entire show, Mel and Lindsay are still the best lesbians in the world, Ben's sculpted chest is a wonder to behold, and Ethan is without doubt one of the sexiest guys to stroll down Liberty Avenue since QAF began! Don't miss it.
Every episode was written uniquely wonderful, expressing powerdrama and humor in the perfect scenes. The series of events never lose their interesting theme. The realisms expressed give audiences the added shock value. Such great episodes offer a highly unforgettable entertainment experience. It explores Justin's brave recovery from his gay bashing incident from first season's season finale, Michael and Ted discovering their dream job, a relationship revolution between Mel and Lindsay, Emmitt finding fame, Brian slightly maturing, yet still being Brian, and much more. The chain of events lead to a compelling season finale that will surprise every viewer. The settings remain as spectacular as always. The nightclub Babylon continues to amaze audiences with its elaborate background, sexuality, and lighting. All other settings, including Babylon, widely express GLBT pride, expecially the diner. The decorations and the use of color wonderfully blend with the characters' personalities and interests. The creativity wonderfully separates the crew from other shows. "Queer As Folk" stars Gale Howard, Hal Sparks, Scott Lowell, Peter Paige, Randy Harrison, Michelle Clunie, Thea Gill, Sharon Gless, and Robert Gant. Gant is wondefully introduced in the mid-season. Every actor offers a unique sense of theme for the plot and within their character. The wide variety of personalities and habits keep every detail interesting. The acting has clearly improved compared to the first season, especially Sparks, Paige, and Gless. The bonus edition contains some interesting articles about the show's background. It includes the cast touring to various radio stations and gay pride parades, the construction and the secrets of Babylon, interviews with the cast, a short episode of "Queer Duck" (also on Showtime), a sneak peak of season three, and more. They show how "Queer As Folk" has come together as well as it did. The actors' expressed influences make audiences watch the show in a better way. "Queer As Folk" season two is sure to keep its audiences entertained for a long time. It remains one of the greatest GLBT pride shows on television. Those interesting in this edition must watch season one first. Otherwise, the events will be hard to fully understand.
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| 3. The Rocky Horror Picture Show (Single Disc Edition) Director: Jim Sharman | |
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Reviews (291)
For the uninitiated, "Rocky Horror" tells the story of two clean-cut American youths, uptight Brad Majors (Barry Bostwick of "Spin City") and Janet Weiss (Susan Sarandon of "Dead Man Walking") whose car breaks down on a dark, deserted road in the middle of a storm--the classic beginning to many horror movies--and who seek help at a nearby castle. Castles, as Rocky fans know, don't have phones! What this castle has instead is a cross-dressing mad scientist Frank-N-Furter Tim Curry, in perhaps his finest performance), two very creepy servants, Riff-Raff (Richard O'Brien, who wrote the musical) and Magenta (Patricia Quinn), and various other hangers-on, including lovers Columbia (Little Nell) and biker Eddie (Meat Loaf). Brad and Janet walk in on a party celebrating the creation of Frank-N-Furter's muscle-bound boy-toy "Rocky." Bed-hopping chaos soon ensues, until the servants reveal their true identities and take control. Punctuating this wacky plot are some of the wildest rock-musical songs ever written. In addition to the classic "Time Warp," there's O'Brien's salute to cult-classic B-movies, "Science Fiction Double Feature," Meat Loaf's "Hot Patootie," and Sarandon ode to sexual self-discovery, "Toucha Toucha Touch Me!" So much for the "Rocky virgin" portion of the review... What makes the DVD so exceptional is the chance to experience "Rocky Horror" at home nearly like you would in the theater. The DVD has the option of turning on the audience screen comments as well as another option for viewing members of the Rocky Horror Fan Club performing select scenes before returning to the main movie. For those less familiar with audience participation, the DVD can prompt when to throw toast, toilet paper, rice, etc., light a match, put your newspaper on your head, etc. The second disc contains fascinating interviews with cast members, where fans can find out about their reaction to starring in this cult classic. Meat Loaf's description of not realizing what "Rocky Horror" was going to be about and running out of the theater when Tim Curry entered wearing fishnet stockings, spiked heels, a merry widow, and a leather jacket and singing "Sweet Transvestite" is hysterical. Patricia Quinn talks about how her fondness for the opening song, "Science Fiction Double Feature" made her want to take the role even though she hadn't read the rest of the script. What? Don't remember Quinn singing that number? In