Reviews (42)

Transports You
"Before Night Falls" recounts the incredible life of Cuban poet and novelist Reinaldo Arenas, played with great sensitivity by Spanish actor Javier Bardem. Born a peasant in the 1930's, Arenas had the great misfortune of being a gay writer in a country that considered art and homosexuality to be counter-revolutionary. "Before Night Falls" is based on his memoir and relates his imprisonment in Cuba and subsequent exodus to the United States. Despite this persecution, Arenas' work flourished and was published widely, albeit mostly outside of Cuba.

Director Julian Schnabel is a well-known "neo-expressionist" painter; accordingly, he is able to bring an artist's understanding and sensibility to the story. His prior film was "Basquiat," about the 1980's graffiti artist. Although Schnabel seems to be limiting himself to portraits of artists, the two films are very disparate. Specifically, "Before Night Falls" is much grander in scope and incorporates more directorial flourishes than does "Basquiat." Despite the epic sweep of the film, Schnabel successfully tells Arenas' very personal and heart-rending story. Another major asset of the film is the cinematography and ambiance; vibrant colors and people populate the film. The viewer is transported to 1960s Cuba; you can feel the humidity and the pulse of the Mambo music.

Javier Bardem gives an astonishing performance, for which he deservedly received Oscar and Golden Globe nominations for Best Actor. For the role, he was required to learn Cuban-Spanish as well as English. The DVD extras include a 7 minute interview with Arenas, and it's apparent that Bardem nails the look and speech of the artist, without reverting to a simple impersonation. Although most of the actors are of Latin descent, two big American stars have small roles: Johnny Depp has hilarious joint roles as a Cuban transvestite and a Cuban general, and Sean Penn plays a peasant farmer, rather convincingly too. The only minor debit of the film is that it's a tad over-long and could have used a bit more editing. However, overall, "Before Night Falls" is a superb film that perfectly captures another time and another place. Most highly recommended.

Extras: The extras include an interesting commentary track with Schnabel and Bardem, a short behind-the-scenes documentary filmed by Schnabel's daughter, and an interview with Arenas conducted in 1984 after he immigrated to the U.S.

An amazing piece of work by Schnabel & Bardem
Julian Schnabel's astounding growth as a filmmaker is fully in evidence in this spectacular work. "Basquiat" was, well, interesting but, let's face it, the title character was really not someone you felt like rooting for. In contrast "Before Night Falls" is light-years ahead of it in terms of narrative, character development and vision.

And Schnabel's #1 triumph is in chossing Javier Bardem to play Reinaldo Arenas. This role was an amazing stretch for Bardem. He essentially needed to learn two languages to play Arenas: Cuban-accented Spanish & Cuban-accented English. A background tip on Bardem: Go rent "Live Flesh" (a.k.a. "Carne Tremula"). Watch him in that movie and note the amazing contrast in...*everything* between these two roles. This, my friends, is acting. If anyone besides Bardem walks away with tonight's (3/25/2001) Oscar for Best Actor, it'll be a crime.

As a good complement to the film, I strongly recommend that you read Phillip Weiss' piece about Schnabel in the 03/25/2001 New York Times Sunday Magazine. Schnabel is the very definition of a larger-than-life character. In the Independent Spirit Film awards yesterday, Bardem said of Schnabel "I've never met anyone like you, my friend. Your heart is as big as your body...and that's very big." A very touching and well-deserved tribute to a man of uncompromising drive and vision.

One of the better gay movies with a plot
This movie is a lot better than persay Billy Elliot or Big Eden. Only because it is actually a gay movie and the plot isnt hidden along the way. The movie does has a lot of gay action in it which i like to see in a gay movie that is the reason why i rented it. On top of that johnny Depp is in this movie in two different characters one of a Drag Queen and the other an officer. When hes an officer hes groping himself which was pretty hot. The movie also had great direction and it was just easy to get involved into. I liked it a lot.

Exceptional, Powerful and heavy
This was an outstanding film that told the story of a Cuban who was living in an oppressive time and to make matters even more harsh, he was gay. This is not light entertainment and will not leave you feeling warm and fuzzy. It's heavy and dark, dramatic and very powerful. I recomend the film for the outstanding acting and excellant film quality. I feel it was a good investment that helps us understand that Stonewall was not as bad as it could get. If you enjoy this film I also recomment "Bent" to better see what the past was like and remind us to be proud.

Almost Completely Lacking Any Depth
I will warn you first that I watched this movie only *after* reading the book, and I suppose that almost definitely clouds my judgement to some degree.

Having said that, this movie is a purely super-superficial scratching of the hints of the surface of the memoirs of Reinaldo Arenas, almost completely devoid of any of the power and richness of the book. My wife, who had not read "Before Night Falls" watched with me, and her comment was, "Why should I care about this guy?" Based soley on the film, it was a fair question.

The movie shows Arenas in a light that has the interesting effect of making him seem "better" and "worse" than he really was. Both the ravenous (and occasionally paedophilic) sexual appetite of the man is missing from the movie, as is a fair and moving depiction of the miserable hardship and persecution he suffered through. The strengths of the book are completely wasted here, as the vivid picture Arenas painted of the homosexual community in 1950s and 1960s Havana is barely touched on, and the political repression going on at the time is only hinted at. Additionally, as far as an accurate portrayal of a life, so many things are added and omitted as to make the movie virtually unreconizable as a cinematic depiction of Arenas' memoirs.

So, what is left is an overlong movie full of undeveloped characters whose connections with each other are unclear, and a plot that you kinda-sorta are able to follow, but the sum total is "Who cares?" I do have to give kudos to Javier Bardem, however, for a fine performance, doing the very best with the little he had to work with.

It's all unfortunate, because it was a really deep, impressive book...I suggest you drop the dollars for that and don't waste your time on this film. ... Read more

Description

Ira Levin's cat-and-mouse Broadway suspense smash about a playwright's deadly game of murder gets diabolically comic screen treatment. ... Read more

Reviews (18)

More twists and turns than a roller coaster
I first saw "Deathtrap" in the theater when it came out in 1982. When VCRs became big, it was a film that I rented a few times, eventually buying my own VHS copy. Now I own the DVD. It's a great film.

The plot can't really be discussed here without depriving first-time viewers the opportunity of experiencing all the unexpected twists and turns for themselves. And there are twists and turns aplenty!

Christopher Reeve does a great job of breaking his "Superman" stereotype in this, his first post-Superman role. Reeve plays a homosexual playwright who's just written a sure-fire hit Broadway show, and Michael Caine plays a once-successful playwright, Reeve's mentor, who'd kill to have another hit. From this inauspicious beginning, the twists start coming fast and furious, and are a delight to watch.

If you've never seen "Deathtrap" you can still safely buy it sight unseen; I guarantee you'll enjoy it. Or maybe you saw the film years ago and want to see it again. Either way, I recommend picking yourself up a copy. You won't regret it.

