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While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level.Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

DVD features
Ben Affleck's much-rumored cameo is one of the deleted scenes on the Elektra DVD.It's a one-minute throwaway, and while he's supposedly appearing as Matt Murdock (who romanced Elektra in Daredevil), the barrage of celebrity gossip makes it impossible to see him as anything other than Jennifer Garner's real-life boyfriend.There's also a making-of featurette, which is mostly promotional hype other than a few interesting effects shots; four editing featurettes; and Jennifer Garner's videotaped message to ComicCon.--David Horiuchi

More on Elektra

Elektra: The Album (Soundtrack CD)	Elektra: The Movie (Comic Adaptation)	Frank Miller Comic Books
Daredevil (Director's Cut) (DVD)	Jennifer Garner stars in Alias (DVD)	More Superhero DVDs

... Read more

Reviews (163)

Not bad
I don't understand when people complain about Elektra being trashy. Com' on, you know you're watching a comic character, a character written from comics, how intellectual do you want the movie to be?

I love the trashiness of the movie.

More like E-Suck-tra...
This was one of the crappiest movie I have ever seen in the history of movies. The boss fights were stupid, the final boss, stupid, The tatoo guy that was supposed to be TOTALLY sweet died way way way too easily. She had this stiff pissed look the entire movie which just made me fell Stiff and pissed. I think the only part I found entertaining was how they died, If you want to laugh get this movie, if you want action(which is what you expect from this movie) Go try Samurai Champloo.

good dvd release but worst superhero movie i've ever seen
I'd never seen this movie in big screen, but one of my friends told me it was an average movie. when the dvd released, I Bought to put it near my daredevil DVDs (special 2 discs edition & directors cut), oh my... when i watched it... it was not an average movie but one of the worst superhero movies i've ever seen. too much lies! terrible actings and a boring story! not comperable with daredevil in any way, daredevil was a five star movie but this can hardly get one star! its just like one of jackie chan recent and cheap movies with a TV Worthy picture and special effects. it's not even worth to rent. don't be fool by the beautiful and kind of sexy photo on the cover of dvd! don't buy it even you are a super hero DVD Collector

Good acting , silly story
I was surprised that someone like Jason Isaacs would appear in a movie like this... special effects are very good, but still, the story wasn't very good. Goran Visnjic did a great job, excellent. But I don't know...watch it if you want to have some fun.

A Different Concept ?!!/ Disappointing and Medicore!!!!
I personaly am a comic book fan and can tell you from experience that the comics of Elektra are way better. The movie was somewhat weak with barely any action scenes!!! The only good part of the movie was Jennifer Garner which put some flavor into the movie and was in fact perfect for playing the part of Elektra!!! I place all blame on marvel who basically focused too much on setting up for the sequel and less on the action!!! This movie had so much potential but in the end it was barely amusing!!! If you want the truth the only reason I gave this movie 3 stars was because, of pitty and Jennifer Garner!!! It was a nobel effort but there are way better movies than this!!! The special features aren't that special either and not worth buying the movie over!!! Some hardcore Elektra fans will have a special place in their hearts for this movie!!! Don't buy this movie because of Jennifer Garner, if you want to see more of her just watch Alias/ or buy the first season!!! Marvel used to be about making comics and pleasing their main fan group, but now they have turned into a bunch of corporate business investors trying to make a profits!! The movie "Hulk" was even worse than this, which makes this look good!!! If you are looking for good movies from marvel here are some suggestion:

Spiderman
spiderman 2
X Men
X Men 2
The Punisher
Daredevil
The Incredibles

I hope Marvel is wise and makes more movies like the one's listed above!!! I suggest you rent this movie first to see if you truly want it!!! If you are a action fan like me you will probably not like it!!! Better luck on the sequel!!!

-Anonymous ... Read more

Reviews (59)

Elegant and Powerful Communist Propaganda
This movie is a visual feast. The Chinese government spared no expense in creating it; all-star director Yimou Zhang apparently had everything at his disposal: a super star (Jet Li), an excellent supporting cast, unlimited costume expenses, and the full array of Hollywood digital imagery. More than just action and elegant Chinese cultural imagery, this film is a bold statement to the world: China is once again its cultural center.

Unfortunately, money does not always buy happiness. Despite the beautiful imagery, the story is brazenly unoriginal, taking its principle technique from Kurasawa's 1950 breakout film Rashomon, and much of its wuxia energy from Ang Lee's Taiwanese sensation of 2000, Crouching Tiger Hidden Dragon. To the simple-minded, I think it fails as an action picture, and to the sophisticated, its moral push is far from certainly digestible. Neither do any of the actors succeed in endearing themselves to us. Its greatest strength is its beautiful imagery.

I recently watched Alexander Nevsky, the famous Soviet propaganda film. Viewed today, its intent is obvious and clumsily applied. I watched Ying Xiong, or "Hero", well into the second hour before I realized that I was watching a modern version of that same old communist template. What are the messages here?
A) Look Out: China is bigger than life and is ready to take its rightful place as the center of the world.
B) All under Heaven: union is not bad, it is in fact noble and unselfish, supporting the common good (Cantonese Hong Kong and Mandarin Taiwan take note).
C) The National Government is working for the common good: "They call me a tyrant", the emperor says scornfully, as he laments the fact they ignore the burdens he must bear for their own good.
The film tries to appeal to the values of common decency in order to support these latter two points: killing is wrong, selfish grudges are wrong, excessive resentment is wrong, etc. It seems to accept and mildly promote individualism, although not allowing it to trump collectivism.

I admit that even as an American, I cannot quickly digest these complex moral questions and make an immediate assessment as to their worthiness. For a Chinese person, I assume this film has been even more powerful. The pride evoked from its bold nationalist statement may further push them towards accord. Hence its value as propaganda has probably been quite strong. I think that ultimately the value of this film as a classic will be decided by the prevalent answer to these moral questions, and my suspicion is that history will not look favorably on the direction in which it pushes viewers to think.

An intimate epic
"Hero" is a very ambitious film, attempting to combine quiet introspective philosophy with visually stunning action and pageantry. It is like an intimate epic. The scope is grand to say the least, with full armies on the march as well as intense and magical personal duels, all of which serves as decoration to the Buddhist philosophy being put forward.

It is very beautiful, and this is probably the first thing to be noticed. The various elements, actors, scenery and colors all combine to create a visual splendor. It is a very painterly movie, a feast for the eyes. Specifically, color is used to create moods and to differentiate the various storylines. If the visuals are painterly, then the Martial Arts are dancerly, along the same line as "Crouching Tiger, Hidden Dragon," to which inevitable comparisons must be drawn. The actors are equally beautiful as well, and "Hero, truly a feast for the eyes, could probably be enjoyed in this manner, without any dialog.

Storywise, it is a variation on the familiar "Rashomon" theme of "what is the truth?" The same story is told and re-told, each time moving closer to the purity of truth, and with truth comes enlightenment. This is an intimate tale, a quiet verbal duel between an Emperor, so fearsome and lonely than no human can approach within one hundred paces of him, and a nameless subject, who might just be a true hero. Between them, a story is told of epic engagements, artists and warriors, and what is actually worth fighting and dying for.

I won't spoil too much of the story, as part of "Hero's" strength and insight lies in discovery. That is not to say that it is full of surprises and twist endings, but rather that, like all Buddhist insight, the answer of the movies riddle lies as much in the viewer as in the actors.

rebuttal to JUSTAREADER & Other Naysayers
Western movie studios like to spoonfeed the story to the audience and have an ending that provides closure. Asian movies tend to be more ambigious & leave the conclusion more open-ended to allow the audience to walk away "thinking" about the consequences of the actions of the movie characters.