the stage versions she did, but the song got reassigned in the film version--and Quinn makes her feelings about that QUITE clear. Sarandon makes the interesting observation that "Rocky Horror" probably kept a lot of art house theaters in business over the years, since they could count on good revenue from the midnight movie, even if the latest regular-hours offering flopped. In Bostwick's interview, however, the actor sounds a bit like William Shatner giving his anti-Trekkie diatribe on "Saturday Night Live." The only disappointments on the DVD are that the outtakes really aren't that interesting and actor bios aren't provided. I would have liked to see what else the "minor" cast members did after Rocky, but that information is limited to a few lines in the companion booklet. Also, some of the audience-participation comments are nearly impossible to understand because fans are talking over each other. But then that's part of the modern-day theater experience. Even Sarandon noted in her interview that talking back to the screen has gone from the more unison catechism approach to a loud free-for-all. What seemed so risqué and shocking a few decades ago seems much more innocent today, but it was great when it all began and it's still great! If you've never ventured into the theater to experience "Rocky Horror," this is the best way to experience it at home.
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| 4. Queer as Folk - The Complete First Season (Showtime) | |
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Amazon.com Reviews (211)
The American version is allot hotter than the uk version, but in terms of scripts its a million times better. I have seasons 1 & 2 and have just ordered 3. And when 4 is released that will be ordered too. This is more than just a series, its there for more than entertainment, it serves as a guide book for gay men and gals whether young or old. Bravo the creators, your work is masterful!
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| 5. Queer As Folk - Seasons 1-4 Pack (Amazon.com Exclusive) | |
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| 6. Grande Ecole Director: Robert Salis | |
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| 7. Bear Cub (Unrated Edition) | |
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Description Reviews (6)
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| 8. Sordid Lives Director: Del Shores | |
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Amazon.com Reviews (95)
The actors are fabulous, especially Leslie Jordan as 'Brother Boy' Earl. Far from playing the role in typical drag queen camp, Jordan brings depth and even poignancy to his (hilarious) character, who copes with his hellish looney bin existence by living out vicariously the life of Tammy Wynette. Beth Grant is also sensational in her protracted nicotine fit. I've seen enough of mega-studio Hollywood not to mind the fresh, offbeat, low-budget feel of this film. The big-name talent certainly delivers, including, as musical backdrop, Olivia Newton-John's awesome guitar numbers (impressively sung live on camera--wow what a talent, she's still got it). Apart from uproarious laughs, the film offers a meaningful theme of the dysfunctionality that non-acceptance from DENIAL can inject into family relationships. Be sure to add 'Sordid Lives' to your DVD collection, because it's becoming a cult classic of white trash humor--and memorable lines from the film are starting to go around. I'd tell you more about this movie, but you'll have to, in the words of Brother Boy...."excuse me...I got a show to do!" ... Read more | |
| 9. Angels in America Director: Mike Nichols | |
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Amazon.com The story centers around Prior Walter(Justin Kirk) and Louis Ironson (Ben Shenkman), a gay couple that fallsapart when Prior grows ill as a result of AIDS. But cancer is not the onlything invading Prior's life: He begins to have religious visions of anangel (Emma Thompson, Sense and Sensibility) announcing that he isa prophet. Louis, who doesn't cope well with disease and suggestions ofmortality, leaves and starts a relationship with Joe Pitt (PatrickWilson), a closeted Mormon who works for Roy Cohn (Al Pacino, Dog DayAfternoon)--the real-life right-wing lawyer, notorious for hisruthless behind-the-scenes machinations. Add in Joe's depressed andhallucinating wife Harper (Mary Louise Parker, Fried GreenTomatoes), his determined but open-minded mother Hannah (Meryl Streep,Adaptation), a fierce drag queen/nurse named Belize (JeffreyWright, Basquiat, reprising his celebrated performance from theBroadway production), and you've still only begun to discover the wealthof characters and storylines in Kushner's ambitious work. Thepowerhouse cast (also featuring James Cromwell, Michael Gambon, and SimonCallow) is uniformly superb. The script has its weaknesses--some of thefantastic elements, including Prior's journey to Heaven towards the end,fall flat--but even what doesn't work is bristling with ideas and aferocious desire to capture human existence in this time and place.--Bret Fetzer Reviews (20)
