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| 1. Napoleon Dynamite Director: Jared Hess | |
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Reviews (17)
The character of Napoleon, brought to life by Jon Heder, is a caricature of a high school teenager. With a tuft of brownish hair, glasses, and a permanent look of confusion, getting pushed against lockers by popular jocks are regular occurrences for Napoleon, and strange behaviors as talking about hunting werewolves or saving tatertots in his pants pockets for later seem normal to him. He is delightfully quirky, and it makes the audience root for him as the unlikely hero. From his adventures at school with his friends Deb (Tina Majorino) and Pedro (Efren Ramirez), to his life at home with his geeky 31-year-old brother Kip (Aaron Ruell), his football crazed Uncle Rico (Jon Gries), and his llama Tina, Napoleon brings a unique charm to the screen that is only enhanced by the crazy characters around him. "Napoleon Dynamite" is certainly one of the most original and strangely hilarious films of the year, and thanks to the brilliant script co-written by Jared and Jerusha Hess, the direction by Jared Hess, and the performances by all members of the cast, it is sure to win over any audience member, as quickly as it won me over.
The friend of mine who saw this at Sundance told me that a jaded audience of Hollywood types 2000 strong cheered, stomped their feet and clapped their hands raw at this movie. You will too. No log off and go see this right now.
There have been numerous comparisons for this movie to WELCOME TO THE DOLLHOUSE, and RUSHMORE. But for me, this film stands firmly on its own. It plays out like an absurdist straight drama that also happens to be funny. It is reminescent of some of the best moments in the Coen Brother's RAISING ARIZONA. The film was a big hit at Sundance, and it has been distributed well; a lucky break for Hess. Wouldn't it be wonderful if more of the youth of our country could rally behind this tiny epic, and create it as a cult film; that for a moment they step away from the commedia del raunchy that they mostly immerse themselves in; that they actually laugh at themselves, the way they really are, just kids struggling to grow up? The 13-30 year old demographic dictates our art, our music, and our movies. This little film could go a long ways in restoring the missing heart, the naivete and grace to the comedic genre. One real plus for me was the odd wholesomeness of this movie. There was zero profanity. Most of the time when a script deletes realistic high school vernacular, and changes the language to a lot of goshs, dangs, hecks, frigging, and freaking, it usually morphs quickly into the landscape of the lame. But somehow, Hess makes the lack of profanity work, and we don't miss it. Peter Travers of Rolling Stone called Jon Heder," geek deadpan perfection." He loved the film, and directs us," to laugh until it hurts." Heder is a lanky beanpole with a red Afro, all Adam's apple and oversized glasses, and overbite. At first glance one sees a young Yahoo Serious, or a Scott "Carrot Top" Thompson. But no, Heder is more natural, more believable, more absurd, and wonderfully unselfconscious. He is less the over-the-top screamer. In his best moments, like when he played tetherball with himself, or practiced his killer dance moves in his room, he reminded me of some of the great clowns; like a young Jerry Lewis, and even the precursory shadings of the great ones like Jackie Gleason in GIGOT, or Jacques Tati. Heder is Napoleon Dynamite, a prince of Preston, a nerdish Conan out to slay demons, or maybe just to get laid. The setting for the film seems to be the early 1990's. Napoleon, and his older brother, Kip, live with their grandmother, played by Sandy Martin, who does a great turn as a biker grandma, who still dates, eats entirely too much steak, and loves her llama. In smaller roles we first find Diedrich Baker as the karate teacher Rex, and he is the most seasoned veteran of the cast, having appeared in 33 films. He had a lot of fun with this part, prancing around in his American flag "bad-boy" pants, and pushing around the local kids while taking their money. Then there is Shondrella Avery appearing as Kip's cyberlove La Fawnduh. She is one hot mama, and she seems to like short skinny white dudes. When Kip boards the bus with her, bandana on his head, glasses in his pocket, suitcases in his hands, leaving home for the first time, we realize the film has come full circle, and now is a fairy tale. I had approached this film skeptically, not being sure how I would react or relate to it...but it won me over. It was not just another dumb comedy that would disentegrate two points off my intelligence quotient just by sitting through it. Rather, it was a fine little film, large on ambition, that I came to care about. I recommend it highly.
