Reviews (75)

Excellent Series
When investing in any DVD, especially a boxed set, you might ponder the question, "How often will I watch this?" Let me say that your purchase of The World at War will offer you endless viewing opportunities! Besides the 26 original episodes, all of the extra features that were produced afterwards are included in the set. There is so much information generated in over 30 hours of material that you will discover something new with each repeated viewing. Each episode will hold your attention from first to last, and they are efficiently indexed so you can easily review a map or replay a speech. Along side the emotional impact of the pictorial images, you have Carl Davis' moving score, a judicious use of period music, personal accounts from all the major powers, and Sir Laurance's strong narration, making this the most comprehensive documentary on the subject. Now if we can only have World War I, narrated by Robert Ryan, available, we would have the documentary bookends to the two most devastating wars in the 20th century.

The Finest WWII Documentary Ever Produced
For History buffs and those who have a keen, deeply felt interest in World War II beyond just the military events, the World at War, produced by Thames Television (1981) and released earlier on VHS by Thorn/EMI, is a 26 episode documentary set apart from all other documentaries about WWII. No other, with the exception of Walter Cronkite's CBS series, comes close to an unbiased, analytical perspective of a War that cost perhaps 50 million lives and took an emotional and philosophical toll we are still trying to comprehend today.

Narrated by Sir Laurence Olivier and covering all aspects of the war, this definitive series is used by many colleges and universities as a source for History and Documentary Film courses. There is an incredible depth of archive footage used; skilfully woven with interviews of major figures in the War from Britain, US, Canada, Europe and Japan. Many major eye-witness leaders and ordinary people who were still alive in 1981 contributed sometimes surprising, sometimes incredible, and sometimes haunting interviews. Yet, for all its skilful editing and historical sophistication, it is clearly presented and emotionally compelling. In my opinion, it is, along with Kenneth Clark's "Civilisation", the best ever produced British documentary.

What makes this a stellar and overpowering account of the War is Olivier's narration. Never blustery, patriotic, or theatrical, Sir Laurence delivers pointed, thoughtful analysis with his incredible command of English and oration. Music for the series was composed by Carl Davis and even the opening credits set an unforgettable tone in a haunting image of a child in a photograph, dissolving in flames. This series is for those trying to make sense of a 6 year period when the world went mad. Five Stars PLUS.

Very good. Probably THE documentary set to own
This kept me going for months (in one hour segments at a time). There is so much material presented here and I learned a lot.

I wanted to give 4.5 stars and only knock a half off for the sometimes annoying menu (it could have been presented in a more orgnaized fashion, I thought), or other small problems, but half points aren't allowed on the system. Very close to perfect!

Buyer Beware
This was a wonderful documentary as originally broadcast, but I'd avoid this product if I had it to do over again: the maker's quality control is awful. Disk 1 skipped badly. And I the same problem others have reported: two copies of one of the five disks (with me, disk 5), and one disk (disk 4) entirely missing.

"Remember"
This is an excellent, extensive, British-made documentary about events leading up to, and including, World War II. With 26 episodes, there is quite a bit of material covered. Excellent narration by Laurence Olivier, and a memorable score.

If you are a war buff, particularly WW2, this is the set to have. Can't say enough good things about it. ... Read more

Amazon.com

A 26-episode World War II documentary, Victory at Sea is one of the most important series in the history of television. Made in 1952, the show was a huge success, winning many major awards and even spawning albums featuring the orchestral score by Richard Rodgers, best known for his musicals with Lorenz Hart and Oscar Hammerstein II. Produced with the full cooperation of the U.S. Navy, each 26-minute program consists of black-and-white wartime film set to a narration by Leonard Graves. The two years leading up to America's entry into the war are dismissed in episode one, while the Japanese attack on Pearl Harbor gets a show of its own, the raid depicted in a brilliantly edited montage that almost certainly contains "docu-drama" footage. Each episode contains at least one powerful stand-alone sequence in the tradition of Serge Eisenstein (Battleship Potemkin), these action-suspense set-pieces giving the programs an urgent, surprisingly modern feel. Indeed, the emphasis is at least as much on entertainment as information, the factual content delivered in poetic narration, the score transforming the war into a more than usually serious Hollywood adventure. The documentaries are nothing if not wide-ranging, covering parts of the land war despite the title, and including everything from the Atlantic convoys and U-boat "Wolfpacks" to war in Alaska, the South Atlantic, and the Far East, the Pacific War, and the Fall of Japan. There is an attempt to include other nations--certainly the D-Day episode acknowledges the British far more than Saving Private Ryan--but inevitably the focus is on America's war.The very dated narration gives a fascinating insight into how America saw WWII in the early 1950s, while the dynamic cutting and often genuinely remarkable wartime footage make Victory at Sea still gripping today. Twenty years later, Granada's The World at War would become the definitive television WWII history, but this release offers a unique opportunity to see a series of great importance from the very early days of television. --Gary S. Dalkin ... Read more

Reviews (31)

5 stars for content but ZERO stars for TERRIBLE AUDIO MIX
I loved the content. Other reviewers here have verbalized my feelings concerning the quality of the video. However, the sound mix is so poor that if you set the volume to an appropriate sound level for the very nice music you are completely unable to hear the voice of the narrator. Even if you have your finger on the volume control constantly you are unable to dynamically raise and lower the audio volume to try and hear the narrator without blasting your ear drums with the elevated music sound level. I would advise anyone buying this DVD set to consider it acceptable ONLY if you listen to it with a 5 channel speaker set up with a dedicated center channel (for speech, etc.) where you are able to individually raise and lower that channel of sound. Even then you may be astonished just how much boost the center channel is going to need compared with the other sound channels. Frankly, this DVD release needs to be redone as far as the audio is concerned! Other than that, the video is great....

Victory at Sea DVD Is Awesome
I recently purchased this DVD and was very skeptical after reading all the comments about the sound track. However, I didn't find any issues with either the sound track or the narrative for all four volumes. I have a Panasonice DVD Player with the Dolby Digital,DTS Digital Surround and MPEG, and the music score by Richard Rogers is one of the reasons for buying this DVD. It is a " Must Have" for military history buffs. If you have a PC with a DVD/CD ROM Combination, you can use it to view this DVD and adjust the sound track to blend in with the narrative.

Sound issues and the original
I have the original soundtrack on LP, with the NBC Symphony Orchestra conducted by Richard Rogers himeself. It's my father's and needless to say, it does not get much play time for preservation sake. I also own both CDs "Victory at Sea" and "MORE Victory at Sea," (BMG Music 1992) both conducted by Robert Russel Bennett and contain slightly arraigned versions of the very familar complete soundtrack by the RCA Symphony Orchestra and is remixed in extremely good Dolby Surround. The original soundtrack is fairly clear and does sound a little tinny and was recorded in mono. (Unless it was a dual issue in both stereo and mono. I only have the mono.) While a properly mixed original soundtrack would sound great, IMHO, the Dolby version would sound even better. What I'm getting at is, it's not the soundtrack's fault this apparently sounds so bad. I really wanted to buy this, but I think I'll hold off and wait and see.

One star too many!
What an unmitigated hustle this dvd collection turned out to be. Equal portions of venom and spite are hereby awarded to History Channel and NBC for this travesty. My 5.1 dts sound system did nothing to alleviate the worse than poor sound quality/balance issues. This legendary series and it's participants certainly deserve better than this quick and dirty rendition gives. Maybe the capital "H" seen in the lower right hand corner of the teevee screen actually stands for "hustle". I would gladly purchase a remastered and remixed set but for now am left with this doorstop.