The wire kung fu is meant to be an expression of the inner turmoils that play within the character's heart and mind. Suspending your belief in reality would have to take place to accept the incredibly artistic fight scenes in this movie or just about every other action movie ever made like Spiderman or ID4. At least enjoy the beautiful camera work and use of colors in this movie instead of thinking about "too many pretentious but self-indulgent thought-to-be poetically beautified scenes".

The "peking opera styled slow talking dialogue" is used effectively in my opinion. JUSTAREADER may not be a fan of this type of dialog but everybody has their own opinion.

Zhang Yimou used the story of the Qin Emperor only as an outlet much like Passions of the Christ. Many will not agree with the portrayal of the Qin Emperor in Hero or the portrayal of Christ in Passions but it made its point.

I agree that the Qin Emperor is not as "benevolent" as Hero suggests but this is a fictional story meant to convey the conflicts of the characters - the sacrifices made for self and country and the eternal question "does the ends justify the means"?

Boring movies don't move the audience and just passes 2 hours of their lives. It's the reaction I get after attempting to watch Dreamcatcher, Road Trip, or Day After Tommorrow.

Great movies provoke a reaction from the audience. This is a great movie with great visuals and cinematography. It got a reaction out of the "love it" and "hate it" camp! It wasn't a simple "love it" or "hate it" review.

Some of the best movies and music are derivatives of others. Example: Led Zeppelin and Aerosmith just borrowed from the blues and garage rock; Hero borrows from Rashomon; the list can go on and on forever. So to call Hero an unoriginal movie is an oxymoron because every movie copies from earlier movies.

Not all westerners are "simple-minded". People who just want simple Kung Fu movie or action movie with no plot will be bored to death and will find the movie "too complicated for westerners." For those of us who want something more than movies like Garfield or Starsky & Hutch will more than likely enjoy Hero.

Must see
This is a truly beautiful film. I own the import version and this film delivers on all scores. Maggie Cheung and Tony Leung give outstanding performances as the two lovers Flying Snow and Broken Sword. Jet Li is fantastic as Nameless.
If you love Hong Kong cinema this is a must see

too poetically unfocused, too complicated for the westerners
this is a very dark but also very pretentiously directed and performed swordsmanship movie. the chinese philosophy would put off mucho western viewers, 'cause the values in the orient and what we got in the west are totally different, i.e., the ends justify the means, or the means justify the ends. to not to assassin a tyrant and allow him a great opportunity to conquer all the other small feudal warlords and unify the whole china, in a larger vision, might save more peoples' lives than letting all the warlords killing each other and their subjects year after year....so what's the choice of the way-too-deep philosophic assassin in the last second and to face a doomed consequence? the director has tried too hard to express his own montage philosophy, his own interpretation of what should be done and only by himself in such genre to surpass the crappy oscar winning crouching tiger had achieved only one thing: a somehow and somewhat boring staged show instead of an exciting movie, with too many slow motion scenes, too many wired suspension, too many pretentious but self-indulgent thought-to-be poetically beautified scenes, with a too narrow minded and one-sided chinese philosophy delivered in a peking opera styled slow talking dialogue to grandize the butchering tyrant of all time in ancient china who later became the only role model of the modern time chairman mao, conquered all the warlords and took the advantage of generalismo chiang kai-shek's enduring war against the invading japanese of the world war II, and later the pathetic and horrible cultrual revolution in china, the rude-awakening of the chinese holocaust.
this is somewhat a mediocre and even a quite lousy film made and should not be made by the legendary chang yi-mou. ... Read more

Reviews (1388)

Quentin Tarantino's Tribute &...
The guy is very creative in displaying a story in a very original structure and media. Kill Bill is a cult movie fan's greatest dream come true. Everything is in there from good old Western Coybow movies to the cinema of the east slapped together. For the sterotypical "white" person who only consumes the blockbuster hits of what ever popoular trend is out, this movie may appear silly or confusing to a degree of laughter. Thats the beauty of this movie, it shows us which movie watchers are out there. In the theaters I caught a lot of white people laughing at the asian sequences of the film and they were also dumbfounded by the special appearances of the actors from Wild Zero, Ichi the Killer, Battle Royale, and Suicide Circle to name a few. (i was hoping to see Tekashi Kitano) The only special appearnce of a star they would know is "David carra..whats his name...? the guys from that Kung-Fu show...yeah." A lot of people failed to see the element of honor that was displayed in both films between characters which was a very beautiful element. The action sequences were directed very well so that it made up for a lot of the actor martial arts flaws such as akward positions and hyper extended punches, so there are little moments killed.

One sad thing though is that Kill Bill Vol.2 had a trailer for the 2002 film HERO, which is now going to hit theaters here that did it injustes. They stated that the movie was presented by Quentin Tarantino, but I've overheard many reactions of people thinking that it is directed by Quentin Tarantino rather than the truth (Zhang Yimou). Plus the trailer gave the art film a false representation of an epic war film, many may be disapointed. So are movies like Kill Bill building bridges with Hollywood and Asia or are they just going to jokingly stereotype Asian films and cuture in an unfair way? Fans and crowds shall tell in time.

Oh and by the way, I don't want to sound like "white" people are not cool, I use the term "white" for the typical stereotyping day by day american. As far as stereotypes go, sometimes people enjoy becoming part of it and making it obviously true. I look forward to one day the stereotypes are non existant and everyhting in around our lives is understood for what it is and not what it looks like on the surface.

Maiming and decapitation are never fun. Until now...
Oh, the joy of being a movie geek. This year has been a tremendous blessing for all of the human race, or just us film fanatics, as the movie gods have listened to all our prayers to deliver cinematic goodness. One of these that came as a major grace is called "Kill Bill: Volume One", the latest offering from the dark, perverted but brilliant mind of Quentin Tarantino. Last seen under the spotlight in 1997 with "Jackie Brown", we have been painfully awaiting his next move throughout a six-year-span. Well, time finally came upon us and the wait is definitely worth it.

Appropriately entitled "Kill Bill", Tarantino tells a simple revenge story, albeit through his usual non-linear storytelling structure, about a lanky blonde woman (played by the invigorating Uma Thurman) only known as "The Bride" a.k.a. "Black Mamba" who wakes up from a coma to exact revenge on her former assassin group called "The Deadly Viper Assassination Squad" lead by Bill (David Carradine), who aren't really happy of her decision to quit and marry someone in El Paso, Texas. Hence, bloody carnage ensues as Bill and the gang made of eclectic members-Budd, Vernita Green, Elle Driver and Oren-Ishii-massacres The Bride's family and guests on her wedding day, including her unborn baby. Bill saves her for last and shoots her head (on what could be one of the most startling introductions in a movie). Thinking that she's dead, they leave her cold in her blood-splattered wedding dress, which is a terrible mistake on their part, as The Bride gets up from her hospital bed after four years with furious determination and will to destroy every single one of the perpetrators, saving the best for last, which is, of course, Bill, proving that as far as justice goes, it can easily get very poetic.

However, this is only half of the story, as Miramix, the film distributor, and Tarantino himself decided to cut the three-hour long movie in half and released them four months apart. That being said, I am very sure that Volume Two will be as equally brutal and vigorously entertaining to what I've seen four times in the theaters (Yes, four times! It's that good!)