There are a lot of things that you could comment on in this play -- the exploration of Jewish-American assimilation, the powerful reaffirmation of a supposedly marginalized leftist perspective, etc. -- but the most profound insight Kushner has to offer is about who the real redeeming angels will have to be in our nation's coming cultural reconciliation. The humanity that he is able to impart into the character of the middle-American Mormon, Mother Pitt (played faultlessly by Meryl Streep), is a marvel of modern political drama: and it rings undeniably true. Pushing past our narrowly defined social and political "roles," and into our shared humanity, is the only road open to folks who want to see America's moral and ethical core liberated from the ideological intrusions of the religious far-right, and the resulting frustrated anger of the disenfranchised middle-liberal-left. In a strictly us-vs-them world view, Mother Pitt would be derided by those on the we're-here-we're-queer Left... but as many people have learned, particularly amid the devastating upheavals of the HIV crisis, our real emotional lives are (ideally) not ruled by dogma. Mother Pitt isn't just a caring parent, she's also a kind, pragmatic person, and for her, the most pragmatic choice when confronted with an epidemic, is to simply offer sympathy and solace. What could be more natural? Let's hope her example prevails.
Streep and Pacino deliver the finest performances of their careers here (Streep in 4 roles!). Emma Thompson is radiant. And the performances of Jeffrey Wright, Mary-Louise Parker, Justin Kirk and Ben Shenkman positively shine. And the WRITING and DIRECTION! As close to Shakespearean as any American work I have ever read. And scenes that captivate in their composition and lighting, in their structure and their content. And a magical blending of profundity, humor, pathos, tragedy, and ultimately, the triumph of the human spirit over desperation and resignation. A musical score to match the high levels of word and vision. In short, this film is nothing short of miraculous. All who worked on this masterpiece should be proud of their achievement. Angels in America stands as testimony to what the human mind can accomplish at its finest and most creative.
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| 10. Better Than Chocolate Director: Anne Wheeler | |
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Amazon.com Reviews (131)
Within the first twenty minutes, Maggie meets and falls in love with vivacious Kim, helps her conservative lesbian boss fight customs who seem to be trying to put her out of business. Oh, don't forget Maggie has to find a place to live, because her newly divorce mother, Lila is moving in with her along with sibling, Paul, neither who know that Maggie's been living in a bookstore since she quite law school, and she's gay! Couple this with her omisexual co-worker, and transgender friend, Judy, who has love and parent issues of her/his own, and you've got a great story. I almost cracked up when Lila goes..."Kim do you have a boyfriend?" and Kim replies, "No...Funny that!" Everyone seems to be in on the joke, but Lila who replies, "What's wrong with boys?" Maggie's fighting off an uncontrollable need for laughter and the audience does too. Wendy Crewson as Lila is an added addition to this romantic comedy. All said in done, I wonder what it's like to live in that world. Definitely never a dull experience. This is a must see regardless of your lifestyle.
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| 11. Sugar | |
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Description | |
| 12. Queer as Folk Pack (Seasons 1, 2 & 3) Director: Laurie Lynd, John Fawcett, John L'Ecuyer, David Wellington, Michael DeCarlo, Chris Grismer, Kari Skogland, Kevin Inch, John Greyson, Kelly Makin, Jeremy Podeswa, Bruce McDonald, Steve DiMarco, Alex Chapple, Ron Oliver, Russell Mulcahy | |
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Reviews (5)
At first, I was worried, seeing that I never watched the series before buying them. I jumped with both feet and bought all three at once. I Definitely, 100% not disappointed! The drama and the complications in the series between queer friendship, love, devotion, pride and honor is the best I have ever seen in any gay portrayed series! Queer as folk shows all aspects of Queer life! The love between Justin and Brian, Mikey and Ben, Ted and Emmett, Lindsay and Melanie; and many other characters brings this series to a new level. Showing the honest view of gay life. I feel for every character, and care for each person and their lives, as it unfolds. Words can't express this series other than its a must see and definitely MUST OWN collection! At times, this series will show sex and nudity, so its not for the faint at heart. But thats what makes this series even more special. The fact that nothings held back; in your face truthfulness of gay relationships! Its awesome! If you never watched Queer as folk, I recommend to everyone they should! I cant wait to own Season four!
