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| 1. The Nightmare on Elm Street Collection | |
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Reviews (176)
If you love these movies, BUY THIS SET! Well worth the money!
The first three movies are without a doubt the best, with part 4 being okay, and part 5 being awful. "Freddy's Dead" capped off the series nicely, while "New Nightmare" found a brilliant way of making another movie as a self-parody, rather than a cookie-cutting of the older movies. Many don't consider it to be part of the series, but it defintely is in my opinion. I will always pick Freddy over Jason or Michael Myers for his devious sense of humor. Who can forget the classic line "You've got the body, and I've Collectors can enjoy a whopping 8 DVDs of Nightmare material, including all 7 films and a bonus DVD filled with behind-the-scenes extras, interviews, and other goodies. I enjoyed the book, but the extra DVD is a real bonus. It made the DVD set more enticing, considering the price tag. Unlike the Friday the 13th or Halloween movies, which specialized in cookie-cutter sequels and little to no variation, the Nightmare series is the one that is worth owning on DVD. The originality, the chills, and the fun make the series stand out from all the other campy 80's horror series. I can join the rest of the horror movie fans in saying "They don't make em like this anymore".
Anyhoo, here goes: The Encyclopedia includes 'Prime Time', an hour-long documentary on the making of the first 'Nightmare', featuring musings from director Wes Craven, stars Heather Langenkamp and Robert Englund, and other people involved with the project. A few behind-the-scenes & technical things are shown as well. While I found some of the subjects' thoughts about the movie's significance and influence rather droning and pretentious, much of the stuff shown here was reasonably interesting. Then there's the encyclopedia proper, an archive of interviews and behind-the-scenes featurettes on every 'Nightmare' flick from the first on through to 'New Nightmare'. Much like the 'Prime Time' doc, the seemingly endless array of stuff has its more interesting parts and its drier and downright boring parts. While most of the interviewees (i.e. the films' directors, actors, writers, & producers) seemed a bit too full of themselves at times and made the 'Nightmare' franchise out to be more important and significant than it really was, these interviews paled in comparison to those of Clive Barker, writer-director of the 'Hellraiser' flicks. I tell ya, this guy's pretentious pontificating and going on and on AND ON about the horror genre could put the worst insomniac to sleep in mere moments! If ever there was a truly scary nightmare, it's tryin' to sit through an interview with this guy! Which now that I think about it would probably make for a pretty good story idea for a possible "Freddy vs." sequel! I can just see it now: "Both combatants possess some truly scary capabilities and skills! Freddy has the power to invade your dreams and kill you in your sleep! Clive Barker has the power to bore you into a coma in mere minutes with his endless babbling! Who will win this titanic tussle of truly horrific proportions? Find out when you go to see: 'Freddy vs. Barker'! Coming soon to a theater near you!" I'd be rootin' for Freddy, myself, even though Barker definitely has the edge in the scariness department... Also included is a trio of music videos, including Dokken's "Dream Warriors", as well as one by the Fat Boys and another by some other rap group whose name I can't recall. Of the three only the Dokken video is really worth checking out. BTW I'm surprised they didn't include Will "Fresh Prince" Smith's "Nightmare on My Street" video, which I kinda liked when I saw it on MTv many years back. Also included are theatrical trailers to every 'Nightmare' mo-pic. Finally, there's the Labyrinth game where you walk through the halls of Springwood H.S. to grab a few things and solve puzzles to help you unlock a few of the game's features. These features include a bunch of really corny MTv promo spots hosted by Freddy himself, a couple behind-the-scenes moments and interviews that weren't included in the encyclopedia section. Also thrown into this labyrinth were a few things that were carried over from the encyclopedia section, including several cast and crew interviews, the theatrical trailers, and the trio of music videos. I was kinda disappointed by the latter array of features, since I was able to access them in a different part of the bonus DVD, and didn't have to click through a maze of hallways to watch 'em. The way I see it, they shoulda' made the Labyrinth game completely of stuff I couldn't access anywhere else. Otherwise, I found the adventure engaging and surprisingly quick to get through-- it only took me about 90 minutes. I probably woulda' taken twice as long had I not fast-forwarded through the stuff I'd already seen before... Overall, I found the movies decent viewing even though none of 'em were all that scary to me. Funny for sure, but scary? Nope. Well, except perhaps for 'New Nightmare', a little bit. And the bonus platter had a nice array of good stuff, as well as some dull stuff. Fortunately, the dull stuff can easily be fast-forwarded through. Bottom line: this baby's worth at least one rental, just so you can finally say you saw all of the 'Nightmare' movies. 'Late
