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| 1. National Treasure (Widescreen Edition) Director: Jon Turteltaub | |
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Amazon.com Reviews (263)
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| 2. The Incredibles (Widescreen 2-Disc Collector's Edition) Director: Brad Bird | ||||||||||||||||||||||||||||
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Amazon.com essential video Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!"). The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode. Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing. The Presentation The Extras Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation. There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas More Incredibles at Amazon.com !-- end6pak --> The Pixar Feature Films More Animation DVDs !-- end6pak --> More Superheroes on DVD Also from Filmmaker Brad Bird Reviews (281)
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| 3. Cosmos Boxed Set (Collector's Edition) | |
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Amazon.com In the course of 13 fascinating hours, Cosmos spans its own galaxy of topics to serve Sagan's theme, each segment deepening our understanding of how we got from there (simple microbes in the primordial mud) to here (space-faring civilization in the 21st century). In his "ship of the imagination," Sagan guides us to the farthest reaches of space and takes us back into the history of scientific inquiry, from the ancient library of Alexandria to the NASA probes of our neighboring planets. Upon this vast canvas Sagan presents the "cosmic calendar," placing the 15-billion-year history of the universe into an accessible one-year framework, then filling it with a stunning chronology of events, both interstellar and earthbound. From the lives of the stars, to creation theories, functions of the human brain, and the ongoing search for extraterrestrial intelligence, Cosmos asks big questions. When appropriate, Sagan offers big answers, or asks still bigger--and yes, even spiritual--questions at the boundaries of science and religion. What's most remarkable about Cosmos is that it remains almost entirely fresh, with few updates needed to the science that Sagan so passionately celebrates. It is no exaggeration to say that Cosmos--for all the debate it may continue to provoke--is a vital document for humanity at a pivotal crossroads of our history. --Jeff Shannon Reviews (134)
Watching the series again on DVD, I enjoyed the less-hard science episodes. All thirteen are great. I especially liked: "The Harmony of Worlds" Each of these episodes is rich with history and gives me a new respect for the man as a speaker. Especially the last episode, though somewhat dated as it was written during the Cold War. The sound quality's excellent too. Note: Science changes so fast, some of the updates may be 'out of date'. The final update, in light of current events, where Dr. Sagan expresses optimism for the future, well it's a bit chilling.
However, anyone with a university degree will probably be familiar with the science Dr. Sagan speaks of. The shining jewel of COSMOS is not its scientific content, but its deeply humanistic message of hope. We have all heard about the cruelty of the so called "real world" and "human nature." But Dr. Sagan shows us that human bravery and intelligence has transformed our world for the better and that our world is what we make of it. In one of the most poignant moments of the entire series, Dr. Sagan describes the human longing for an explanation of the universe as an eternal part of our species. We, citizens of the 21st century, are the first generation of human beings priviledged with some of the answers to the questions that have fascinated our ancestors. Dr. Sagan also outlines the philosophy and history of science. This is especially essential to today's society in which science has become increasing gadgety. While cell phones, computers, the internet, designer drugs populate every segment of our society, the philosophy of critical thinking, factual analysis and of questioning every statement, the very heart of science remains as rare today as ever. Our present civlization is forever indebited to those brave men and women who choose the pain of truth rather the comfort of lies. For those who ever wondered how we human beings progressed from tribal hunters to technogical beings, Dr. Sagan's documentary provides a riveting account. Finally and perhaps most importantly, Dr. Sagan's documentary provides a unifying vision for the future of human kind. We have reached a time in the development of our species when the power in our hands is extraordinary. The destiny of our world and our species is fully in the our own hands. We can either use this power to continously squabble amongst ourselves, to fight our pointless wars and to poison our environment with blatant waste and race headlong to self annihilation, or... we can set aside our differences, recognize the fragility of our world and embrace the common destiny of humanity to explore the final frontier. Dr. Sagan does not pretend that this journey will be an easy one; every age and time has had those who would at the expense of our world, stirr up hatred, fear and greed. However, by showing that science is our candle in the dark, Dr. Sagan encourages each one of us to struggle against the irrationality and ignorance inside each of us to literally reach for the stars. From the beginning of time to the future of our world, Dr. Sagan's account of the struggle of the human mind to attain sentience is highly passionate while at the same time even and objective. Science, he describes, is the ultimate manifestation of our humanity, the quest of starstuff to understand itself. I am pleased to say that as the light from Dr. Sagan's house continue to pierce the darkness of Ithaca's gorges to inspire me, so too does his visionary work: COSMOS.
+Fred
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| 4. National Treasure (Full Screen Edition) Director: Jon Turteltaub | |
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Amazon.com Reviews (263)
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| 5. Shelley Duvall's Faerie Tale Theatre -The Complete Collection Gift Set | |
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Amazon.com The cast is amazing, especially when you think how lightly cable television was thought of in the '80s: Jeff Bridges, Bud Cort, Liza Minnelli, James Coburn, Susan Sarandon, Christopher Reeve, Klaus Kinski, Billy Crystal, Matthew Broderick, Gregory Hines, Eric Idle, Robin Williams, and Mick Jagger are some of the talented--and varied--actors appearing. Crystal's take on the smart "Little Pig" (with Jeff Goldblum as the wolf) and Williams's "Frog Prince" are two comic gems. Malcolm McDowell, right in the middle of his career high-point of playing baddies, brings flair to the Big Bad Wolf, while his then-real-life wife Mary Steenburgen beautifully counterpoints as Red Riding Hood. The casting of Vincent Price and Vanessa Redgrave in "Snow White" is inspired. Also impressive are the directors Duvall pooled: Tim Burton ("Aladdin and His Wonderful Lamp"), Francis Ford Coppola ("Rip Van Winkle") Peter Medak (three episodes), Nicholas Meyer ("Pied Piper"), and Roger Vadim ("Beauty and the Beast"). You can go on for days about these wonderful tales, most totaling around the 45-minute mark, but it's better just to get the set and start wherever you'd like; you will get to the end sooner than you think. --Doug Thomas Reviews (21)
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| 6. Anne Of Green Gables - The Sequel Director: Kevin Sullivan | |
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| 7. Lois & Clark - The New Adventures of Superman - The Complete First Season | |
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Description Reviews (178)
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| 8. Sailor Moon - Season One - Complete and Uncut (Japanese Language Edition) | |
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Description Reviews (108)
In this uncut version, a realistic and unflinching acceptance of death as a necessary possible consequence of a righteous fight. The story as it described in ADV words: Based on a manga by Naoko Takeuchi, Sailor Moon is the story of a teenage girl who meets a magical cat who gives her super powers. She becomes the leader of a team of brave girls, known as the Sailor Warriors. Sailor Moon has long been justifiably renowned for the strength of its plot, its direct and honest treatment of romance and, in this uncut version, a realistic and unflinching acceptance of death as a necessary possible consequence of a righteous fight.
Aside from the technical issues with the DVD, I absolutely loved the story itself. I ended up watching the whole set in about two days because I couldn't put it down. So in spite of the technical problems with this edition, I do recommend it for any Sailor Moon fan or anybody who like me doesn't enjoy the english dubs for anime and is interested in seeing a bit of Sailor Moon. However, I do not recommend this for the very young Sailor Moon fans who aren't up to reading subtitles very quickly just yet.
I highly recommend this to any Sailor Moon fan (ages 14+) who is looking to see the REAL first season of Sailor Moon, not the choppy, edited, dubbed, HORRIBLE Dic version.
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| 9. Leonard Bernstein - Young People's Concerts / New York Philharmonic | |
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Amazon.com Bernstein is completely at ease talking to his audience. He can takethe most abstruse subject - the meaning and function of intervals,tonality and atonality, the links between Gustav Mahler's troubled life and his music - and present them to a young audience with clarity,without condescension, and with a clear sense of the material'svalue. His subject-matter is enormously varied. For IgorStravinsky's 80th birthday, he simply tells his audience thestory of Petrouchka while conducting a dazzlingperformance of the colorful ballet. For a program on "FolkMusic in the Concert Hall," he plays some of Canteloube'sfolk song arrangements and the boisterous finale of Ives'sSymphony No. 2, full of borrowed pop and folk melodies.The influence of folk music is shown in folk song imitations byMozart and Carlos Chavez. The sound and images, taped over a 15-year span when theart of recording was rapidly advancing, are varied in quality;the series begins in black-and-white and ends in vivid color. Not all of the programs are equally compelling, but all areworth close and repeated attention. --Joe McLellan | |
| 10. Anne of Green Gables Director: Kevin Sullivan | |
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Album Description Reviews (231)
Everything about Anne of Green Gables is done with the utmost love and respect in regard to the original novel by Lucy Maud Montgomery. Anne is every child, with her eyes open to the world, her thirst for knowledge, her immediate trust, her quest for adventure, and most of all her imagination. Megan Follows captures the timeless appeal of the orphaned Anne with spirit, grace, and wit. Her humorous mishaps, personal struggles, and her newfound love for the Cuthberts as well as her love for Avonlea make her an enduring heroine throughout the ages. Who knows? After seeing this film you may discover that you are a kindred spirit as well!
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| 11. Star Wars - Episode I, The Phantom Menace (Widescreen Edition) Director: George Lucas | |
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Description "The Beginning" Exclusive Deleted Scenes and Documentary Multi-Angle Animatics Featurettes Web Documentaries Exclusive Production Photo Gallery "Duel of the Fates" Music Video Posters and Print Campaign Trailers and TV Spots "Star Wars: Starfighter-The Making of a Game" from LucasArts Exclusive DVD-ROM Content Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 12. Schoolhouse Rock! (Special 30th Anniversary Edition) | |
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Amazon.com Reviews (108)
What really puts this over the top, though, is Disc Two, with a bucket load of extras: the lost "Weather Show," a new computer three-song set, a making-of feaure, top 20 countdowns, an interactive trivia game, music videos by contemporary artists, audio commentaries, Emmy Award footage, etc. . . . I can't wait to explore even more than I got to last night! This will be such a great tool for my 21-month-old daughter (who will know how a bill becomes a law and how to use a conjunction in a sentence!) and a ton of fun for me in the process. The video quality isn't MONSTERS, INC., but it doesn't have to be. The old animation holds up just fine, as does the audio, which audiophiles could probably complain about if they want to poop the party for the rest of us. What really stands up to the test of time, aside from the basic content, is the music. These guys (primarily) did some really good arranging, little of it in the rock 'n roll genre, ironically. Jack Sheldon delivers some spectacular jazz vocals on several of the more famous tunes. Complicated yet catchy melodies are the strength--that's why we all remember "I'm Just a Bill" and "Conjunction Junction"--with great backing vocals and instrumentation to boot. The contemporary artists' renditions didn't hold up to the originals, but they were pretty interesting to hear. The interactive stuff will be great for kids hearing these songs for the first time. The interviews and commentaries are really interesting, especially in hindsight. Great new additions, discoveries, and formats all add to the charm of the original forty-six songs. How they managed to get all of that factual information into essentially a music video, while keeping the kids (and me) entertained, is still a mystery to me. Bottom Line: You'll be hard-pressed to find a better combination of education and entertainment. If there are any factual inaccuracies, they are minor enough to overlook and could actually spark interesting conversations. The basic content is right on-the-money. The fact that they'll actually be talking about and be interested in the grammar, history, science, and economics is important enough to overlook any minor flaws.
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