"Even a gifted director couldn't hurt it.."
Movies adapted from plays may not always be "cinematic" in the traditional sense because they tend to only need one set. However, they can be very fun to watch because they allow actors to have great dialogue. Deathtrap is one such movie. Michael Caine gives one of his best, funniest performances as a washed-up playwright driven to murder. It is great to watch a great actor when he is finally allowed to ACT. The same goes for Christopher Reeve, who made this movie right after Superman. Here he seems more gangly than a man of steel (his stage training shows a little bit though).

If you are unfamiliar with the plot, I won't spoil it for you. It's just a joy to watch - great acting, great plot, and - most of all - great dialogue. The best I can say about this film is that it inspires me to write every time I see it.

A wonderfully clever comic thriller
Deathtrap is a truly underrated thriller. While it starts off slow considering most audience standards, it quickly dissolves into a clever, suspenseful, and ingenious comedy thriller. While the first act fares better than the second, the film is fun throughout, taking the audience on a ride of "Who is working against whom and why?" While not always surprising, it's an engrossing little puzzle to try and figure out, and the climax is a suspenseful nail biter. Ira Levin has brought us some true classics (The Stepford Wives, Rosemary's Baby) and this should be among them. It is a twisted good time. Highly recommended to mystery fans.

Drama, Comedy and classic Thriller all in one
This film is a lost gem. It's not a well known film however if you take the time to view it, you will be impressed. Its classic who kills who and why mixed with twists that unless you have seen it before, you will not suspect what comes next. It is edge of your seat entertainment, Not a lot of blood and guts however it has tons of thrills. Caine's acting is up to it's usual high marks and Reeve is excellant as Caine's gay lover. I would have to say that Reeve pulls the roll off very well. The story is not a gay theme as you may expect, in fact the gay relationship is only one of many plot devices that weave the overall story.
The production quality is good and the film would be excellant for mixed crowds and enjoyed by all. If your looking for a gay theme movie this is a good film but not what I would consider a gay theme film. (...)

WITTY & TWISTED WHO-DUN-IT...JUST THE WAY SUSPENSE SHOULD BE
..Or come to think of it, it's not really a "who-dun-it" but a "who-dun-whom-first". One of those little hidden masterpieces of film-making!

The theme can be summarized quite simply -- a dramatic semi-comedy about a playwright (Chris Reeves) trying to figure out how to keep his head above water after ideas run dry. But the simplicity pretty much ends there. The plot has a bunch of delectable twists until the finale, which is no less of a surprise itself. The acting is top-notch, Caine and Reeves are, well, Caine and Reeves -- marvellous talents.

A word may be said for the DVD. The transfer of this classic mystery is quite amazing, if the cover didn't tell me this was 1982 I could easily have thought this is a recent movie.

An absolute treat in every sense! ... Read more

Reviews (25)

Never to Part with this Treasure
On a whim, I purcahsed this DVD without knowing much about it other than reading some of the reviews on Amazon, and the fact that Richard Ganoung was one of its stars. After receiving my DVD last Friday, I've watched the movie four times already. If that doesn't say alot...

What amazes me about this film is its honesty and realness. Bill Sherwood set out in '86 to create a film to accomplish exactly that. It covers a wide variety of topics, from relationship dynamics, to AIDS, to friendship, in such a way that every moment of this film seems real. The film doesn't seem dated, but timeless. The performances of Richard Ganoung, and Steve Buscemi, are real and frought with undercurrents of love and emotion.

If you are a DVD collector, please consider adding this treasure to your collection.

Wonderfully Imperfect & Heartfelt
In the years since it was first released, "Parting Glances" has acquired a loyal following. Few movies dealing in a gay social context are as appealing, unpretentious, or--best of all--as emotionally genuine.

Bill Sherwood's little film doesn't feature any big-name glamorous stars. The most recognizable names are Steve Buscemi (in fact, the spine of the DVD package reads "Steve Buscemi in Parting Glances") and Kathy Kinney, who has become known to millions for her hilarious character on "The Drew Carey Show." Kinney and especially Buscemi are excellent here. But so are most of the other actors. One thing that makes the film work so well is its use of performers who are not all movie-star beautiful. John Bolger plays a character who is supposed to be handsome, and he certainly fits the bill, as does Adam Nathan. But this movie is not just another excuse to display beautiful people. It has at its core an honesty that draws in the viewer and makes him/her feel like part of the proceedings. There is plenty of gentle humor and a few big laughs. There is also one deeply moving scene the sticks in the mind afterward like a revelation about the connection between people. Sherwood was a musician and there are many interesting and creative selections to be heard in the soundtrack. A couple of New York locations are used to good effect as well.

As far as the DVD issue is concerned. There aren't any real complaints. Picture and sound are as good as can be expected of a low-budget, independent film. "Extras" include text-only information about the making of the film. An interview with Buscemi, Kinney or any others would have been good. An irresistably charming and heartfelt film

A word about 'Parting Glances' Format...

A fantastic portrait of gay NYC life in the late 80's, and a timeless testament to the strength of friendship and allure of New York City.

My only gripe? It's not letterboxed. Does anyone know why?

Besides that, it's a good clean image of an uplifting and inspired film. I was pretty young when I first saw this on cable in the eighties, and it had a profound influence on my life then. I decided that I wanted to live my life the way the characters in this film did. And you know what? I'm thirty four now and I AM living life much like they do in this film.

Now that's inspired filmmaking!

Steve Buscemi is a marvel, in one of his first film roles. The soundtrack by Bronski Beat still thrills. And New York looks mighty fine. Oh, and the men are none too shabby in the looks department either.

Check it out.

TAKE A GLANCE AT A MOST PERFECT LOVE STORY
We leave you with a parting glance at Bill Sherwood's directorial debut, the funny, romantic and bittersweet 1986 film that was a pioneer of gay cinema and that remains the best film about gays and the AIDS epidemic ever made. It is a story of love, compassion and friendship -- the flick made a star out of lead Steve Buscemi -- told with style and sophistication that will you breathless whether you're gay or straight.