Nightmare on elm street - This is by far the best on the series. Freddy looks very dark in this one, and this is probably the one were he is the most violent. Robert England plays him so well. It can be shocking at times, but not scary. Lots of disturbing and strange scenes too. Nightmare on elm street 2: Freddy's revenge - A lot of people really hated this film because it messed with the original story. Robert Englund reprises his role as Freddy. It is set in the same area, but this isn't a film with nightmares. It starts off as a nightmare film, but at the end this is a normal slasher. That's why people didn't like it. Still, I still like it, and it contains so much more gore. Nightmare on elm street 3: Dream warriors - This is the one that made the second look like it didn't exsist. This one follows from the first, not the second. Many people enjoyed this one, as I did. Robert Englund is back, and so is Heather Lagnekamp (played the main character from the first film). The story concentrates on a group of teenagers this time, and their nightmares, and Freddy is back again, invading their nightmares. This one is probably the most fun, since Freddy gives us better and more creative death scenes, like the puppet scene (SICK!). This one isn't set on Elm street though, it's a hospital, but it has good atmosphere. An enjoyable entry. Nightmare on elm street 4: Dream master - This was a dissapointing sequel, which I also didn't like. Freddy loses his touch in this film. It can also be very stupid at times, and the deaths are -- creative -- but very OTT. The gore is the same (OTT). It does continue from the third, but the leads who survived in the third don't survive for long in this one, and it changes to another story. This is quite a bad entry to the series I think. Nightmare on elm street 5: Dream child - This is very much the same to the fourth, but this is the worst in the series. The film doesn't concentrate enough on Freddy, but instead it's his mom. Freddy's one-liners are very cheesey and crap, and there aren'r enough deaths in this one. This one concentrates more on Freddy's past. Shame, 'cause the opening of this is quite scary. Freddy's dead: The final nightmare - People also don't like this one, the consider it to be more funny than scary - which it is, but it's a really good film. It opens up quite satisfyingly, and the film also gives us information on Freddy, before he became a killer. This is the only elm street film where he doesn't use his claw to kill someone, but he kills people in a cool, fun way. I like this entry, certainly an improvement to the lat tow films. Wes Craven's new nightmare - I actually like this film. It's all about Freddy in the "real" world. Many roles from the original movie star in this and play themselves, as this film is like a docusoup. Once you get to the last thirty minutes of this film you'll love it. But, Freddy isn't in much of the start of this film, and it has a story that can be quite hard to follow. Other than that, this is an excellent film, and it's a great and different way to end the series. A classic horror series that must be bought.
... Read more | |
| 2. Roswell - The Complete Third Season | |
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Reviews (25)
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| 3. White Noise (Widescreen Edition) Director: Geoffrey Sax | |
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Amazon.com Reviews (87)
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| 4. Blade Trilogy - The Ultimate Collection | |
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Reviews (8)
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| 5. Audition Director: Takashi Miike | |
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Amazon.com Reviews (103)
Takashi Miike has accomplished drawing the audience in slowly with subtle and well-made storytelling that turns into a roller coaster ride of white-knuckle extreme terror. At first it seems as though Miike is presenting at straightforward family drama. Husband/father Aoyama (Ryo Ishibashi) widowed seven years prior decides under the gentle and humorous direction of his son (Tetsu Sawaki) it is time to remarry. Simple? Well, no. Aoyama's drinking buddy Yoshikawa (Jun Kunimura) decides to hold a fake audition for a film in search of the perfect woman. The editing during this sequence has a natural rhythm and humor that highlights the whole facade as the numbers of unusual women are asked a series of questions. Enter Asami (Eihi Shiina), a former ballet dancer, who