Lisa Nary
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| 2. License to Drive (Special Edition) Director: Greg Beeman | |
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Amazon.com Reviews (37)
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| 3. Can't Buy Me Love Director: Steve Rash | |
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Description Reviews (69)
Enter Ronald. After seeing her desperate attempt to replace the dress at the mall, Ronald makes a deal with Amanda. He'll use the money that he has earned all summer by mowing lawns to buy a new dress, in return for Amanda's help in turning him to Mr. popularity. Along the way, Ronnie learns lessons about the true value of having real friends, and towards the end of the movie Ronald discovers that he is still himself. This film, which is no longer produced by Touchstone Video (a division of the Disney Corporation) features many couple of stars before they hit it big. Gerardo, the Latin-singing star who scored a one-hit wonder with "Rico Suave," plays one of the football jocks in the film. However, the real scene-stealer in this film is Seth Green ("Austin Powers"; "Buffy the Vampire Slayer" "Can't Hardly Wait") who plays Ronald's annoying, yet hysterical little brother, Chuckie. By taking a look at Seth in this past role you can understand why he is such a big star today. He is always a trip when it comes to comedic performances. I loved this film for many reasons, but I think the most memorable scene in this film probably has to be Ronald learning an African dance he saw on television (he thought he was watching "American Bandstand"). After learning it, Ronald performs it at the big dance, not knowing that it would become a huge hit. This film ranks among the 10 best teenage comedies produced in the 1980's. Let's only hope that it will be re-released on video and DVD in the near future.
The DVD was hugely disappointing, and my 4 stars are based on the movie itself. Unless you consider chapter stops a special feature, the disc is devoid of any extras. The greatest offense is that it's presented only in fullscreen. I'd normally pass on a non-widescreen release, but my wife insisted on having it. If you have to have this movie, this is probably the best release it will see for quite some time.
Ronnie happens to be at the mall at the same time, purchasing a new telescope with his lawn-mowing money when he sees Cindy's dilemma. He offers to pay for the new outfit if she will pretend to be his girlfriend for a month and introduce him to the popular circle. Although this seems completely crazy to Cindy, she does it (after a great little makeover -- quite the staple of 1980s teen movies!) She even starts to like Ronnie as a person, until popularity goes to his head. People are lemmings and will believe whatever they are told, particularly in the classic scene where Ronnie starts doing the "African Anteater Dance" which he saw on a show he mistook for 'American Bandstand'. Everyone at the school dance follows him instantly. Don't miss a very young Seth Green as Ronnie's annoying brother! He is great as a smarmy kid!
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| 4. American Pie 2 Collector's Edition - Widescreen (Unrated) Director: James B. Rogers (II) | |
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Reviews (286)
Jason Biggs continues to throw himself into the most embarrassing of situations with admirable gusto, and the movie hinges on his ability to play Jim's most humiliating shenanigans with an odd but appealing, dogged dignity...even when wearing only his drawers. His comic timing is even better than last time, and the movie's best moments come of his straight-faced delivery. And in this sequel you can see how Alyson Hannigan managed to walk off with the most famous line in the original: Given much more weight in American Pie 2, Hannigan is a delight, playing Michelle's offbeat geekiness but hidden warmth to perfection. And her deadpan delivery (the "trumpet" line is bound to become another classic) is beautiful as always. Shannon Elizabeth is surprisingly lacklustre, and Tara Reid is still stuck with the most boring character of the bunch, but otherwise the rest of the supporting cast (Seann William Scott is especially good, reprising uber-jock Stifler) is great, and the sight and verbal gags come faster and tighter than in the original, with the benefit of familiar characters. The famous central gag (won't give it away) had me belly-laughing for a solid minute, something I haven't done since the first time I saw Clerks. No, it's not cerebral, nor is it an unprecedented classic. But for a good rowdy night of teen comedy, American Pie 2 hits the spot.