First, and Foremost a Good Film
What makes Parting Glances among the best of gay themed films is that it is first and foremost good film making...good writing. One way or another, Bill Sherwood knew that the demands of storytelling come first. So, while the gayness of the characters is inseprable from the story, it never becomes the story. These are characters indvidually realized. If any straight friends were curious about a gay themed film, this is the one I would put in their hands.
You might think a film about 24 hours in a man's life might end up being another "slice of life" shapeless slog-fest. Not in this case. The film has pace; there's nothing extraneous; nothing that doesn't add to your appreciation of the characters, whether it's a side bar discussion about a Flemmish painting, or a flash-back fantasy of a marauding romp around a Fire Island queen's swimming pool...everything contributes and moves the story forward.
It's a shame film making has lost Bill Sherwood. We can only wonder what else he might have created. Parting Glances is a beautiful legacy. ... Read more

Reviews (31)

This Movie Is Hilarious
I just rented this movie the other day to watch in my dorm lounge and it damn near killed me. :) What a beautiful world! I live in and love southern california which this film, despite production values, reeks of. Plus, it's got graphic sex, violence, crime, machismo, chase scenes and a happy ending . . . everything silly and seedy (yet fun!) that queers get left out of in straight films. Plus, it's a welcome relief from the sappy, shallow, straight-pandering gay films (read: Billy's Hollywood Screen Kiss) that make it mainstream. And, unlike mainstream gay films (read: Billy's Hollywood Screen Kiss), it's got black people! (and ones that myself as a black queer absolutely *loved*. Bless you dr. davis! I *love* that scene: "that was not a rape. merely an exercise in black power.")
 Though the movie is better served with LaBruce's autobiography The Reluctant Pornographer, which shows this particular work of art to be the result of something greater. Plus, it helps to understand his blend of sincerity and camp that's evident in the film. :) I came here to buy it!

The funniest low budget film since Faster Pussycat
I'm merely a "mutant hetero" but I found that what the film lacks in technical skill, it more than makes up for in quotability. It needs to be seen multiple times in order to catch and memorize them all.

Bruce La Bruce sure knows all about tragic Hollywood suicides. I'm tempted to order his books now. The sex scenes are certainly not as graphic as "regular" gay porno. What you imagine is much worse than what you actually see on screen. It's not as if there are any close-up penetration shots. Perhaps the razor blade scene with the "Versace Model" (don't want to give away the gag), made me cringe the most.

Not to be taken too seriously, I recommend this film to anyone wants a truly "burnt" midnight movie laugh-fest. It's been the biggest hit among my friends since "Faster Pussycat" and "Beyond the Valley of the Dolls"!

Rent it even if you're not gay!

Find Better Ways to Spend Your Time
Just horrible. Not worth more than a curious peek...then turn it off!

Downright digraceful
I have seen a lot of films, but this is definitely the worst. The content of this film almost made me ashamed to be gay, as it showed a real ugly side to a sick and twisted world of the film-makers fantasies. You couldn't even class this garbage as good porn.

Disturbing...Neurotic...A waste of good time.
This film is deeply disturbing. Besides being utterly revolting, this film also leaves the viewer contemplating suicide after being submitted to such utter depravity and lack of anything decent or worthy of flattery. What an utter waste of film. Don't waste your time or money. ... Read more

Description

Stephen and Danny are a hip Manhattan gay couple who have it all,until a surprise visit from Stephen's parents threatens to blow the boys' big secret.Thesecret?Not that they're gay - but that they are hit men for the mafia!Since Stephen's dadis an FBI agent, the boys are frantic to keep him in the dark.They enlist their fellowmobsters to pose as gay waiters at the faux catering company Stephen "owns" so they canhost a party for Dad - with hilarious complications! ... Read more

Reviews (24)

Light Amusing Comedy
Friends and Family is the story of two gay men who work for the mafia. When one man's father (an FBI agent), comes to town, the guys must pretend to be caterers in order to prevent trouble. But all is not what it seems, and this film culminates in an elaborate feast with several different groups trying to trick eachother.

While I enjoyed Friends and Family, I found the main couple lacked chemistry. If possible, they were just TOO good looking. The pair looked like they belonged in an advertisement for GQ rather than in the mafia. (I'd much prefer a more homely pair with stronger acting talents), I did think the actor who portrayed the mafia boss, did an excellent job, and the cooking scene and the scenes with the drag queens were amusing.

Overall, this movie reminds me of a combination of "Wedding Banquet and the Bird Cage." Fun, light comedy, but nothing too original.

A jewel of an old-fashioned comedy.
I loved this movie when I saw it at a comedy film festival a couple of years ago, and I love it even more on DVD, looking pristine and with an excellent set of "extras". I hope this wonderful film manages to find the audience that missed it in its apparently brief theatrical run.

Inexplicably dismissed by many - though I should add not all - critics that I read, this personal favorite of mine is finally being given a second chance on DVD. It's about a gay couple who are hit men for the Mafia, but that doesn't begin to convey the stylishness of the comedy and the tight structure of the story line(s). It's a genuine throwback to the old-fashioned farces of the golden age of Hollywood, with its giddy, improbable starting point, hilarious cast of stock characters and the overlapping stories. It's truly one of the few American film comedies in memory that gives you a laugh every minute or so, and that deserves to be mentioned in the same breath as "Trouble in Paradise".

As a gay man, I was glad at last to see a movie in which the gay characters are in a long-term relationship, and aren't closeted, ambivalent about their sexualities, or drug addicts. Instead, despite the fantastic story line, they're actually presented in a fashion that is in some ways truer to life than most depictions of gay men in movies - as happy, confident and successful (and did I mention attractive?)

The cast is fully up to the level of the material. I especially liked Rebecca Creskoff - a delightful, lovely presence as the mob boss's daughter - and Beth Fowler, who in some ways is the motor that gets the plot going: perfection as the gay hero's unstoppable mother. And catch Anna Maria Alberghetti, of the "Mary Tyler Moore Show" knock-knock joke, hilarious as Creskoff's mother.

Pounce on this one.

Bad
The movie never finds its tone. It's supossed to be funny but it isn't, mainly due to its unbelievavility. The director treats some scenes as if it were high-comedy, and others as pure caricature, and it doesn't work. The first ones end up as ridiculous and the second ones as tiresome.
Also this is one of those movies where the 2 main characters are a gay couple and they almost don't touch each other during the whole movie. And I think they don't kiss once.
The dvd has a full-screen transfer.