seems to have suffered in her past. Aoyama falls in love quickly, and against the warnings of Yoshikawa moves forward in quest for the perfect mate," a compliant woman is best." Takashi quickly cuts to a still shot of Asami, sitting on the floor her head bent down, her hair falling over her head so we can't see her face, a telephone in the foreground, and a very large canvas bag. Throughout soundtrack is very well done and there are very different types of music to fit each scene. At this point, however, there is total silence. Long enough to create tremendous tension. Miike takes the audience with Aoyama as hints Asami's of psychotic disintegration almost subliminally sneak into the narrative. At the midway point we become just as disoriented as Aoyama. Is love blind and deaf? In a series of well-edited montage scenes we are shown previous shots of conversations with different dialog, or simply, more direct. Asami seems to be disclosing all of her painful and tragic past. Or is she? Do we really listen when we are in love, or do we simply hear what we want to hear? Asami's lifelong forced submission and compliance have been driven so deep they boomerang ..standing these traits on their heads. I enjoyed Takashi's sense of direction. The film flows, picking up pace towards the final scenes effectively employing the lost art of giving the audience the maximum amount of tension and fear while revealing little. By then it is too late. Throw in a couple of misplaced acupuncture needles, dismembered limbs, three fingers and a tongue. Well, you can imagine the scenarios. Or can you? This is a slow burn, with a great pace and it really pays off. Not for the squeamish, faint of heart or anyone who is afraid of needles. Deeper, deeper..deeper.
However, as you may already know, the story centers around a single father(Aeyoama) that is considering the prospect of a second marriage; with his 16-yr old son's approval and recommendation, actually. After holding phony auditions, with the aid of his friend, to find the "perfect" girl, he is smitten as a kitten with a girl named Asami, and together they begin the courting process. Too much time was spent in scenes where Asami proclaimed how happy she was that Aeyoama had called her for a date, or happy he called her, blah blah blah. I don't know how Aeyoama could not help but roll her eyes (I was!) after listening to her express that sentiment over & over, but hey, perhaps that is the type of complacency he was searching for in a wife? Originally, he'd picked Asami out of a stack of eligible partners as a result of the thoughts she had written down on her application. After meeting her though, it seemed like he became much more interested in her physical appearance. In one isntance, Aeoyama Eventually, she disappears and Aeyoama completely loses it, goes against his best friend's advice as well as his dead wife's warnings (in dreams) and goes to search her out, whatever the cost. When she finally does reappear, Asami is no longer her shy bashful self. Instead, she is at the far end of the sensitive scale, to put it lightly. She inflicts pain on Aeyoama that can be expressed as the novel "Misery" times 100. It seems as though the unspoken arrangement between torturer & torturee was written soon after Asami had gained Aeyoama's love for her. But apparently, this love was based on the love that Asami had been shown in her own life, as we are treated to scenes of Asami growing up & her studies of ballet. This is something that Aeyoama was not aware of, or probably failed to pick up on. It would be interesting to discover if he would have volunteered for the severe torture at the end of the film, had Asami asked; in comparison to Van Gogh's cutting off of ear. Apparently baking a cake for the loved one was not an option. Anyway, there is a bit of confusion on this last idea since she is definitely getting her cookies out of the carnage she is inflicting; the idea being that she is the heroine and Aeyoama is the filthy "man" that uses and abuses females. She must phsyically alter him to represent the grotesque being he really is. Very interesting ideas, very well adapted into film, but falls short in arriving at a conclusion of any kind. Some may view that as a plus, but I wanted Aeyoama to either accept responsibility for the violence infliced on him, or reject it. ... Read more | |
| 6. 50 Movie Horror Classics | |
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Description Creature Features Really Mad Madmen Cult Classics Silent Horror Classics Reviews (4)
Different horror genres including: Crusty, Creepy Creatures Majorly Maddening Madmen Cult Classics AND MUCH, MUCH MORE! I highly recommend this very cool and inexpensive box set for anyone who likes classic horror, cheesy schlock, Bela Lugosi or stylings of the great Ed Wood! Happy Watching!
I have the 50 Pack of Old Mysteries and the one of Sci-Fi...they are just great ways to packages these old movies you thought you'd never see again.