The variey of character personalities offers great plot variety. Brian's frequent sexual activity, Michael's homelike presence, Emmitt's flamboyance, and Ted's shyness are only some traits that offer such joy to audiences. Justin, Debbie, Mel, Lindsay, and Ben also offer their own unique presence. The acting offers more great additional entertainment value. New and interesting ideas always keep audiences awaiting for the next episode. The combination of realism, drama, and slight comedy offers issues that some viewers can relate, including the straight/ ally community. Besides GLBT issues and struggles, it explores drug use, HIV/ AIDS, hate crimes, pornography, and many others. The shock value offers a great unforgettable experience. As the seasons progress, the plot and the characters follow. Season one, the season always to be watched first, explores the coming out process, struggles in high school, struggles in the workplace, same sex couples raising a child, and others. Those who haven't watched the show will witness Justin meeting Brian for the first time, Lindsay giving birth to Gus (Brian is the father), Justin coming out for the first time, and of course Brian being Brian. Such deep chain of events and many others lead to a surprising and shocking season finale that keeps audiences awaiting for the second season premiere episode. Season two starts with the result of the traumatic event on last season's finale. The characters begin evolving more throughout this season. Some surprising turn of events keep audiences interested in every detail. New viewers will witness Michael and Ted beginning their dream jobs, Michael meeting Ben who is HIV-positive, the birth of "Rage", Justin beginning college, Brian admitting more of his love for Justin, and of course Brian still being Brian. Viewers will be shocked when they learn Debbie's weak spot, despite being a strong GLBT ally. Robert Gant makes a wonderful debut as Ben. The acting from everyong shows great improvement throughout this season. Everyone creates their own tactics to keep audience watching. The chain of events, and many others, lead to a great season finale, leading to season three. Season three answers questions that were cliffhanged in the second season finale. This season shows a greater variey of expressed issues, some which have not been expressed before, including politics, hustling, drug abuse, and others. This shows a greater emphasis on HIV/ AIDS issues, especially when Ben and Michael help a young hustler and when Ben's ex-boyfriend/friend dies of AIDS. This season shows surprising revolutions of some characters: an unlikely town hero arises to prevent a town from being run by a homophobic mayor candidate, an unlikely person becomes a crystal meth addict, and others. The chain of events and others lead to a shocking season finale that keeps audiences awaiting for season four. This "Queer As Folk" set is a great collecion item for fans. This is sure to keep audiences entertained for a long time. First time viewers must watch this edition in order. Otherwise, the chain of events will be confusing. Cast: Gale Howard (Brian), Hal Sparks (Michael), Randy Harrison (Justin), Peter Paige (Emmitt), Scott Lowell (Ted), Robert Gant (Ben), Michelle Clunie (Mel), Thea Gill (Lindsay), and Sharon Gless (Debbie).