A BIG PUFFY SOUFFLE
"Friends and Family" a film homage to the screwball comedies of the 1930's is a big puffy soufflé. The opening credits are clever and beautifully photographed. They set up a perfect tone for a sparkling comedy of screwball manners. After the credits fade, something goes wrong and all the air in this concoction slowly escapes like a whoopee cushion being sat upon by a large mobster.
The premise of the film is clever and with a talented cast of fine New York actors there are moments in the movie that are indeed funny. But you have to wait for them. This film is not the rollercoaster ride it wants to be, it is the line waiting to get onto it.
In possession of one of the truly handsome faces on the screen today, Greg Lauren is coolly menacing as the straight acting Steven Torcelli gay mob hit man with his partner/lover Danny Russo. His comic timing is well placed and contrasts well with the zany characters he is surrounded by. As Steven's boyfriend and fellow killer, Christopher Gartin does well in the bland role of Danny. Yet with most of the comedy chores going to Lauren he becomes not much more than comedic wallpaper. Tony Lo Bianco is well cast as the Don of the mob family and brings well-timed humor to his role especially in his phone conversation with the Senator. Anna Maria Alberghetti turns the role of wife to the Don into something other than the expected creating a comic black widow eager to have her sons assume the roles of killers for the family.
Tovah Feldshuh and Brian Lane Green catapult themselves over the top as midwestern parents of the boy who is to marry into the mob family. They have fun in their roles but somehow their comedy is too strident and clashes with the rest of the ensembles more polished performances. Beth Fowler gives the best performance in the film and has just the right edge to her character as the mother of Steven. She steals the spotlight every time she appears on screen.
The look of the film is marvelous. The cinematography by John Leuba is so rich and atmospheric that it gives "Friends and Family" the look of a studio film from the era it means to honor. But a film such as this needs to have much more going for it than just a pretty face, it needs energy.
The major problem with "Friends and Family" lies in two camps. First there is the screenplay by Joseph Triebwasser. There are a few good scenes, but where it strives to be a light and fast-paced comedy in the manner of Hawks or Capra is fails. It is not much more than a plodding pilot for a WB sitcom. It needs tightening and several more re-writes and a good injection of smart dialog. Smart fast paced dialog is essential for screwball to succeed. The second problem is in the direction and editing. This was Kristen Coury's first time at bat as a director and it is a valiant and ambitious effort. So the problem of pace is not hers alone but must fall partiality in the laps of her editors, Tom Swartwout and Hector Venegas. A good director and editor can work together to tighten timing and pace where it is needed. That does not happen here. Nowhere is it more evident than in the third act at the banquet. Where the action should be frenetic and zany it grinds on and punctures the comic intent of the scene. It is evident that that the lack of time and money available to the production added to the problems in this scene and we are left with some odd jumps in cutting and loss in some vital connecting information. The whole film is building to this final madcap ending yet we are left sitting on the floor twiddling our fingers while the action stops for all the characters to reflect and yawn. I agree with the screenwriter, maybe it would have been funnier to have Anna Maria Alberghetti save the day.

A delightful comedy!
Friends and Family is a delightful and clever comedy. The plot, and many subplots actually, are a bit far-fetched, but they provides pure escapism, which we all need sometimes. The characters, as unbelievable as they are, come out as totally outrageous, much needed in a comedy of this nature. The story becomes so over the top, it borders on ridiculous, but manages to entertain, while being totally hilarious.

I really enjoyed this film and smiled throughout at the pure absurdity of it all. The cast was good, the acting okay, but the characters were terrific in my mind. Yes, some people might consider these people stereotypes, but the stereotype came about for a reason....these people actually EXIST! The only real problem I had, and for a movie like this it's a big one, is the displays of affection between the two leads. I don't need to see full on gay sex, but it would have been nice to have seen the couple at least share a light kiss or two. The end did have them hold hands, with beautiful dialogue expressing their love for each other, and I would have liked to see more of that throughout, just a couple more times at least. It showed a human side to these killers that we just needed to see more of.

This is a cross between La Cage Aux Follies (The Birdcage), The Sopranos, and Mambo Italiano, but is too Disneyfied for it's own good. Actually, it's one 'gay film' the whole family can enjoy-- no sex, no profanity, and only very mild violence. I'd definitely rate it a PG. This isn't a perfect film, but it's a perfectly enjoyable one. Grade: A- ... Read more

Reviews (19)

LITTLE TOUGH ON THIS ONE
After viewing this film I have to honestly say I now understand why so many gay films cast straight men for the gay roles. The acting in this movie was by far the worst I have ever scene, it was almost sickening at times. In spite of that, I am giving this film 4 stars because of other reasons. I like the storyline, it was well developed. I like the look of the actors, they are all stunningly beautiful. The erotic scenes were that, erotic, not pornographic, very tender, and very well done. So if you are expecting the next Tom Cruise to come out of this group of actors, you won't! However, the film merits review just the same. At the same time, I see potential in several of the actors in this film, hopefully they will continue to study film and acting and my advice, "become a part of the parts you play," as I felt all they did in this film was "play the part." I didn't feel they became a part of the film at all. I didn't see them molding the storyline to fit their personalities and that is what good acting is all about.

A ANTHROPOLOGIST LOOKS AT RAF MOVIES
(...) The production company has released four films. The first in 2001 with "Traveling to Olympia". They followed with Murder in Portland", Gods of Olympia and the last one Revenge in Olympia. All of these movies take place in the Pacific Northwest with three of four in the state capital of Washington. Four films in three years is quite a feat from a independent production company. Are they of Hollywood quality, no but they are as good as any straight or gay low budget independent film company. And make no mistake these are low budget films. What make the concept work is that they are made for the DVD release. There is no pretense that these are going to a theatrical release. They release these productions on both the internet and lesbian and gay books stores. With the thousands of films released for distribution and after checking web sites, I only found a few bad reviews. And all of these reviews sounded the same. It seemed that the same person wrote all the comments. It also seemed that they all were the same type of person. Someone who with the power of the review can make a unfair statement in the community. I am guessing this is a person who never gets cruised at the bar and has had a hard time getting a date. So he goes back to his small apartment and takes it out on RAF. Everyone has the right to speak, it is some who speak with authority and others from picayune. I would expect that the first film was a learning experience for RAF. I thought the films got better and all had great stories. I learned something from each movie, the stories were original and historically correct. Remember no one made you spend the first 29.95, and if you did not like it why spend more for the other three. It seems you are not admitting you buy the movies not for the story but for the cute sex scenes. That is fine, I am sure the producers have that as part of their markenting plan.

GOOD MOVIE, LOTS OF HISTORY IN IT
All three of RAF's films take place in Olympia, WA. I watched "Murder" first and then, in a single afternoon, the first two as well. Their formula varies little, and includes: unusually cute young men (at least one of whom is troubled, new in town, and/or needs help); a sex scene or two (in the context of loving partners); a variety of characters of all ages and persuasions (their apparent use of street people is reminiscent of Gus Van Sant); a healthy dose of sex-ed and gay politics; good music. It works. The stories are interesting (even touching), the characters are winning (often beautiful), and the endings are positive.

"Murder" centers around a young and extraordinarily handsome 'straight' cop (not credited by role so I don't know his name, malheureusement), who is recruited to investigate the killing of two gay men. To say he learns MUCH about the gay community he infiltrates would be rather a zenith in understatement. Suffice it to say, he is dedicated to his work and goes 'under cover' in more ways than one to solve the crime.

All the RAF films have plenty to offer if you just look beyond their low-budget parameters and drink in the actors, characters, stories, and message. I can't wait for the next one, along with the pleasure of a sweet, funny, character-driven movie in this age of macho, jingoistic nonsense.

A L MUST SEE FOR ALL GAYS
Reviewer: tadzio69 from Victoria, Australia
I can't give this movie 5 stars overall, because sometimes the production values are not ultra-good (wheezy soundtrack). But if you're young, in the closet, or being hammered by a family in some church or other sort of moral majority, it might show you what to do for release in small-town America (or small minded communities anywhere).