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| 7. Brotherhood of the Wolf Director: Christophe Gans | |
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Reviews (11)
Getting back to the main topic, Brotherhood of the Wolf is an intelligent fantasy film with everything you need to love this film. The layers of the movie make it a highly enjoyable watch, and of course Mark Dacascos is brilliant yet again. * Did you know that Vincent Cassel, who plays the sly brother, is married to the beautiful Monica Belluci and they are expecting their first child! Just thought you should know that. Monica plays the mysterious sexy [woman]whore.
The acting holds water and the characters are given depth. The main character's Indian sidekick seems a little too P.C. for my taste: a common habit in propaganda these days that achieves nothing and limits the artistic quality of a movie. The fight sequences also take away from the mood of the story with the computerized "Matrix" style flying roundhouse kicks, etc. Although the monster of the story builds suspense and mystery which keeps the audience intrigued, the ending is almost anticlimactic by virtue of being too surreal and unbelievable: the monster should have remained a supernatural beast. The idea of the Church being against the crown during that period is equally laughable: making it seem as if the writer of the film hasn't done his history as to pre-revolutionary France. Entertaining to watch once or every once in a while but I wouldn't buy it. For that style of movie, I would recommend watching Tim Burtons's version of "Sleepy Hollow" instead.
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| 8. House of Wax Director: André De Toth | |
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Amazon.com Not at all a musty relic of the early-sound era, the original Mystery of the Wax Museum (shot in a soft, trial version of Technicolor) is saucy, pre-Code fun. As corpses disappear from the morgue, Lionel Atwill's wax museum adds to its displays. Coincidence, or the work of the hideously deformed fiend stalking the Manhattan night? Most of the snappy dialogue comes courtesy of reporter Glenda Farrell, a vintage wisecracking dame. --Robert Horton Reviews (39)
The Vincent Price remake is arguably the scarier of the two versions. Although it duplicates many scenes and sections of dialogue from the earlier film, it adds a couple of effective sequences involving the villain of the piece. In one, the scarred fiend chases heroine Phyllis Kirk through dark, rain-slicked streets in the dead of night; in the other, he commits a gruesome murder. Price is deliciously hammy in the role. He constantly threatens to go over the top, but pulls back just in time (at least until the end, when he lets go with relish). Miss Kirk, with her china doll beauty and deep modulated voice makes a wonderful heroine, and Charles Buchinsky (later Bronson) stands out as a muscled and menacing deaf-mute who lurks among the shadows of the museum. The production's color and lighting are outstanding ... the viewer is often left wondering which figures are human and which are wax, and there are several shocks and surprises along the way. The DVD offers an exceptionally fine film-to-video transfer, and don't forget to watch the Original Theatrical Trailer! It's an example of Hollywood ballyhoo at its best, and features some gorgeous color graphics. The legendary 1933 original version was believed, for decades, to be a "lost film". Film buffs all over the world rejoiced when a surviving print was finally located in the late 1970's; unfortunately, (and unsurprisingly) the actual film was unable to live up to the hype that built up around it during its absence. Despite its considerable virtues, including great performances from Lionel Atwill as the villain and Fay Wray as the gorgeous screaming heroine, "Mystery of the Wax Museum" is marred by an over-abundance of comic relief. Playing a hard-boiled newspaper "dame" who delivers her peppery dialogue in machine gun fashion, Glenda Farrell is neither comic nor a relief. She's simply obnoxious. Still, she's lovely to look at in early two-strip Technicolor. This process, which registers color most heavily in hues of blue and orange, was a crude forerunner of the three-strip "candy-box" Technicolor that made its feature-film debut two years later in the 1935 production of "Becky Sharp". It should be noted that this DVD offers the best restored version of "Wax Museum" yet seen; the color is more vivid and the sound much clearer than that featured on any TV prints or on the earlier MGM VHS version. All in all, this is a DVD package that should please both horror buffs and film historians alike; it's certainly a great value to receive the 1933 version as a "bonus feature". Here's a double feature made to order for a chilly evening; enjoy it with a bowl of popcorn ... and maybe a burning candle.
Most people will find this movie creepy even today; those who love camp will enjoy the prolonged ping-pong paddle scene catered to the orginal 3-D audience. All in all, one of Vincent Price's best films, proving once again that nobody goes horribly insane quite like Vincent Price.
The studios should really be awaken to this great 3-D system.