Queer As Folk The Complete First Season - The first Queer As Folk DVD Box Set has all 22 episodes of the first season of the most controversial and bravest series in the history of television. The total running time of all 6 DVD's is approx: 1,205 minutes which includes Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, A 6 minute Season 2 Sneek Peek, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh and all the dramas that go on in each of their lives. Queer As Folk The Complete Second Season - The DVD Box Set is over 900 minutes and has all 20 episodes of the second season of one of the most controversial television shows today. The BOX SET includes over 3 hours of Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh. I feel the first season of QUEER AS FOLK is better, but this second season is very good as well and shows the growth of the characters. I have seen all 20 episodes of Season 2 and it is slower paced than the first season, and I sometimes find myself looking at my watch which rarely ever happened with season 1. Queer As Folk The Complete Third Season - This New Queer As Folk Season 3 DVD Box Set is over 673 minutes and has all 14 episodes of the third season, which is still one of the most controversial and bravest series on television today. This BOX SET like the seasons before include over 3 hours of Bonus features such as: Behind-the-camera, Hot Summer Days, Wrap Party Reel, Enter Babylon LA, Meet the Folks, Animated Photo Gallery, Season Four Sneak Preview, Weblink, Music Videos, and a few other surprises. I have seen all 14 episodes of Season 3 and it is another great season with some major twists. Season 3 is also a step above season 2 which was a little drawn out when compared to season 1. I do have to say I am a little upset that this season is very short when compared to season 1 and 2, which both had about 7 or 8 more episodes, but either way it is still a good season. Can't wait till the new Season 4 starts on Showtime soon. ... Read more | |
| 13. My Mother Likes Women Director: Inés París, Daniela Fejerman | |
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Description Sofia, (Rosa Maria Sarda from All About My Mother), a renowned pianist, is long separated from the daughters' father. It is on the occasion of her birthday that she delivers a stunning announcement: she has fallen in love again. Clearly smitten, she begins to describe her new lover: somewhat younger...also a pianist. The daughters, thrilled and eager to hear more, are interrupted by the doorbell. To their surprise, it's Mom's new girlfriend. | |
| 14. Velvet Goldmine Director: Todd Haynes | |
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Amazon.com Reviews (216)
Of course, I'm a huge Christian Bale fan and he was wonderful as well as the reporter investigating the disappearnce of our rock icon Slade 10 years after a fake murder was staged. The flashbacks to his youth were well done and inciteful into his character. Jack Fairy was a great character that added a bit of mystery and a true image of glam days. Eddy Izzard, what can you say, the guy is fantastic. I loved this movie for it's glitz and glamour, for it's quirkiness and campiness but mostly for the FANTASTIC music and acting. CRANK IT UP and enjoy!!
velvet goldmine is about a young reporter (Christian Bale) who's been running from his past for ten years. the decade has brought him full circle to the ackwardness and loneliness he's been trying to escape, by taking him down memory lane in his latest assignment; an article asking, "what ever happened to brian slade (johnny rhys-meyers)?". on his quest, the reporter hears a very bowie-esque (and cinematographically, amazing) story about slade, and in the end, discovers that he doesn't have to run from his past anymore.
The film is very symphonic and atmospheric, and flutters thru the celluloid sky. It can be confusing at first viewing, because everything is juxtaposed and jumbled. It flickers between eras, characters, and storylines in a half-remembered dream way. The movie must be watched as a feeling, not a sit-back-and-relax caper. The movie is NOT based on David Bowie and Iggy Pop, at least not entirely. They never had such an affair and never had such lives. The movie is fiction. Brian Slade is no more David Bowie than he is Marc Bolan or Jobriath, and Curt Wilde is no more Iggy Pop than he is Lou Reed and David Johansen. And neither of them are any of them. They're composites of the essence of real people - or of the feeling of them - thrown into a London backdrop thru the lens of Citizen Kane and an Oscar Wilde fairy tale. Many of the events are real events (Brian's Top of the Pops performance, as well as his relationship with Cecil, is very much akin to Marc Bolan's performance and relationship with Simon Napier-Bell -- The Maxwell Demon album cover is an almost exact remake of Jobriath's self-titled album cover, etc...). Many of the events are real fictions (the movie plays out threw a Citizen Kane-like sequence -- Oscar Wilde's story "Star Child" is carried throughout the movie via a green pendant which is passed around, not to mention many Wilde quotes and parables from stories such as "The Remarkable Rocket" and "The Picture of Dorian Gray"). But nothing in the movie is real. It's simply beautiful fancy. The film is based around reporter Arthur Stewart, who is, in 1984, on a quest to discover the mysteries behind a fake murder/publicity stunt of Brian Slade in 1974. Everything and everyone in the movie circles back to him, and his discovery. What does he eventually discover? Symbolicly, himself. Literally... watch the movie. The real Star of the film is Jack Fairy, a beautifully elusive archeotype with the grace of Garbo, the fantasy of Oscar Wilde, and the power of Marc Bolan who silently glides thru the movie, not saying a word until the end, but playing one of THE MOST VITAL ROLES in the movie (he and Arthur make the movie... Brian and Curt are just vehicles for everything to happen). Many great songs too, from T. Rex, Roxy Music, Lou Reed, Cockney Rebel, etc... Most of them covers, though. As well as newbies such as Shudder To Think and Pulp. It's a beautiful film. Not action packed, kinda confusing, and not too tethered to a plot. But beautiful - ethereal. It's very layered. If you enjoy Glam rock, Oscar Wilde, Citizen Kane, fairy tales, or just things and people to fall in love with, you'll probably like the movie. Oh, one interestingly thing to point out is the surplus of Roxy Music songs, but the lack of a Bryan Ferry-like character. Bryan was a consultant for the film, so methinks that's intentional - he made sure they kept him out of the muck.