Five stars for what the guys in the movie say - how they talk out, and about, - and act out their gay identities. It ain't glitzy - it happens in diners and coffee shops, in the street, not nightclubs or smooth apartments. Amateur but committed actors provide a rich gallery of interesting characters to get family life, identity, work, learning (especially the importance of learning) into a gay perspective you might not have yet, Chuck - Jose - Dean - Jason: whoever you are.

Sex is not avoided - it's there on the screen if you haven't tried it yet, but so too is cruising (do you know how to cruise?) Best of all, a diverse model of how to start and maintain gay friendships. See how these guys value each other - how they relate, how important closeness and touch are - and one day you might get going on your gay life, knowing, balancing life and sexuality, and closer to happiness than you are now. Watch them, but above all listen to them - learn from them.

Bits of the story you might find wacky (I did) but having written several books on what at-risk youth (including gay boys) need, I'm very impressed by the honesty and clarity of this approach. Forget the production values - LISTEN HARD AND WATCH CLOSELY, and know you are not alone. Maybe there's a gay-friendly diner in your small town - worth looking. Good luck

THE BEST OF RAF'S FILMS
The larger one shows Johnny, a slight 19-year old (played by Justin McFarlane), leaving a reform school in Chehalis, Washington, hitchhiking north to Olympia and eventually moving in with a hunky lawyer-lover, Joel (played by Michael Harboush), in Seattle. Assisting are the popcorn king's young son, Chip (played by Donald Allen), and his new lover, Washington State Senator Matthew Bradley (played by Dennis T. Kleinsmith). This is a story of how gay people can help one-another come out and overcome obstacles on the way to true love and social justice.

The smaller story is told almost completely in pantomime and music. An unnamed actor (possibly Michael S. Parker) comforts and cleans up a fellow caught up in a hate bombing of a gay youth center. The fellow runs off later with another one, leaving the actor alone. In the next installment, he is able to find someone else and make a successful go of it in an emotionally satifying way.

One can criticize the lack of extras on the DVD and the script's demand that so many characters provide their personal and family histories. The characters are more psychological profiles than real people.

I would have liked the Jeff character (who was not linked to an actor's name) to have had a bigger role since he had the looks and the ability to deliver lines well.

The movie is low budget, the acting is fair, but the movie's heart is in an unusually positive and constructive place, showing people's resiliance well. The movie depicts a variety of normal, but nice-looking people, not just the denizens of the local gym. The many skin shots are well done. Uplifting but not deep. ... Read more

Description

Phil and Eric, a hot gay professional couple with a fabulous Beverly Hills home, want more meaning in their life. They make a move to adopt a baby and end up with two foster kids damaged almost beyond repair: TJ, a twelve-year-old alcoholic, and Brian, his younger brother. The couple's social worker, baiting them with a baby, blackmails them into taking the boys for one night, which turns into many nights, and all hell breaks loose. ... Read more

Reviews (14)

The Cleavers meet Ru Paul
This is a good film that tells the story of a young couple that want to be foster parents. The kids they get are challenging to say the least and it has an impact on the relationship of the couple. The nice twist is that the couple is gay and living an excellant life. No clubs, Bars, Drugs or most of the normal Hollywood trappings of gay men ( note: Both men are in great shape and do work out at the gym in the story, so one stereotype is kept.). The fact that the men are gay is not the big issue in the film, it's the way the kids address the new foster parents and the massive issues that come up with the children and the Mother of the children who arrives without calling first. The story is good, the film quality is good and it's a very clean overall movie, except the profane words the little darlings arrive with. It's worth seeing and even worth buying. It's a nice movie to show in mixed company.

Truly A Wonderful Gay Movie that stands out
Get Your Stuff is truly a great movie that stands out when comapred to so many of the gay movies out today. A movie about Family instead of just Sex makes this a film worth watching.

A new perspective on modern family values.
Phil and Eric are a Beverly Hills gay couple who have it all - looks, money, friends, professional success, and a solid relationship. The next step appears to be bringing children into their family, so the couple begins the process of adopting a baby. This process is often a long, drawn out one for prospective parents, which can lead to frustration. When a child caseworker friend suggests that the men take in a couple of young brothers while waiting for the baby they want, Phil and Eric agree to foster the boys "just for one night." As the promised one-night-stay stretches into two nights, then three, then on and on, the two boys reveal themselves to be streetwise, somewhat homophobic, and more than a little interested in the contents of the liquor cabinet. Further complicating matters, the boys are tracked down by their mother, an alcoholic prostitute who lost custody of them. She initially wants to take the boys away from this "unwholesome" setting, but after witnessing their current living situation firsthand, changes her mind and seeks a permanent place in the arrangement. The resulting stress threatens to tear the couple apart, as one partner develops a soft spot for the boys and their mother, while the other just wants them gone.

The film is a solid first effort by writer/director Max Mitchell. He deftly touches upon issues including the importance of compromise and communication in a relationship, how to get through difficult stretches without self-destructing, and what it takes to make a family. As a school psychologist, I have worked with children in the foster system, as well as others in broken and highly dysfunctional homes, and the portrayals of the two boys in this film are spot-on. Their behaviors may seem outrageous and unbelievable, but when you look at the abuse and neglect these children go through all their lives, it's easy to understand that their acting out is their attempt to reject adults before they can be rejected themselves. Why would they want to start caring for and counting on another adult when that adult is just going to walk away and leave them behind soon, the way all the others have? I find Get Your Stuff to be an involving, funny, moving study of those who have a lot but are still missing something, and those who have little and just want a chance in life. If you're interested in a gay film that focuses on exploring family values from a new perspective, this is the film for you.

Not worth it
Okay, I'm a social worker, so I kinda judged this movie by this. The guys are really good eye candy and great bods. But, the situation is so cliched and boring that I keep wondering when they were going to come to their senses. The guy who plays the therapist is VERY cliched and doesn't have his own life grounded in any reality. It doesn't break any new (...) ground..it just rehashes the old, with kids thrown in. Don't get me started on the kids...Even the kids I supervised never behaved like that.

Refreshing gay film about 2 gay guys raising a family.
After reading some of the bad reviews about this movie I was afraid to see this, but I took a gamble and rented it anyway out of curiousity and the 2 hot guys on the cover lol and I have to admit Get Your Stuff is a good movie. Such a refreshing film about gay guys and family. Man are those 2 foster kids a hand full. ... Read more

Reviews (5)

Worst Movie Ever!
Honestly, I'm not sure what the other reviewers were thinking when they gave this movie such praise. It falls into the same trap as many other lesbian films (I'm thinking specifically of Go Fish here), focusing more on political commentary than an actual story. The script makes every single mistake that's normally corrected by your very first screenwriting teacher. Everything feels forced. Backstory is conveyed in the most obvious of methods. The acting is just plain god-awful. I think I only watched the whole thing because I was hoping there would be something at the end like, "Hey, we were just kidding! Didn't this movie suck? Gotcha!" No such luck. If you like to slow down on the freeway to see the blood and guts of a car accident, this movie might just be right up your alley. But don't say I didn't warn you.