Anyway, Jason Biggs is in his usual role as Jim, despite getting laid last movie by a band geek, of having zero confidence in his ability to score (or do much else, for that matter). I disliked the opening scene, especially with that cheesy line "this is my first time......since my.....first time....so....technically, it's my second time," which made me weary about this movie. However, when Jim's dad (Eugene Levy) enters the room, the scene became hilarious, as Eugene perfectly plays the nimwitted father who is completely inept to the fact that no kid wants his/her father to see him/her naked. The movie continues as Stifler (Sean William Scott) and Oz (Chris Klien) discuss how many girls a man is supposed to have sex with during one year at college. This scene could have been a waste of a few minutes, but Scott, being the acting prodigy that he is, knows how to play the cocky card while not coming off as a complete a$$hole. When the four boys Oz, Jim, Kevin (Thomas Ian Nicholas), and Finch (Eddie Kaye Thomas) later meet at their local diner, Finch comes off as this sex god, having gotten laid with a Japanese girl in an art museum, his psychology professor, and of course, Stifler's mom. Finch and Stifler steal the show this time around, as the two have amazing chemistry as enemies. Stifler constantly makes fun of Finch's practice of tantric sex, and Finch constantly practices his tantra in various places just to piss off Stifler (like the plant in the house that the boys rent for the summer), as well as.......well, I won't reveal the ending. They rent this house to throw monster parties, and to help Jim have amazing sex with Nadia when she plans to visit him at the summer. Jim also gets practice from the nerd he "scored" with last time around, and when she told him that he sucked, I laughed my ass off! (not only at how she said it, but Jason Biggs needs to be told he sucks, and I relished that moment). Also, the scene where Jim is mistaken for a trombone king Petey is very poorly done (what a surprise, since Biggs is a the forefront of the whole scene). He isn't as bad in this sequel as he was in the first one, but overall, Biggs isn't even close to the talent of the others (which is how he usually is). However, I do have to admit that the superglue scene was quite funny, mostly because we expect lousy things to happen to Jim, though I have to give him credit for putting effort into at least that scene. Despite any other minor flaws this movie may have, it overall comes across as a strong comedy that often goes for the gut, and succeeds about 98% of the time, with viewers in constant pursuit of fresh air after laughing so hard.
1)Lesbian Scene 10/10 | |
| 5. National Lampoon's Van Wilder - (Unrated Version) Director: Walt Becker | |
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Reviews (97)
The writing goes far beyond clever. It's down right poetic, with lines dance on the ear like a butterfly on a buttercup. Take, for example, "That's no bong! That's for my shlong!" Watch out Shakespeare. Best of all, the movie answers the age-old question: What was Ferris Bueller like in college? Van Wilder (Ryan Reynonds) fits the mold rather closely. He's a philanthropist who knows how to have a good time. He's funny, good looking, and popular with just about everyone. Brilliant ideas like topless tutors and the naked mile run are a-dime-a-dozen with this guy. Most importantly, he gets away with everything. I'm glad I didn't get away with turning my nose up at this delightfully amusing film. So even if you're skeptical, give it a try, and don't neglect to consider that Tara Reid's a really hot chick.
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| 6. Old School (Widescreen Unrated Edition) Director: Todd Phillips | |
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Reviews (198)
If you enjoyed this funny comedy in theaters then "Old School" Unrated Edition is a recommended DVD purchase. Except for some slight nudity in the opening menu, there isn't much difference between the unrated and rated editions of "Old School". The movie is presented in 2.35:1 anamorphic widescreen format. The DVD contains a fine picture quality with good sharpness. The 5.1 Dolby Digital and DTS sound options are quite clear and often engaging. The DVD features an audio commentary by cast members and director Todd Phillips, deleted scenes, a hilarious "Inside the Actors Studio" spoof and a short behind-the-scenes featurette. Overall, "Old School" Unrated Edition scores a "B-".