This movie portrayed Iggy Pop/Kurt as David Bowie's lover. I don't think Iggy was having sex with Bowie. I wasn't there and I don't know for sure. This was a huge disappointment. I think I was expecting something different. ... Read more | |
| 15. Tales of the City (Collector's Edition) | |
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Tales of the City is classic 70's SanFrancisco at its very best. The beautiful charachters brought to life by author Armistead Maupin are so lovable and well drawn that this series made me long for the 70's, which is QUITE a feat in itself!
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| 16. Farewell My Concubine Director: Kaige Chen | |
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| 17. Queer as Folk - The Complete Fourth Season (Showtime) | |
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| 18. To Wong Foo, Thanks for Everything! Julie Newmar Director: Beeban Kidron | |
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All during the summer, in seeing previews, I was worried about To Wong Foo... being an American version or rip-off of Priscilla: Queen Of The Desert. Trust me, there are a lot of similarities; however To Wong Foo... stands on its own as an enjoyable movie experience. In the audience I sat in, there was laughter and applause throughout and I found myself laughing and applauding along. (I hadn't expected to.) Patrick Swayze is Vida Boheme, a drag queen from Bala Cynwyd, PA living in New York City. Bala Cynwyd is pivotal in his story. So is Noxeema Jackson (Wesley Snipes). Boheme and Jackson are friends competing against Chi Chi Rodriguez (John Leguizamo) and others for "Drag Queen of the Year". Well, as luck would have it, Boheme and Jackson tie for the honors and both win an all-expense paid trip to Hollywood. Well, Boheme is a queen with a heart. She can't stand to see Chi Chi, who lives in the same building, so upset about not winning the crown; so, Vida bullies Noxeema into trading their paid-for airline tickets for a car and, together, the three set off to drive cross-country. Shades of Boys On The Side. Early on, the trio is stopped in the middle of nowhere by a county sheriff (Chris Penn in a hoot of a role). What happens next brings more remembrances of Boys On The Side. Eventually, our fun-loving "females" end up in Snydersville, a small hamlet where everyone seems to have a problem and our girls have a solution for every single one of them. Despite this manipulation, To Wong Foo... delights at every turn. It's laugh-out-loud funny and not at all subtle. Normally, that would be a criticism, but in this case, it turns out to be a refreshing change of pace. Of course, all of the elements in the story come together for a schmaltzy conclusion. But, that's OK. You'll get all wrapped up in it anyway, just like I did. (Boy, was I surprised.) [Originally written 10 September 1995]
In essence, the movie deals with the healing of "broken people." (For other such films, see such gems as "Batteries Not Included" and "Fried Green Tomatoes.") The unlikely angels? The three drag queens. The situation? Their car breaks down in a red-neck hamlet. Unlikely hijinks and dangerous confrontations lead to a satisfying conclusion. And Julie Newmar was never better!
