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| 21. Brotherhood of the Wolf Director: Christophe Gans | |
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Reviews (11)
Getting back to the main topic, Brotherhood of the Wolf is an intelligent fantasy film with everything you need to love this film. The layers of the movie make it a highly enjoyable watch, and of course Mark Dacascos is brilliant yet again. * Did you know that Vincent Cassel, who plays the sly brother, is married to the beautiful Monica Belluci and they are expecting their first child! Just thought you should know that. Monica plays the mysterious sexy [woman]whore.
The acting holds water and the characters are given depth. The main character's Indian sidekick seems a little too P.C. for my taste: a common habit in propaganda these days that achieves nothing and limits the artistic quality of a movie. The fight sequences also take away from the mood of the story with the computerized "Matrix" style flying roundhouse kicks, etc. Although the monster of the story builds suspense and mystery which keeps the audience intrigued, the ending is almost anticlimactic by virtue of being too surreal and unbelievable: the monster should have remained a supernatural beast. The idea of the Church being against the crown during that period is equally laughable: making it seem as if the writer of the film hasn't done his history as to pre-revolutionary France. Entertaining to watch once or every once in a while but I wouldn't buy it. For that style of movie, I would recommend watching Tim Burtons's version of "Sleepy Hollow" instead.
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| 22. Angel - Season Four | |
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Amazon.com Season 4 is presented on DVD in Dolby 2.0 Surround Sound and anamorphic widescreen. It comes with insightful, and often hilarious, commentaries on seven of the 22 episodes as well as featurettes--a series overview, profiles of the characters of Jasmine and the Beast, a farewell to the Hyperion Hotel (the characters' base for three seasons), and a discussion of the apocalypse that Angel has to deal with from episode 7 onwards). --Roz Kaveney Reviews (34)
This season probably the worst of the series. Why? -The Connor/Jasmine/Cordelia arc did not mesh well, and did not adhere to the core statement of the show. The story arc was so accomodating to Charisma Carpenter's pregnancy and suffered as a result. Forget about emotional resonance and provocative messages (when's the last time outside of Jerry Springer that a woman was having an affair with both a father and a son?). What it comes down to is that this was a very experimental year. The writers tested what worked and when that didn't, they altered the story line accordingly. Connor and Cordelia too gross? Make Cordelia evil. Charisma Carpenter pregnant? Make her baby evil. The Jasmine story arc was fine, but very disjointed from the rest of the supposedly "tight-knit" story arc because it was originally not intended to take place. Even the Angelus mini-arc was sadly lacking. The character never hurt anyone, merely taunted them like a high school bully. In addition, the writers really dropped the ball when they made Angel and Angelus two different characters. The reason why Angelus is so frightening is because he IS the character we know and love. Flaws from the central arc and Angelus arc aside, it was still great television. The season premiere and finale were well thought out "Live life as it should be to show the world what it could be." Gwen Raiden was an awesome, and sadly underused, new character, Lilah, Wesley, Fred, and Gunn had some of their greatest moments on the show, and the Whedon directed "Spin the Bottle" was a fantastic romp (although very similar to a season six buffy episode). I'd recommend you pick up this DvD only if you are a die-hard fan of the show, because you would have to own the prior seasons to make much sense of what's happening. If you are a casual fan, borrow it from a friend and wait to purchase the fantastic season 5.
The most obvious flaw of the season is the destruction of the character Cordelia. Now, I realize that something had to be done about her, storywise, since in real life Charisma Carpenter was pregnant, but couldn't they have come up with something not quite so cringeworthy? I fear I will never rid myself from the image of Connor and Cordelia sleeping together, even though, as we find out later on, all is not as it seems. I actually quite enjoyed the storyline with the Beast and was intrigued by how the return of Angelus would be handled. Unfortunately, there was far to much talk and not enough bite in his return, what with him spending most of his time trapped behind bars, merely taunting the gang. There are episodes from this season that I like (obviously, 'cause no matter how jumbled, this is still "Angel"). "Spin the Bottle", which was penned and directed by Joss Whedon, is one I enjoyed immensely. The episode sees the characters regress to younger versions of themselves due to a spell gone wrong. Enter hilarity and some really emotional scenes, as well. Alexis Denisof continues to amaze me, in a way I never thought possible judging by his "Buffy" days. Watching him become the bumbling Watcher once again and then revert to his present-day persona is a real testament to the acting skills of Denisof. Hopefully, he will get even more recognition in the future. I liked the three-parter "Salvage"/"Release"/"Orpheus" which featured the return of Faith, the slayer who was once out to destroy herself and others, and Willow, the witch who became a lot more alike Faith, than I think she ever wanted to admit. It was interesting to see Faith fight, not only for her own redemtion, but also for Angels. I was also amused by Willows and Wesleys attempts to top each other of, by giving examples of the various evil acts they had performed. In the end though, I just felt that the writers had no idea where they wanted to go with this season, and the appearance of Jasmine confirmed that for me. She felt entirely wrong in connection to the events that had occured earlier in the season, and I just couldn't take her character seriously. The season ender "Home" was good, though, and the episode opened up a whole new avenue of opportunities and storylines leading into season 5, which gave me faith in the show, again. ... Read more | |
| 23. House of Wax Director: André De Toth | |
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Amazon.com Not at all a musty relic of the early-sound era, the original Mystery of the Wax Museum (shot in a soft, trial version of Technicolor) is saucy, pre-Code fun. As corpses disappear from the morgue, Lionel Atwill's wax museum adds to its displays. Coincidence, or the work of the hideously deformed fiend stalking the Manhattan night? Most of the snappy dialogue comes courtesy of reporter Glenda Farrell, a vintage wisecracking dame. --Robert Horton Reviews (39)
The Vincent Price remake is arguably the scarier of the two versions. Although it duplicates many scenes and sections of dialogue from the earlier film, it adds a couple of effective sequences involving the villain of the piece. In one, the scarred fiend chases heroine Phyllis Kirk through dark, rain-slicked streets in the dead of night; in the other, he commits a gruesome murder. Price is deliciously hammy in the role. He constantly threatens to go over the top, but pulls back just in time (at least until the end, when he lets go with relish). Miss Kirk, with her china doll beauty and deep modulated voice makes a wonderful heroine, and Charles Buchinsky (later Bronson) stands out as a muscled and menacing deaf-mute who lurks among the shadows of the museum. The production's color and lighting are outstanding ... the viewer is often left wondering which figures are human and which are wax, and there are several shocks and surprises along the way. The DVD offers an exceptionally fine film-to-video transfer, and don't forget to watch the Original Theatrical Trailer! It's an example of Hollywood ballyhoo at its best, and features some gorgeous color graphics. The legendary 1933 original version was believed, for decades, to be a "lost film". Film buffs all over the world rejoiced when a surviving print was finally located in the late 1970's; unfortunately, (and unsurprisingly) the actual film was unable to live up to the hype that built up around it during its absence. Despite its considerable virtues, including great performances from Lionel Atwill as the villain and Fay Wray as the gorgeous screaming heroine, "Mystery of the Wax Museum" is marred by an over-abundance of comic relief. Playing a hard-boiled newspaper "dame" who delivers her peppery dialogue in machine gun fashion, Glenda Farrell is neither comic nor a relief. She's simply obnoxious. Still, she's lovely to look at in early two-strip Technicolor. This process, which registers color most heavily in hues of blue and orange, was a crude forerunner of the three-strip "candy-box" Technicolor that made its feature-film debut two years later in the 1935 production of "Becky Sharp". It should be noted that this DVD offers the best restored version of "Wax Museum" yet seen; the color is more vivid and the sound much clearer than that featured on any TV prints or on the earlier MGM VHS version. All in all, this is a DVD package that should please both horror buffs and film historians alike; it's certainly a great value to receive the 1933 version as a "bonus feature". Here's a double feature made to order for a chilly evening; enjoy it with a bowl of popcorn ... and maybe a burning candle.
Most people will find this movie creepy even today; those who love camp will enjoy the prolonged ping-pong paddle scene catered to the orginal 3-D audience. All in all, one of Vincent Price's best films, proving once again that nobody goes horribly insane quite like Vincent Price.
The studios should really be awaken to this great 3-D system.
The movie begins with Vincent Price as Professor Henry Jarrod. He takes pride in his wax figures which he often refers to as his friends. They speak to him, and he understands them well, and how they want to be made. In a way to make more money, an investor burns up the museum and flees the sight leaving Jarrod for dead. A couple of years later, people begin to disappear, kidnapped in the night. This happens at the same time that Jarrod, who is now in a wheelchair, wants to reopen his museum, with new figures that resemble some of the people that disappeared. He claims that he uses pictures of the missing people in the paper as a muse for the figures, but a women named Sue knows better. She swears that the figure of Marie Antoinette looks like her kidnapped friend Cathy Grey. Sue decides to make it her mission to find out what is going on at the house of wax. Another great thing in "House of Wax" is the acting. In the recent Harry Potter film, the director has long takes. Scenes of about five minutes all in one take. The same happens in "House of Wax" except some scenes could be closer to eight or nine minutes. This is amazing considering some actors nowadays act for about thirty seconds before cutting away. The actors back then really had to act for many minutes at a time. "House of Wax" is a great horror film, and try and catch it on tv. ENJOY! Rated Approved back in 1953, but if I had to rated it probably a PG for brief violence. ... Read more | |
| 24. The X-Files - The Complete Ninth Season | |
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Amazon.com The naysayers have plenty of valid complaints (particularly about the "Super Soldiers" segue), and many hated that the Mulder/Scully pairing was gone, but there are a few aspects that are universally positive, and there aren't many complaints about their replacements, Agent Doggett and Agent Reyes (Annabeth Gish). In fact, many feel that the show could have easily continued if the show's writing had been better. The final episode was more or less a 90-minute recap of the X-Files phenomenon. After "The Truth" ended, disappointed hardcore fans couldn't help but feel it was a set-up for an upcoming movie, but casual fans should find the episode very helpful in linking together the mythos that entranced and confused viewers for years. It may not be up to par with the first six seasons, but season 9 is still a lot better than most television shows.If you have the nerve to revisit this season, you will be pleasantly surprised. --Rob Bracco Reviews (60)
The mythology this year revolved around the mysteries of Scully's baby, the "super-soilders", internal politics within the FBI and the question of whether Mulder was dead or alive. While these mythology story lines were no means the best Chris Carter and co. have ever come up with the episodes themeselves were still truly excellent. The season opened with the brilliant two-parter "Nothing Important Happened Today I & II" which aroused question for the coming year. "Trust no 1" dealt with Mulders dissapearance, the mid season two-parter "Provenance" and "Providence" were amongst the best two-part episodes the show has ever made, "William" brilliantly directed by David Duchovny was a real highlight of season 9 and then the final episode ever "The Truth". This episode marked Mulders retun and while there were quite a few things I didn't like about the episode it was an amazing ending to the greatest show to ever grace our screens. The stand-alone episodes this season were just as good as any of the previous seasons with "Deaomonicus", "4-D", "John Doe", "Hellbound", "Audrey Pauley", "Improbable"(which guest starred Burt Reynolds) and my particular favourite "Release", which gave a fantastic resolution to the question of what had actually happenend to Doggett's son, being amongst the greatest stand-alones ever made. There were a few very good episodes in the shape of "Underneath", "Scary Monsters" and "Sunshine Days" but there were also a couple of absolute stinkers, "Lord of The Flies" and "Jump The Shark" were easily two of the worst episodes ever made. Give season 9 a chance and you may well be surprised how truly excellent this final year was. The acting is, as always, superb especially from Robert Patrick and Gillian Anderson, production values and direction were second to none and as such the show has never looked better. The stand-alones were as good as any other year, the mytholgy was still very interesting and for a show in it's ninth year it looked incredibley fresh.
That to me is what The X-Files was about. Mulder and Scullys relationship and their investigations into the paranormal. I started watching this and to my surprise I was getting just as much enjoyment in this season as I was in the previous Seasons. Some of my favorite episdoes were, Daemonicus, 4-D, John Doe, Trust No 1, Provenace/Providence, William (very good), and of course the finale The Truth (though I dont think much was accomplished in the finale... 1 hour of recapping the entire series, then 30 minutes of mulder showing scully the date of the final alien invasion.. Hopefully the next movie will wrap things up, though rumor has it that it will be a stand-alone story) There is a couple that I didnt like, one being The Lord of the Flies. But there is always one or two that I didn't like very much in just about every season. True, that the show has changed alot in the later seasons... Watch season 3 then watch season 7 or 8. Almost seems different. In my opinion season 9 is a must-have for anyone that calls themselves an X-Files fan... Season 9 was the beginning of a new X-Files. They could have continued with Dogget and Reyes.... Note I said that they could have, not that they should have. The series should have ended after Season 7. So much happened in that season. Mulder found the truth about his sister. The syndicate was pretty much dismantled. Mulder and Scully shared their first kiss. Then after ending season 7 they should have created one or two more movies to wrap things up. That would have been the smart thing in my opinion. I had trouble getting through Season 8, but I liked Season 9. Now that I watched Sesaon 9 just as eagerly as I did the rest of them, I may have to go back and give season 8 another chance.
If you simply watched The X-Files because of David Duchovny then you will not enjoy season 9 - if you're open minded, then give this season a chance. Sure there are episodes that were lacking, but every season had an episode or two that was lacking. Robert Patrick did a fine job and while Annabeth Gish tried her best, she wasn't as strong as Patrick, but then again she wasn't given very much to work with. She and Patrick worked very well together and I would have loved to have seen their partnership/friendship explored more thoroughly. Many feel their romance was forced or rushed and that may have been the case, but CC knew the show was ending and I think he decided to throw the DRR fans a bone. I must admit I grew to dislike Scully's character and her incessant whining about her son. The pregnancy storyline in season 8 and subsequently the introduction to William in season 9 was a big mistake and dumbed down Scully in my opinion. Truth be told Gillian Anderson wanted off the show and it was evident in her acting. FOX should have let her out of her contract and bid her farewell and focused on the Doggett & Reyes characters. Some of the strong episodes were Hellbound, 4D, John Doe, Audrey Pauley & Release. The bonus material is very interesting and worth a view as well. For a show that was meant to open your mind, many fans chose to close their minds and abandon the show after Duchovny left. I was sad at his departure, but understood his reasons and wished him well in his new endeavors. I don't feel many fans gave this season a fair shot and reading through many of the reviews that's evident. Give it a shot, you won't be disappointed and it's a hell of a lot better than "Reality TV." If you can't see spending the money on the DVD set then rent it at Blockbuster - it's worth it.
Some very good episodes appeared, including "Lord of the Flies," "Release," and "Sunshine Days." The final episode, "The Truth," was a let down. The set-up, in a military Kangaroo court, was preposterous. The only good thing about the episode was the summation of all the confusing "alien conspiracy/mythology" episodes. David Duchovney was sorely missed throughout the season, but I would have preferred Doggett and Scully, as in season 8, than the insipid Reyes. The season is worth seeing to complete all the seasons, but it's not really a keeper. ... Read more | |
| 25. Alone in the Dark Director: Uwe Boll | |
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Amazon.com Reviews (67)
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| 26. Angel - Seasons 1-4 Director: Vern Gillum, Ben Edlund, Tim Minear, Terrence O'Hara, Tucker Gates, David Grossman (III), James Whitmore Jr., Krishna Rao, Bruce Seth Green, David Boreanaz, Frederick King Keller, Steven S. DeKnight, Bill L. Norton, Marita Grabiak, Scott McGinnis, James A. Contner, Sean Astin, Turi Meyer, Michael Lange, Thomas J. Wright | |
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| 27. Sliders:Third Season | |
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| 28. Friday the 13th - From Crystal Lake to Manhattan (8 Movies) | |
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Reviews (11)
TWO THUMBS UP!
1) Friday the 13th - 7/10 - Here's where all the mayhem begins. Camp Crystal Lake gets written into the horror books, and the murder of camp counselors begins. While Jason is not the original killer, it's still a classic, and is one of the most successful of the series. 2) Friday the 13th Part II - 7/10 - Finally we get some Jason action in here. Murders contine at Camp Crystal Lake, with a fantastic ending. A pretty solid sequel, with more of the same. 3) Friday the 13th Part III - 8/10 - Jason dons his trademark hockey mask for some great slaying. Kids make a getaway to Camp Crystal Lake only to find the manical killer waiting for them. 4) Friday the 13th Part IV: The Final Chapter - 10/10 - While not really the final chapter of the series, its arguably the best film. Don't want to spoil this one for you, so I'll shut up. 5) Friday the 13th Part V: A New Beginning - 5/10 - I like this film more than most reviewers do, but its still probably the weakest in the series next to Part VIII. The film has an unexpected turn, which you'll have to watch to find out. You'll then know why this film doesn't quite live up to its breathren. 6) Friday the 13th Part VI: Jason Lives - 10/10 - The series returns from the doldrums of Part V to a fantastic film. Tommy returns to Jason's grave, only to bring him back to life... and boy is Jason pissed. 7) Friday the 13th Part VII: The New Blood - 9/10 - Tina is a troubled girl with strange telekinetic abilities. She accidently raises Jason from the depths of Crystal Lake to unleash the killer on a neighboring cabin full of teenagers. 8) Friday the 13th Part VIII: Jason Takes Manhattan - 6/10 - Jason hops on board a boat filled with teens headed for New York City... mayhem ensues. While not the pinnacle of the series, its still good for a scare.
"Paramount" finally smartens the hell up and re-releases the first eight "Friday" films, together for the first time, in one big box set, reigniting the saga of Jason Voorhees, the mama's boy with the hockey mask fetish. The good - all eight films together, 2 installments per disc with audio commentary on III, IV, VI,& VII. A fifth disc with a feature length documentary on the history of the franchise, a "where are they now?" style featurette on the victims from each film, a look at the props from the films, trailers, etc. The special features are what will probablly make me buy this. The bad - deleted scenes? They will probablly be included but won't be the stuff fans have been craving for. Dolby Digital? Sure, 2.0 DD or surround, at best. If there are 2 films per disc, I hope "Paramount" doesn't go on the cheap and put one film on each side of the disc making the viewer flip the disc over to watch the other movie (flipper discs, suck big time!). Dual layered discs are the way to go. As for the films themselves... "I" through "IV" with "Jason Lives" are a must view. "The New Blood" is o.k. (the action scenes between Jason and Tina were cool. The rest you can skip). As for "V" & "Jason Takes Manhatten"? Well, sometimes dead is better. ... Read more | |
| 29. The X-Files - The Complete Sixth Season | |
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Amazon.com Reviews (41)
In my opinion, the chief problem with Season 6 (and 7, for that matter) is the prescence of some poorly executed "humorous" episodes. In the early seasons, there would every so often be an episode that was funny and tongue-in-cheek, without losing that X-Files feel. With Season 6, however, such episodes ceased to be genuinely funny, and became simply silly and wacky, providing little laughter that isn't forced. This season's worst offender is "How the Ghosts Stole Christmas," in which Mulder and Scully are trapped on Christmas Eve in a haunted mansion, whose ghostly residents wish to goad the FBI agents into a murder-suicide - by spouting pop psychology at them. Episodes that aren't mainly spoofs are also harmed by the silliness. "Agua Mala," in which a hurricane lets a sea monster loose in an apartment building, could have been a genuinely creepy episode, except for the fact that the building's tenants are all trite stereotypes. While there were problems, the good outweighed the bad in this season. The mythology episodes continued to be superb, especially "Two Fathers"/"One Son," a two-parter which essentially brings closure to the "Mytharc" running through the past five seasons. The season's only successfully humorous episodes are also mythology-related, namely the two-part "Dreamland," in which Mulder and an Area 51 operative switch bodies, and "The Unnatural," which tells the story of a star baseball player who is in fact an alien. The season finale "Biogenesis," which introduces a new stage of the mythology, is an intriguing episode, but its continuation in Season 7 is sadly disappointing. This season also featured some excellent stand-alone episodes. Especially good are "Drive," in which a mysteriously ailing man must keep driving - or his head will explode, "Alpha," a werewolf story with a twist, and "Field Trip," in which Mulder and Scully are trapped by a hallucinogenic giant fungus. Casual viewers may wish to stick with the first five seasons, which constitute the best of the series. Season 6 does, however, contain some really excellent episodes, and true fans will find plenty to enjoy. For the X-Files, "not quite as good" is still most definitely good enough.
Following the success of the movie and presumably an influx of new fans that had not followed the previous five seasons, the writers/producers opted to wrap up the conspiracy mythology (episodes "Two Fathers" and "One Son") and replace it with a more ambiguous plot ("Biogenesis"). We bid farewell to the members of the Syndicate and the "human controlled" government subterfuge. This sudden change of track upset many hardcore followers of the series. As far as the recurring characters go, we see surprisingly little of the fan-favorite Cigarette Smoking Man. The character of Mulder's informant Marita Covarrubias continues to atrophy with only one appearance this season. We also see little development of the newly introduced FBI Agents Diana Fowley and Jeffrey Spender who succeed Mulder and Scully at the X-Files. Alex Krycek makes a few appearances, but little is done with his character. The only shining point is the introduction of the character of Assistant Director Kersh, who will continue to be a thorn in the sides of Mulder, Scully, and Assistant Director Skinner until the last episodes of Season Nine. In this season, the groundwork is being layed for the eventual departure of Fox Mulder (most notably "Biogenesis"), that will continue to build throughout Season Seven until it culminates in Season Eight. Scully's character is paid tribute in many episodes including "Milagro" and "Tithonus". The weakest aspect of this season is the downturn in writing quality. The gritty tension and suspense of former seasons seem to be almost gone in the episodes of this season. We see the writers turning away from scary and often thought-provoking plots to the most inelaborate forms of humor. Stemming from this comes the WORST X-FILES EPISODE EVER: "The Rain King". This is the perhaps the first time that I could not wait for commercials simply because they were more entertaining than the episode itself. The writing quality also changed in presenting stories with a modicum of credibility. That was what made the X-Files great...just enough reality to make an otherwise preposterous story believable. And scary things that are somewhat believable are almost always ten times more frightening. That philosophy departs the series towards the beginning of the season with "Dreamland I" and "Dreamland II" that, although amusing, are nothing more than a rehash of a plot twist that has been used time and time again in science fiction. Despite its shortcomings, this is still the X-Files and I love it for its good and its bad. Well, maybe I don't love "The Rain King" episode. The episode "The Beginning" does well transitioning from the X-Files movie and the Season Five finale. "S.R. 819" builds an interesting Skinner subplot with technology that few realize exists. "Two Fathers" and "One Son" do a tidy wrap up of the former mythology episodes with a satisfying conclusion. Fans of the Lone Gunmen will adore "Three of a Kind". And "Biogenesis" does an adequate job initiating the new mythology episodes and sparking the beginning of Mulder's departure. As a fan, I believe that all the DVD box sets are a "must own", but bare in mind that this season definitely marks the "passing of the threshold".
The thing that suprised me the most about season six, was the fact that there were only three mythology episodes in "Two Fathers", "One Son", and "Biogenesis". Season six was the first season to be built almost solely upon stand alone episodes. However, the three episodes did such a wonderful job with the mythology of the show, that three episodes was all that season six needed. In fact, a season that was mainly comprised of stand alone episodes was definately a nice change of pace. Season six is filled with some of the best episodes of the entire show like "Triangle", "Dreamland" pts 1&2, "Monday" and "The Unnatural". Other episodes worth mentioning are "How the Ghosts Stole Christmas" in which two ghosts try and convince Mulder and Scully to kill each other, "Arcadia" in which Mulder and Scully pose as a newly married couple, and "Drive" in which Mulder is trapped in a car with a man who forces Mulder to drive at high speeds to suppress a fatal ear condition. Overall, season six of the X-Files managed to be even better than the fifth season and is now my favorite season. With top notch mythology episodes and fantastic stand alone episodes, this DVD set would be worth owning just for the season itself. However, the extras are also great as well. You get two featurettes, deleted scenes, commentary on "Triangle" and "Milagro", and more. A solid 5 stars...
Among my favorites this season included "Bad Blood", "Christmas Carol", "Travelers" the marvelous and touching "Mind's Eye", "All Souls", "The Pine Bluff Variant" and the suspenseful "The End". The mythlogy episoes varied a bit in quality this season. Eschewing the detour into Indian mythology was a wise move after the disasterous two parter from the previous season. The mythlogy episodes here focused as much on character as plot which was to their advantage. "Patient X" featuring the wonderful Veronica Cartwright ("Alien", "Invasion of the Body Snatchers") gives a multi-layered, emotionally powerful performance. Carter's decision to shift Scully into the role of "believer" and Mulder into "doubter" brings added tension and an unpredictable element to this season that kept the characters fresh. We get a number of extras although not quite as generous as other seasons. In addition to the 22 episodes we get 8 special effects sequences with commentary, commentary tracks on two episodes including "The Post-Modern Prometheus" and "The Pine Bluff Variant" by their writers (Carter and Shiban), 11 behind-the scenes spots, a DVD-ROM game "Earthbound" plus a documentary, 6 deleted scenes. Luckily for those of us who can't remember the titles of various episodes we also get a nice episode guide as well. All in all, a great season that continued to keep audiences spellbound. ... Read more | |
| 30. The Twilight Zone - Collection 4 | |
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Description Reviews (8)
The series is excellent. However, it's deliberate attempts at humor are often misfires (The Whole Truth, The Bewitching Pool, I Dream Of Genie). The episode A Short Drink From A Certain Fountain is the "Spock's Brain" on the series, meaning it's the worst. The ending is bad; what were they thinking??? No wonder it didn't make the syndication package. The Sound Quality varies from each DVD. Some have two channel mono while others have HIFI mono. Closed Captioned doesn't work for any of the DVD's. There's usually only 3 or 4 episodes per DVD, unlike other Box Sets that fit 8 per DVD, thus lowering the price. This is a minor beef, because the show is worth the money. You will also notice that 3 episodes (Where Is Everybody, The Encounter, The Eye Of The Beholder) appear twice if you buy all five. Again, a minor beef since The Encounter is the only one of the three to be exactly the same on both separate DVD's. These Box Sets are now a bargain compared to when each volume is sold separately. I never tire of watching the episodes and reading the notes. I also recommend Rod Serling's Submitted For Your Approval. It gives insight to Rod Serling and his creation as told by friends, relatives and co-workers.
Technically, the digital remastering to DVD has brought new life to Rod Serling's brainchild. The video presentation is crisp and well defined, bringing out the subtle details so well, that you will find yourself completely absorbed in the nuances of Serling's vision, and the outstanding production values for this early 60's series (just keep in mind that this is pre-Computer Generation era). The audio was clear, and blissfully noise free, but a bit low on the volume when compared to the title and menu audio tracks (both on the geyeballh version of the earlier disks, and the intro sequences on the later disks). The shows are presented in their original format, so no widescreen version is necessary. And television always translates well to...well, television. Although the extras include a Rod Serling bio, a brief synopsis of each of the 5 seasons that the series ran, and a Twilight Zone history, these features are identical on each disc. The true gem of the extra features is the episode synopsis and review. Each disc is unique in this respect, with a plot summary and some background "inside info". Although mostly taken from the book "The Twilight Zone Companion," I found this feature to be the most interesting. Each collection has its ghitsh and gmissesh, but the series is, overall, a rewarding experience. The only "disappointments" that I found were the collection's lack of a subtitles option (which I really would have appreciated), and the fact that the episodes are not in order (which slightly detracts from observing the actual progression of growth within the series). That makes this more of a 4 1/2 star rating (but you can't do that, can you?). If you have ever enjoyed even one episode of this legendary series, you will not regret buying these collections. And if you've never seen it, give it a try...you'll be hooked.
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| 31. The Twilight Zone - Season 3 (The Definitive Edition) | |
![]() | list price: $99.99
our price: $89.99 (price subject to change: see help) Asin: B00092ZLC6 Catlog: DVD Sales Rank: 2842 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (3)
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| 32. The Twilight Zone - Season 1 (1985 - 1986) | |
![]() | list price: $69.99
our price: $48.99 (price subject to change: see help) Asin: B00068NVLQ Catlog: DVD Sales Rank: 3426 US | Canada | |