A "radical" film that wins you over with warmth & niceness
This movie takes a little time to get going, as the initial scenes are kind of stagey and the various characters seem interchangeable. But the direction becomes more relaxed and assured before too long, and the different characters soon emerge as unique, complex individuals that we come to care about. But be warned, this movie is a major talk-fest, so if you don't like long conversations about numerous personal and political issues, this DVD might not be for you. Myself, I ultimately found the writing incisive and the banter pretty interesting and involving. But I think even the film makers said at some point, "Enough talk!", because in the last fifteen minutes or so the movie dramatically shifts from the intellectual to the physical. In other words, you might want to make sure the kids are in the other room once the various characters start acting on their feelings and making up.

Fun Movie!
Everything Relative was a "Big Chill" with lesbians, and I loved it! It was great. The more I watch it, the more I see. I keep missing things, and then I catch them the next time I watch. It would be great to see a sequel. I would like to see if these characters stayed together after all was said and done. I recommend this to everyone...

Fantastic Movie-One ALL Lesbians Should See...
This is one of the best lesbian movies of all time! Provocative and funny, witty and smart. The identification with each character is amazing and refreshing! Can't say enough about this movie... WATCH IT! You'll be pleasantly surprised!

Better than the Video
The director's cut on DVD is so much better than the video. This is the story of seven college friends who come together for the Bris of one couple's baby. Some of them haven't seen each other in fifteen years. They spend the weekend in the house where they spent their radical college years reminiscing about the past and dealing with old baggage. I especially enjoyed the relationship between Maria and Josie. It's an enjoyable Lesbian movie ... Read more

Amazon.com

A promising comedy that goes awry all too early, But I'm a Cheerleader concerns a misunderstood high school kid (Natasha Lyonne) whose parents send her to a harsh, homosexual-rehabilitation camp despite a lack of evidence that she's gay. Ruled with an iron fist by a fascist counselor (Cathy Moriarty), the clinic only drives Lyonne's character toward an attraction to a rebellious tomboy (Clea DuVall), though screenwriter Brian Wayne Peterson and director Jamie Babbit are curiously intent on keeping the two apart and depriving the audience of other comic possibilities. Meanwhile, hoary clichés abound: prancing boys, butch gays, lipstick lesbians. Despite a fine cast full of young talent, and cameo appearances by Julie Delpy and RuPaul Charles, this attempt to skewer a present-day trend in "curing" homosexuals of their sexual preferences is flattened by stereotypes and unimaginative thinking. --Tom Keogh ... Read more

Reviews (126)

Cute move, but the soundtrack is the best part
"But I'm A Cheerleader" is a light movie that tries to be both comedy and drama. It succeeds more as a comedy, somewhat in the style of John Waters, but does not go as over-the-top as a Waters film.

Natasha Lyonne plays the main character, Megan, mostly by balancing her headful of Big Hair effectively and pouting mightily throughout. Cathy Moriarty is the hetero Nazi drill sargeant at the sexual orientation "rehab" camp Megan attends. Moriarty is a bit tense and intense, clad in pink with perfectly starched hair, doing her best Faye-Dunaway-as-Joan-Crawford. Ru Paul (NOT in drag) plays her best lieutenant at the camp, trying to bark the male camp attendees into proper heterosexual manhood. The only really good acting is by Clea DuVall, who plays one of the queer girls at the camp...she does a lovely job of modulating her anger and her attraction and, well, being lovely to boot.

Director Jamie Babbit curiously has drawn the male characters more as swish caricatures, while the female "campers" are permitted more normal range, less vicious stereotyping. Because the movie doesn't quite escape mediocrity, this double standard is not a critical flaw.

The soundtrack has some real gems, and it's a crime it's not separately released. It's generally a great collection of edgy pop music by female performers (except for "Party Train" by Ru Paul). "Glass Vase Cello Case" by Tattle Tale is the real winner - somewhat Sarah McLachlan-esque ballad that's not too soft nor too edgy. Go Sailor contribute "Ray of Sunshine" and "Together Forever in Love." People are scouring the internet for mp3's of this soundtrack. However you might come across this soundtrack, I encourage you to glom onto it!

"But I'm A Cheerleader" is a thoroughly watchable movie that just misses its ambition to be high camp. If you keep your expectations in check and pay attention to the soundtrack, you'll be well-pleased with this entertaining film.

A lot of Fun
This movie makes fun of people gay or straight without discrimination. It looks at our society and the "other" as a label we put on each other in a humorous way. I think often people get too passionate about their "beliefs" and their "ways" so that they separate themselves from "the other" by demonizing the other. I laughed at myself in this movie and had fun...

CLEVER satire. BEAUTIFUL color.
I saw this movie 3x in the theatres in NYC when it came out... and bought the DVD as soon as it came out. This is a hilarious satire on a puritanical view of homosexual life, as the main characters try to "cure" themselves. There is a very JohnWaters-esque feel to the colors and costumes. The dialog is witty and funny, especially if you are/know a homosexual. "But you're a vegetarian," is an accusation, the main character gets as proof that she's a lesbian - to me, a very funny lesbian stereo-type. This movie gently makes fun of stereo-types, but also makes it clear that it's ok to be who you are. The filming/costuming/sets are beautiful - and the color is breathtaking. Clea DuVall steals the picture, but sadly, it is Natasha Lyonne that solely gets the credit for it on the movie posters (and even on the Amazon search). ENJOY this wonderful film... i have... many many times.

A lighthearted and fun look at a controversial subject
This 1999 comedy is lightweight, but it tackles a unique theme for
Hollywood, that of a "re-education" school for gay
teenagers. Starring Natasha Lyonne as a high school cheerleader whose
family and friends have identified as gay, she is hustled off to
"True Directions" where something like a 12-step program is
offered. The film is a fun romp, making fun of itself as well as
homophobia by making all the characters stereotyped caricatures. In a
brilliant bit of casting, RuPaul plays the role of a formerly gay
instructor who tries to teach the boys how to act like "real
men". I didn't recognize him until the credits rolled however
because he is NOT in drag. This is, after all, a comedy, and it's
best not to look too deeply for meaning.

Like many other comedies,
this is a one-joke situation. After the first 20 minutes, the film
drags (no pun intended). Surprisingly, the acting is not bad. I
particularly liked the performance of the young Clea DuVall, who also
played a troubled teenager in Girl Interrupted. Cathy Moriarity, who
made her acting debut in Raging Bull in 1980, played the role of owner
of the school. She was always dressed in a bright pink suit, her hair
was teased into a beauty parlor hairdo. Just looking at her in her
perfect makeup was enough to bring out a chuckle. This was certainly
not a great film; it wasn't supposed to be. It tried hard through and
did grapple with a controversial subject in a lighthearted way.
Certainly, it isn't for everyone. And so I give it a qualified
recommendation.