"Kill Bill: Volume One" is perhaps the most violent American movie ever (and I've seen a lot of movies). It can be easily be used as an example of how the morals of the Western world have dramatically fallen in the 21st century. But it's most important to know that this movie was made as an ode to those rare, odd, cheesy and absurd kung-fu, Western, exploitation, slasher and grindhouse movies we usually see gathering dust in the cult section of a video store or occasionally seen playing on television at 3 in the morning. Kill Bill: Volume One on the surface looks like a very empty fluff made to only shock the already seemingly desensitized viewers, but underneath, it is really a very intelligent piece of art. Intelligent in a sense that it knows the rules of the cinema: it knows it audiences are and doesn't give a damn thing or two to those who don't want to get involved. For instance, The Bride wears a yellow jumpsuit during the last hour of the movie. To the uninitiated, it's just a striking sexy vintage number. To those in the know, it's a replica of Bruce Lee's tracking jumpsuit from his 1979 movie Game of Death. And this is just only a fraction of Tarantino's endless references, in-jokes and homages to old and obscure cinema. From Brian DePalma to Godzilla, from giallo films to Japanese animations, God knows what else are there he injected. I say this movie is an entire pop culture of pop culture.

Even without this quality, it's still deliciously entertaining, boldly creative and visually arresting, it's safe to say that this is an instant classic. No, this is not an Oscar-winning movie, let alone be nominated. But not everything has to have a deep storyline with complex characters to be a great film. This movie has no substance and as empty as a dead shell. But it's an amazingly great film, nonetheless. The fact of the matter is that Tarantino made this with great respect, love and passion of the medium, that he practically utilizes everything to its full advantage from complicated camera shots (the long tracking shot of The Bride going to the washroom is incredible), beautiful cinematography (the claustrophobic and filthy Hospital environment, the beautifully exotic and bright Japanese backdrop), the amazing eclectic selections of music (from Nancy Sinatra's "Bang, Bang" to "The Green Hornet" theme song) and the excellently choreographed fight scenes as if we're watching an amazing, exhausting ballet dance with swords. Oh yeah, and the beautiful gushing of the blood and gore like water coming down from Niagara Falls.

"Kill Bill: Volume One" is an extravagant, highly-stylized, ultra-energized, uber-violent piece of celluloid. It's made up of a world were grativity is without law, violence is sheer poetry, pissed-off Caucasian women likes to play with samura swords, and even assassins have feelings. It's a world where obscure 1970's disco music goes perfectly seamless along with the motion of decapitation and maiming.

Oh what fun!

Aside from that movie that left me with tears featuring hobbits and wizards and that fetus-looking boy-fish who seems to say the word "Precciooooooussssss...." a lot, this year belongs to Kill Bill: Volume One (and I cannot wait for Volume 2!)

Thank you, Tarantino for your sick and twisted mind.

great movie
i loved this film! great STYLE, great action, great story. and very funny. i loved the use of zamfir's famous tune for the samurai scene! it's a delicious homage (or parody?!) of various genres - japanese samurai (esp kurosawa), chinese kung fu, american spaghetti westerns. wonderful.

HOLLYWOOD Tarantino??
Great movie I have to say, paying respect to crazy asian cinema. My only gripe is Uma Therman being in the movie. I would have like to see Quinten dig up and unknown actor or maybe some B movie or expoitation actress. And although I like Lucy Lu I can think of a hundred different asian actresses that would have fit the role better. ANyway, great movie! If you like this movie check out any movie by Takashi Miike like: Iche the Killer, Dead or Alive, Dead or Alive 2, Dead or Alive Final, Audition, Shark Skin Man and Peach Hip Girl.... any one of these movies makes KILL BILL look like a Walt Disney film!!

5 stars for SONNY CHIBA and GORDAN LEU!!!!!
I just saw this movie on DVD after not getting a chance to see this in the theaters. 5 stars for Gordan Leu and Sonny Chiba!! Awsome to see these 2 great legends of asian cinema! I remember seeing Gorden Leu as a kid from just about EVERY great Shaw Bros. kung fu flick! And Sonny Chiba? ..... Cmon! The Japanese James Bond!? Excellent casting. Great flick!! ... Read more

Reviews (15)

There are three subtitle modes
Actually there are two subtitles, full english captioning and just the translated subtitles, the modes are Subtitle Off, Engligh 1, and English 2.

And the aspect ratio is actually letterboxed in 2.35:1 instead of the standard PSP widescreen, so I don't know what is being misprepresented. I've heard more people complain that it is in its original widescreen and not formatted to fill the PSP screen (Spider-Man 2 for example actually was cropped from 2.35:1 down to the PSP's screen size).

This is a great UMD, it has great looking animated menus, it actually HAS a scene selection menu, and it has extras too, a Making Of video and music videos. Compared to the rest of the UMD pack this disc is a feature packed jewel.

Looks and works great, but...
It looks and works great on the PSP, but my only complaint is that there is only two subtitle modes: All off, or all English on. In the DVD version there was an option to translate (display) only the Japanese words and not the English ones. Otherwise, a good buy if you want a great movie on the go.

Do not buy this UMD
Put everything else you have against UMD's aside for the moment (sparse extras, poor video and sound by comparison to DVD's, and insane pricing) and realize what a half-assed product this is. Kill Bill is a fantastic film that was sorely screwed over in its UMD conversion. Not only is the 2.35:1 aspect ratio incredibly misrepresented on the PSP, which means you lose a large amount of the picture on each side of the screen, but you're not even getting the complete director's cut. It's still the edited version. Since the director's cut will be out on DVD in only a few months time, there's a good chance they'll re-release the UMD again as well. And fairly soon at that I'm sure. It'll just prove to be a bigger waste of money for those of you complaining that this format is already expensive enough as it is.

price, not that big of an issue
the price isnt much higher than dvd's, and converting a movie to umd format, you can't expect it to be cheaper i mean come on...... and the quality is just as good as dvd's, if not better.

the shipping is great
i think you should have a selection of movies and ask the customer which regional psp they are getting then it will work i have 2 PSP's one american and one japanise so if i buy the any rejion UMD DVD it will work but most of i will recomend u guys definetly!!!!!!!!!!!! ... Read more

Description

Steven Seagal (Belly of the Beast, Out for a Kill), the free world's most "independent" anti-terrorist agent, is going down under - not to foreign ports but submerged, under the sea, where wavesof deceit are set to torpedo his command permanently. Chris Cody (Seagal) is summoned from his military prison cell and promised a presidential pardon - with a hitch. An American Ambassador has been assassinated - by the U.S. Secret Service. Now the C.I.A. wants Cody to uncover and terminate this deadly operation, but they don't tell him the truth. Cody ends up overpowered and trapped beneath the waves but hardly out of his depth. ... Read more

Reviews (1)

Actually not bad
When i first heard about this movie 6 months ago, I had little hope. It is directed by Anthony Hickox who has directed some really bad movies. The premise was originally to be about mutants being on a sub and Steven fighting them off. But they changed it to a more logical plot(very happy they did). Submerged stars Steven Seagal, and Vinnie Jones. They are the most important actors in this film. Basically Steven is a independent agent who has his own private crew and they take out the bad guys. He is called upon to deal with a scientest who created a mind controlling drug and has used it to take out the US Ambassador. Steven and the others know that something else is going to down and they must hurry and stop it!

Submerged is better then Out for a Kill, Belly of the Beast, Out of Reach and Into the Sun(which we all thought would be good). Into the Sun had a budget of $35million. This one had only $15million. But the ACTION WAS GREAT! There were 5 times more action then Into The Sun. The plot was better and so were the characters. I was happy to see such good actors. The CGI werent tops. but they got the job done. There is a good amount of action to keep the fans pleased. I know I was. Submerged is rated "R" for Strong Violence and Language. Probably the best movie he has made since Exit Wounds. In my opinion only, if this movie has a bigger budget and more known actors, this could have been Under Seige 3! It was that good. Sit back and enjoy! ... Read more

Amazon.com

How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon ... Read more

Reviews (38)

I Didn't Stop Laughing
I just finished seeing Dodgeball, and I'll say that this is definitely the quirkiest movie that Ben Stiller has made since Zoolander. It's totally off the wall, and it succeeds as one of his funniest comedies.