Good atmospheric and stirring stuff!
I came across the soundtrack many years after first hearing snippets from it on the original T.V series of the same name.
I was enthralled by the sheer vibrancy and 'now-ness' of this great piece of modern classical music. You can easily picture the great ships of both the American and Japanese fleets as they engage in the greatest sea battle of all time. The spinning, swooping aircraft as they play thier all important roles of hunter/killer.
The evocation of individual men and women enjoying a rare respite from battle in some of the quieter passages, shore leave. All part of this amazingingly descriptive music. It will continue to be an important piece by sheer virtuosity of the skillful interplay of individual instruments producing an altogether sucessful blend of sombre, stirring and gentle, very easy to listen-to-again and again music. I cannot praise it enough! ... Read more

Amazon.com

Sam Fuller's The Big Red One was already one of the best films of 1980, despite the fact that the version released to theaters ran barely half as long as the director's cut. Fuller had been America's ballsiest B-movie auteur, an ex-newspaper reporter of the hardnosed breed who made fiercely personal, radically stylized, and politically outspoken films between the early '50s (The Steel Helmet, Pickup on South Street) and the early '60s (Shock Corridor). The Big Red One was his long-dreamt-of account of World War II as experienced by his own squad of the 1st Infantry Division, USA, from the first shot fired (by a dead man, on the coast of North Africa) to the last (in a concentration camp in Czechoslovakia).

Even in the studio-truncated version, there was no shortage of astonishing moments and sequences: the squad choking on dust in a bat-filled cave in North Africa as German tanks clatter past the entrance; Fuller's cold-blooded distillation of the D-Day slaughter on Omaha Beach, with a wrist watch on a dead arm in the surf marking time as the water slopping over it grows redder; the rifle squad delivering a Frenchwoman's baby in a German tank on a battlefield full of corpses; a commando-like raid on Nazi troops bivouacked in a Belgian insane asylum. A quarter-century later, film critic Richard Schickel and Warner Bros. executive Brian Jamieson succeeded in restoring 15 never-seen sequences and fleshing out 23 others to create The Big Red One: The Reconstruction, a "new" film nearly an hour longer.

Above all, BR1: The Reconstruction has a rhythm the 1980 cut lacked. The arc of years, battles, and battlegrounds is so much more satisfying. Greater play is given to Fuller's feeling for children caught up in the sidewash of history and atrocity. And the 2004 cut puts sex back into the movie, not orgiastically but as a fact of life and a rarely forgotten driving force. We can see now that Fuller touched, bluntly and shockingly, on the phenomenon of infiltrators--English-speaking German warriors who donned GI khaki and moved among their enemies waiting for a chance to strike.

It's also apparent, as it was not in 1980, that Lee Marvin as the eternal Sergeant leading the young squad is magnificent. This was Marvin's greatest role, rivaled only by his walking dead man in John Boorman's Point Blank. Just beneath the masterly implacability, we glimpse the tenderness, rage, dark humor, experience, and wisdom beyond guilt that have enabled him to survive, to preserve others and to soldier on. His performance, like Fuller's film, is a masterpiece. --Richard T. Jameson ... Read more

Reviews (54)

THE BIG RED ONE - THE RECONSTRUCTION.
Like other reviewers, I saw the film when it first appeared and liked it. But I also felt that it also lacked some missing features which the novel supplied. Fortunately, a reconstruction has now occurred with the "missing footage" making an accomplished film more like the masterpiece Sam Fuller intended. Thanks to DVD, one does not have to live in a major city to see films like this. The 2 disk reconstruction is amazing and the restored footage is really where it belongs. This is a major work of cinema which needs to be widely disseminated.

On the whole Richard Schickel and the restorers have done a good job. On the audio-commentary, Schickel mentions that the reason Fuller's work is now relevant to today (rather than his more illustrious Academy Award winning contemporaries) is because it reflects the insecurity of life and rejects any false sense of complacency. The film contains one of Lee Marvin's best performances supported with sterling performances by those young actors who play the Four Horsemen to say nothing of those other great performances by Stephane Audran, Serge Marquand, Siegfried Rauch, and Christa Lang Fuller herself in a restored scene. I have one hesitation to record. Both Shickel and the restorers often refer to cinematic cohesion. However, Samuel Fuller would always bend or break the rules at times. That is what made his films so iconoclastic and revolutionary in the same way that his absurd dialogue such as "If you die, I'll kill you" had great emotional reverberation. It is a shame the voice-over was not removed entirely because it is really redundant. The excellent acting and relevant silences speak for themselves in the best manner of silent cinema. Somne "deleted" sequences such as the Vichy officer debate could have been restored.

But, in the last analysis, these are really minor points and we should be really grateful for this restoration which really should stimulate a Samuel Fuller Collection on DVD containing not only his most well-known works but others such as CHINA GATE (in restored letterbox form), VERBOTEN, THE CRIMSON KIMONO, and WHITE DOG to show the real diversity of this man's talent and the valuable cinematic heritage he has lef for future generations to appreciate.

Truthful, brutal and magnificent
This film commences with a hard hitting statement that is unmistakably Sam Fuller. "THIS IS FICTIONAL LIFE, ABOUT FACTUAL DEATH". From that moment, he grabs the audience by the scruff of the neck and takes them on a fascinating, ballsy, unsentimental ride through WWII as he saw it. The film is refreshing for it's determined 'survivor's' point of view. He does not judge with emotions in the simplistic way that so many war films do. Instead he puts you in the state of mind you need to actually survive a war, and given Fuller himself survived WWII, he might just be on to something. The art in this film is all in the contradictions of real life and the perverse pleasures that can arise in even the most horrific of settings. A scene in Italy where the rifle squadren liberate an asylum is magnificently chaotic and amoral in it's presentation. In the midst of this madness Griff (Mark Hamill) somehow enjoys a transformative sexual experience with a psychologically damaged woman. We are reminded time and again that these men are only human, with needs that make little sense in the context of war. Fuller shows the straightforward machine you need to become to survive a war. If you know someone in your platoon is going to die, don't bother getting to know them too well. Harsh, but that, according to Fuller, is how you make it through. Lee Marvin's performance, commented upon here by many reviewers is an engine house of repressed humanity. And it's not overdone - you wouldn't even know the humanity was there. Watch this performance then watch Liam Neeson in Schindler's List. With respect to Neeson, he is playing a character. Marvin is playing a man.

Surviving is part of the fight in reconstructed classic
Surviving war is the most challenging part of it. Whether it be surviving the physical and psychological rigors of war or it's sometimes nasty aftermath "The Big Red One: The Reconstruction" is one of the finest movies made about World War II. Fuller ("Shock Corridor" among many other films)made a lot of exploitation films during his long varied career but it's clear that here Fuller had found his best story to tell.

Lee Marvin gives a terrific performance (and one of the best of his career)as the leader of a group of young soldiers. Most of the cast does an exceptional job as well (particularly Robert Carradine essentially playing Fuller). The film has its minor flaws certainly (some of the performances are a bit stilted)but film critic Richard Schickel a long time admirer of Fuller and this film has done a marvelous job of restoring Fuller's masterpiece to its original projected length. Schickel used the original script, production notes and the memories of some of the production participants to help recreate the film Fuller intended to release in the first place.

The new version runs two hours and forty two minutes with the first disc devoted to the film. The second disc has alternate scenes; "Anatomy of a Scene" looks at the film both before and after the restoration. I haven't had time to watch "The Real Glory:Reconstructing The Big Red One" or the War department reel "The Fighting First" yet but the qualtiy of the documentary on Sam Fuller and the rest of the material is quite good.

War Classic -HORRIBLE PACKAGING MATERIALS!
Great film, DVD done right, package LOOKS good, but when I went to open it up it took ALMOST A HALF AN HOUR AND EVEN THEN THE LOW-GRADE SUPER-STICKY TAPE ON ALL EDGES OF THE CASE RUINED THE COVER! Whoever made choices contributing to this fiasco needs to be shot! Or at least fired and drummed out of the industry. Didn't help matters that on the fancy black slip cover Best Buy had slapped a big ugly price sticker that wouldn't come off all the way, even after I heated the glue up with a hair dryer. Hey, I hope you slobs responsible for these stupid choices are reading this because you are a bunch of incompetent unprofressionals. Still, buy this DVD, anyway.

