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| 1. Brazil - Criterion Collection | |
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our price: $44.96 (price subject to change: see help) Asin: 0780022181 Catlog: DVD Sales Rank: 1538 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (andexpensive) six-disc laser package in 1996. --Jim Emerson Reviews (302)
Criterion's 3-DVD set documents the struggle Gilliam went through to get his film shown. Disc One contains his cut of the film with an informative and entertaining commentary by the director. The second DVD contains the bulk of the extra material. Not only is Gilliam's struggle documented but also various aspects of the production are examined -- including the screenplay, costumes, art direction, etc. The final disc contains the studio's ....py cut with a film historian's audio commentary documenting why this version sucks. Once again, Criterion comes through with an exhaustive look at an important film of modern cinema. Brazil is a brilliant satire of a dystopian society run amok by pointless bureaucracy. Anyone who has worked a souless job in an office will immediately empathise with the protagonist's plight. Like any great work of science fiction, Brazil offers more questions than answers -- not everything is wrapped up neatly, instead the viewer is left questioning certain aspects of our modern society. Great stuff.
Jonathan Pryce stars as a tiny unimportant member of a vast hyper-capitalistic society. Life is cold and dreary for everyone. All his spare time is spent dreaming of magical romantic worlds and the beautiful woman who lives there. One day, a simple beaucratic mistake causes a monumental disaster. Not that anyone cares... they just don't want to be blamed. Sent to solve the problem, or maybe to be a scapegoat, Pryce accidentally meets the literal woman of his dreams. As he pursues her, he brings suspicion on himself of being a terrorist (the scourge of the government), and his dreams begin to invade his waking thoughts. A suprising list of talent lend themselves to the film and is written, minus Kafka and Orwell themes, by Monty Python's Terry Gilliam so expect some obvious humor and much biting satire throughout. Depressing and magical without losing it's hope, any person who can identify with the main character should find themselves entranced. Despite being made in 1985 the special effects prove to be suprisingly effective (although easily noticed). I personally think this movie is the second best Science Fiction film, 2001 being first, and the best 1984 type movie ever made.
For a movie with a similar feel but considerably more heart, try Barton Fink instead. Or even Amelie.
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| 2. Showgirls Director: Paul Verhoeven | |
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Reviews (183)
I LOVED the dance sequences. All of the bright, big, and fancy dances and the over-the-top props and desings. Verhoeven did a good & effective job with the dance sequences. Elizabeth Berkley can't act, but she can dance. The dance at the Cheetah Club, where she dances to a Prince song, is pretty good. Kyle MacLachlan was worse than Elizabeth Berkley; Kyle just can't act anymore, although he was very good in "Blue Velvet". Gina Gershon pulled off "Cristal" very well. She was mean and sneaky. Elizabeth Berkley looks beautiful though. She has a very exotic face, and the differen't color eyes, makes her more mysterious. As a person who likes "Valley of the Dolls", I enjoyed the campy acting, and dialogue. So few movies are afraid to go down that road, that it's refreshing to see something differen't once in a while. Three of my favorite scenes, are when Nomi does the gospel-singing disco dance sequence, and when she finally gets to rise out of that volcano, and the announcer says "Ladies and gentlemen, the stardust proudly presents Miss Nomi Malone!". And my third favorite scene is when Nomi and Jeff drive past the billboard with her face on it, and they drive off to L.A. with the Siouxsie and the Banshees music playing. This movie isn't BAD, it is just too raunchy. The nude scenes and the dialogue from Henrietta Bazoom, are real raunchy. There is only 1 sex scene. I can definately see where people would be offended by Showgirls, but being offended doesn't make a movie bad. NC-17, means that only MATURE people should watch Showgirls because they can handle it, and that means that people who can't handle nudity shouldn't watch it. I was shocked to see Jessie from "Saved by the Bell" doing lap-dancing, and pole-dancing.