But then you saw the movie ... The three men do excellent jobs, Wesley Snipes in particular a total surprise in his role as Noxeema Jackson, drag queen with Attitude. Swayze, as Vida Boheme, is the "lady" of the trio who can get down and dirty when she has to -- and Leguziamo as Chi Chi Rodriguez is nothing short of perfection. The plot is simple: At New York's Drag Queen of the Year contest, Noxeema and Vida tie for the crown. The title comes with a free airline ticket to Los Angeles, to compete in the Drag Queen of America competition, and the two "girls" couldn't be more excited. But then they meet little Latin Chi Chi Rodriguez, whose drag queen self-esteem was not at all helped by losing this competition. Vida, the kind of person who always believes in helping those less fortunate, talks a VERY disgruntled Noxeema into selling their plane tickets ... and using the money instead to buy a cheap car and drive to the L.A. contest. The night of the win, Vida spots an autographed photo of Miss Julie Newmar on the wall of the reataurant they are dining in, and reads the inscription: "To Wong Foo, Thanks for Everything! Julie Newmar". For those not in the know ... for years actress/model Julie Newmar, best known for her role at Catwoman on the tv series "Batman," has had rumors floating around saying that she's a drag queen in real life -- not a woman. She's just too statuesque, her face too strong on bone structure, to be a real woman! When Vida sees the framed autographed photo on the wall, she takes this as a sign that the three of them will be blessed on their quest. She also takes the photograph. Halfway 'cross country, in Nebraska, the threesome is stopped by a racist sheriff who notices their tail light is out. Taking Vide back toward his car, he comes onto her, thinking she is a real woman. When he reaches under her dress and learns the truth, Vida tries to break free ... and knocks the sheriff to the ground, where he conks his head. They drive off quickly, before he can come to and REALLY do them all some damage. Soon after, their old Cadillac breaks down, and Chi Chi hitchhikes them all a ride into Snydersville, a town that makes Mayberry look like New York City. Tiny and hick and populated with small-town minds as well, Snydersville seems to be the LAST place three drag queens would want to get stranded (if they want to live, that is), but when these three are stalled there for the weekend, until they get their car repaired, they decide to make the best of it by making over the town's women, addding some spark to a Strawberry Social - and, in general, bringing tons of color to an otherwise drab existence. But little do they know that Sheriff Dollard (Chris Penn) - who is less than thrilled by being knocked unconscious by a "boy in a dress," is out to find them ... The movie is uneven in spots - the scenes in the town go from hysterical to being too stage - but overall whenever Snipes or Swayze or Leguizamo are on-screen, you could never be bored. Funny and with some VERY sharp one-liners, the movie comes close (especially in the end) to turning sappy with its "why can't we all just get along" mind-set -- but never quite pushes that envelope. The three leads are EXCELLENT, and backed beautifully by a great supporting cast the includes Stockard Channig, Melinda Dillon, Chris Penn, Jason London - even "Alias" star Michael Vartan. Ru Paul and Robin Williams add both class and style to brief cameos ... as does the one and only Miss Julie Newmar herself. Stylish and funny and just corny enough to work, this comedy is anything but a drag ...
Though arguably not as well made as "The Adventures Priscilla, Queen of the Desert", "To Wong Foo, Thanks for Everything! Julie Newmar" is still a very entertaining and engaging film that is sufficiently different from the former to not be redundant. Cameo appearances in the film include Julie Newmar, Robin Williams (as John Jacob Jingleheimer Schmidt), RuPaul (as Miss Rachel Tensions) and Naomi Campbell. Memorable scenes in the film include the restaurant, the used car lot, Vida seeing her mother (Margaret H. Flynn), Chi-Chi earning rites of passage, Sheriff Dollard, Noxeema's interactions with townsfolk, the clothing store, the beauty parlor and the closing scenes. Patrick Swawye received a Golden Globe nomination for Best Actor in a Comedy/Musical, and John Leguizamo received a Golden Globe nomination for Best Supporting Actor in the Comedy/Musical. Sadly, Wesley Snipes did not receive a nomination for his excellent performance. Overall, I rate the film with 4 out of 5 stars. After watching the deleted scenes on the DVD, I concluded that they were best left deleted. ... Read more | |
| 19. Amour De Femme Director: Sylvie Verheyde | |
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| 20. The Trip Director: Miles Swain | |
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Love it, love it, love it. ... Read more | |
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