Pretty good aswar movies go
As a kid I enjoyed this movie very much.It has some pretty good action sequences and in some parts, you can have true actual feelings for what soldiers go through when in battle.It has a very good ending and I feel it is definitely worth watching when you have the time.One of my favorite war movies. ... Read more

Reviews (10)

An Incredible Documentary
Vietnam: A Television History is a phenomenal documentary on the before, during and after of the American War. 14 hours and worth the time! You can watch invididual segments one hour at a time.

It's a remarkable piece for understanding this conflict. The video is rich with battle and geographic details...far reaching in its interviews of North and South Vietnamese as well as American voices...textured with information on virtually every angle (CIA involvement, the reaction in the U.S., Cambodia and Laos, etc.)...and told in a clear and gripping format. It explained a war I previously could not quite understand, and also provided a huge amount of information not found in most American shorthand retellings of the war. Hugely recommended for anyone interested in the war or interested in Southeast Asia.

This is visual war history without precedent
After seeing the series, one by one, and every which way, I can only come to the conclusion: unparalleled history. Only a doctrinere bigot and a mad-dog at that, would see how it tries to be balanced-- any rational being would see as America's greatest surrender and tragedy--so far--the Irag debacle is still underweigh. Of course, one is expected to read more, to not think this is the last word on the Vietnam War. How ridiculous! Previewed in 1983, no one should think there should be more evidence presented. Only in time, well-tested opinions and with all the evidence in, can a clear perspective be seen of the whole. I lived in that era, the Nixon era to be exact, when I understood what was happening. Before which, in my teens and brought up in rural Maine, I thought America could not be wrong, the government was right, Communionist were evil haters of our way of life. When I understood, I was against. But I was not all the way, my disagreement was fully conditional. It was Watergate and finally Reagan that made me see my intuition against the Vietnam War was right. It was not a good feeling. I did not want to think it was all in vein. I did not want to accept the inevitable. This documentary is the best balanced visual history of its kind on a post-WW2 (cold gone hot) war, from the first misunderstand to the last revisionist spin.

Great reference tool!
I had to rent this tape set for school as there was a college course on Vietnam, but decided to buy it instead! I am glad I did because I can pass this down to my daughter. It was an honest account of not only the war, but the history of the country as well, which I found interesting! Worth the money!

caution about reviewer's advice
This is a good video as introduction to the War.
It could be updated based on what we've learned since relations thawed somewhat with Vietnam.
Caution about one reviewer's advice to watch the Accuracy-In-Media rejoinder to the program:
See it. It is horrible; the video pieces don't show what they say they do; Charleton Heston narrates a sappy poem about boat people; and the head of AIM later, when confronted with the shows innacuracies said that they don't matter --- all that matters is its anti-communist point-of-view. Some "accuracy"!

So This is History?
This series is not solid history. There are two essential facts you must get right to start with in order to interpret the Vietnam war. First you must understand who Ho Chi Minh was and second you must understand the nature of the Geneva Conference of 1954. Third, in order to understand why the U.S. lost one must be understand the critical importance of two decisions made during the administration of John Kennedy. First, the 1962 Geneva Accords which created the "facade of Geneva" and prevented the U.S. from selecting a winning strategy (i.e., cutting the Ho Chi Minh Trail). See Norman Hannah's book, "The Key to Failure: Laos the Vietnam War." Second, you must understand the unethical decision made by the Kennedy administration in backing the coup against Ngo Dinh Diem that resulted in his assasination and a deeper immersion of the U.S. into the military government we created without even knowing the makeup of the characters in it. Read "A Death in November: American in Vietnam, 1963" by Ellen Hammer. The point is the war is hugely complex and the video series is not. It is extremely biased, Ho Chi Minh, a dedicated international communist is the hero! and the U.S. is the villain. The
It is only in video 13 that the producers discover that the communists are bad guys and it is a belated discovery! So they killed one third of the population in Cambodia, subjected Vietnam to hellish re-education/prison camps and produced millions of deaths, not to mention two million or so boat people who fled the country. This is the regime of a nationalist? But they constantly produce a dialog heavy in ideology, communist ideology. Perhaps that is a concidence, like their land reform program that killed off the landlord class or their police state. Just coincidences I am sure, after all, Uncle Ho was a nationalist wasn't he? The video series never takes the trouble to examine the Soviet Union or Communist China's role in the Vietnam war in any depth. It is as if all of history is understood by psychoanalysis of the what goes on in Washington. I use this series in the classroom to teach students how to detect bias in a badly flawed historical series and while there is some good history in it, there is far too much that is poorly done and now, outdated, given new information. Even communist histories belie some of the points made in the series. Hanoi now admits that planning for the war in the South began in 1956 and was well along in 1959, when the 15th Party Plenum ordered armed struggle in the South to begin. For example, Communist Party Politburo member Le Duan was responsible for the formation of 37 guerilla companies by October 1957. The respected Soviet diplomat, Andre Gromyko, said of Joseph Stalin in his Memoirs, "it seems to me that the nature had endowed him with the ability to hide the harsh side of his character, and very effectively so. He also seems to have had the capacity to appear at times even gentle and sensitive to others. The conversations he had with some foreign personalities, especially writers, confirm this." These words could have written about the man who called himself "Ho Chi Minh" or "He who enlightens." His frail and gentle manner belie the harsh, ruthless man beneath the veneer. In fact, having studied him for many years, I would have to say he was one of the greatest actors of the twentieth century and one of its most evil men. The key to understanding him lies in understanding what brought tears to his eyes. It was not the nation but rather Lenin's "thesis on national and colonial questions" which called for international communist liberation of oppressed peoples from colonialism. The trouble is so many fail to study this and therefore miss the import of Ho's ardor for the doctrine. Nationalism is the foe of internationalism and communism embraces only the latter. This is clear from Lenin's writings. Recommend you read Lenin! There is a video series that attempts to correct some of the errors (Television's Vietnam: The Real Story) in this one and although, it carries some biases of its own, it does help to bring out some of the worst features of this seris. It is put out by Accuracy in Media and is worth your effort to investigate if you are going to view this poorly done series. On the Tonkin Gulf incident, the Canadian series, the Ten Thousand Day War, is far superior. It seems American film makers are more enamored with Uncle Ho than his own people. Ask them if you don't believe me. ... Read more

Description

Hailed as a film masterpiece and landmark in historical storytelling, Ken Burns's epic documentary brings to life America's most destructive-- and defining--conflict. With digitally enhanced images and new stereo sound, here is the saga of celebrated generals and ordinary soldiers, a heroic and transcendent president and a country that had to divide itself in two in order to become one. ... Read more

Reviews (144)

Excellent Introduction
Ken Burns' Civil War is an excellent introduction to the period, told well with style. It's a documentary, not a history book. It is, however, far more accurate and balanced than other Civil War documentaries (such as the History Channel's Civil War Journal).

To hit on a couple of criticisms in other reviews, slavery as a cause of the Civil War is an argument bordering on the level of a holy war, itself. Recent magazine articles and essays have done a good job of discussing it. The result is that both Burns' view and the "Burns' is wrong, it was all about states rights" views are both simplistic. Burns' documentary does a good job of capturing the Southern view of slavery and abolition but he does over state the view of the north as abolitionist. While there were Southern abolitionists and Southern soldiers who didn't care one way or another, Burns shows quite well that without slavery there would have been no war. (The statement that the South only fought for "states rights" was actually championed in the 1880s. If states rights were the only reason for fighting the war, why did the Confederate Constitution prevent any Confederate state from passing a law against slavery, even if that state wanted to abolish it?)

To the point of Grant being the first Lt. General since Washington, Burns is both right and wrong. Winfield Scott was made Lt. General, but it was a brevet (something a little more than honorary) rank. It was a brevet specifically so that Washington would be the only man to have officially held that rank. This changed when Grant was given the rank.