The movie begins with Vincent Price as Professor Henry Jarrod. He takes pride in his wax figures which he often refers to as his friends. They speak to him, and he understands them well, and how they want to be made. In a way to make more money, an investor burns up the museum and flees the sight leaving Jarrod for dead. A couple of years later, people begin to disappear, kidnapped in the night. This happens at the same time that Jarrod, who is now in a wheelchair, wants to reopen his museum, with new figures that resemble some of the people that disappeared. He claims that he uses pictures of the missing people in the paper as a muse for the figures, but a women named Sue knows better. She swears that the figure of Marie Antoinette looks like her kidnapped friend Cathy Grey. Sue decides to make it her mission to find out what is going on at the house of wax. Another great thing in "House of Wax" is the acting. In the recent Harry Potter film, the director has long takes. Scenes of about five minutes all in one take. The same happens in "House of Wax" except some scenes could be closer to eight or nine minutes. This is amazing considering some actors nowadays act for about thirty seconds before cutting away. The actors back then really had to act for many minutes at a time. "House of Wax" is a great horror film, and try and catch it on tv. ENJOY! Rated Approved back in 1953, but if I had to rated it probably a PG for brief violence. ... Read more | |
| 9. Friday the 13th - From Crystal Lake to Manhattan (8 Movies) | |
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Reviews (11)
TWO THUMBS UP!
1) Friday the 13th - 7/10 - Here's where all the mayhem begins. Camp Crystal Lake gets written into the horror books, and the murder of camp counselors begins. While Jason is not the original killer, it's still a classic, and is one of the most successful of the series. 2) Friday the 13th Part II - 7/10 - Finally we get some Jason action in here. Murders contine at Camp Crystal Lake, with a fantastic ending. A pretty solid sequel, with more of the same. 3) Friday the 13th Part III - 8/10 - Jason dons his trademark hockey mask for some great slaying. Kids make a getaway to Camp Crystal Lake only to find the manical killer waiting for them. 4) Friday the 13th Part IV: The Final Chapter - 10/10 - While not really the final chapter of the series, its arguably the best film. Don't want to spoil this one for you, so I'll shut up. 5) Friday the 13th Part V: A New Beginning - 5/10 - I like this film more than most reviewers do, but its still probably the weakest in the series next to Part VIII. The film has an unexpected turn, which you'll have to watch to find out. You'll then know why this film doesn't quite live up to its breathren. 6) Friday the 13th Part VI: Jason Lives - 10/10 - The series returns from the doldrums of Part V to a fantastic film. Tommy returns to Jason's grave, only to bring him back to life... and boy is Jason pissed. 7) Friday the 13th Part VII: The New Blood - 9/10 - Tina is a troubled girl with strange telekinetic abilities. She accidently raises Jason from the depths of Crystal Lake to unleash the killer on a neighboring cabin full of teenagers. 8) Friday the 13th Part VIII: Jason Takes Manhattan - 6/10 - Jason hops on board a boat filled with teens headed for New York City... mayhem ensues. While not the pinnacle of the series, its still good for a scare.
"Paramount" finally smartens the hell up and re-releases the first eight "Friday" films, together for the first time, in one big box set, reigniting the saga of Jason Voorhees, the mama's boy with the hockey mask fetish. The good - all eight films together, 2 installments per disc with audio commentary on III, IV, VI,& VII. A fifth disc with a feature length documentary on the history of the franchise, a "where are they now?" style featurette on the victims from each film, a look at the props from the films, trailers, etc. The special features are what will probablly make me buy this. The bad - deleted scenes? They will probablly be included but won't be the stuff fans have been craving for. Dolby Digital? Sure, 2.0 DD or surround, at best. If there are 2 films per disc, I hope "Paramount" doesn't go on the cheap and put one film on each side of the disc making the viewer flip the disc over to watch the other movie (flipper discs, suck big time!). Dual layered discs are the way to go. As for the films themselves... "I" through "IV" with "Jason Lives" are a must view. "The New Blood" is o.k. (the action scenes between Jason and Tina were cool. The rest you can skip). As for "V" & "Jason Takes Manhatten"? Well, sometimes dead is better. ... Read more | |
| 10. Alone in the Dark Director: Uwe Boll | |
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Amazon.com Reviews (67)
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