What an incredibly disappointing & completely boring movie.
I'm so shocked that people could actually sit through this video. The plot is completely outrageous. A girls parents decide she's gay because she's a vegetarian and she has a Melissa Ethridge poster on her wall? Firstly, tons of kids are vegetarians these days. Secondly, how would two conservative parents know that Melissa Etheridge is a pop icon who appeals to the gay community slightly more than to straight people? That would be like if a normal guy who happened to be a school teacher, ran out of chalk, and everyone kept accusing him of eating it. It's like, "Well, if you didn't eat the chalk, what did you do with it? We're sending you to the clinic, sicky." What a ridiculous conclusion to come to for no reason! Now I'm all about Krazy Komedy in movies, but there was nothing funny about this film. I don't think gay people are funny just because they're gay. That's rude. It's like saying, "You like Girls? God, that's a riot." So if you're into really bad movies with no redeming qualities whatsoever, you've struck gold. ... Read more

Reviews (2)

Informative and Erotic!
"Daddy And The Muscle Academy" is a wonderful DVD about Tom of Finland, a gay artist who has inspired an entire cultural wave for both gay and straight men all over the world.

Features an entire gallery of Mr. Finland's work, and lots of information about the artist himself; including personal history and sketching techniques, as well as small interviews with men who admire Mr.Finland and his work.

Highly Erotic!

It's about time this came out on DVD!
When I saw this in theaters, me and almost every guy in the audience wanted to lick the screen. This documentary is just as sexy as Tom's work. The artist is interviewed in Finnish, so (monocultural) Americans that don't like to read subtitles won't like it. It's full of talk about the leather community and those who find SM scary may dislike this documentary too. For those who like Tom's work, this is a great way to find out about the man himself. By interviewing Isaac Julien and talking about Tom's appreciation of black men, this film tries to be racially diverse. However, it may rub some as being fetishy. Gay artists have historically been just oppressed as gay authors or gay activists, especially artists who produce obviously homoerotic work. So Tom and this documentary are milestones in many ways. I applaud the director's efforts. ... Read more

Reviews (38)

Not what you'd expect.
When I began watching Relax... It's just sex!, I expected the same useless, witty tripe that is constantly being peddled to homosexuals. You know the type: Something where everyone is happy, except a single scene of discrimination, (which you can't even take seriously because the characters are so shallow), and then everyone learns a lesson. This, however, was not what I found. The scene of discrimination is filled with characters you do care about, and it doesn't pull any punches. The characters arn't a group of homosexual and heterosexual martyrs, they are well rounded and fierce. In addition, this movie is one of the most realisticly romantic I've ever watched. I've been watching "straight" romantic comedies for years, and have never experienced a scene as heartfelt as the embrace between the lesbian couple at the end. A must see for all those who love and are loved.

MADE IN AMERICA
What a pleasant surprise! Honestly, I have had the feeling for many years that a move like "Relax, It's just Sex" would never be made here in America. This movie is about a group of very intriguing good friends comprising of both gay and straight characters where, for once being gay is NOT the problem. It is not a "coming out" or a "is he or is she gay?" film; everyone is very comfortable with his or her sexuality to the point that they are able to be very supportive of each other no matter what is going on in a particular person's life at any particular moment.

There are many very funny moments intermingled with "real life" serious situations, which are dealt with--including love, HIV infection, commitments, a miss-carriage, and a "gay bashing". The "gay bashing" for me, really hit home. For once, in this movie, the "victim" had opportunity to get immediate revenge and did so to the shock and horror of his friends who had problems dealing with his anger and his execution of revenge on one of the bashers. (In all honestly if given the opportunity to get revenge on a "gay bashing" punk, I think that I would take advantage of that opportunity as the character, in the film, did!)

All of the actors in the film are great with Jennifer Tilly giving, to me, an Oscar winning performance-she's hysterically funny at one moment and "heart breaking" the next moment. I just wish I had a group of friends as portrayed in this movie.

If you are into good films, buy this DVD

Incredible Movie
I ran into this movie while channel-surfing on TV. The introduction drew me in -- I couldn't figure out what they were doing with the people on a rotating stage in black and white and the corny 60's sounding announcer -- then suddenly the storyline went full-throttle into what could be some modern-day relationships in America. The movie not only focussed on intimate relationships between lovers but the strong bond between friends. I laughed and cried, was shocked and amazed, and thoroughly immersed throughout the entire movie. I saw the movie a few more times on cable, then have rented it a few times to show other friends who have never heard of it. Everyone loves it so I'm going to add it to my DVD collection to save having to rent it again! I highly recommend it to anyone who has an open mind, who loves great dialogue, and who actually enjoys a good story in their movie.

ok
This movie definetly had a different plot then all the other gay films out there. A Gay man takes revenge on what the straights have been doing to him.. The scene is shocking and his friends plead with him but he doesn't stop and you feel sorry for him and the abused .. then he disappears. What happens next ? Go and see for yourself.

For Anyone With Friends
Admittedly, the title of this movie caught my attention first. I figured it would be either something stupidly amusing, or ridiculously fictional. I was pleasantly proven wrong. Through the course of the movie I found myself hurting for Vincey, yet with a strange sense of justification in what he did. I cried for Tara, first for losing Gus, then for losing .. well, I won't ruin it for you. I was crying happy-tears for Serena and Robin. Never liked Megan anyway. Buzz just grew on you; you couldn't help it. Javi is like the little brother you wish you had.

This movie is one of the best times I've ever had watching TV. It covered every emotion know to humanity, but fluidly, while still being incredibly believable. It showed the positive, wonderful parts of homosexuality, yet didn't make it seem like one big party. The relationships were real, and heartfelt, but the arguments weren't exagerated or overdone. I relate very closely to Tara, the "fag hag," so by the end of the movie I found myself yearning for more information on what happened to all the wonderful characters that I grew to know and love. This is definately a movie that will quickly be purchased, but that will not-so-quickly be replaced. A true gem for anyone who has friends ... ... Read more

Reviews (2)

Some interesting content but limited dvd features
With a title like 101 Rent Boys, I was expecting a wide array of interviews with a large number of men. Admittedly, including all 101 interviews would be prohibitively long, but I did expect to hear more boys than I got. Some boys were featured often, in multiple segments, while some we barely got a glimps of--of course those were the ones who I thought seemed most attractive and wanted to hear speak, and not just a quick camera pan.

As for extras, there arent many on this disk--a few extra interviews which were interesting but limited, and a directors voice over where you only hear the directors comments, and not the video soundtrack at all, making it difficult to understand what comments from the boys the directors were referring to--especially frustrating when the director says "wait, wait--here comes that comment I was referring to" and there is dead silence! That is the first time I have ever seen a glitch like that on a DVD, which made the technical quality of this DVD feel less than professional. All in all, I think of this as an interesting television documentary, but not a DVD I can recommend for ones permanent collection.