Fine Film
There's no denying that Ken Burns' sweeping documentary of the American Civil War is a success. Through photographs, modern footage of the places in question, period music, and voices reading primary source documents of the time, Burns conjures up the conflict in all its thrilling drama, bloody tragedy, dark humor, and stirring nobility. Personal and engaging, this film brought a new awareness of American history to millions of viewers. It should be noted that a huge topic such as the Civil War cannot be entirely crammed into one film, however long; this is necessarily an overview, though an excellent and detailed one. (At least the Civil War had a compact number of years to it; Burns subsequently took on huger topics still such as Baseball and Jazz, with less success. His finite films like this one and "Lewis and Clark" are easier to see as a whole.) I have one quibble with this show - I think it oversimplifies the causes of the war. To be specific, it sees only one cause - slavery - and pays no attention to states' rights or economic issues. This is no surprise; his other films have shown us that Burns sees race as the defining issue of our country. Whether you entirely agree with this idea or not, you are sure to enjoy and learn from this epic documentary.

The Civil War - A Film by Ken Burns
This one is superb........well worth the money..it can be purchased for much less at eBay though. Shelby Foote's comments thoughout the film are outstanding. He is truly a southerner and you will enjoy his thoughts relative to the film. I highly recommend the film and will be glad to answer any questions anyone might have regarding the film. You can email me at jimsuz@swbell.net with your questions!

Get the best version
It should be recognised that there are three versions of the series in circulation. The original series itself was released in 3 versions: complete (with varying episode lengths), slighly shortened (to provide similar length shows) and short version (about 1 hour per episode. The slightly shortened version was the one initially distributed on Video and DVD. This is the one that has the wobbly transfer. The new DVD version (2003) is a digitally enhanced full release. Ken Burns returned to the original film to achieve a new hi-resolution transfer and then proceded to digitally clean it up. This is demonstrated in a mini-doco on the DVD. No one questions the quality of the series and with this release the reproduction quality matches it. Ken Burns turned me into a Civil War buff and collector. I still found the series highly moving even after several viewings.

Be Forewarned About This Shamefully Cheaply Packaged DVD
Let me start off by saying the documentary itself is wonderful. Certainly, it may be slightly biased, and woefully short on info about the western campaign, but it is well intentioned and researched, as well as being both thought provoking and entertaining. The presence of Foote helps correct the obvious Northern bias, and I think the film was fairly clear about Lincoln starting out as a moderate on the slavery issue. And let us be fair; no project this ambitious is ever going to be perfect nor satisfy everyone, and this one is far better than most.

But, the DVD packaging is just horrible. The literally paper thin disk container fell apart on the second day that I had it. I have a fairly large DVD collection with many, many box set collections and this is by far the cheapest presentation I have ever encountered. Now, had this been a budget box set designed to be low cost so as to make itself available to the greatest number of people possible, I would accept this. But as you must know, this set is actually quite expensive compared to most box sets. Therefore, the ridiculously flimsy packaging is inexcusable. This series deserves better. I STRONGLY urge you to wait until a higher quality presentation is put on offer. ... Read more

Description

This acclaimed productioned worldwide by mystery fans. A & E Home Video presents the second DVD collection, featuring five feature-film adaptations of Miss Marple's greatest mysteries on three discs. It's hour of great whodunits for all ages! ... Read more

Reviews (34)

Entertaining and accurate for the most part
Being a scholar of history and Medieval Europe in particular, I found this documentary rather accurate on most points, despite what a few of the previous reviewers have said. Also, it was very entertaining. You can't beat that combination.

The only real problemswith it, is that it is only 4 hours long, and therefore, takes some short-cuts, oversimplifies a few things and is not as in-depth as I would have liked it to have been.

That said, it is still mostly true to the sense of the Crusades that is conveyed in many historical accounts, while at the same time cutting away the Pro-European bias that is present in many texts.

Some of the "facts" that the previous reviewers have mentioned (such as: the Crusades being a response to the Muslim takeover of the Balkans, which in actuality did not occur until well in the 14th century. another is the statement that the Muslims who eventually took over the Balkans were motivated by Mohammed's original fervor, which is also not true as these Muslims were Turks who only recently converted to Islam), are not really facts, and are clearly motivated by unfounded Anti-Muslim sentiments. I suggest ignoring them.

All in all, this is a very informative and enjoyable DVD set.

Propaganda? Make no mistake about it?
Readers and viewers of this work should realize that history contains ugly realities to anyone's perspectives. Certainly, the Moorish hordes relegated Christians and Jews to Dimi status (mostly as a sort of tax strategy), looted, enslaved, and killed masses just like the crusaders, but THIS ISN'T A BOOK ABOUT THE ARABS!!!

This same sort of 'prejuidcial history' is leveled against Noam Chomsky for his history of the Arab Israeli conflict and his focus on Israel and the U.S. As with critics of Chomsky, you should note that the author of the previous review makes no mention of the facts presented in the book. Why? Because he cannot refute them. Instead he accuses the authors of apologetic propaganda; exactly the exercise in which he is involved.

The humor of history triumphs in all the wrong places
This set of two disks takes a very modern look at about two hundred years of history, but I am not going to remember which two hundred. It was so long ago that people no longer seem to be concerned about how everyone involved managed to absorb all of the financial costs involved. Warfare often upsets some apple carts, and this presentation of the Crusades is openly aware of aristocratic ambition that could be condemned as a desire for conquest while it remains mired in the inversion of spiritual values which prompted the institutional churches at that time to consider each pathetic episode a great thing for one reason or another.

My intellectual bias in this area is that no college professor could have made a better version of a history for our times. Back in 1995, the nature of the Order of Assassins with its suicide squads high from hashish was hardly as important as it is in the world since September 11, 2001, but on the other side, the financial suicide involved in trying to change the nature of the Middle East by military invasion was as clear then as more recent expeditions threatening to last another two hundred years boggle the mind today. I might be taking a stand that is too political for 2004, which might be a year in which people in America try to impose their own interest in intelligence, competence, and living within the limits of our ability to absorb losses. This series of television shows puts a lot of emphasis on the extraordinary wealth of Constantinople and Egypt in those times, when military equipment also had a high price. What really gets your goat the first time through this series, though, is the treachery: cities plundered, caravans attacked, truces violated, and hostages held for ransom.

People with pride might feel that this DVD set is trying to chip away at it by using ridicule as the ultimate weapon against everything that used to consider itself great, and well they might. They should, too. Why am I giving this stars? Why can't I give it ARFs?

ARF, ARF, ARF, ARF, ARF!

As balanced as Humpty-Dumpty
Call this history? Try Monty Python and the Holy Grail for deeper insight, historical content and accuracy.

Giggle and Learn!
Who better than Terry Jones (Say no more, say no more, nudge nudge wink wink) to host a fresh look at warfare - in the name of Religion mind you - during the Middles Ages?

Rather conceited, in the name of reclaiming the Holy Lands (excuse for adventure and to loot!) - The Church not only encouraged the Crusades but sponsored them! It was a way a Knight could pay dispensation for sins of life and earn his way to heaven - by lopping of the heads of the Infidel (and stealing everything they had). For Centuries, involving the royal heads of France, Britain and Europe, the seemingly endless Crusades raged on and on. So who better to explain the unexplainable madness, but the head jester himself!

Terry Jones wrote each episode and starred as the host, trying to muddle through the mounds of nonsense involved everything connected to the religious sponsored mayhem. With his brilliantly incisive humour that made Monty Python was it was, he dons chain mail and pointy toe armour and has it.