As if Joe Eszterhas and Paul Verhoven (who apperantly have some SERIOUS issues with women) hadn't squeezed enough gratuitous nudity and sex in their thoroughly unenjoyable "Basic Instinct", they have topped themselves in one of only two movies ever to get an NC-17 rating ("Crash" is the other one, and it's actually pretty good). This perfectly pathetic film follows the adventures of Nomi Malone, a hot-headed drifter who hitches a ride to Vegas and becomes the biggest thing to hit the sex industry since former president Bill Clinton. Along the way, she'll throw many a hissy fit, befriend an angelic stripper, lock horns with a self-absorbed rival, avenge a brutal rape, and utter some of the worst lines of dialogue ever written for the silver screen. Former "Saved by the Bell" star Elizabeth Berkely plays Nomi like John Travolta played Terl; she overacts to the brink of Spontaneous Human Combustion, shouting the horrid dialogue at the top of her lungs, which surprizes me because they are buried under twin Everests of silicone. The other actors don't fare much better, partially because they are acting to the worst script ever, worse even than the plotline to the Carrot Top movie. So why five stars? Because you'll love every minute of it. The film is howlingly hilarious, from the actors to the script to the dialogue. You'll be awestruck by the film's monumental depravity from beginning to end, and because the movie is 131 minutes long, you'll have plenty to savor. So put the popcorn on the stove, invite your closest friends, and enjoy the most deliciously detestable movie ever made. It's a guarenteed good time, and remember, this flick cost United Artists 40 million bucks. Oy!
Frankly, I don't know why. Or rather, I do know why, and it is not because it is bad. OK, granted, it is pretty bad when you consider some of the acting, and most of the story. But how many movies is this not true for? Certainly it is no worse than most action flicks, and you don't see Jean-Claude van Damme being drop-kicked all over Hollywood. The thing is that this film is obviously eye candy. And today you cannot be politically correct and not attack something like that. I notice that it moved straight to the third place nationally when it came out on video, and that it has an average rank of four out of fives stars with the audience at Amazon. Critics; can't live with them. See it for the girls. What girls! They can even move. Elizabeth Berkley's moves are smoking sexy. And that's all I have to say about that... (Lahf is lahk a box of chokolates.)
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| 3. Evil Dead II (Special Edition) Director: Sam Raimi | |
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Reviews (344)
The gore in Evil Dead II is WAY over the top. (If you've seen Arthur's battle with the Black Knight in "Monty Python's Holy Grail"... THAT'S the sort of gore I'm talking about.) Campy lines are thrown around in here the like you've not heard since the Batman TV series. The Premise: Ash (Ashley Williams for those who saw the first one) and his girlfriend drive up to a secluded cabin in the woods for a weekend of fun. They come across a tape recording of ancient incantations...that, when played, release an unseen evil that stalks them. When the cabin owner's daughter and team show up, the evil comes for them all! If you don't try to take this movie seriously, you won't be dissapointed. One of the film's scenes was once rated in the top ten fight scenes of all time: Ash versus... his hand. Now, for the DVD goodies! If you're an Evil Dead fan, this Limited Edition MUST be in your collection. If you just like slapstick/comedy/horror, you can't lose with this one. When it comes down to it, if legions of undead started roaming the Earth, I'd want Ash nearby! Not just for protection, but also for comic relief!