Boulevard of tears (but no excuses)
The filmmakers interviewed 102 hustlers (that's correct, one turned out to be underage and his contribution could not be used, so a replacement was recruited) to make this documentary. Most were street hustlers who work Santa Monica Boulevard; the others were recruited through escort services and magazine ads. Each one had an opportunity to tell his story. There is little evidence of their conversations being directed by an interviewer, though it is apparent from the directors' commentary that the monologues were for the most part respsonses to questions put to them by co-director Randy Barbato.

To prevent the film from becoming monotonous and repetitious, it was edited and assembled into seventeen chapters with titles like, "Losing It," "The First Trick," "Gay," "Straight," "Turn-ons," "Turn-offs," "Pain," "Weird [stuff]," "Drugs," and "The Future." The paucity of high-rent call boys (the directors, after all, only paid the men $50 for their one-hour videotaped interviews) prevented this film from being an unintentional glamorization of prostitution. The stories, for the most part, are painful to hear: some interviewees clearly struggle with drug addition and it is clear how they will spend the $50 they earned making this film, many are victims of childhood sexual abuse or parental abandonment, others suffer from the recent departure or death of loved-ones. According to the directors, paying the interviewees on-camera was contraversial when the film was shown at festivals. And to be honest, it is a truly disturbing aspect of the film. More than anything, it reminds us of the transactional nature of prostitution and makes the viewer feel like a john actively participating in this commercial enterprise. Some hustlers took the money politely and immediately tucked it away in a pocket, their underwear, or inside a sock. Some said "thank you" softly, with a sparkle in their eye. One man held his fifty dollar bill throughout his interview as though it were nothing or as if he had forgotten he was holding it.

There is nothing judgmental about this film, though the directors (in their commentary) betray a sense of pity and bewilderment from time to time. They know at least some of their subjects are in serious trouble. But watching the film with the commentary feature turned off, the lack of overall perspective or point-of-view is frustrating. A piece of me wanted either to hear a puritanical tsk-tsk or a full-blown defense of the world's oldest profession. (Either would have been fine with me.) But I suspect the flat amorality of the film is ultimately the most accurate reflection of what these men experience on a daily basis and made for the most honest approach on the part of the filmmakers.

Concerning the DVD extras, there are a number of unedited interview segments that were very interesting (such as the defense of prositution by one young man based on his pagan beliefs). The Directors' Commentary is somewhat difficult to follow at times because the soundtrack of the film is completely turned off. Without knowing what the hustlers are saying, it's hard to know what the directors are reacting to. A good post-production sound engineer, I believe, could have skillfully interwoven the two soundtracks. ... Read more

Description

An irreverent and refreshing take on the queer world of sex, lust and unrequited love. Lanky, blue haired Jackson, record store employee and poet, is in love with most of the men in his life! There’s Billy, who he met at an orgy, Jed, his cousin, Derek, a customer at the shop, and Sam, his boss and best friend! A refreshing departure from thetypical gay love story, LUSTER is a raw and darkly comic look at young punks in love. Limited Theatrical release. ... Read more

Reviews (10)

Thank you Dennis Cooper
I love the spoken word--and there are some beautiful ones said here (and mostly well-delivered). From the opening scene, we know just where this film is going, each turn foreshadowed without being ominous or heavy-handed. So we empathize with the characters as they stumble forward, having the advantage of knowing where they are heading which gives this movie a kind of warm predictable feeling despite the many seemingly insatiable appetites. If nothing else, watch and listen for the poetry--its good and definitely worth a listen.

Boring
I didn't finish watching this one, if that means anything to you. Maybe it doesn't becouse you don't know me. I thought it was pointless and I didn't get where the story was going, if anywhere. None of the characters seemed too interesting. There was some nudity but it didn't help.
The dvd has a full-screen transfer.

very disappointing
I ordered this dvd after reading the editorial comments as well as customer reviews. Also, it was recommended to me by Amazon. What a huge disappointment. The film is completely self-aware and self-conscious in trying to be hip and cool and cutting edge. For a film released in 2000, it is none of the above. It took me a while to realize I wasn't watching a film set in an 80's punk-lite scene. The acting was mediocre, the script was purposely vague (was that trying to be atmospheric, moody, or avante garde?), the cinematography was trying too hard to be gritty. And poor Willie Garson. How embarassing for him in a cliched role he walked through. I can't recommend enough that you avoid this movie. I watched the whole thing looking for signs of "fun" "refreshing" "sexy". It was really kind of sad and pathetic, with characters who were so full of themselves, I couldn't care less about the bad things that happened to them. It was just plain dirty, and not in the good way. I felt like I needed a shower afterwards. It's not that I didn't understand the film. I understood it too well. Maybe if it really was organic and earthy and real instead of trying hard to be those things, it might have worked. As it is, it may seem cool to people with limited perspectives. But if you're looking for something new or with an edge, this isn't it. In its attempt to be something original, it just became a bad version of more of the same, with bad haircuts.

I love Sam so much...
I really like this film 'cause it shows several types of gay lovers to let us think of true love. Among them I really like and sympathize with Sam (Shane Powers), who always behaves as a straight guy while always thinking of and loving his best friends in his heart... Shane Powers, as an actor, acts really well (amazing!), which left a very strong impression on me... Since I watched this film I've been looking for any information about him... Please tell me more about him!

Don't waste your time on this one.
Amateurish, extremely poor cinematography and a plot that is totally incomprehensible. ... Read more

Reviews (7)

gorgeous
This compilation contains some of the most impressive shorts i have seen in years!!!! Just wonderful and so sexy...
De Furne is going to become one of worlds biggest!

Bravo Bavo!
Very charming films from a young promising director. These are great little short films about gay love and loss. It is a delight to see the gorgeous cast in Bavo's bittersweet art films. Bavo's website has news about a first feature, I can't wait for it to be released. These films are classic but not at all mainstream, a real must for anyone expecting something special.

A painful example of how not to shoot a film
Don't bother with this painfully awful example of poor craftsmanship, unless you really like to laugh at the campy effects, bad acting and lack of real storytelling.

"Campfire" should be tossed in the Bonfire!
Talk about a waste of money! I too continued to watch, also trying to convince myself that this just might be an art film and I was, perhaps, just too dense to "get it." No. The fact is, the writers didn't get it. The directors didn't get it. And the actors didn't get it. And I hope after you read this, potential buyers won't get it either. What a waste of money. eBay, here it goes! I should have shared the copy Matt Price from Houston bought and least I might have had a good time!

A Big Mistake!
An absolute waste of my time and money. I kept trying to justify my purchase by telling myself that this was a collection of "art" films, but after watching the last one, I decided that it was just a big mistake! ... Read more