It is great fun for the whole family and a painless way to have a good introduction to the Crusades. ... Read more

Description

Experience all the explosive drama of a nation at war by land, sea and air. The five classic films in this collection – starring such screen legends as Michael Redgrave, Richard Attenborough, John Mills, Jack Hawkins, Stanley Baker, Robert Shaw and more – are now presented uncut and fully restored, depicting the men and women of Great Britain at their most compassionate and courageous. These are British war movies’ finest hours. ... Read more

Reviews (5)

These movies are available seperately
I purchased The Dam Busters as a single item from Critic's Choice video at www.ccvideo.com. - Although the other pictures in the series are of interest to me, I did not want to own them. It is the Anchor Bay/ Studio Canal remaster and the quality is excellent for a 1954 black and white Brit movie where the picture and sound were not all that great to begin with. There is a little rain present but overall an excellent transfer, far superior to the Thorn EMI VHS edition. It may be my imagination, but there seems to be a little more footage (or inchage) too because I get the impression that I'm hearing bits of additional dialogue on the DVD. And yes, the DVD is the original politically incorrect version.

About the Anchor Bay DVDs...
As other reviewers have noted, these are excellent movies, worthy to be savored by fans of WWII films or British cinema.Four are genuine classics, and The Dam Busters and The Cruel Sea are masterpieces of documentary-style realism.The Ship That Died of Shame is an odd choice, since most of its action takes place after the war.I'd have preferred something like The Captive Heart or The Way Ahead, but I've grown used to the curveballs that Anchor Bay usually throw into their boxsets.My personal favorite is Went the Day Well?, which is remarkably violent and stylish for a 1940s propoganda picture.And by the way, only three of these films were made at Ealing:Went the Day Well?, The Cruel Sea, and The Ship That Died of Shame.The Dam Busters and The Colditz Story were made by Associated British and Britsh Lion, respectively.

The transfers are excellent.They're clean and crisp, much like the discs in Anchor Bay's earlier Alec Guinness Collection (also recommended).There are occasional scratches and scenes with heavy grain, but nothing distracting.Even Went the Day Well?, the oldest in the set (1942), looks beautiful.I hope Anchor Bay maintains a good relationship with Studio Canal, the company that owns the rights to these and other superb British films, because they make a good team.Studio Canal keeps their film stock in great condition, and Anchor Bay's remastering jobs and transfers are solid.

The real let-down is the lack of extras, especially considering the high price.I'm not the kind of person who demands a commentary on every DVD; I'm more concerned about getting a good transfer.But these are such key films in the history of British cinema that I expected more.There's a nice 6-page booklet of liner notes, but nothing else -- no trailers, no photo galleries, no video introductions.Since Michael Anderson (director of Dam Busters) and Guy Hamilton and John Mills (director and star of Colditz Story) are still with us, I think Anchor Bay passed up a wonderful opportunity to provide some important extras, in the form of commentaries or audio/video interviews.It's a real shame, but it doesn't diminish the power or entertainment value of the movies.

The box set is packaged just like Anchor Bay's Werner Herzog collections.There are five DVDs, and each is contained in its own thin-case.The thin-cases are held in a folder that slides out of a very handsome -- and sturdy -- box.The box itself is about the size of three regular DVD cases.

Please note that the DVDs do indeed contain the UNCUT versions of these film.That means that this print of The Dam Busters contains the original name of Richard Todd's pet dog.(The dog's name is a racist slur that was changed to "Trigger" in earlier U.S. releases -- though it should be noted that the original word has always carried less ugly connotations in the UK than in the States.)People sensitive to racist elements in older films should be aware of this, but kudos to Anchor Bay for not censoring or sugar-coating its presence!

Great but its pretty insanely priced
I love all the movies in this list but I think its just abominably priced. Have a heart and think of our wallets not just fattening your blasted treasury. The other thing and this is more STUPID than Dubya's policies and this is that these are not available individually, which I think takes the cake for ludicrousness. If you are taking the pains to converting it to US format and releasing it into the market, for crying out loud, do things right. If your dull marketing brains need an analogy, try thinking in terms of fruits or flowers. I can buy just the one or i can buy a basket or a bouquet.

The Brits made the best war films!!
It is wonderful to finally see these films released in the USA. Two years ago, I purchased the British release on Amazon.UK. That set included the Colditz Story, Dam Busters, Cruel Sea and Ice Cold in Alex. That last film is a fantastic story starring stalwarts John Mills and Anthony Quale (as a Nazi). Too bad its not included in this set. The Dam Busters, Colditz Story and Cruel Sea are three of the best war films ever made, hands down. The British style of reduced action in favor of increased drama make the atmospherics really shine. "Went the day well" was a wonderful surprise. I suspect that someone involved in the '70s film "The Eagle has landed" must have seen "Went the day well". "The ship that died in shame" added a film noirish change of pace to the set, with Richard Attenbourgh (Herr Bartlett in The great Escape) as the heavy. These are "must have" DVDs. All five films remind us in this politically correct era that World War 2 truly was a struggle of good vrs evil. YES, BOMBER COMMAND WERE THE GOOD GUYS!! There is something about these black and white works (Ealing studios films in particular), that evoke a near documentary sense of realism. And...the acting is first rate. If only they would release other vintage Brit films over here, such as "Reach for the sky", "Hunt for the Graf Spee", "Beneath the Waves" and "Scott of the Antarctic". Any fan of war films must purchase the British War Collection" as a foundation set within his/her collection!!

A Collection of Superior British WWII Films
Went the Day Well? (1942) is probably the least known of the movies in this collection. It is one of the British war movies made during WWII that were meant to strengthen morale and inspire steadfastness.

The little English village of Bromley End welcomes a large number of Royal Engineers who are to work on a secret project. However, the Royal Engineers in reality are English-speaking German soldiers in British uniforms, parachuted into England to set up a counter radar apparatus which will disrupt England's radar network. Gradually the villagers begin to suspect things aren't right, and then realize what they're dealing with. The Germans cordon off the village, show their true colors and prepare to set up their equipment. The villagers need to break through the cordon to alert authorities and get help. They also decide they must take action themselves to stop the Germans. This is complicated because the village houses a traitor. The climax is the Battle of Bromley End, with British Home Guard troops arriving while the Germans, attacking the manor house where they must set up their stuff, are held off by the men and women of the village.

If you're fond of older British movies you'll recognize some fine actors: Leslie Banks, David Farrar, Thora Hird, Basil Sydney, Mervyn Johns. The film is a well-constructed piece of stirring, patriotic wartime propaganda. The DVD I've seen has a good transfer, especially considering the age of the film.
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The Colditz Story (1955) was one of a number of movies the British made during the Fifties which relived the victories and bravery of their armed services during WWII. Often these movies starred John Mills. The Colditz Story is based on fact. Colditz Castle in Germany was used to imprison the most incorrigible prisoners-of-war, those who persistently made escape attempts. British, French, Polish and Dutch officers were sent there. Unfortunately for the Germans, they wound up trying to keep inside men dedicated to escaping, and who had skills they now could share. The result was that more prisoners of war escaped from Colditz than from any other prisoner of war camp in either the First or Second World Wars.

The movie is based on the memoirs of Pat Reid (John Mills), who served as an escape officer at Colditz and then was one of the first to break out and make it back to England. While the movie is a bit dated, it also is a dramatic and efficient telling of escape attempts, ruses played against the German captors and, of course, of the unfailing courage and good spirits of the British officers.

If you're fond of old British movies, you'll recognize, among others, Eric Portman, Lionel Jeffries, Bryan Forbes and Ian Carmichael. The DVD I saw has a picture and audio in very good shape considering the age of the movie.
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The Cruel Sea (1953) is, in my view, one of the best movies yet made dealing with naval warfare in WWII. It's the story of the Compass Rose, newly commissioned in 1940 as a convoy escort, and the officers and men who served on her. Her captain (Jack Hawkins) was fresh from the merchant marine; her new officers had seen almost no sea duty. They learned on the job as they protected convoys in the North Atlantic and then in the run to the Mediterranean.

