Description

He is the ultimate high-seas hero: a man of unshakeable courage, unwavering principles and extraordinary skill. Joining the Royal Navy at the outset of the bloody Napoleonic Wars, Horatio Hornblower rises quickly from raw recruit to seasoned sailor, and his exploits become the stuff of legend.

A&E's lavish adaptations of C.S. Forester's classic novels charmed millions of viewers with their swashbuckling action, broadside battles and below-decks intrigue. This expansive set brings together the complete, Emmy-winning Hornblower saga for the fist time. Ioan Gruffudd (Black Hawk Down, Titanic) gives a star-making performance as the dashing hero, and the stellar supporting cast includes Robert Lindsay (Me & My Girl) Jamie Bamber (Band of Brothers) and Paul Copley (Queer as Folk).

All six feature-length Hornblower films: The Duel, The Fire Ships, The Duchess and the Devil, The Wrong War, The Mutiny, Retribution. Extensive DVD bonus features include The Making of Horatio Hornblower featurette and two full-length programs: England's Royal Warships and Sail 2000: Aboard the Eagle. ... Read more

Reviews (26)

Outstanding films of adventure!
Nothing like great naval adventures at sea featuring the English Navy of old! The Horatio Hornblower series are so well filmed! The acting is great, the stories are excellent and the photography is always perfect. I thoroughly enjoyed these movies featuring mutiny, battles, facinating characters and the rough life of being at sea for the English Navy. The series follows Ioan Gruffudd on his naval military career as Horatio Hornblower and each movie is an adventure all by itself! This set completes the series and is put together very well. I can't wait for more movies to come out!

Just fabulous!
Although the Horatio Hornblower DVDs derive from an A&E "made for television" miniseries, all of the episodes are of movie quality. The acting is just great, the stories are wonderful, and each one stands very well on its own, although the episodes are best if watched sequentially. The sets and effects are very well done.
For those who don't know, the Horatio Hornblower series of books was written by British author C.S. Forrester, and deals with the career of a fictional British naval officer during the Napoleonic Wars. The series is somewhat faithful to the books, but significantly departs from the books in a number of places. But this is all to the good--purists (such as myself) will not be offended by this.
This is a "must have" for anyone who likes war movies. Each episode contains a solid storyline and chronicles Hornblower's growing leadership abilities. These are tails of adventure, leadership, hardship, and war. Very little gratuitous violence--young children and adults alike will enjoy this series.

Hornblower is number one!
I first saw these movies from the library and loved them so much I had to beg my parents to get them for me (no easy task). I have all eight movies and I watch them at least three times a week. I am a HUGE fan of anything relating to the 17th century british navy, and enjoy watching Hornblower rise from a nervous midshipman to a high ranking officer. You don't need to see them in order, though it would help if you are watching them for the first time. A thousand times better than masters and commanders. Lots of action! Good humor. An absolute must see! You'll love them as much as I do!

Fantastic...!
This is a great production... It's a gift to society. Great story and loveable characters, and great acting...! The music score is lovely... (keep forgetting the composers name) but it's lovely! Must say that next to "Band of Brothers" this is the best TV show ever made...!

Beat to Quarters!
Before Patrick O'Brian (who is justly due all accolades) there was the Hornblower series by C.S. Forrester, which has screamed for big screen treatment for decades. Before A&E tackeled the series, the best we have had is the old B&W Gregory Peck version caled "Captain Horatio Hornblower" which merges several of the middle books (the oldest ones) together. It was a good movie, but standard Hollywood stuff.

The A&E series starts with Book 1 "Midshipman Hornblower" and works up from there. The charcterizations are good and the screenplays, while taking inevitable liberties, are more or less faithful, especially in the characters of Hornblower and Bush. (My favorite was "Lieutenant Hornblower", Forrester's most complex novel in which Hornblower is caught up in a mutiny against a paranoid captain, and then has to extemporize an assault on a Spanish fort. The A&E series is at its best in this story, and keeps us guessing, as does the book, whether the ambitious Hornblower pitched his captain down the larbord stairs to save his neck and that of his fellow officers.)

Ioan Gruffudd (not a household name, although he had a small part in Titanic) is a supurb young Hornblower. There is strong support by the Kennedy and Bush characters, as well as Captain Pellew.

There will be inevitable comparisons with "Master and Commander," which I deem unfair. By the time "Master" begins, Cameron Crowe's Jack Aubrey is already a seasoned captain. In "Hornblower", we see Gruffudd's Hornblower evolve into his rank, making mistakes and learning. The Aubrey-Maturin novels are more complex, but Hornblower is one of the finest characters ever developed in the genre, and the success of the A&E series is how this is captured.

The A&E series was not a theatrical release and is not nearly as big on scale or special effects. None of ships actually used in the Hornblower series are particularly large, and do not match their historical counterparts.