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| 4. What Ever Happened to Baby Jane? Director: Robert Aldrich | |
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Amazon.com Reviews (103)
Now the good stuff. The sisters are played by Bette Davis and Joan Crawford (the only time the two ever acted together) to absolute perfection. Crawford is wonderful in the role of crippled sister Blanche, but Miss Davis absolutely walks away with the show as the former "Baby" Jane Hudson. The role is meatly and she revels in it! It is obvious that Miss Davis held the philosophy that, if you are going to go over-the-top, don't apologize. And she doesn't. She goes WAY over-the-top with a gleeful abandon that is infectious. The way she taunts her wheelchair-bound sister (the title quotes one of Jane's best lines), serves her meals of dead rodents and ex-pets, kicks her in the gut, mocks her ever-so-proper speech, etc. It's all so delicious. And check out the ballet that she does to one of the songs from her childhood vaudeville act. Bette Davis was obviously having the time of her life, and so do the viewers of this classic. For the DVD edition, there are disappointingly few extras, but Davis is credited with developing the absolutely hideous hair and makeup combinations she sports while slouching about the house in her scuffs and house coat (Director Robert Aldrich said that, while he loved the look, he never would have had the nerve to suggest such a thing to Bette Davis). Joan Crawford was in fine form, as well. But for Jane to be able to be credible doing the things she did, Blanche had to be the "straight man". Crawford or Aldrich knew this and Blanche behaves accordingly. Consequently, it is Bette Davis' Jane who has the best lines and the showier part in general. If you have never seen this movie, get it. If you have, go back and visit the Hudson sisters again. Then you might want to write a letter to YOUR daddy.
Betty Davis as Jane Hudson and real life nemesis Joan Crawford as sister Blanche Hudson make for comic and scary thrills. Quick retread: Jane was "Baby Jane Hudson", a child star who lost her popularity after puberty. Blanche Hudson was jealous as a child but becomes a top rated adult movie actress. Jane, of course, becomes an increasingly insane alcoholic. Trouble ensues when Blanche is mysteriously crippled in a car wreck forcing 'whack-job' case sister Jane to care for her. The plot thickens as quickly as Jane loses her mind. It's hilarious. But the sadistic scenes Jane carries out on Blanche are both scary and hilarious, making this film a true cult classic. The ending is a masterpiece of plot twists! I can't get into more details other than to tell you that every time I've shown someone this movie, they goes nuts over it! It's frightening and comedic simultaneously. It's no wonder these two characters have been Halloween favorites for years! Quality of 'black & white' is okay and sound is what you would expect from an early 60's nightmare, but it's worth it. Before you pick up your main course covered dinner plate, remember what Jane said to Blanche - "By the way Blanche, did you know we have rats in the cellar?!"
WELL, this utterly dark little Gem of Joy still pack many a wallop! No quite dated, but such an acidic picture of Tinseltown - as a matter of fact you can still see these old [er] Dolls and Guys on Hollywood Boulevard - or Rodeo Drive [botox-powered] for that matter. IT hasn't really aged that badly - Crawford is superb as the wheelchair bound glam queen Blance ~ utterly dependent on her increasingly insane sister Jane ~ Davis probably on a par with her turn in THE STAR. Davis sacrifices all for this role, including figure and looks, shuffling around the house in flip-flops, dragging on a cigarette and swigging booze has NEVER been this fun! Bring along a creepy VICTOR BUONO [debut role] as a grifter with an accent and his dear old Ma ... nasty little jewels they are - check out the scene with Davis and Buono and the sandwich plate ... then the booze scene later! Priceless [It's almost Norman Desmond and Joe - the later years]. Superior lensing and direction etc. etc. etc. Davis daughter BD HYMAN plays the teen next door. Roaring fun for late at night viewing - double billed with Sunset Boulevard. [Now wasn't there a musical version of this one ....?]