What makes this movie so good is its matter-of-factness. There are no heroics, just men learning their jobs, doing their duty, with some dieing and some surviving. The scene where Captain Ericson decides to use depth charges to destroy a suspected submarine hiding below a group of struggling survivors from a torpedoed freighter is harrowing. The DVD I saw has a good but by no means first-class image transfer. ... Read more

Amazon.com

In the 1980s determined researchers began scouring the world for colorfilm shot during World War II, and the result of their quest is spectacular.Seeing the war through the ubiquitous black-and-white footage has always madethe experience somewhat distant, but in clear, crisp color, the enormity of thewar and its horrors is startling and dramatic. Films of Nazi rallies are all themore disturbing; a viewer seeing the scene in color realizes the massive crowdssaluting Hitler are no longer gray and faceless masses, but gatherings of well- dressed civilians. Color combat footage, from across Europe and the Pacific, isfrighteningly immediate, and some of it, showing the wounded, the dead, and evenprisoners being executed, will no doubt be disturbing for many viewers. Violenceand destruction on an unimaginable scale is vividly put on display, as aresmaller moments of soldiers smiling for the camera or liberated prisoners fromthe concentration camps staring in pained bewilderment. The episodes, producedby the History Channel, are introduced by veteran journalist Roger Mudd, and thenarration for each individual segment typically contains excerpts from lettersand diaries describing events close to those depicted in the film footage. Thefootage used is of a surprisingly high quality (much of it was shot and storedaway, virtually unseen for decades), and it provides a stunning look at how thewar appeared to those fighting it. --Robert J. McNamara ... Read more

Reviews (18)

Powerful Images of the 20th Century's Most Significant Event
Having read dozens of books on World War Two and having seen many documentaries in the classroom or on my own, I was a little skeptical that simply seeing this footage in color would bring it even more to life. But I certainly was wrong. This is amazing footage from a 3-part History Channel program that presents World War II in color, and there's no way you're going to forget it. Most haunting is the bonus footage of Adolf Hitler hanging out with friends, playing with a dog, petting the animal, playing with children. Seeing a monster in this sort of setting only makes more horrific the Holocaust and Hitler's grand vision of Liebenstraum. Then the footage of Auschwitz and Dachau is enough to haunt you forever. Seeing it in black and white was powerful enough. Seeing it in color, the blank stares of corpses piled up one on top of another in the back of a truck is something that you will never forget. And when you see the kamikaze attack on Okinawa, you'll sit there stunned.
In all, the entire 3-DVD series makes for some unforgettable viewing, strung together with historically accurate narration, most of it from diary entries or letters from the average person. For it was roughly 40 million average persons whose lives were lost in this event. As Roger Mudd ends the series, he talks about how Steven Ambrose' D-Day center now houses the color footage of the Normandy Invasion, so, as Ambrose said, future generations would realize that seeing this in color would show that World War Two was not ancient history. Once you see this, you'll never forget that.

Eerie, hypnotic, gut-wrenching
This is an astonishing set of videos. First there is the jaw-dropping, almost hallucinogenic experiance of seeing WWII events in technicolor. It reminds one of how much black-and-white film aestheticizes and abstracts events. Admittedly our eyes don't see in technicolor either, but the color makes you feel far more psychologically "there" so to speak. The second thing is the amazing quality of most of this footage. It hardly seems to have aged at all in 55-60 years! When you consider that film from the 1960's sometimes looks atrociously degraded and washed out, the almost pristine look of this footage is remarkable to say the least. It must have been stored well and never projected. (Of course, the producers could choose the best-looking bits from what was reputedly hundreds of hours of rediscovered film.) Watching this film is a tremendously emotional experiance, sometimes frightening, sometimes grueling, sometimes stomach-turning. The voice-over narration makes heavy use of contemporary letters and diaries of soldiers and civilians, and is often touching. The cumulative impact of all this----the island fighting, Nazi rallies, shipyard workers, civilians hanged by Nazis, radiation victims, Pearl Harbor wreckage, air war footage, death camps, and on and on----is almost overwhelming. Like having your nose shoved into the sheer mess and folly of mass war.

Now that I hear that the UK version of this documentary was narrated by the redoubtable John Thaw I'd love to see THAT version, but otherwise I unreservedly recommend this to anyone and everyone. Too many people think of documentaries as boring but this demonstrates how mesmerizing they can be. For anyone too young to have first-hand memories of it (which is most of the population now) this makes WWII far more visceral than you ever thought possible.

the lost archives appear to be still lost
The footage in this film is fantastic but in no way whatsoever does justice to what the individuals who participated in the war experienced. Unlike the Land of the Czars or other films produced this production does not provide enough detail for any of the events listed in the contents. It is almost like fast forwarding through the war. There is no way i would subject my students to this film. I would be boring them to death and I would here about it.
The purchase of this dvd was a total waste of money. I would sooner use many of the dusty copies in our library.
pjk

My comment
It is fascinating and exciting to see World War II not in black and white, as we are used to seeing it, but in color. Its kind of like how it was for theater audiences of the day. Most movies of the day were in black and white, but those that were in Technicolor were absolutely stunning, and still are. Unfortunately, that's what the problem with these tapes are. Even though the colors are realistic, the picture is quite grainy and the image suffers from poor contrast, muddy blacks and blurred colors; it is very slow and sometimes fringing becomes apparent. The reason for this was because it was shot on nonprofessional 16mm film, separated into negatives and then blown up onto 35mm. The best examples of color film remain the old Technicolor movies from the 1930s, 40s, 50s and 60s, not Kodachrome films like these. Unfortunately, we can't see World War II in Technicolor, because it would have been way too expensive and out of bounds to shoot in it, but nevertheless the picture would have been much better.

Very Good Documentary Even if it Were Not in Color
Apart from the obvious important issue of color, "Lost Color Archives" is different from many other documentaries dealing with World War II. The emphasis is much less on causes and facts than it is on the impact of the war on society and individuals. Its use of personal observances is remeniscent of the way Ken Burns used eye witness accounts in "The Civil War" to make more of an impact on the viewer.

Evenso, from a historical perspective, "Lost Color Archives" does deserve high praise as a solid explanation of the war as a whole. Because it is told largely from the eye witness point of view, the viewer has a sense of the impending conflict, then the endurance through the war, and finally, the exhausted conclusion. Emphasis is placed on the fact that the war was over, but that much of the world had been destroyed and that the effects and rememberance of the war would linger on.

Add color to all this and the documentary clearly stands above anything else I've ever seen about the war. Some of the images are average, some are stunning, some are beautiful, some are horrifying, but all are in color.

The combination of the color video and the first person narratives often sent chills down my spine. ... Read more

Description

Ride into Aqaba with Lawrence of Arabia. Stand with Patton as his tanks lead the Allied breakout from the coast of Normandy. Patrol the nighttime jungles of Vietnam... A CENTURY OF WARFARE explores the pivotal battles, profiles the commanders and chronicles the myriad ways in which war has shaped the modern world. The 26 hour-long episodes in this monumental set feature an encyclopedic collection of archival film dating back to 1896, creating an unforgettable visual record of every major military engagement from the precursors of World War I to the liberation of Kuwait. THE HISTORY CHANNEL is proud to present this epic, landmark series, now available in its entirety and presented on DVD for the first time ever. DVD volumes:

Volume 1: (3 hours, 28 minutes):
--The Violent Century: THE CENTURY OF WARFARE opens with a look at the defining characteristics of modern war and the development of the weapons that revolutionized combat.
--The World Goes to War: Explore the factors that led to the outbreak of World War I and see why efforts to prevent the coming conflict failed.
--Blood and Mud: Harrowing photos and rare footage show the grim reality of trench warfare on the Western Front.
--War of the Eagles: Three empires clash on the Eastern Front, until the Russian Revolution topples the Czar and the nation withdraws from the fight.

Volume 2: (3 hours, 28 minutes)
--Battle Fleets and U-Boats: Naval warfare in World War I, from submarine attacks and supporting forces on land to the Battle of Jutland.
--Aces High: See how the plane became a weapon, fly with the pioneers of military aviation, and relive the exploits of legendary pilots like the Red Baron.
--War to End All War?: The entry of the United States helped bring World War I to a close, but the harsh conditions of the Versailles Treaty paved the way for a greater conflict to come.
--Enter the Dictators: The years between the World Wars were marked by the rise of totalitarian states in Europe and a growing militancy in the Far East.