The things that make this movie great are, primarily, the cast of characters. Stiller himself does a fantastic job as the owner of a massive chain of gymnasiums that is trying to put Vince Vaughn's gym out of business. Ben Still has some very funny lines, and I was definitely reminded of his Zoolander character. He was equally confused, though with much more testosterone. Sort of like what you'd expect Derek Zoolander to behave like if he started popping tons of steroids.

Vince Vaughn was probably my favorite in the movie, coming across as the protagonist who's basically a disorganized, fun-loving guy with a small gym that caters to the "less popular" in society. He has very funny lines, and constantly made me laugh when he was verbally sparring with Ben Stiller's character.

The cast of the gym known as "Average Joes" is just as funny, and many of the best lines come from them. Also, Rip Torn is perfect as a one-time dodgeball champion turned coach who prefers to teach his team to avoid being hit by throwing wrenches at them. The training sequences he puts them through are priceless, as is the eventual dodgeball tournament itself (sponsored by ESPN 8, The Ocho, which specializes in offbeat sports like squirrels water skiing).

Stiller's wife is also in this movie, once again playing the quick-witted professional who eventually falls for the main character and helps him to outwit the evil Globo Gym.

Is it predictable? Totally. Is it formula? No question. But is it fun? Absolutely. In fact, it's almost worth it to watch it twice just for the cameos (David Hasselhoff, Lance Armstrong, William Shatner and Chuck Norris are just a few that come to mind). One final thing, though. This movie is laced with some very adult humor, and it's definitely not for kids (language, many sexual references, and a fairly blatant lesbian scene at the very end). In my mind, the movie suffered for these. Enough to cause me to remove one star.

So if you're seeking something to watch that won't make you think a lot, and will also keep you laughing out loud, this is a great choice. Bottom line is that if you liked 'Zoolander', you'll like this movie. And I loved Zoolander.

Funniest Movie of the Year! Who would have thought?
I just got back from seeing "Dodgeball" at the theater and it was way better than I expected. I thought it would be funny and was even surprised to see most critics giving a crude comedy like this good reviews, so I decided to go see it. I am usually not a huge Ben Stiller fan, because most of the time he plays the same sort of lame character (much like Adam Sandler), but not here my friends. Dwight Goodman is one of his best characters yet and he plays him so over the top you can't help but be amused. Vince Vaughn is good as the straight man, but the real star of the movie (other than Stiller) is Rip Torn as the old and crazy coach called Patches. He steals almost every scene he is in and hopefully there will be an unrated Dvd coming out which will add in even more of his raunchy lines. If you want to think, go elsewhere. If you want to have a fun time and laugh (...), catch "Dodgeball" now.

Sorry about the confusion
this is a truly great movie. granted, it is not very pansohic, but nonetheless, it is quite hilarious and the absurdity of it all will leave you gyrating upon the floor of the cinema.

"Here at Globo-gym, we're better than you! AND WE KNOW IT!"
I really enjoyed this movie. The randomness of it was great. I had high expectations, and it was still good. Much better than Spider-man 2! I was cracking up from beginning to end. I haven't seen a movie this funny since Kung-Pow! "F****** Chuck Norris!" If you've seen the movie, you know, right?

Surprisingly funny
I say "surprisingly" but actually I waited to see this movie, because I really had little interest in it until I read all the positive reviews. But sometimes even that doesn't mean the movie is good, but I took a chance, not so much for Stiller but for Vaughn and Justin Long and I heard the Jason Bateman-Gary Cole commentary was pretty funny. Well, I was happy.
The plot is pretty thin. Average Joe's needs $50,000 so he can keep his gym, which is right next to GloboGym, a huge gym run by Stiller. Stephen Root suggests a Dodgeball tournament where the grand prize is: $50,000. And so begins the movie.
The worst thing about Dodgeball is that it takes too long to get to the dodgeball and sometimes goes too slowly. The best thing about Dodgeball is that it's short and once we get to the competition it's pretty funny. And I like how it makes fun of itself at the ending, with the "Deus Ex Machina" treasure.
It doesn't have any wit, nor social commentary (two things my local newspaper complained about) but it does have a dry, random sense of humor (well, if you don't count all the crotch-enlargement jokes). I don't really like Ben Stiller but he's good here, not playing his neurotic type but not as annoying as he was in Zoolander (terrible movie, except for Will Ferrell). Rip Torn is kind of the heart of the "first half" of the movie, then sure enough, "The Ocho" takes over. No, it's not as good as Fred Willard (and the other guy) from Best in Show, but it's great. I've concluded that Jason Bateman is an underused comedic actor: first Arrested Development (great show) now this.
Another thing against this movie is that the laughs don't really come from the story or the major characters. They come from cameos (Walker, Texas Ranger!) and improbable things happen. Vince Vaughn is great as the straight man (the closest thing to one in this movie) and Stephen Root has his share of laughs but the other characters don't do much. Justin Long is playing a timid teenager (can the guy play anything else) and the pirate guy is sort of funny except he doesn't do much. Dodgeball is pretty silly and funny but not as good as Anchorman, I thought. It's harmless though but still way better than anything else Ben Stiller has done. ... Read more

Amazon.com

Get ready for some seriously big hair. The Last Dragon--or, to call it by its full title, Berry Gordy's the Last Dragon--is a stunning example of 1980s camp cinema. One-name kung fu wonder Taimak plays Leroy Green, a.k.a. Bruce Leroy, a humble student of kung fu who has achieved the highest level of skill, but hasn't yet found his inner master. Wandering through the streets of New York in a Chinese peasant outfit, he accidentally becomes the protector of nightclub hostess/video jockey Laura Charles (played by former Prince protégé Vanity, who also costarred in the trash classic Action Jackson). She's being threatened by a height-challenged mobster who wants her to play his girlfriend's video (the girlfriend is something of a Cyndi Lauper look-alike, played by Broadway star Faith Prince). Meanwhile, a man who calls himself Sho'Nuff, the Shogun of Harlem, wants to kick Leroy's ass and prove himself the baddest kung fu master in town. Add to this Leroy's smart-mouthed brother Richie (who calls Leroy "the chocolate-covered yellow peril"), a dregs-of-Motown soundtrack (DeBarge is a high point), ninja battles, pseudo-Eastern philosophical babble, and a jaw-dropping club performance by Vanity, and you have a hilarious example of why we're all so very glad the '80s are over. Featuring a bit role by William H. Macy (Fargo, Magnolia). --Bret Fetzer ... Read more

Reviews (170)

I wanted more, but at least it's on DVD
Before I was old enough to buy things on my own, I wanted to own the Last Dragon. This is easily one of my favorite 80's movies growing up. Who can forget the hair, the music, the crazy plot and the killer fight scenes. Waiting for this one to be released on any format seemed like an eternity. The VHS version was released for a short period over a decade ago, but was then quickly a discontinued item. Well after countless years of waiting, fans can rejoice, we can all finally enjoy, probably the best version ever, a DVD version of "The Last Dragon." Although Columbia didn't go all out with this DVD, just the fact they decided to put in on DVD is good enough reason to get a 4 star rating. The movie, simply put, is cool. It has a great 80's soundtrack and is still one of the funnest, and silliest movies ever made.

I was diappointed to see that the DVD did not offer the Dolby Digial 5.1 format, but the Dolby Surround 2.0 does the job nicely. The picture quality is as good as I have ever seen this movie look since I saw it in the theater in 1985, but you can notice it looks a bit aged and perhaps a little more remastering from Columbia would have made it look like new. The DVD lacks all the extras. Although the director commentary was nice, it would have been nice to see some bio's. And where in the heck is the theatrical trailer? But as a whole, fans won't hesitate, and probably already have it on the shelf. Knowing Columbia and how they have treated this movie for 15 years, it will probably only be out for a short period. So you better get your copy now while you can. If you've never seen the movie and just want to enjoy a silly, but fun movie, The Last Dragon is a good DVD to add to your collection.trailer.

A vintage 1980s kung fu/comedy classic
I have always loved this movie. Sure, it's a little bit kooky, but Berry Gordy's The Last Dragon just about has it all: plenty of kung fu action, comedy, romance, great vintage mid-80s music, a little bit of funk styling, and plenty of tributes to the great Bruce Lee; it is also the only film I know of whose two main characters are known by only one name in real life. I actually saw this film twice in the theatre back in 1985, and I can say that of only a few movies. Taimak plays Leroy Green, better known around the New York streets as Bruce Leroy for his impressive kung fu skills. His pursuit of the martial arts is a search for truth and mastery of self, and he is only one step away from acquiring "the glow," a state of being wherein mind and body are one. His pursuit of a new and final "master" keeps getting sidetracked, however. Sho'nuff (Julius Carry III), a particularly nasty dude who proclaims himself to be the Shogun of Harlem, is constantly provoking him and baiting him to fight. Then he finds himself the fated protector of star video jockey Laura Charles (Vanity), who is constantly being kidnapped and pressured into showing a certain video on her show. Eddie Arkadian (Christopher Murney) is determined to make a star of his untalented, Cindy Lauperized squeeze Angela (Faith Prince), and he will stop at nothing to get her video on the air. All of Leroy's enemies, naturally enough, come together for a slam-bam martial arts extravaganza finish.

Laura Charles naturally quickly develops some affection for her knight in flowing Asian robes, and a pretty darn innocent Leroy struggles to overcome his shyness in the ways of love. It makes for a rather sweet as well as comical budding relationship. There is ethnic humor scattered throughout the film, all of which I found funny and in no way offensive - by way of example, there is the somewhat Asian fellow trying to act like Bruce Lee because he thinks that alone will scare away any opponents. The music is great; Debarge's video for his hit song Rhythm of the Night gets prominent placement in the film, as does a rather illuminating performance by Vanity which seems a lot sillier now than it did 18 years ago. Stevie Wonder and Smokey Robinson contribute to the soundtrack, and Willie Hutch provides a couple of great tracks.

The best thing about The Last Dragon, though, has to be the martial arts. I know this was a somewhat cheesy martial arts film, but I still enjoyed all of the action. This is due in no small part to the fact that clips of Bruce Lee movies are shown at several points in the film, and a scene reminiscent of the huge melee that took place late in Lee's Enter the Dragon is a really nice touch. The whole thing with "the glow" was cartoonish in conception and execution, yet it too was pretty cool. I think The Last Dragon is just a great, entertaining film, but it is probably not for everyone. If you have no interest in martial arts, the romance and sometimes goofball comedy of the film may not be enough to satisfy you, but anyone who enjoys seeing everyone kung fu fighting should have a heck of a fun ride over the course of this somewhat underrated movie. It always leaves me feeling pretty juiced up and positive about life, which is a pretty nice feeling to take away from any movie.

steveo
i first saw this video when i was 10 years old.I THOUGHT IT HAD BEEN DISCONIUED,then finally i come across it again this is one cheesy film but i love it to pieces

5 Stars--Brilliant, Baby!!
I absolutely LOVE this movie. This is one of my favorites! I don't know how people critique movies, and what they call "great", but I'm tired of them, they don't know what the (bleep) they're talking about!!

This movie is sooooooo great! I love Taimak and Vanity (a protegee of the man Prince I awesomely adore) and all of the characters. Sho'nuff may be ug-ly but he makes me laugh! The whole movie makes me laugh.

The tough, strong, yet cute and gentle Leroy Green (son of Daddy Green and his Pizza) a.k.a Bruce Leroy is a funny character I just love. Laura Childs is so pretty and sassy, you just love her. The Plot is endlessly good and I LOVE THIS MOVIE! I recommend it to you and your family (PG-13, though) and you will love it! I LOVE IT, I LOVE IT, I LOVE IT!!

BUY IT, WATCH IT, LOVE IT!!

Forget the critics! I love this movie!
I don't know why such a bad review is posted here on Amazon? I am sad that the 80s are over, but I still have my DVD to watch any time I want. Bruce Leroy has to go up agienst a bad dude by the name of sho nuff.. All while tring to find the inner glow that will give him the power to defeat his foes...
He has to help a beautiful lady named Laura Charles a video DJ who is harassed by some crazy promotor who will stop at nothing to get a video played on her show..
I love the film for the action and we get to see some Bruce Lee in it too! Leroy is sent out on a mission to find the way to reach the glow and when he has to fight Sho nuff, he finds out that he is the master!

I loved this movie and I wish that there was a sequel... Grab some popcorn and just sit back and have fun... ... Read more

Reviews (52)

Kinda sad when you think about it
I feel that this movie was an okay movie because it is about my favorite thing in the world: Capoeira. I feel that the main character would be better if he was a real capoeira mestre, not some Karate Champion. The only parts worth watching are the first and last 5 minutes where you get to see roda in action. I am a self-taught capoeira student and I can play better than the goofs that they put in the movie. It is a good movie for capoeira newbies, but if you really want to know about REAL capoeira, research and find a mestre near you so that you can experience the exhileration of practicing such a beautiful art.

Axe camaradas!
This is a charming movie with a stupid storyline like those seen in most martial arts movies. But hey, the point is to see the hero beat the bad guys with some sweet moves, right? And this movie delivers just that. So why bother analysing it any deeper?

Mark Dacascos plays a young capoeirista (a guy who practises capoeira) who gets some misfit students onto the right side of the law by teaching them capoeira. Of course this leads to some showdowns between him and various criminal elements. And that's it, really. But capoeira is a beautiful sport to watch, and the movie is a good teaser for the real thing.

But Dacascos isn't really a capoeirista, and the movie misinterprets some of the basic elements of the sport. If you become interested in learning more after watching the movie, look up the nearest capoeira club in the phonebook and try it for yourself. I guarantee it will be an experience well worth your while! I speak from personal experience.

Great Introduction
Years ago I woked at a bookstore and had a customer request a book on Capoeira. I was intrigued by what I read, and wanted to see how it was performed.

I found info about this DVD online when I looked for an mp3 for the "Mazda" Zoom song & discovered it was a (badly mangled) version of one of the songs from this video.

So this is my first time seeing the actual art...the story-line sounds hokey, but it works because everything is beautifully choreographed by Frank Dux. It was a great introduction to an art form that is still little-known in the US.

My husband and I have watched it twice already tonight, it's fun,has great music, and made me wish to learn more about Capoeira.

Unassuming B-movie, great fun
ONLY THE STRONG (USA 1993): Upon returning home to Miami, a former Green Beret (Mark Dacascos) is employed by his local high school to rehabilitate some of its worst students by teaching them the art of capoeira (a form of martial arts from Brazil, using dance-like moves). But his work brings him into conflict with a local drug lord (Paco Christian Prieto), whose operations are threatened by Dacascos' interference...

A predictable B-movie plot is elevated above the routine by virtue of its slick presentation and interesting cast, all of whom turn in creditable performances under the assured direction of Sheldon Lettich (former scriptwriter of RAMBO III who went on to helm some of Jean-Claude Van Damme's most popular entries, including LIONHEART and DOUBLE IMPACT). The script - co-written by Lettich and Luis Esteban - provides a showcase for the visual artistry of capoeira, practised with genuine flair by DTV favorite Dacascos (BROTHERHOOD OF THE WOLF), whose mastery of the form helps to win over some of the most problematic students at his former high school, now a crime-ridden wasteland whose faculty (led by Geoffrey Lewis, acting everyone else off the screen) is clearly at the end of its collective tether. A faint air of camp hangs over the entire enterprise, as ultra-buff Dacascos flaunts his pumped-up torso through a variety of tight-fitting vests (drool! slobber!) while facing off against ultra-butch Prieto (a real life martial arts instructor, making one of his first screen appearances), though ultra-cute Stacey Travis hovers around just long enough to blunt the film's relentless macho swagger and provide a fleeting romantic interest for Dacascos, thereby reassuring the movie's target audience that his character is entirely heterosexual. The film is naive, obvious and predictable, but it moves at a rapid clip and is well-staged thoughout, and the bone-crunching fight scenes manage to live up to every expectation. Good, catchy music score, too.

Fox's DVD is a no-frills affair, including both widescreen and fullscreen versions of the film, along with a trailer (curiously framed at 2.35:1, though the main feature is correctly framed at 1.85:1). Sound and picture quality are uniformly fine.

95m 52s
1.85:1 / Anamorphically enhanced
[Fullscreen 1.33:1 version also included]
DVD soundtrack: Dolby Surround 2.0
Theatrical soundtrack: Dolby Stereo SR
Optional English subtitles and closed captions
Region 1

Excellent movie, a must see
This is my favorite Mark Dacascos' film. I been trying to find it on DVD for a long time and I'm so glad it finally was relased on this version. If you're a fan of Dacascos and enjoy to watch martial arts, this is a must, trust me. ... Read more

Reviews (257)

Volume 2 Delivers The Goods (4 Stars)
Kill Bill Vol. 1 might have been action driven and fast paced, but Vol. 2 was not. The slower pace made room for better focus on dialogue though. There are still great fight scenes, but not as many as there were in the first movie. Tarantino hit his stride with this movie. Die hard fans should go out and see it. The movie is two and a half hours long, but it's totally worth sitting through. There are great new characters (most notably Pei Mei) and it does a great job of filling in the holes that were left in Vol. 1(like Uma's screen name). Memorable scenes would be Uma Thurman being buried alive and her fight with Elle Driver in the trailer home. Easily one of the best fight scenes ever. Then there's Bill, played by David Carradine. He was probably the most engaging character in the whole movie. While I was disappointed in the way he died, it totally made sense. Overall, Kill Bill Vol. 2 definitely meets all expectations with its great dialogue and awesome fight scenes. Be warned though, the fight scenes aren't as fast and furious as the first movie. Nor are there as many. But that's not bad because it plays to Tarantino's strength: dialogue. If you liked Vol. 1 or if you're into karate flicks, you'll love Vol. 2. But if you didn't like Vol. 1, you'll like Vol. 2 even less.

Better than Vol. 1
If cinema is ever in need of edgy freshness, then Charlie Kaufman is the man to turn to. But when that need arises and has to be fused with humorously offbeat style then Quentin Tarantino is the Kaufman of directors. Or is Kaufman really the Tarantino of aspiring writers? It doesn't matter. In any case, what truly matters is that Tarantino continues to inject that richly abnormal talent of his into his latest piece "Kill Bill: Volume 2."

Four years after being betrayed by her former boss Bill (David Carradine) and shot in the head at her wedding, The Bride (Uma Thurman) wakes up from her coma and thirsts for revenge. After dispatching Vernita Green (Vivica A. Fox) and O-Ren (Lucy Liu) in "Volume 1," this previously retired assassin is back in "Volume 2" to finish off the rest of Bill's Deadly Viper Assassination Squad and ultimately, kill Bill.

"Volume 2" is definitely the heart of the two movies. Saturated with intense fighting scenes "Volume 1" ended with a bitter sweetness as The Bride seemed completely undeveloped as a character. But "Volume 2" complements the first movie nicely as the action takes the passenger seat and Tarantino concentrates on storytelling, fleshing out The Bride's character. There's actually emotional depth involved now, revealing The Bride's relationship with Bill as well as her motives for leaving an assassin's life.

Thurman is wonderful as The Bride, playing along with Tarantino's take on Hollywood cheesiness to executing some intense dialogue scenes that transition between emotions within seconds. Tarantino is obviously extracting all the skills he can from Thurman, and the end result is worth every squeeze: she pulls off acrobatic feats and heavy dialogue in the same two hours with seamless changeovers.

Carradine also does such a marvelous job of portraying Bill to the point that it becomes frightening. Carradine's subtleties are what form this character and by the end of it all it becomes clear just how insane of a character Bill is: he philosophizes about death while making sandwiches and questions past relationships with a menacing sword in hand. The low and relaxed tone that he carries through the movie makes it feel like Carradine isn't even playing anyone, he's just slipping this character on like an old, comfortable shirt.

But it's not just the characters that make Kill Bill so special. The first installment is wonderful in paying tribute to Japanese anime, folksy spaghetti westerns and an overall homage to "old school" Asian kung fu flicks. Tarantino again draws various sources from 70's pop culture to showcase the quirks of "Volume 2." Whereas the first movie displays Tarantino's knowledge of Asian cinema with wire-wearing kung fu, with unrealistic squirting samurai-movie colored blood included, "Volume 2" solidifies that homage to the full extent.

Perhaps the single greatest movie moment of 2004 is in "The Cruel Tutelage of Pai Mei," the film's chapter in which the origin of The Bride's abilities is discovered. Tarantino brings out all the stops on this one. From the stereotyped supercilious personality to the superficial white facial hair, the character of kung fu master Pai Mei (Gordon Liu) is the absolute embodiment of a 70's Chinese kung fu flick. After this scene, it's obvious that Tarantino is on the edge of oddball insanity, right there with brilliance on the other side.

Like the chapter of Pai Mei, the rest of Tarantino's film combines everything campy and corny with his bizarre sense of direction. And everything rationally ridiculous here somehow ends up as abnormally gorgeous.

Superb second chapter
A radiant bride-to-be (and mother-to-be) who calls herself Arlene takes a few minutes out of her wedding rehearsal to talk to her former boss (and ex-lover) about the peaceful new life she's planned. She tells him she'll be working in a record store where she'll get to "listen to music all day, talk about music all day. It's really cool. It's going to be a great environment for my little girl to grow up in."

"As opposed to jetting around the world, killing human beings, collecting vast sums of money?" her one-time employer asks.

Yes, Arlene is actually The Bride (Uma Thurman), a.k.a. Black Mamba, one of the Deadly Vipers Assassination Squad (D.I.V.A.S., for short). And, yes, the man with whom she's sharing her future plans is Bill, the enigmatic, shadowy D.I.V.A.S. commander who never showed his face in "Kill Bill, Vol. 1."

Bill, played to diabolical perfection by David Carradine, is visible throughout "Kill Bill, Vol. 2," and that's only one of the many changes between the first and last installments of writer-director Quentin Tarantino's epic saga of revenge and retribution. "Vol. 1," which took place largely in Japan, was a magnificently gory, almost operatic homage to the Hong Kong and Japanese cinema of the 1960s and 1970s; "Vol. 2," set primarily in Texas and Mexico, is considerably more controlled -- although no less stylish -- and moodier, paying tribute to the unconventional Westerns of director Sergio Leone and, in its black-and-white flashback sequences, recalling such late-1940s/early-1950s thrillers as "Gun Crazy" and "The Big Heat."