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| 7. Better Off Dead Director: Savage Steve Holland | |
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Reviews (141)
John Cusack plays a HS teen obsessed (and I mean OBSESSED!) with his girlfriend. When she dumps him for the captain of the HS ski team it's amazing what happens to and around him. This movie includes laugh out loud scenes. You'll love his nemesis on the street racing scene, his neighbor "Ricky," and the French foreign exchange student who sees Cusack when he can't see anything else. Watch for lines that will live forever, like... "Oh, please, don't let it be a bugger." "Gee Ricky, I'm sorry your mom blew up." "Language lessons." "You know...friend." and "I want my two dollars!" There are, however, students at the HS dance who cannot possibly still be of HS age -- but that's typical for the movies...people want to remember themselves as being older, more mature than any HS students are anywhere -- talk about twisted views of reality! Anyway, this is a grand movie with lots of wonderful lines, a fun story line, some interesting side trips into Cusack's daydreams, and an ongoing feud between Cusack's dad and the paperboy. Check it out, it's a 4 star movie with 5 star hilarity. Alan Holyoak
Favorite Moments (Close your eyes and remember) 1) CHRISTMAS! DO THEY HAVE CHRISTMAS IN FRANCE? CHRISSSSMASSS! Opens picture of Ricky and goes outside and laughs for about 5 minutes on the front step. 2) TWO DOLLARS, PLUS TIP! I don't think there can ever be a more evident line for a movie than this. All you have to say to someone is "TWO DOLLARS!" Chances are if they saw this flick they will say "BETTER OFF DEAD". 3) "DUDE, RIGHT NOW I CAN BE MAKING SOME KILLER EGGNOG FROM LIGHTER FLUID!" "CHICKS WILL GET STERILE JUST LOOKING AT YOU" "BUCK UP LITTLE TROOPER" Charles Demar or Booger as you may have come to know him steals the scene on several occassions. 4) BARNEY RUBBLE ASKING LANE TO GO OUT WITH BETH. Need I say more. 5) IT'S GOT RAISINS IN IT, YOU LIKE RAISINS - With that the green slime crawls off of its plate and across the table. I could go on for hours, do yourself a favor and buy this movie! If you want to remember the eighties all over again this will bring it all back home. A great cast, script and many, many laughs. Also check out One Crazy Summer, along the same lines. TWO DOLLARS!
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| 8. Sixteen Candles (High School Reunion Collection) Director: John Hughes | |
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Reviews (129)
The film stars 80's starlet Molly Ringwald (Breakfast Club) and Anthony John Hall (Weird Science, Breakfast Club) and also reunites them with director John Hughes, also from "The Breakfast Club". Comparisions between the two cannot be helped. Personally I prefered "The Breakfast Club" but there must be many who disagree - both are good, assuming that you like that sort of thing. High School coming-of-age movies are after all pretty much of a muchness, as the recent spoof movie "Not Another Teen Movie" so aptly illustrates. Where both Hughes movies fall down on DVD is with the lack of extra features. "Sixteen Candles" is at least in widescreen, but that's all - there's no remastered 5.1 audio mix, no subtitles, no trailer, no cast biographies, no featurettes, no commentaries, no nothing. And if the other reviewers are to be believed then the music on the DVD isn't even the original soundtrack, supposedly due to rights issues. I say this because I'd never seen the film before I brought the DVD so don't know any different. If true, it'll certainly be interesting to see the proper soundtrack if and when it ever comes to DVD again. 2004 will mark the 20th anniversary of the film, so prehaps the time is right to ask Universal to consider a re-release with decent extras.
This DVD has the original soundtrack, previously unavailable on VHS or the old DVD, and it still holds up. THE BAD PART PLUS when you put it in, it goes through ads for other movies and DISABLES THE MENU BUTTON! Again, this is a fun, 80's movie, but the DVD is so cheap and so obnoxious to the fans/owners that I hate to recommend it becuse the people who put it together were such jerks. But I do recommend it. Enjoy.
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| 9. 10 Things I Hate About You Director: Gil Junger | |
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Reviews (362)
Great film!
Bianca is your typical prep all into fashion and a hotsy tosty life. Kat is the quiet loner who finds more satifsication relaxing at home than going to any type of party or social gathering. New kid comes along adoring over Bianca. His friend and him decide to make a plan to pair Kat with Patrick. It's a hard trip to get Kat in a liking happy mood, much less to get her to a party that she must attend dually with her sister, or else. The girl's have to live with an overbearing father who takes good watch over his girls. I grew up with this movie and it is a definate high school flick funny for anyone. ... Read more | |
| 10. Meatballs Director: Ivan Reitman | |
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Reviews (44)
There are some obligatory heart-string tugs, but mostly this is just amiable, low-brow fun for the whole family. You'll find yourself chanting "Spaz! Spaz! Spaz!" anytime you watch someone attempt something moderately difficult. Try it on a friend, or your spouse- it's fun!
To be sure, this is one of the definitive "summer camp" movies of all time; just as Caddyshack is one of the greatest golf movies ever made. But for those who somehow just don't get Murray, there is little that can be said that will convince them to like either movie. Even with as much commercial success as he has had, I believe his comic genius is still way underrated. I have given this movie four stars because I reserve five star ratings exclussively for movies which I believe are exceptional, and because the transfer of this movie to DVD should have been handled with greater care. Otherwise, it's a solid movie with plenty of laughs and some tender moments as well.
I with this movie would get a better treatment with the DVD. Its one of the best comedies ever. Actually, its a family comedy that you can watch with any age group. The adults will get the minor sex jokes, and the teenagers will too, but enjoy the rest. Kids will enjoy the fun of Bill Murray father like figure to one of the kids. This is a must see comedy. ... Read more | |
| 11. Welcome to the Dollhouse Director: Todd Solondz | |
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Reviews (127)
Eleven-year-old Heather Matarrazzo gives one of the most remarkable performances I've ever seen from an actress of such tender age. Her eyes and bodily expressions encapsulate and transmit the hurt and misery writhing inside her every moment, leaving the viewer helpless to do anything but watch with increasingly unrestrained unease. Born with the unfortunate name of Dawn Weiner, the poor girl is ridiculed, ignored, teased, insulted, and basically mentally terrorized every day at school. Chants of "Weiner Dog" follow her throughout the hallways, her locker is marked with awful graffiti, and even her teachers and administrators are less than kind to her. Then, after school, she has to come home to parents who dote on her smart older brother and "little miss perfect" younger sister. Dawn has only one friend, a younger neighbor boy who seems to be following in her ignominiously alienated footsteps. Dawn does not escape all of this mentally unscathed, taking her own anger out on her sister in particular and doing several things that good girls should not do. In the most surreal of story elements, Dawn longs to be rescued from her situation by a boy, but hers is not a Cinderella type of fantasy. Her infatuation with a rebellious high school boy is somewhat understandable, but her relationship with a certain school bully is nothing short of surreal. I only wish I could discuss the psychology of this aspect of the movie in this context. The one thing that really struck me about this movie is the fact that we never see Dawn cry; she internalizes all of her torments, and this does not have a pretty effect on her. I may be inventing a phrase here, but the director's vision seems to me to have been one of unsympathetic compassion. Far from holding Dawn up as the paragon of innocent, unrecognized virtue whose Prince Charming will come some day, he gives us a girl who becomes cruel in her own right to those few people around her, turning her hatred of others into a deep hatred of herself, several times teetering on the peak of mental unbalance. Solondz does not stray anywhere near the realm of fairy tale, as this ugly duckling does have an ugly side to her. The brutal honesty and lack of a visibly sympathetic portrayal of the character makes her worst moments even more unbearable to the viewer, and this is where the compassion kicks in. Solondz seemingly makes no effort to redeem this character in our eyes, yet the fact that he shows us, in such a harsh and brutal way, the miseries of this poor child's life makes her a character you desperately want to see find a degree of happiness. The only thing I don't really understand about Welcome to the Dollhouse is the dark comedy label it seems to have acquired. I found nothing funny whatsoever about anything I saw here. Maybe that's the sensitivity of the former nerd in me, but honestly this movie is just utterly dark and depressing. Those looking for laughs will probably not embrace Welcome to the Dollhouse, but those who want to see the harsh light of truth shone into the bottom of an individual's soul and learn something from the painful experience will walk away from this film a different person than they were an hour and a half earlier. This movie has the power to touch you in ways you may never have imagined.