Volume 3: (3 hours, 28 minutes)
--The War Clouds Gather: Conflicts in China, Spain and Africa presaged the horrors to come, while Hitler cemented his power and prepared for his bloody campaign of aggression.
--Blitzkrieg: Germany's invasion of Poland introduced the world to a new brand of warfare. Less than a year later, the fall of France left Britain to face Hitler essentially alone.
--Britain Stands Alone: The extraordinary heroism demonstrated by British citizens and soldiers and a vital lifeline from across the Atlantic kept England from falling into Nazi clutches.
--Sand and Sea War: In and around the Mediterranean, Monty battled Rommel, American doughboys got their first real combat experience, and the Italian campaign gave the Allies a foothold in Europe.

Volume 4: (3 hours, 28 minutes)
--Hitler Turns East: Operation Barbarossa--the largest land invasion ever mounted--sent 3 million German troops and 3,300 tanks into the Soviet Union.
--The Long Road Back: Defeated at Stalingrad and denied entry to Moscow, the Wehrmacht embarked on a two-year delaying action as it retreated to Germany.
--Normandy to the Rhine: Follow the preparations for D-Day and the course of the war in Europe after the successful invasion.
--The End in Europe: As Germany was squeezed in the vice of the Allied advance, the Big Three met at Yalta to plan for the aftermath of war.

Volume 5: (3 hours, 28 minutes)
--Oriental Blitzkrieg: Analyze the forces that drove Japan to war and relive the initial victories that gave the Imperial forces an air of invincibility.
--Jungle and Ocean: The American island-hopping campaign drove the Japanese from their Pacific strongholds, but it would take a weapon of a different order bring the war to an end.
--The War at Sea: This sweeping overview of World War II's naval engagements includes footage from Atlantic convoys, major Pacific battles and the amphibious landing at Normandy.
--Air War: Fly in a B-17 on a harrowing daylight bombing raid, see how British aviators staved off the Luftwaffe, and watch as carrier-based fighters battle Zeros in the skies over Midway.

Volume 6: (2 hours, 36 minutes)
--Iron Curtain: Divided at the end of World War II, Europe was a potential flashpoint for 40 years as the superpowers maintained an uneasy peace built on deterrence.
--Oriental Communism: From the withdrawal of the old Colonial powers to the conflict in Korea, instability, regional conflicts and the boiling over of Cold War tensions marked much of the 20th century in Asia.
--Wars in Peace: The perennial problems of civil war, terrorism and bilateral wars have taken on a new urgency in the years since the end of the Cold War, and the international community is struggling to deal with them.

Volume 7: (2 hours, 36 minutes)
--Vietnam: It was a war that proved that might and money do not lead inevitably to victory, and its harsh lessons forced America to rethink its role in the world.
--War in the Middle East: From Israel's continual battles to defend itself to inter-Arab squabbles and the role of oil, trace the many conflicts that have shaken this tumultuous region.
--Gulf War and the Future: The Allied victory over Iraq showed showcased a new generation of weapons and tactics, but evolving threats--particularly from weapons of mass destruction--require a new approach to deterrence. ... Read more

Reviews (2)

A Well-rounded treatment of 20th Century conflicts.
The Century of Warfare is a somewhat inconsistent but generally satisfying production that mixes flashes of brilliance with equal doses of mediocrity.

The strength of this set lies in attention to detail, such as the strong opening episode which examines the political and social make-up of the world from the late 1800s up to the start of the First World War. Factors often overlooked by more conventional military history video productions are given their just due, including a refreshingly thorough examination of the Balkan tinderbox.

World War I is given very detailed treatment, particularly in lesser known theaters. For example, the episode entitled Battle Fleets and U-Boats takes the time to cover many secondary naval clashes, as opposed to the usual tunnel-vision emphasis on submarine warfare and the Battle of Jutland.

World War II is a weak spot, primarily because there are more comprehensive works available, in particular the masterful "World at War" series. However, given the overall scope of The Century of Warfare, these are relatively minor weaknesses.

The Korean Conflict is given more than a cursory look, another conspicuous plus for this production. Many minor conflicts which have been largely ignored (at least by Western historians) are also covered.

Production values are excellent, relying on historical footage with no attempt to edit or correct flaws. This insistence on authentic images imparts an almost tangible immediacy and power to the series.

The one serious weakness is in the narration. Robert Powell's droning, monotonous reading of the script is an excellent prescription for insomnia but does little to support what is often a powerful and gripping visual record.

Taken as a whole, the strengths of The Century of Warfare far outweigh its few weaknesses. This is a superior overview of 20th century armed conflicts, a legitimate bargain for students of military history or anyone wishing to see a major factor in this dynamic and too often tragic period of time.

A well done set with comprehensive coverage
This set more than makes up for the "Disaster" (Victory) At Sea collection recently released by the History Channel.

These discs are wonderfully mastered, with very few recreations ( and those are subtly done ) plus first rate production values: the sound quality is superb, the music plays quitely in the background and adds to the overall effect, rather than being a distraction. The narration is informative, and well paced. The narration comes out front and center in the 5.1 format, with the music providing stereo effects, and the dubbing of the sound effects is well done, and matches the pacing and content of the original silent film well. There is some minor surround info, but that is not a detriment. The discs break the years/events into well chosen blocks, and the net effect is that a great deal of information is presented, without being dull or overbearing. Some of the early moving footage is particularly rare and has been well cleaned up in these transfers. The narrative perspective tends to be British, talking about the "war of 1914-1918" rather than "World War One" as Americans are used to, but the overall effect is very competent and correct. While admitedly no historian, I didn't notice any real gaffs in either facts or the conclusions as presented.
The quality of the transfers is EXCELLENT, holding up very well even on a big screen ( 47" ) in progressive scan. The image is sharp, and well lit. The intro's are a bit repetitous, but at least they don't everwhelm you in blasting modern stereo and then leave the audio to fade out to inteligibility when you get into the program, and each of the 4 major segements on each disc has a "Play all" button so you don't have to endlessly work the remote or the menus.
All in all, a program which displays everything you've come to expect from the History Channel, and provides a level of enjoyment and entertainment you might wish were found on more such DVD sets.
Well worth the cost, and a bargain if you shop around ! ... Read more

Amazon.com

More than any previous documentary about the Holocaust, Auschwitz: Inside the Nazi State reveals the inner workings of the Nazi implementation of Hitler's infamous "final solution." Drawing on the latest academic discoveries, this remarkable BBC series presents a wide-ranging, meticulously researched biography of the titular "killing factory" and its evolution into a highly efficient location for industrialized extermination of well over one million Jews, gypsies, and other so-called "mongrel races" between 1940 and 1945. From "Surprising Beginnings" to "Liberation & Revenge," the six-chapter program chronicles the gradual process that escalated into the Holocaust, focusing its expansive European timeline on the detailed movements of preeminent (and highly corruptible) Holocaust engineers like Heinrich Himmler, Rudolf Höss, and "death doctor" Josef Mengele. Through painstakingly authentic reenactments of crucial meetings including the Wannsee Conference (where the "final solution" was secretly devised), we see and hear the Nazi thought processes, built on virulent hatred and bigotry, that "justified" mass murder on an unprecedented scale.