Miss Baby Jane Hudson, played with great, grotesque gusto by Davis who was once the belle of the ball. Kind of a Shirley Temple of her era. Baby Jane was daddy's girl and Jane, therefore, has quite an Electra complex that is and has been exhibited her entire life. Her sister, Miss Blanche Hudson, played "aptly and sapply" by Crawford, has a long and lasting career as an adult movie star but is now wheelchair bound because of a little "accident" betwixt the sisters many years back. Jane is the caretaker of Blanche since the "accident" and they both live off of the residuals of Blanche's long and prosperous film career before she became crippled. After a local California TV station decides to run summer afternoon, back to back Blanche Hudson films, Baby Jane gets that ol' jealous feeling brewing again and wants desparately to revitalize her childhood career. Baby Jane hires pianist from the classifieds, Mr. Edward Flagg, played in a great understated role by Victor Buono, who has his own Oedipal yearnings and problems. They make a great and perfect pair of drunks and crazies, let me tell ya. Jane is certainly unstable and is likened to a gin and vodka guzzling 60 year old broad with a six year old spoiled brat mentality. SCARY combo, right there! Let alone Jane's guilt of the "accident", her shameless jealousy, and her expressions of the antithesis of "SISTERLY LOVE". Filmed in glorious black and white, it lends itself to the dark, somber and horrific things that happen to Blanche vis-a-vis Jane... "Whatever Happened To Baby Jane?" is a cult classic and a true and genuine classic in it's own right. Happy Watching! ... Read more | |
| 5. Evil Dead II Director: Sam Raimi | |
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our price: $35.98 (price subject to change: see help) Asin: B00004U2A1 Catlog: DVD Sales Rank: 17061 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (344)
The gore in Evil Dead II is WAY over the top. (If you've seen Arthur's battle with the Black Knight in "Monty Python's Holy Grail"... THAT'S the sort of gore I'm talking about.) Campy lines are thrown around in here the like you've not heard since the Batman TV series. The Premise: Ash (Ashley Williams for those who saw the first one) and his girlfriend drive up to a secluded cabin in the woods for a weekend of fun. They come across a tape recording of ancient incantations...that, when played, release an unseen evil that stalks them. When the cabin owner's daughter and team show up, the evil comes for them all! If you don't try to take this movie seriously, you won't be dissapointed. One of the film's scenes was once rated in the top ten fight scenes of all time: Ash versus... his hand. Now, for the DVD goodies! If you're an Evil Dead fan, this Limited Edition MUST be in your collection. If you just like slapstick/comedy/horror, you can't lose with this one. When it comes down to it, if legions of undead started roaming the Earth, I'd want Ash nearby! Not just for protection, but also for comic relief!
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| 6. Evil Dead (Special Edition) Director: Sam Raimi | |
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Amazon.com essential video Reviews (473)
This disc presents the film in its original 1.33:1 aspect ratio with an extremely sharp transfer with strong color definition. Audio is presented in a great 5.1 surround mix or 2.0 original mix. The disc includes an impressive list of bonus features including: For the price, this is a great version of the flick. Pick it up!
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| 7. Heathers Director: Michael Lehmann | |
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(price subject to change: see help) Asin: B00000IBRT Catlog: DVD Sales Rank: 15135 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video Reviews (127)
I do feel I should clarify, however, that this VHS edition does NOT have clamshell packaging. Rather, its front cover opens to juxtaposed messages from scripter Dan Waters and director Michael Lehmann. For $13.99, this edition of HEATHERS is quite the bargain. For starters, it is 100 times more worthy than the DVD format release. Anchor Bay does well in its VHS territory, but its DVD format releases are problematic. The special features rarely work and my DVD player has actually refused its discs before. What is also nice about this edition is its inclusion of several theatrical trailers (far too many!) and promotional interviews with lead actors Winona Ryder and Christian Slater. Too bad these recorded sessions couldn't have been digitally remastered; they haven't aged well. As for a previous reviewer's joy at the absence of Molly Ringwald in this 1980s black comedy for the teen set, she is way off the mark. Molly Ringwald was hardly featured in every '80s teen flick--just the good ones. Just what, exactly, is she overjoyed at? Christian Slater in a '80s teen pic is supposed to be a relief? I don't get it. Let us leave Molly's good name untarnished, OK?
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| 8. The Evil Dead Director: Sam Raimi | |
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Reviews (473)
This disc presents the film in its original 1.33:1 aspect ratio with an extremely sharp transfer with strong color definition. Audio is presented in a great 5.1 surround mix or 2.0 original mix. The disc includes an impressive list of bonus features including: For the price, this is a great version of the flick. Pick it up!