Perhaps it's because as some reviewers here suggest, we all have our own "inner Dawn Wiener." It's easy to identify with this ungainly, hopelessly unpopular teenager--with the awful barrettes and clothes, a brainy older brother, and pertly adorable younger sister. We can all cop to that one pretty much. (If you identify at all with the characters in HAPPINESS, you probably wouldn't want to admit it.) But I honestly don't think that Solondz' intent was to get viewers in touch with their "inner adolescent." He's going after something bigger than that--and more sinister too. I guess it shouldn't be so surprising that many reviewers here identify with Dawn, but when they start calling the film "realistic," you have to wonder. If there was ever a film that was an exercise in pop SURrealism, this is it. And doesn't that reflect a teenage sense of reality even better than sheer realism, after all? Your average teen doesn't see his or her parents as full-fledged human beings. They're way too busy with their own boiling over emotions. Until their parents humanity hits them in the face, kids see them through the looking glass, darkly--if at all. Which is not to say that either of Dawn's parents becomes remotely sympathetic. Interesting too how in the end, Dawn's two almost-boyfriends have run away to the city. Dawn kinda sorta runs away herself trying to track downr her kidnapped little sister. Seems like anyone with a lick of sense gets out of that town.
But of course, we've all been there, haven't we? Don't say you haven't, go and dig out your old photo album. Look at the dorky hair, clothes, teeth in bad need of a brace - I could go on. And we've all had that embarrassing, awkward first kiss - I've NEVER put a spell on a guy just to make him like me! (It wouldn't work, believe me) Heather Matarazzo, although quite pretty now, is probably always going to be cast in "character" roles, than anything else. What I really hated was where were all the kids with bad skin?! Even Dawn had porcelain skin. It's not fair, nor is it true. Dawn was made to look all the worse, by constantly having her hair scraped back, made to wear god-awful clothes, and those terrible clothes (although I found an old pair of glasses when cleaning out my drawers - did I wear those?!) This is a good film to watch, although I can't see myself touching a guy with a bargepole who bullied me, or called me names. That bit just didn't ring true. It's not a film I would watch again, it upset me that bit too much. But it's worth having a look at if you can get your hands on a copy. ... Read more | |
| 12. Anger Management (Widescreen Edition) Director: Peter Segal | |
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Sandler delivers a relatively restrained performance, and Nicholson is more crazy than he's been since The Shining or Batman. He gets most of the laughs, while Sandler plays straight man. As usual, Sandler surrounds himself with some great talent, including Luis Guzman, Harry Dean Stanton, John Turturro, Marisa Tomei, John C. Reilly, and lots of others, including some truly inspired cameos that generate big laughs. While not gut-bustingly funny, Anger Management was a pretty good film, and the chemistry between Sandler and Nicholson is great; Nicholson can get a big laugh just by arching one of his trademark brows. I could have lived without the sappy finale, and Marisa Tomei's revalation at the end also dampened my enthusiasm a little; I know it's just a movie, but it defied all credibility. Otherwise, Anger Management is a fun way to spend a few hours.
I like Adam Sandler's movies anyway, and this one was no different.
I have to admit that I am not a big Adam Sandler fan. However, I saw the trailers and I was intrigued by the thought of Sandler playing a regular guy to an over-the-top Jack Nicholson. About halfway through the movie, I had trouble following the storyline. I think this was due to Sandler playing his mild mannered Dave Buznik character too calm in the beginning. While I understand the concept of a g | |