Subtle but exacting use of computer-animated effects allows three-dimensional exploration of newly discovered architectural plans and buildings long-ago destroyed, revealing the transformation of Auschwitz as World War II progressed. Along with rare archival footage, thorough documentation, and frank testimony from Holocaust survivors and Nazi perpetrators (not all of them penitent about their crimes), these programs make expert use of commanding narration by Oscar®-winning actress Linda Hunt, who brings depth and gravitas to a grim litany of sobering facts and figures. The result is an all-encompassing portrait of Auschwitz unlike anything seen before, masterfully written and produced by Laurence Rees with equal parts tenacity, intelligence, and integrity, informed by an overriding sense of moral outrage that is entirely appropriate to the history being examined. It's a remarkable achievement, as important as Shoah as a definitive exploration of one of the darkest chapters in human history. --Jeff Shannon ... Read more

Reviews (6)

Explaining the Incomprehensible
Movie: ***** DVD Transfer: *****Extras: *****

A unique and highly informative 6-part documentary that examines the establishment and development of the Auschwitz-Birkenow concentration camp within the historical context of the Nazi's changing strategies and goals during the Second World War.Using historical photographs, filmed re-enactments, recent interviews with both survivors and perpetrators, and computer models based on recently discovered blueprints of the camp, the filmmakers painstakingly trace the evolution of Auschwitz from a detainee facility built to house Polish prisoners, to a forced labor camp, and finally, to an infamous and horrifyingly efficient factory devoted to mass murder.Brilliantly and movingly narrated by actress Linda Hunt (Oscar-winner for "The Year of Living Dangerously"), the 4-1/2 hour series is intellectually stimulating, educationally astonishing, and emotionally overwhelming as it attempts the almost impossible task of explaining the incomprehensible.That "Auschwitz: Inside the Nazi State" succeeds so well in its mission is a testament to the commitment and skill of the filmmakers.

The DVD also includes a revealing interview with filmmaker Lawrence Rees, who produced the series; and a series of six short interview segments with Holocaust and genocide authorities, each of which is hosted by esteemed journalist Linda Ellerbee.These interviews, originally designed to air as companion pieces to the six parts of the documentary, are invaluable tools in providing modern day context to the lessons and legacy of Auschwitz, and a framework in which to consider the ongoing horror of genocide.Literate and immensely powerful, this 2-disc DVD set is most highly recommended viewing for those wishing to educate themselves about one of the darkest chapters in all of human history.

New Insight
We actually borrowed this selection from our local library. You will find new insight into the development of auschwitz as a concept here, along with fascinating ( and often troubling ) interviews from actual survivors and Nazi SS personnel. Highly Recommended viewing-- not exceptionally gory or graphic, but extremely informative. This documentary stops short of discussing the details of the final horrific months of auschwitz history--- maybe there is a follow up documentary in the works.

Amazing bonus features -- powerful questions and answers

My only criticism of this amazing series is that there is so little mention of the murder of homosexuals and their experiences after liberation for those who survived. Many gay Holocaust survivors were denied compensation and acknowledgement by the German government by the end of the century because they were considered to be "ligitimately imprisoned."It is my understanding that this status changed only recently. Others served prison sentences for being gay that continued after they were liberated from Auschwitz. While the numbers are small in comparison to the vast number of Jewish prisoners that were murdered, the conversation about sexual persecution in the Nazi regime is crucial to appreciating their great intolerance and deconstructing their human "ideal". (See the film "Paragraph 175" on the Nazi persecution of homosexuals.)While the documentary Auschwitz-Inside the Nazi State is very strong, I'm recommending it because of the interviews with Linda Ellerbee that are included as part of the bonus features of the DVD.A lot of times when looking at material like this outside of a classroom or alone, one wishes to have some kind of discussion group or process around what has just been witnessed--to hear how others have attempted to interpret what seems beyond comprehension.I was impressed with the group of scholars that we heard from and there were many references to more contemporary genocides in Rwanda and the Sudan. (Again, a scholar on the experience of gays and political prisoners in concentration camps is absent.) I think this would be ideal for a classroom; specifically and most movingly, the testimonies of the students who speak to Ellerbee in the last interview.They have definitely put some thought into their responses and I could see students being inspired by their eloquence.Ellerbee says at the end, "You give me hope" and I felt the same way.

excellent series
This is an excellent BBC production on Auschwitz. Rees has managed to produce a series of programs aimed at a broad audience, but with a strong academic foundation. He avoids simple moral judgments by hearing different eyewitnesses, such as victims, perpetrators and bystanders. The series uses different kinds of sources, virtual reality and it uses actors to portray some of the key Nazis in the decision making process.It describes the history of the camp, but it does so much more. Individual stories bring the story to life without ever becoming over-emotional.It also pays attention to the importance of local decisions and sentiments for the fate of millions of people, such as local anti-Semitism but also rescue operations. Rees' series is not just on Auschwitz, it is a story of Europe and the Holocaust. In the last episode he even tells the story of the return of victims of the camp to their home country and the cold welcome they received.Personally I found the testimony of the former SS man who had worked in Auschwitz very telling. Rees is a brave man for portraying this man in his moral ambivalence.
Strongly recommended. Also suitable for use in schools and education. It is also a far better introduction to the Holocaust than Lanzmann's film Shoah.

Very In Depth
I saw this documentary on our PBS channel over a period of 3 weeks.It was so well put together and really made the viewer understand what really happened over there. I would highly recommend this to anyone who has any interest what so ever in the Holocaust. ... Read more

Amazon.com

The Fog of War, the movie that finally won Errol Morris the best documentary Oscar, is a spellbinder. Morris interviews Robert McNamara, Secretary of Defense in the Kennedy and Johnson administrations, and finds a uniquely unsettling viewpoint on much of 20th-century American history. Employing a ton of archival material, including LBJ's fascinating taped conversations from the Oval Office, Morris probes the reasons behind the U.S. commitment to the Vietnam War--and finds a depressingly inconsistent policy. McNamara himself emerges as--well, not exactly apologetic, but clearly haunted by the what-ifs of Vietnam. He also mulls the bombing of Japan in World War II and the Cuban Missile Crisis, raising more questions than he answers. The Fog of War has the usual inexorable Morris momentum, aided by an uneasy Philip Glass score. This movie provides a glimpse inside government. It also encourages skepticism about same. --Robert Horton ... Read more

Reviews (85)

Brilliant insights
Errol Morris's stunning documentary is about one of the 20th century's most significant players: Robert McNamara, who reprises the highlights of his life and professional career. The movie covers a lot of ground, including McNamara's stint as a Ford Motor Co. executive, his participation as a war planner in World War II, and his crucial involvement as secretary of defense under President John F. Kennedy during the Cuban Missile Crisis, and under Kennedy and Lyndon B. Johnson during the Vietnam War. There are some stunning revelations, including his role in the firebombing of Japan, as well as the nuclear face-off between the United States and Cuba. This is another brilliant coup for Morris, the inspired documentarian who has made a career out of conversations with the most fascinating subjects. He tells a story that knocks you right off your feet.

Mr. McNamara reveals all...In His Own Words!
While network & cable news television reveal(s) inside political information to its' viewers, they only tell a fraction of the story, and only reveal what the viewer wants to hear at that. Docudramas/biopics, on the other hand, tell the complete & entire story as is, all without leading the onlooker astray in the process. Former U.S. Defense Secretary Robert S. McNamara's account is no exception, of which, during the course of "The Fog of War"'s one hour, forty-five minute run, enlightens its' viewers with a biographical and pictorial collage of Mr. McNamara's hectic and universal life in government. Also contained within the fascinating, as well as extremely personal pages of Mr. McNamara's diary, this "Soldier of Fortune" really gets down to business, and isn't gun-shy in the slightest when discussing issues relating to the Cuban Missile Crisis (including Fidel Castro's reign of power [as well as his reign of terror against the United States Government and its' proud citizens]) and the Vietnam War. McNamara also manages to sneak in a poignant and mesmerizing real-life story pertaining to his frienship with the Kennedy family, as well as standing toe-to-toe with President Johnson and his administration. Robert discusses said wars from a business standpoint as well, including a "lesson" in the economic laws of supply and demand. Even with an I.Q. ranging in the 99th percentile (I.Q. of 140 or higher), McNamara concedes that even he has his faults, and acknowledges that no one's perfect by any means imaginable. By looking at this insightfully provocative and candid account, even I don't have to be a genius (of which I'm not, trust me!), to see that a man of Robert S. McNamara's talents and intellect, has any noticable flaws, of which ther