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| 9. Brazil Director: Terry Gilliam | |
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(price subject to change: see help) Asin: 0783225903 Catlog: DVD Sales Rank: 3159 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. Although the DVD (at a fraction of the price) doesn't include that set's many extras, it's still a bargain. --Jim Emerson Reviews (302)
Criterion's 3-DVD set documents the struggle Gilliam went through to get his film shown. Disc One contains his cut of the film with an informative and entertaining commentary by the director. The second DVD contains the bulk of the extra material. Not only is Gilliam's struggle documented but also various aspects of the production are examined -- including the screenplay, costumes, art direction, etc. The final disc contains the studio's ....py cut with a film historian's audio commentary documenting why this version sucks. Once again, Criterion comes through with an exhaustive look at an important film of modern cinema. Brazil is a brilliant satire of a dystopian society run amok by pointless bureaucracy. Anyone who has worked a souless job in an office will immediately empathise with the protagonist's plight. Like any great work of science fiction, Brazil offers more questions than answers -- not everything is wrapped up neatly, instead the viewer is left questioning certain aspects of our modern society. Great stuff.
Jonathan Pryce stars as a tiny unimportant member of a vast hyper-capitalistic society. Life is cold and dreary for everyone. All his spare time is spent dreaming of magical romantic worlds and the beautiful woman who lives there. One day, a simple beaucratic mistake causes a monumental disaster. Not that anyone cares... they just don't want to be blamed. Sent to solve the problem, or maybe to be a scapegoat, Pryce accidentally meets the literal woman of his dreams. As he pursues her, he brings suspicion on himself of being a terrorist (the scourge of the government), and his dreams begin to invade his waking thoughts. A suprising list of talent lend themselves to the film and is written, minus Kafka and Orwell themes, by Monty Python's Terry Gilliam so expect some obvious humor and much biting satire throughout. Depressing and magical without losing it's hope, any person who can identify with the main character should find themselves entranced. Despite being made in 1985 the special effects prove to be suprisingly effective (although easily noticed). I personally think this movie is the second best Science Fiction film, 2001 being first, and the best 1984 type movie ever made.
For a movie with a similar feel but considerably more heart, try Barton Fink instead. Or even Amelie.
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| 10. Trilogy of Terror Director: Dan Curtis | |
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Reviews (59)
Story number one "Julie", is a fairly straightforward tale of school teacher Julie Eldridge (Karen Black), who teaches English at an American high school. She is mousey, studious and never goes out on dates. She "attracts" the attention of one of her students who takes her on a date, drugs her and begins to blackmail her into further meetings. At first the victim of the piece Julie ends up turning the tables on the young man and in the final twist it is revealed to his great personal cost that it is Julie who is the one in control and who has used him as she has numerous other young men for her own ends. Story two "Millicent and Therese", is probably the weakest of the three stories and has Karen Black playing two roles as "identical" sisters Millicent and Therese. The similarity between the women ends with their looks as Millicent is prim and proper and very introverted in her ways while Therese is outlandish in her dress and not shy about her relations with numerous men. A real hatred exists between the two sisters and Millicent succeeds in driving off one of Therese's boyfriends by telling him of her sordid past. As the tension in the house rises Millicent starts to fear for her personal safety and dabbles in witchcraft to remove the menance of Therese's presence. The family doctor long aware of the real truth of the "two sisters", arrives too late however to save the situation from a tragic outcome. "Amelia", is of course the classic story and has everything that the first two stories lack in sheer terror and exhausting nail biting suspense from the opening scene. Here Karen Black plays downtrodden young woman Amelia who to get away from a domineering mother has taken a sublease on an upstairs apartment for 6 months. She has managed to find herself a boyfriend and as a birthday gift she has purchased as a result of his love of african arts a genuine Zuni Fetish Doll from an antique shop.It comes with a scroll saying that if the little metal chain around its waist is broken a spirit will be released that is "he who kills". By accident the chain breaks off and thus begins a nightmarish tale where this killer doll comes alive and goes on a murderous rampage attempting to kill Amelia in her apartment. After trying to drown it and trap it in a suitcase and enduring numerous stabs from the doll which is armed with a butchers knife Amelia manages to burn up the doll in the oven. However a decidely horrific outcome develops where she "inherits", the spirit of the Zuni doll and starts to take on its traits in a horrific last scene. Many people have commented on the fact that this TV movie and in particular the "Amelia", story terrified them growing up but was almost comical when viewed as an adult. I still think the third story packs a real punch in the horror department and the sight of this murderous doll making horrific growling noises and stabbing Karen Black as she attempts to escape is a horror image just as terrifying as anything I've seen recently in the horror field. All the segments are well acted by Karen Black who is a fine actress however the brilliance of the Zuni Doll seemingly chasing her around a small apartment is the real element of genius in this movie and is superb in a pre special effects era of movie making. Turn down the lights and watch "Trilogy of Terror", sometime to see one of the best "horror figures" of the 1970's come to life.
Of course, the TV version was tamed down a bit due to nudity in the first story between the high school ... boy, Chad, who finds Karen Black's MUCHO OLDER teacher character sexy in that sort of "motherly/librarian" way. He drugs her, blackmails her with seedy pictures and thus the one sided affair ensues. As if you can really tame down the GREAT and MAGNIFICENT Karen Black. (See her in her Oscar nominated role in "Who's Afraid Of Virginia Woolf?) The second installment in the trilogy is about a good sister bad sister relationship. The weakest of the three but still HIGHLY enjoyable. The FINAL story is the one that STILL leaves me with nightmares. That little ZUNI ... doll coming to life, those sharp, pointy little teeth, his sharp little weapon, making that Nyaaaah, Nyaaah, Nyaaaaaaaah yell and then the end where Karen herself, turns into a Zuni Fetish doll lookalike with POINTY TEETH AND ALL! GRUESOME, GRUESOME, GRUESOME!!! Still makes me pee pee in my big girl [underwear]! LOL!
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| 11. A Clockwork Orange Director: Stanley Kubrick | |
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(price subject to change: see help) Asin: B00000J2KS Catlog: DVD Sales Rank: 12101 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (567)
So this is a great movie, but this DVD is a great disappointment! Despite what the details above say and what it says on the disc snap-case, the film is not in widescreen letterbox format, but is in full screen format! And the image quality is only fair-to-good. The sound is OK on my mono TV speaker but evidently is not Dolby multi-channel. And the theatrical trailer freezes at various points during playback. There's a chapter index and a list of awards the movie won or was nominated for, and that's about it for bonus features! One can only hope that the next release of this movie on DVD will do it justice, and make it a true Kubrick collectible!
"A Clockwork Orange" is an ingenious comparison of two theories of punishment- retributivism and utilitarianism. Debate has raged over the proper role of a criminal justice system. Is the goal to punish the criminal according to the old eye for an eye standard (retributivism) or to reform the criminal into a useful, law abiding citizen (utilitarianism)? At the outset, many people dismiss utilitarian values as a lot of liberal silliness: soft on crime. A more important question is whether we should reform criminals whether they desire to be reformed or not for the good of society. One of the more interesting aspects of this film is that is shows utilitarianism can be a far more brutal method than retributivism, contrary to popular thought. Here we have the debate crystallized as if the proponents of both, Kant and Bentham, were debating the merits before our very eyes through the characters on screen. Alex is unquestionably rotten to the core; he maims and rapes helpless victims for laughs. The first hour of the film is dedicated to underscoring this point. When Alex is apprehended by the authorities, he is dealt with in the old fashioned Kantian way- punishment. Alex then volunteers for a special treatment that will "cure" him, in exchange for freedom. The cure is a form of conditioning that causes Alex to become terribly ill whenever any inclination towards sex or violence surfaces- he now has a reflexive aversion toward evil, and "ceases to be a being capable of moral choice". The final act of the film deals with the consequences of being "cured" in such a way. By now you probably get the idea- go see this film (but not as a "date"). To further entice you, it's one of the most visually exciting movies ever made, with vibrant images that will burn themselves into your mind. If you've never seen it on DVD, the transfer is great, and you will see things you've missed before. And as a final bonus, look for the guy who plays Darth Vader as a bodyguard.
The plot revolves around Alex de Large and his group of friends who are very violent, and get their kicks by raping and assaulting people. After Alex and friends commit various crimes, Alex is finally arrested and put in prison with a sentence of 14 years. Eventually, his sentence is commuted in exchange for him undergoing experimental aversion therapy which makes him physically ill at the thought of sex or violence. However, it also makes him hate Beethoven's 9th Symphony which was played as background music to some aversion films during treatment. After an attempted suicide, Alex is re-treated with apologies by the government for inhuman treatment, and Alex appears he will resume his old ways. This movie is highly stylized, including wardrobe, hairdo's (mom has purple hair, another woman had dark blue hair), set dressing, location and props. There is a fair amount of full frontal nudity of both sexes, and some stylized and slow-motion violence. Kubrick has made some good and bad movies, but this is his most stylized and over-the-top effort. Not for everyone. DVD has chapters, English or French spoken language, several subtitle languages, a trailer and list of awards.
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| 12. Reefer Madness Director: Louis J. Gasnier | |
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Amazon.com essential video Reviews (47)
Finally someone has released Reefer Madness the way it should be: Beautifully restored, in color for the first time, and in 5.1 surround sound. Both the color and black-and-white versions are on the disk. Plus this DVD has loads of fantastic bonus material. Mike Nelson of Mystery Science Theater 3000 does a hilarious commentary track, cracking wise from start to finish. Grandpa's Marijuana Handbook, A short film by Grandpa Ganja himself, graces this edition and tells us everything we need to know about dope. No question this is the "FEEL GOOD" DVD of the year!
I never heard any evidence about Dupont funding Reefer Madness, but they would have a motive. Dupont was facing enormous loses because their inventions rayon and nylon could not compete with natural hemp (in quality, cost effectiveness, not to mention environmental friendliness). Andrew Mellon, US Treasury Secretary and chairman of Mellon Bank, one of the major financers of Dupont, did appoint Harry Angslinger (who was also married to his niece) as Commissioner of the Federal Bureau of Narcotics. As seen in Ron Mann's documentary "Grass", Angslinger was an extremist zealot who managed to criminalize marijuana and create ridiculous sentences for smoking pot. One of Angslinger's methods was to demonize pot with completely false evidence throughout the various media (newspaper tycoon William Randolph Hearst, whose financial interests in paper mills was also being hurt by hemp, was a great ally). Of course this is a tenuous connection between Dupont and Reefer Madness, but Dupont clearly had a direct financial interest in demonizing reefer, just like the movie attempts to do.
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| 13. Sid & Nancy - Criterion Collection Director: Alex Cox | |
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Description Reviews (91)
I won't leak much of the film story-wise. What I would is that Gary Oldman and Chloe Webb reenacted Sid & Nancy to near perfection. They make audience really feel their passion and pain towards each other. Criterion Collection did an amazing job in releasing this powerful documentary film with invaluable extras. It's long out-of-print and it could be quite pricey, but it well worths it. Afterall it's just like Sid said, "What do you do with money, for instance? I can think of one thing to do with money. One thing. That' s what I do with all my money. Every half-penny of it." :)
This movie while distrubing has an important message. This film shows the devastating effects of heroin abuse in graphic detail. | |