Recommendations: I loved both the Foerrester and O'Brian series, and re-red them from time to time. They are like Port and Madiera, each have their use. ... Read more

Reviews (1707)

Titanic Triumphs Over Sinking Feeling
James Cameron's 1997 Titanic is, of course, the biggest box office hit of all time, edging out such blockbuster films as E.T., Star Wars, and Jurassic Park for that title. This film, with its tale of star-crossed lovers Rose and Jack intertwined with the real-life tragedy of the Royal Mail Steamer Titanic, won 11 Academy Awards and the loyalty of its millions of fans.
In 1997, though, no one involved in its making (except maybe the determined Cameron himself) believed this movie would float to box office glory. It was so ambitious and so expensive that not one but two studios (Paramount and 20th Century Fox) financed it, splitting the distribution rights and spending over $200,000,000 to recreate the fatal maiden voyage of the 1912 world's largest ocean liner. Yet Cameron, who had previously directed the first two Terminator movies, The Abyss, and True Lies, was proven correct when world-wide audiences embraced this touching and technically brilliant movie.
Yes, this first movie to reap $1 billion in box office gross did capture the hearts of millions of teenage girls who repeated screenings to see Leonardo DiCaprio's Jack Dawson woo Kate Winslet's feisty socialite (and soon-to-be-wed) Rose. And while many detractors scoff at this admittedly clichéd poor-boy-meets-rich-girl love story, it is exactly through this pairing that we get a feel for what it was like to travel at sea in those Gilded Era days before the First World War destroyed the old Europe forever.
This film has much going for it. It has, in addition to actual location shots of the real Titanic wreck (the minisub sequence is NOT special effects), a winsome couple, a classic mustache-twirling villain (Billy Zane) with the usual henchman (a menacing David Warner), a great supporting cast which includes Danny Nuccio, Bernard Fox (who used to guest star in TV series such as Hogan's Heroes and Bewitched), Kathy Bates, Bill Paxton (who has appeared in most of Cameron's movies) and Gloria Stuart (who plays the older Rose Dawson). Titanic also has a great musical score and incredible visuals: the sinking of the great liner is certainly realistic - even if the CGI effects are a bit artificial-looking. This picture certainly was difficult to make .... Thankfully, in spite of the media hype and negative publicity, Titanic proved to be a good and entertaining film. I recommend it to anyone who likes love stories or epic disaster films. This movie mixes both genres very well.

The Maiden Voyage
O.K. I'll admit it, while I'm usually not much for the sappy romantic films, James Cameron's Oscar winning epic Titanic is a very good movie. And I did see it more than once on the big screen.

An undersea expedition, led by explorer Brock Lovett (Bill Paxton), is searching for a valuable diamond aboard the wreckage of the Titanic. The team, instead finds a drawing of seventeen-year-old Rose DeWitt Bukater, (Kate Winslet) who is on the way to her wedding to wealthy tycoon, Cal Hockley (Billy Zane). Now an old woman (Gloria Stuart) Rose tells her story of the fateful voyage to the team. While the ship races to meet its fate with an iceberg, Rose falls in love with Jack Dawson (Leonardo DiCaprio) a free-spirited artist and third-class passenger who ignites a passion inside her.

The film itself is a technical marvel. Cameron and his crew recreated the ship and her history with such skill and percision that it's easy to go along for the ride. I liked the way the fictional story of Jack and Rose was interlaced with actual historical figures and facts. For example "The Unsinkable" Molly Brown (Kathy Bates), Captain Edward J. Smith (Bernard Hill), and shipbuilders J. Bruce Ismay (Jonathan Hyde) & Thomas Andrews (Victor Garber), all have a place within the love story. Speaking of which, for me, it's Stuart that sells the romance. Acting as "narrator", she makes it possible to care about these characters more than you would have otherwise. The chemistry between DiCaprio and Winslet is very apparent and Zane is pitch perfect as Cal. The sinking sequence is really something and no disaster film since has matched its scope.

As it stands right now, the DVD doesn't have any bonus material on it, save for the theatrical trailer. Enough time has passed that another edition is warranted. That said, the bare bones DVD is recomended. For some additiional perspective on the history of the disaster, I also suggest, James Cameron's documentary Ghosts Of The Abyss.

movie hits an expensive iceberg
this is my opinion should have its own category in the video store.by this i mean it should be under terrible movies that cost to much along with the day after tomorow.I think that this movie really did hit an iceberg and it was only popular because of its stars these stars i must add were not that great they were ok but nothing special.And i would rather shoot myself than hear another person singing my heart will go on.I really do not like this over expensive movie bu5 i suppose that thats just my opinion.

LOVE IT!
THIS IS ONE OF MY FAVORETE MOVIES OF ALL TIME!THE ONLY GROSS PART IS WHEN ROSE TAKES OF ALL HER CLOTHES!?YUCK!BUT ANYWAY,IT`S A GREAT AND ROMANTIC MOVIE!

build a bridge
titanic...The Movie....Is just that.
I enjoy the story, from that perspective.
I appreciate the effort to create a level of interest in such an event. Drama can attempt to capture, only you can respond!
In reading short 4-5star reviews, and Loooong 2-3star reviews, I believe the connection has been made, as planned! ... Read more

Amazon.com

Dashing Ioan Gruffud stars as dashing Horatio Hornblower, unparalleledBritish naval hero, in two more delightful episodes from the A&E series.In Loyalty, a peace with France has left Hornblower decommissionedand short on funds. Only the help of his landlady's daughter Maria(heartbreaking Julie Sawalha, Absolutely Fabulous) keeps him frombeing kicked out into the street. Fortunately for our hero, Napoleon'sarmies are afoot, and Hornblower soon finds himself sailing to France incommand of the Hotspur, grappling with Irish traitors and Frenchskullduggery. Duty picks up where Loyalty leaves off;Hornblower marries Maria with some ambivalence, but the day after hiswedding sails for the coast of France to find a missing ship. Afterrescuing a supposedly Swiss man and his American wife in a storm,Hornblower finds himself caught between an old foe in France and diplomatsin England. Though the derring-do is sometimes melodramatic, HoratioHornblower swiftly becomes engrossing and suspenseful. Credit is dueto smart scripts, efficient direction, Gruffud's heroically curly hair,and a superb supporting cast, including Robert Lindsay and Paul McGann(Withnail and I). --Bret Fetzer ... