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| 141. The Exorcist (The Version You've Never Seen) Director: William Friedkin | |
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Amazon.com essential video Reviews (640)
The only good about the "Version You've Never Seen" is the added spider-walk scene which is very creepy; although it may be so strong that it attracts too much attention to itself, causing some unbalance in the film. I recommend the 25th Anniversary Edition, which is the original version. It is also better paced. Another added scene in "The Version You've Never Seen" is of Regan's first visit to the hospital for tests; it comes too abruptly, and Regan being in her mother's bed, telling her that she couldn't sleep because her own bed was shaking, doesn't really seem to warrant it. ... Read more | |
| 142. Vampire Hunter D Director: Carl Macek, Toyoo Ashida | |
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Amazon.com The DVD features both English and Japanese language soundtracks with optional English subtitles. It also has a documentary featurette, deletedfootage, and an artwork gallery by Amano among its supplements. --Sean Axmaker Reviews (171)
Watching it for the first time, 14 years after it's release, I was not dissapointed. My favourite character is the hero's talking hand. I want one of them for christmas.. A girl's life is in jeopardy, after being bitten by a vampire. A vampire who's taken a liking to her. The only solution involves the death of the vampire. Enter Mr.D, the vampire hunter. Dissapointingly enough, he doesn't talk a lot at the beginning of the movie, which is a shame, because he has a rather cool voice. However it does add to the mystery surrounding him. The plot isn't really amazing, and it's all been done, but the sheer coolness of D and this movie earnes it a 4/5. Watch it, it's a part of anime history.
So this is how I rate Vampire Hunter D Sound:8/10- The voice actor for D is incredible. The other voice actors are struggling with the concept of sound. Visuals:9/10- D looks amazing while the other characters look a little dated. Sometimes the movie can get incredible dark and it is hard to see what is happening. Style:10/10- A great way to put it all together Story:7/10- Can sometimes be a little repetitive. Other than that it is a great story. Rating:14 and up- for violence and nudity. Extras:7/10- You will watch them once and only once. Movie/10/10- An amazing movie. The
fin ... Read more | |
| 143. Salem's Lot Director: Tobe Hooper | |
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Description Reviews (123)
David Soul ("Starsky and Hutch") plays Ben Mears, a writer who returns to his hometown to write a novel about the local haunted house, and ends up dating Susan Norton (Bonnie Bedelia, future star of "Heart Like a Wheel"). Then evil James Mason comes to town, and pretty soon 70s character actors like Fred Willard, Geoffery Lewis and Elisha Cook, Jr. are dropping dead due to... mysterious circumstances. Okay, enough phony suspense. It's a vampire movie. Vampires... in modern-day Maine. And it works better than it has a right to. Soul's not exactly tortured enough, and Lance Kerwin's a little too old to play a monster-obsessed youth, but the supporting cast, which includes Ed Flanders ("St. Elsewhere"), Lew Ayres (Paul, from the classic 1930 "All Quiet on the Western Front"), Kenneth McMillan ("Ragtime," and "Dune") and George Dzundza (everything else) more than make up for it. They're sincere, and that counts for a lot. James Mason makes a perfectly urbane villain; he's suave and dangerous, and much smarter than his undead master, who's something of a disappointment in the chills department when finally revealed. This disk contains the entire miniseries, which manages to maintain a level of suitable creepiness, despite some dated sexual innuendo and a some "made-for-tv" scenes that aren't quite as menacing as they could be. Still, a few sequences are effectively chilling, and it's well worth your time, especially around Halloween.
The film boasts a good seasoning of veteran actors in supporting roles, several of whom ---- Elijah Wood, Jr., Lew Ayres, and Marie Windsor ----- appeared in a number of film noir classics of the forties and fifties. (For a treat, see Windsor in the 1952 version of "The Narrow Margin"). But while it's fascinating to see these old pros in their various roles, it's James Mason who truly impresses. Indeed, "impressive" may be too mild a word for Mason, who plays the recently-arrived antique dealer with such impeccable style that he single-handedly transforms "Salem's Lot" from an overextended B movie into something worth remembering. Observe his reactions, for example, when informally interrogated by the town constable as suspect in the killing of a small child. Or later, when he meets Soul during a gathering in his antique shop and the former broaches the question of "evil." Says Soul: "Do you believe a house can be evil in its very boards and windows? In its stone foundations? Evil?" "Oh, you're the writer," answers Mason with mocking insouciance --- the words are neutral, but his entire manner and inflection create a devastating put-down. Here is an embodiment of "cool" that would do justice to any jazz musician, but Mason does it quietly, slowly, with the limitless patience of a man who knows he can do anything. The other outstanding element in "Salem's Lot" is Reggie Nalder as the vampire under Mason's control (though just how this control came about, and how it is sustained ---- is never explained). Some older fans of the Karloff-hosted "Thriller" series may recognize Nalder from that TV anthology, most notably in the episode, "Terror in Teakwood," where he played the sinister "Kaffke." Here, by contrast, his face is half-buried in makeup, but Nalder's cadaverous bone structure assists the illusion and makes his image of the vampire "Barlow" one of the most frightening since Max Shreck. He's not on-screen more than a few minutes, but, as Mason's character amusingly prophesizes in an early scene: "I'm sure you'll enjoy Mr. Barlow. And he'll enjoy you. Oh yes. Oh yes." "Salem's Lot" is not a great horror movie, since, along with the problems mentioned, it's burdened by lack of originality. Some scenes are atmospheric, such as those where child vampires are shown floating and beckoning through moonlit windows ---- hackneyed, but effective. These are offset by many sequences that are silly or adventitious (e.g., the one where students are acting out a historical play, so poorly directed it recalls Ed Wood or Bert I. Gordon). The film could have been better with a good lead actor, as well as more conviction from the supporting cast generally. Otherwise, it's more than worth watching for the tour-de-force performance of James Mason and the sheer scare-value of Nalder.
But let's give this fun movie the credit it deserves. For network TV, this had to be pretty racy material. Who else but Steven King would kill all those kids? And what's creepier than that kid scratching on the window? Plus, it's fun to see how much things have changed in 25 years. Its a hoot to look back at all the funny clothes, cars and phones. If you watch the TNT remake, you see that the new version is a little closer to the novel and goes deeper into detail. But the original is still the best and gives more goose-bumps for the buck. Enjoy it on a night you want to feel a little creeped-out and revel in it's 70's TV charm.
I had the liberty of seeing the TNT remake of this the other night and was rather disappointed. Although it was slightly more faithful to King's novel, I found a lot of it laughable and the effects were idiotic. This is much better. The story centers a writer returning to his hometown just as a vampire and his servant take up residence and begin preying on the townspeople. The vampire Barlow is very Nosferatu-ish in thsi when actually in the book, he was basicly an average man that happened to be a vampire, but oh well. The vampire make-up and everythingis actually pretty scary and convincing *which is more than I can say for the recent remake.* Overall, highly recommended. It's not what you would call scary, but it's good for a creepy night-time viewing. And don't miss out on the book!
Salem's Lot deals with unresolved pain and fatal curiosity. Now a successful writer, Ben Mears (David Soul) returns to his childhood town of Salem's Lot in Maine. Mears wants to rent a house for six months to investigate the strange and disturbing happenings at a creepy house in the town. Mears himself carries the haunting childhood memories of this Marsten House - a "monument to evil" - a house where young kidnapped. boys where taken.Mears believes that evil places attract evil men, and a mysterious and smug Mr Straker (played with delicious enthusiasm by James Mason), has recently purchased the house for an elusive antiques dealer, Mr Barlow. With the help of his former English school teacher, his new girlfriend Susan (Bonnie Bedelia) and her father, the local doctor, Mears sets about investigating the house and the bizarre events that unfold. ... Read more | |
| 144. Ginger Snaps Director: John Fawcett | |
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Reviews (126)
It`s from Columbia/Tri-Star/TVA International/Lions Gate Home Video/Unapix Entertainiment. DVD is Digitally Mastered for Anamorphic Video and Sound.-Anamorphic Widescreen (1.78:1) Aspect Ratio Transfer.-English:Dolby Digital 5.1 Surround Sound and Dolby Digital 2.0 Surround Sound. French:Dolby Digital 5.1 Surround Sound and Dolby Digital 2.0 Surround Sound. Scene Selections. No Subtitles for English, French or Spanish and No Closed Captioned. DVD is Packed with Extras as:An running commentary track by Director:John Fawcett. An running commentary track by Writer:Karen Walton. Deleted Scenes with/without separate commentary tracks by Fawcett and Walton. Featurette.Cast & Crew Information.Theatrical Trailers & T.V. Spots. Behind the Scenes on Designing the Werewolf.Screen Test & Rehearsals.Production Design Artwork:Bailey Downs, Illustrations and Logos magazine covers. Hidden Feature. This film recieve Three Genie Awards nominations, including:Best Cinematography-Thom Best, Best Editing-Brett Sullivan and Best Sound Editing. Walton recieve an Prize for Best Original Screenplay at the Canadian Comedy Award. Do not miss this wonderful flick. Grade:A-.
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| 145. The Rocky Horror Picture Show (25th Anniversary Edition) Director: Jim Sharman | |
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Reviews (291)
For the uninitiated, "Rocky Horror" tells the story of two clean-cut American youths, uptight Brad Majors (Barry Bostwick of "Spin City") and Janet Weiss (Susan Sarandon of "Dead Man Walking") whose car breaks down on a dark, deserted road in the middle of a storm--the classic beginning to many horror movies--and who seek help at a nearby castle. Castles, as Rocky fans know, don't have phones! What this castle has instead is a cross-dressing mad scientist Frank-N-Furter Tim Curry, in perhaps his finest performance), two very creepy servants, Riff-Raff (Richard O'Brien, who wrote the musical) and Magenta (Patricia Quinn), and various other hangers-on, including lovers Columbia (Little Nell) and biker Eddie (Meat Loaf). Brad and Janet walk in on a party celebrating the creation of Frank-N-Furter's muscle-bound boy-toy "Rocky." Bed-hopping chaos soon ensues, until the servants reveal their true identities and take control. Punctuating this wacky plot are some of the wildest rock-musical songs ever written. In addition to the classic "Time Warp," there's O'Brien's salute to cult-classic B-movies, "Science Fiction Double Feature," Meat Loaf's "Hot Patootie," and Sarandon ode to sexual self-discovery, "Toucha Toucha Touch Me!" So much for the "Rocky virgin" portion of the review... What makes the DVD so exceptional is the chance to experience "Rocky Horror" at home nearly like you would in the theater. The DVD has the option of turning on the audience screen comments as well as another option for viewing members of the Rocky Horror Fan Club performing select scenes before returning to the main movie. For those less familiar with audience participation, the DVD can prompt when to throw toast, toilet paper, rice, etc., light a match, put your newspaper on your head, etc. The second disc contains fascinating interviews with cast members, where fans can find out about their reaction to starring in this cult classic. Meat Loaf's description of not realizing what "Rocky Horror" was going to be about and running out of the theater when Tim Curry entered wearing fishnet stockings, spiked heels, a merry widow, and a leather jacket and singing "Sweet Transvestite" is hysterical. Patricia Quinn talks about how her fondness for the opening song, "Science Fiction Double Feature" made her want to take the role even though she hadn't read the rest of the script. What? Don't remember Quinn singing that number? In the stage versions she did, but the song got reassigned in the film version--and Quinn makes her feelings about that QUITE clear. Sarandon makes the interesting observation that "Rocky Horror" probably kept a lot of art house theaters in business over the years, since they could count on good revenue from the midnight movie, even if the latest regular-hours offering flopped. In Bostwick's interview, however, the actor sounds a bit like William Shatner giving his anti-Trekkie diatribe on "Saturday Night Live." The only disappointments on the DVD are that the outtakes really aren't that interesting and actor bios aren't provided. I would have liked to see what else the "minor" cast members did after Rocky, but that information is limited to a few lines in the companion booklet. Also, some of the audience-participation comments are nearly impossible to understand because fans are talking over each other. But then that's part of the modern-day theater experience. Even Sarandon noted in her interview that talking back to the screen has gone from the more unison catechism approach to a loud free-for-all. What seemed so risqué and shocking a few decades ago seems much more innocent today, but it was great when it all began and it's still great! If you've never ventured into the theater to experience "Rocky Horror," this is the best way to experience it at home.
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| 146. Alien - The Director's Cut (Collector's Edition) Director: Ridley Scott | |
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Yes, the story is simple, but that's the whole point. "Alien" is a fundamental horror story, your basic haunted house movie taken to the Nth degree. I love the fact it has only seven characters (OK, nine, if you count Mother and the alien itself ... the space jockey doesn't count). I love its simplicity, its straightforwardness. Aside from being a creepy, blood-curdling horror film (only "The Exorcist" and the original "Texas Chainsaw Massacre" top the chest-burster scene), it is also hard-core science fiction. James Cameron's sequel was an action-thriller (and an excellent one), and the subsequent sequels were just redundant. Scott's movie is the one for the ages. It's about evil in a shape-shifting form. It's about our fear of the dark. It's about the bogeyman. It's about our irrational fear of creepy-crawlies, spiders, worms, snakes. It is by turns subtle and terrifying. It scares us by hiding the alien, revealing it only in bits and snatches (those exploding jaws!). There is surprisingly little blood; "Alien Resurrection" was a revolting gore fest. And it's a thoughtful film. It actually pauses to consider what a miracle the alien is on a biological level, which helps reinforce the fear and mystery that surround the creature. In fact, the whole film is soaked in mystery. What is the intent of the beacon that attracts the Nostromo? What is the nature of the alien pilot, its own chest exploded in a gruesome foreshadowing of Kane's fate? What laid those eggs? How long had they been waiting down in the bowels of that awesome ship? Was the full-grown alien male or female? What did it try to do with Brett and Dallas? How exactly does it kill Lambert and Parker? Questions left largely unanswered. Not a problem for me -- I like loose ends, things left to ponder. That's the difference between a "plot" and a "story." There's a hidden layer -- the fact that a faceless corporation sent those astronauts to their doom, knowingly, in order to extract the ultimate bioweapon. "Alien" is a subtle jab at Corporate America, the creature itself a representation of "the company's" blind, murderous greed. See this movie. I repeat, if you love good movies, great movies, then seen this one. If you haven't already.
All aspects of this film, the screenplay, direction, acting, special effects, and the awesome set designs took a vast amount of imagination and creativity. The thought process alone that went into conceiving an alien which gestates in a human host, and goes through an incredible metamorphosis of various stages to its final horrific form, was a major accomplishment. Sigourney Weaver, as "Ellen Ripley", is the greatest warrior in movie history. She is not only fighting to save her crew from the "Alien", but she's fighting to save humanity from the evil "Company" that will stop at nothing to gain what they desire. I cannot say enough good things about this movie. JUST SEE IT!
A team on board a deep space ship called Nostromo is returning to earth after a deep sleep but then while returning to Earth, receives a mysterious distress signal on a distant planet and are sent in to investigate the source of the signal. During that time, one of them discovers large objects with movement within them. It turns out that these 'objects' are actually organic alien eggs and when one of them hatches, one of the crew is attacked and is brought back to the ship to have the 'alien' removed but the 'blood' of this alien is in fact a super strong molecular acid that eats through almost anything it touches. Even worse, the crew are being hunted and killed one by one by an extremely dangerous alien creature and now they must try to destroy the creature and escape with their lives before it's too late. While nowhere near as action-packed as it's 1986 sequel "Aliens", this movie however is equally intense as the sequel but in a totally different way. While the sequel benefits from it's tons of action sequences, "Alien" is every bit as intense by it's extremely suspenseful tone and while it may be slow at times, when the intense parts come, they'll make you jump right out of your seat. This movie does not rely so much on action for intensity as it does on immense suspense, tension, and disturbingly quiet tone and then the alien jumps right out into the screen! While "Alien" is slow-paced a lot of the time the pace leads up to terrifying confrontations with the creature as it kills the crew members one by one. Perhaps it's most famous scene of all time is the frighteningly vile scene where one of the crew members who was previously attacked by the 'baby' alien goes into violent convulsions and culminating when a 'baby' alien bursts right out of the mans chest killing him instantly. That scene is perhaps the most famous sci-fi horror scenes ever filmed. I had nightmares for many years after seeing that and even now with a stomach made of titanium steel, I still get very queasy at that scene but it is one of the most original sequences ever filmed to this day. Ridley Scott's directing is absolutely phenomenal. Being that this was a low budget movie of only 11 Million dollars, Scott and the crew have used the limited resources to create a really stunningly beautiful yet terrifying epic that has been virtually unrivalled to this day. The sets are incredible and the special effects are really awesome. Even then the film shows it's age in some places such as some extremely dated special effects, a few of which are ancient even by early 1980s standards but overall, this film is one of the greatest examples of using the limited budget to an efficient degree and the result is not only a terrifying Sci-Fi horror movie but also one of the greatest landmark achievements in these two genres. The cast is absolutely spectacular. The career of a then unknown Sigourney Weaver would literally take off right through the roof with her playing the main protagonist character Ellen Ripley. Ripley's character is one of the best woman protagonists that I've ever seen in any movie especially towards the latter half of this movie. It was this that made Weaver into a superstar. She's even better in the 1986 James Cameron directed sequel "Aliens". Perhaps another favorite 'actor' of mines in this movie surprisingly enough is the cat Jones. I absolutely love the scenes where he like hisses at the guy in the storage unit and literally walks away when the alien grabs him and makes a meal out of him. This "Collector's Edition" two disk set is a massive treat. The first disc alone is a vast improvement on both the VHS and the 1999 "Special Edition" DVD. The picture and sound quality of the original movie was not all that great but this "Collector's Edition" gives this movie a much needed clean-up job on a phenomenal classic and the picture quality is now crystal clear and the sound quality is also vastly improved too and I no longer have to turn the volume up to eardrum bursting levels to hear the movie clearly enough. The first disc contains the original theatrical version untouched for the 'purists' who don't want anything done to it. Disc One also comes with the "Director's Cut" edition where some footage that Scott didn't feel to happy with is removed but is replaced with some newly incorporated footage that wasn't on the original. The result is the movie being only a minute longer but gives the movie a different light. The second disc contains an excellent 'making of' documentary and you can witness some ego battles between some of the members of the cast especially between Yaphet Kotto and the actor who played the 'Alien' and how they edited it to make their tensions work in the movie itself. It also has tons of other amazing extras that I don't want to point out, out of fear of spoiling the fun of this DVD. Most horror movies to me are nothing but vile gore fests with little to no plot behind them but "Alien" is one of the best horror movies of all time. It was groundbreaking back in 1979 when it was released and now 25 years later (at the time of writing this review), it is an absolutely classic today. I strongly recommend that you buy this today and get this DVD. This is one of the most smartly assembled DVDs that I've had in recent years and it is on the border of being flawless.
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| 147. The Blair Witch Project Director: Eduardo Sánchez (II), Daniel Myrick | |
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Amazon.com For those of you who were under a rock when it first hit the theaters, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the Burkittsville, Maryland, legend of the Blair Witch. After filming some local yokels (and providing only scant background on the witch herself), the three, led by Heather (something of a witch herself), head into the woods for some on-location shooting. They're never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a genuine, effective original. --Mark Englehart Curse of the Blair Witch Reviews (1695)
If my anger seems misplaced to you, let me try and explain. If this is not a real documentary, what's the purpose of making it so poorly? Shaky video cameras - it looks like my Christmas videos. Do you think someone would pay me to watch those? "The Legend of Boggy Creek", which covers many of the same issues and is done in a semi-documentary style, is made with much higher production values, and as a result is much, much scarier. Watch it with the lights off if you don't believe me. Also, I can't get behind any horror movie that never shows its monster. How am I supposed to know what to be afraid of? A shaking tent? Stick figures? I give it three stars for the idea and one star for the execution. I'm off to watch "Boggy Creek" again.
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| 148. Dark Shadows DVD Collection 7 | |
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Description Bonuses: Includes interactive menus and exclusive interviews withStarring Jonathan Frid, Joan Bennett, Louis Edmonds, Nancy Barrett, Roger Davis, Lara Parker, Thayer David, Grayson Hall, Joel Crothers, Jerry Lacy, Clarice Blackburn, Addison Powell, Robert Rodan and Alexandra Moltke Reviews (3)
Victoria Winters returns from her inexplicable journey into the year 1795, and from the minute she re-appears, very strange events begin to occur at Collinwood. Victoria unexplainably purchases a portrait of the evil Angelique. A man with a striking resemblence to Peter Bradford enters her life suddenly. Roger begins to think he's Joshua Collins, then disappears in the middle of the night, only to return later, horrifying his family with announcement of a new wife, Cassandra (Angelique with a black wig). Other memorable highlights from Collection 7 include: -- Barnabas' reaction to the portrait of Angelique and what happens when he tries to destoy it. There's some great episodes here, and some outstanding performances, especially from Jonathan Frid and Louis Edmonds. Sink your teeth in and enjoy!
Overall I thought these episodes were good, but not as good as 1795. They just don't seem "scary" enough. But still good nonetheless. Bonuses include interviews with Nancy Barrett, Kathryn Leigh Scott, director Lela Swift, and photographer Ben Martin.
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| 149. The Ninth Gate Director: Roman Polanski | |
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1. Roman Polanski is one of my favorite directors. 2. The theatrical/tv trailer looked intense 3. Interesting subject matter (occult). 4. French actress/wife of Polanski Emanuelle Seigner 5. Emanuelle Seigner 6. Last but not least, Emanuelle Seigner Now, a few reasons why I was left disappointed: 1. The ending 2. The ending 3. ...and the ending. This film was excellent for it's spectacular cinematography and various global locations. The plot and story itself were easy to comprehend . The mood, setting, atmosphere was very creepy and at times Gothic. Yet, it was not enough to frighten or thrill. As for the climax, maybe some of us are lazy and lack imagination to draw conclusions;However, I still wanted to know what really happened to Johnny Depp's character Corso at the end ( and have it explained to me by the director and actors) The ending was too ambiguous and symbolic (though the movie was filled with symbols figuratively and visually). As for Emanuelle Seigner, she is one underrated talented beauty only known for her modeling and acting in Europe. I wanted to know more about her character; Was she one of Satan's dominions or Satan himself ? She was definitely not heavensent(only to the eyes)... This movie gets 3 stars because it left me with more questions than answers; No closure whatsoever...and leaving the ending for personal or individual interpretation doesn't count Mr. Polanski
This movie grew on me. I was not intially impressed, but after viewing it with friends and family, I have become a big fan of its haunting yet calming persona. The subject matter deals with Satanic idolatry, but the movie is in no way "goth". It's the kind of film you could watch with your children and not worry about them being scarred for life. As far as comedy, Johnny Depp's bad luck with women is hilarious. His facial expressions (even while killing "the albino") are a hoot. As for the ending, after many viewings I believe Depp went to hell where he was praised for being the human father of the anti-Christ. All along, the lady in the sneakers was Satan.
I was riveted. Riveted, that is, right until the somewhat confusing fire and cobblestone ending, which admittedly leaves you with very little to chew on and instead of appearing clever and ambiguous, as it perhaps wanted to, mostly comes off as complacent. Yet, the point of a mystery noirish film is to keep you intrigued through out, and the movie manages to do that quite successfully. The sleuthing process is almost done in tandem with the audience, which is fun. Johnny Depp is immaculate in his potrayal of a detached book detective and all others contribute richly. The music is tacky in bits, but not too distracting. Recommended rental for haunting cinematography of Portugal and France, and a fabulously captivating atmosphere in general. ... Read more | |
| 150. Bad Taste (Limited Edition) Director: Peter Jackson | |
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Reviews (130)
The film has something to do with an alien army that takes over a secluded town in New Zealand. The government has no other choice but to send in "The Boys" to stop those pesky extraterrestrials from turning mankind into the next ingredient on their fast food menu. Led by the evil Lord Crumb, the aliens wage a no-holds barred war against "The Boys" that culminates in an outrageously extended attack on a house that's reminiscent of the climactic showdown in DEAD ALIVE. BAD TASTE is simply one of the most entertaining horror films that I've ever seen. The action sequences are surprisingly well staged (considering the limited budget) and the graphic violence is presented in such an exaggerated and goofy manner that you can't possibly take it seriously. The film is filled with so many hilariously sick jokes and sight gags that you won't possibly believe that what you're seeing on the screen is actually happening. Peter Jackson handles all the action wonderfully, with a particularly impressive scene filmed on the side of a cliff standing out as the most remarkable (reportedly, this scene was very dangerous to shoot). While Peter Jackson would top himself a few years later with the release of his over-the-top zombie masterpiece DEAD ALIVE, BAD TASTE first showed genre fans that the New Zealand director could deliver the goods in both the gore and the comedy departments. BAD TASTE is an unforgettable film that comes highly recommended to cult film fanatics. Anchor Bay Entertainment's new release on video and DVD features the quote "From the Director of LORD OF THE RINGS." It's really funny to think how many unsuspecting viewers will sit down to view this bizarre flick on the basis of that quote alone... I envy their ignorance.
THE FILM Bad Taste was a sensation it was released, and it is a major cult film now. Peter Jackson's 1987 debut picture finds four alienbusters coming to a New Zealand town, where the discover the town overtaken by aliens. Of course, these aren't your everyday Sigourney Weaver aliens. Un-uh. These guys are part of the intergalatic food chain Crumb's Crunchy Delights, and all they want is some major human flesh to chew on. Hmmm ... Being Jackson's debut, the film obviously can't meet up to later hits like Braindead (a.k.a. Dead Alive) and Lord of the Rings, but there's some talent in here yet. It seems like a backyard picture, and I suppose that's one of the reasons it's so popular. What I do know is that it's gory, entertaining, and the most digusting film I've ever seen. [7/10] THE VIDEO Anchor Bay has done a terrific remastering job. There isn't any grain anywhere. A flawless work. [10/10] THE AUDIO As all the voices in the film were dubbed after shooting, many times the words didn't meet the mouth movements. Well, Anchor Bay has - somehow - fixed this problem with its lovely DD 5.1 remix. No problem here. [10/10] THE EXTRAS Well, if you consider the fact that it's a Limited Edition (of 50,000) an extra, then we got that here. Anchor Bay's double-disc set includes a Peter Jackson bio, the film's trailer, and a very good documentary about the film: "Good Taste Made Bad Taste". I think fans of the film will be pleased. [7/10] Cult film fans won't wanna miss this DVD release. If you're a fan of disgusting horror or sci-fi with laughable comedy thrown in the middle, then this is the movie for you. Those with a weak stomach will want to stay the hell away from this baby, though! OVERALL SCORE: [8/10] THE FILM: [7/10] Disgusting, funny, and very entertaining. Essential for horror fans. - Thomas Benton
Peter Jackson stars as Derreck(sp?), the sadistic, snivling scientist whose four man government agency, the Alien Investigation Defense Service, has been called upon to thwart a hostile alien invasion of a small backwoods town. Jackson's Derreck is revolting and charasmatic at the same time - a truly original anti-hero. The aliens are actually employees of an intergalactic fast food chain that has just begun marketing human meat - and it is evidently delicious. Can our four heroes save the relief worker (con artist) and foil the aliens' evil plan? There are some great gags in this movie including a Monty Pythonesque exploding sheep and a recurring joke involving Peter Jackson's character's cerebellum continually falling out, being trodden upon, and then being stuffed back in. This is an extremely enjoyable movie. For optimal enjoyment, watch it with plenty of alchohol and a couple of friends.
If you are looking for crazy gore I think that you would be better off with a movie like the directors cut of Citizen Toxie or maybe one of the newer japanese gore movies (which blow away everything I've ever seen before).
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| 151. The Twilight Zone - The Complete Series | |
![]() | list price: $59.98
our price: $41.99 (price subject to change: see help) Asin: B0002J4ZX2 Catlog: DVD Sales Rank: 5393 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Woefully miscast as the series' host, Forest Whitaker delivers facile introductions devoid of Serling's literary finesse. More often than not, the writing relies on forgettable characters and thinly-disguised variations on original-series themes; at its worst, the series demonstrates a staggering lack of originality, and the youthful casting frequently results in one-dimensional performances, with a few notable exceptions. It's hit-or-miss at best, but shooting locations in Vancouver, British Columbia, lend the series a visually stimulating variety of settings and atmosphere; production values are consistently high (as they were in the Canadian seasons of X-Files), and Rick Maguire deserves praise for his cinematography on virtually every episode. If you can forget Serling altogether (a difficult challenge for his devoted fans), you'll be able to overlook the flaws and enjoy some occasionally clever trips into The Twilight Zone as it was meant to be. --Jeff Shannon Reviews (2)
This set will be presented in widescreen, and will have 5.1 Surrond Sound , DTS Surround, and Stereo Surround Sound. Like the original show, this Twilight Zone series has a lot of big name guest stars: Shannon Elizabeth, Jason Alexander, Jessica Simpson, Jaime Presley, Jason Bateman, Usher, Lou Diamond Phillips, Cloris Leachman, Method Man, Molly Sims, Amber Tamblyn (of TV's Joan of Arcadia), Vivica A. Fox, Portia de Rossi, Dean Winters (of TV's Oz), Dylan Walsh, Patrick Warburton, Eriq La Salle, and comedian Paul Rodriquez. This set also includes remakes of two classic Twilight Zone episodes -- "The Eye of the Beholder" (a plastic surgery story) and "The Monsters on Maple Street" (a lynch mob tale about aliens possibly in their area). So let Forest Whitaker take you into a world of imagination. A dimension not only of sight and sound, but of mind. A wonderous world where the boundaries are only that of your imagination. The Twilight Zone.
The three versions of The Twilight Zone comprise- I personally am going to wait for the other version as it is much better than this 2002 Twilight Zone,which has some very poorly written episodes. | |
| 152. Tremors Director: Ron Underwood | |
![]() | list price: $14.98
our price: $11.98 (price subject to change: see help) Asin: 0783226837 Catlog: DVD Sales Rank: 2064 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (124)
This is one film where the producers could have just put in a bunch of teenagers that only serve the purposes of taking their clothes off and being victims. But instead, we get a several enjoyable characters that we can actually care about. Fred Ward and Kevin Bacon are priceless as two laborers looking for work only to find - How do I put it? - man-eating slugs. Michael Gross, who plays an NRA poster boy, is far removed from his role as an ex-hippie on FAMILY TIES. His equally gun-toting wife is played by country singer Reba McIntyre, who turns in an impressive performance. Unlike all the FREDDY THE 13TH (Don't blame me if I can't tell'em apart) movies, you find yourself rooting for these people. While this movie might not be CITIZEN KANE, it is a perfect rental for a Friday night.
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