No one ever accused Tarantino of being shy when it comes to laying out his catalog of influences.

Cinematographer Robert Richardson's all-seeing camera swoops, slithers and moves stealthily around each scene, just like our unstoppable heroine, then throws in some extreme close-ups that feel like a fist between the eyes. Editor Sally Menke and production designers David Wasco and Cao Jui Ping do wonderful work as they recreate everything from "In Cold Blood" to the washed-out-looking, jumpy Chinese chop-socky films of the 1970s.

But far from being merely imitative, "Vol. 2" features a few breakthroughs for its creator as well. A prolonged sequence involving a character who is pummeled, drugged and buried alive is one of the most gripping episodes of Tarantino's career, and The Bride's apprenticeship to merciless martial arts master Pai Mei (Gordon Liu), a deceptively wispy-looking type with a strong chauvinistic streak, is outrageously hilarious. "Your so-called kung fu is really quite pathetic," Pai Mei taunts as The Bride tries -- and fails -- to impress him with her moves. "Like all Yankee women, all you can do is order in restaurants and spend a man's money!"

The finale of "Vol. 1" was a blood-drenched, wickedly hilarious free-for-all, with The Bride dispatching scores of would-be hitmen in a showdown in a Tokyo nightclub, but the last half-hour of "Vol. 2" is a shocker of an entirely different kind, as Tarantino aims for the heart instead of the funnybone. He tried something somewhat similar in the bittersweet wrap-up of "Jackie Brown," with mixed results. He's much more successful this time out, partly because he's created a steadier build-up to the crucial emotional crescendo (set to a marvelously trippy remix of The Zombies' "She's Not There") and partly because the tension Carradine and Thurman generate in the pivotal scene, as bloodlust collides with memories of happier days, is utterly riveting.

Tarantino's cast fills out a classic rogues' gallery, dominated by Carradine's Bill, a psychotic who conceals his sadism beneath a calm, paternalistic exterior. Daryl Hannah's one-eyed Elle Driver and Michael Madsen's Budd, both of whom were briefly seen in "Vol. 1," get ample opportunity to prove their worth as antagonists of The Bride. The face-off with Elle, in particular, is so delightfully demented only Tarantino could have conjured it up.

Was the director wise in turning "Bill" into a double-bill? Absolutely. For one thing, he must have realized he had made an extravaganza that would have been too intense and certainly too emotionally exhausting for most audiences to process in a single four-hour sitting. Also, he obviously knew he had a second half that would be well worth the six-month wait.

"Gargantuan -- always liked that word; so rarely have a chance to use it in a sentence," the icy-hearted Elle murmurs at one point. Try this on for size: The frenzied, funny and unabashedly ultraviolent "Kill Bill" saga represents a gargantuan achievement in action cinema.

Can a movie possibly get any better than this?
First I'd like to say that Quentin Tarantino is the best film maker that ever lived period. I would say that KILL BILL VOL. 2 is the greatest film since Casablanca. This is by far my favorite of Quentin Tarantino's films. This is a must own Dvd. Buy this awesome mind-blowing classic movie today.

This movie should not be see by the stupid ones
YES YES MAN I THOUGT THAT THERE WAS NOT TOO MUCH STORY BEHIND THE 1ST VOL IT WAS GREAT BUT SOMETHING WAS MISSING IT WAS THE AWESOME STORY OF THE 2ND. IS LIKE WATCHING A SPAGHETI WESTERN BY SERGIO LEONE BUT BEING DRUNK.BUT STILL I DONT KNOW HOW SOME PEOPLE TALK SO MUCH CRAP ABOUT THE 2ND VOL.IS PROBABLY THAT THEY MISSED THE POINT THAT IS VERY SAD MAN.THAT'S WHY THIS MOVIE IS NOT SUITED FOR THE DUMBASSES.WHEN YOU SEE THIS VOL YOU WILL DEICIDE IF YOU ARE A TRUE TARANTINO FAN!!!! ... Read more

Amazon.com essential video

Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane ... Read more

Reviews (125)

Superior action sequences; inferior structure.
Though one of director John Woo's cult favourites, Hard Boiled actually ranks on my list as his worst post-1986 Hong Kong film, even after the farcical Once a Thief.

Overlength is Hard Boiled's chief weakness. After spending over an hour in that hospital with flames all around and innumberable men in suits getting shot, it starts to get tiring. Chow Yun-fat is impeccable in the lead and Tony Leung Chiu-wai is excellent, though versatile actress Teresa Mo is wasted in a skin-deep supporting role.

The biggest thing to commend on this video release, however, is the dubbing. I speak both Cantonese and English, personally, and I can tell American viewers that the dubbed script is even better than the original, which sounded stilted (Philip Chan Yan-kin's lines were especially forced in the original). The dubbed voices were acting, not just translating (as in dubbed Jackie Chan movies such as the U.S. release Operation Condor, for example). This was one marvelous dubbing job, and a rare instance in which I would almost prefer the dubbed version to the subtitled. Kudos to Orion for doing the movie justice.

Woo's "other" classic
While not quite as tightly plotted or emotionally compelling as John Woo and Chow Yun-Fat's magnum opus "The Killer," "Hard Boiled" is still sure to please fans of that movie. Much of what made "The Killer" such a great film is to be found here: flawed heroes, murky allegiances, and ambiguous morals are once again the order of the day in this tale of cops and criminals living on the edge. At the same time, "Hard Boiled" manages to ratchet up the violence even further from its "sister" film, resulting in the most prolonged and intense action scenes I've ever witnessed, all filmed in Woo's signature frenetic style. A tea house, a warehouse, and ultimately a hospital all become battlegrounds in all-out war as the cops face an enemy that makes the Mafia look like a group of middle-school bullies.

Once again, Chow takes the lead in the protagonist's role, this time portraying relentless Hong Kong inspector "Tequila" Yuen. In true Woo-hero fashion, Tequila can shelter a baby with one arm while shooting up a small army of bad guys with the other. Joining him in his fight against the triads is Tony (Tony Leung) an undercover cop who's spent so much time working among gangsters that the line between the right side of the law and the wrong one is becoming blurred. However, Tony looks like a choirboy compared to the cartoonishly villanous Johnny Wong, an up-and-coming Triad boss who would probably kill his own mother if she got in his way. Johnny also has himself an extremely menacing sidekick in the form of a glowering, nameless enforcer who spends much of the film with a patch on one eye and still manages to give Tequila and Tony a few runs for their money.

It all comes to a head in the climactic showdown in the hospital-turned-arsenal, with the scene gradually evolving from tense standoff to full-scale shootout as the lives of hundreds of hostages hang in the balance. As most of Hong Kong's police force provides support, the two detectives lead the way against Johnny, his cycloptic colleague, and dozens of other gun-wielding menaces. And did I mention they have to make sure no harm comes to the adorable newborn babies in the nearby maternity ward? Yeah, Tony and Tequila sure have their work cut out for them as they fly through the air and unleash zillions of bullets, but it makes for some scintillating watching.

On the whole, "Hard Boiled" is definitely an engaging experience that's more than worth the money I shelled out for it. Much like "The Killer," this movie manages to pack much more psychological depth than the typical Hollywood shoot-'em-up with its portrayals of compromised heroes in harrowing circumstances. And of course, it goes without saying that Woo is nearly unparelelled when it comes to putting together action set pieces. Woo has made some moderately entertaining movies here in the States, but he hasn't managed to reach the level of his twin Hong Kong masterpieces. So check them out, if you dare.

FOX LORBER EDITION IS TERRIBLE!
You are looking at an edition by Fox Lorber Films. I love this movie but this particular transfer onto DVD is TERRIBLE. The picture looks horrible and the audio is the WORST I've EVER seen on a DVD. Will SOMEBODY please issue a decent edition of Hard-Boiled or The Killer on DVD (yes I know about the criterion collection but I don't have $250.00 to spend on it now that they are out of print!).

great film, horrible transfer
This is simply a great action-packed, incredibly violent film. Woo is a master of the shoot-out scene and there are plenty of them in this flick. The camera work is amazing. It's smooth, it's poetic. Its influence on The Matrix is very clear. However, this DVD is one of the worst film transfers I have ever seen. The quality image is almost unwatchable, at least for my taste. Dirt, scratches, burn marks are everywhere. The film looks like it was dragged across the floor, stepped on, dumped on, then left to sit a few days for the rats, cockroaches, racoons, and other wildlife to trample all over it before it was transfered onto the DVD. Do not buy this DVD. Rent it, or if you can afford it (and find it), buy the Criterion Collection edition instead.

One of the greatest action movies ever?
I think so. It's violent, over the top and you'll feel satisfied. John Woo won me over with this one. The gun fights are crazy and Chow-Yun Fat proves to be a badass. Not a no-budget movie, but by no means is it a big-production film. It's gritty and fast paced and well... violent. ... Read more

Description

Deep within the mysterious Forest of Resurrection, a spectacular battle between good and evil has gone on since the dawn of time.When Prisoner KSC2-303 escapes from a maximum security facility, he enters the forest, believing it will lead him to safe haven.Instead, he finds himself a pawn in an endless struggle played out across multiple temporal planes of existence.His opponent: a mysterious man who seemingly cannot be killed. The battle to be waged: Good versus Evil in the pursuit of a beautiful woman who holds the key to eternal life. What Prisoner KSC2-303 cannot remember is whether or not he is the personification of good or the very essence of darkness ... Read more

Reviews (61)

what if Yuen Wo-Ping did this movie??? hmmmmmm
Prisoner KSC2-303 escapes with a fellow inmate and flees to an anonymous forest to a rendezvous with a group of men who will lead them to a safer place. When the men ultimately arrive with a female hostage in tow and with fueled by more sinister intentions, they kill his partner and KSC2-303 flees with the girl into the woods, which turn out to be the legendary "Forest Of Resurrection", one of 666 portals to "the other side". It's then a non-stop battle against the living dead and cunning assassins to simply stay alive, let alone find freedom.

Although this movie showed about 20 or so minutes of zombie action (if you're expecting this to be a zombie film), it is still a very awsome movie. A very good plot, great effects, tight gore, great fight scenes and, everything you expect from a movie. Better than any Hollywood movie in my fact. Get it on DVD. This movie is a cross between EVIL DEAD and BLADE. BUY IT NOW!

(some zombies)

most entertaining part: THE COMBAT

Pulp Fiction meets Night of the Living Dead with swords
This movie is one part Pulp Fiction, one part Blair Witch Project, one part Jackie Chan styled kung-fu funny movie, one part Night of the Living Dead, one part Dead Alive, one part Seven Samurais, one part anime and one part cheese. What does all this add up to? A totally unique movie.
Versus is all of the above mentioned rolled up into one twisted movie. The action scenes are good. They have an anime feel to them but the actors execute them with a Pulp Fiction sense of cool. Lots of gun play, there had to be over 1000 rounds fired in the first half. The sword fighting is really good. Very fast paced and gory.
At times the acting is a little cheesy. The director is really fond of long dramatic pauses. A little too long for me. He must have gone to the William Shatner School of Film.
The plot is weird and kind of hard to explain. Guy busts out of prison. Meets up with the Yakuza who have kidnapped some random girl. While waiting for "The Boss" to show up, the guy gets angry with the Yakuza, kills one of them. Guy grabs girl and the chase is on. And once "The Boss" (a 500 hundred year old mystic that kicks serious butt) shows up, the action really gets going.
This movie is worth buying. But buy the Director's cut. The Special Edition doesn't really offer enough to warrant the extra $10 dollars.

Don't turn it off when you really want to...
I basically bought this movie 'cause I thought the front cover was pretty cool (I even have a T-shirt with that logo on it). I read the reviews here, and figured I'd give it a shot.

First thing "Versus" started up, I was already groaning. The film quality was retro "my neighbor's camcorder", the acting was REALLY bad and it wasn't really living up to anything special. The music was okay, but I have a history of liking some strange music... also, sometimes the music is loud enough to where it's kind of hard to hear what is being said clearly.

About twenty minutes in (do try to last that long), the mood changes and it becomes more bearable, and then the story kind of comes together. It starts becoming interesting (which until then, I felt I had just wasted thirty bucks to see this movie).

The main character emerges (first twenty minutes will leave you going "uhh... who am I suppose to be rooting for here?") and they begin to develop what personality he has.

I really feel that this movie would have been better left in Japanese with subtitles. The voice-overs, where-as they match up okay were fairly annoying in general (the bad guy and the good guy were done pretty well, but everyone else sounds like the old Hong Kong flicks from the 70s with the whiny voices)

What I had envisioned was kind of a dark-souled samurai fighting the undead... What it ended up being was more of good/evil battle with the zombies being more of an excuse to fire off a bunch of bullets and to explain later events. Also, don't hold your breath for the sword-fighting, it comes kind of late in the film.

The ending was fairly thought provoking, and aside from the fact blood is applied with a fire-hose, and none of the zombies are really "zombie-ish" (they're live people with a lot of blood on 'em and it shows) Versus really wasn't that bad.

I'd probably suggest renting it, if you can find it at your local video store. This film is more for your die-hard martial arts/horror B-movie fan...

Not very good
The story is good but the way they filmed it sucked. Starts off in the past and is very cool with costuming and plot then...well basically after that it's slap stick humor and a bunch of fighting in the woods which is not very good, especially after you see the same fight over and over again with 3 different charachters...booorrring...

Embarrassingly awful.
I rented this, based on the quote on the front cover from Moriarty of Ain't it Cool News. This "film" is unbelievably bad. There's no plot, and it looks like the efforts of a couple of teenagers with a video camera trying to shoot a "cool, violent" movie. The characters posture pathetically, and it's about as stylistically interesting as...a bunch of teenagers shooting a home movie. The dubbing is atrocious (and like everything else, sounds like the efforts of...a bunch of teenagers shooting a home movie), but subtitles wouldn't have saved it.

After watching it I thought there was no way Moriarty could have liked it, so I searched Ain't it Cool News for that quote. It turns out the quote was from someone writing in to the site. Moriarty prefaced the comment by basically saying he couldn't stand the movie. It might be great as a Mystery Science Theater 3000 film, were that still around, but aside from that, stay away. ... Read more

Description

Starring karate champion, Chuck Norris, WALKER, TEXAS RANGER centers around Cordell Walker, a contemporary Texas Ranger who is old-fashioned in his method of dealing with criminals, which entails using a lot of force.Joined by his partner, Jimmy Trivette, Walker does not shy away from his "eye for an eye" approach to law enforcement. ... Read more

Reviews (8)

About Time!
It is about time! Why it has been so longI do not know. But I will say this. I will be the first on my block to have it. Wal-Mart here I come. And I hope they have all the rest out soon.
Rock on Walker.

Walker Rocks
hey swailes... you can kiss my ass if you dont like Walker, Texas Ranger. This show rocks, and its very enjoyable. Sure that every episode sees Walker come out on top, its very cool show and I've been waiting forever for it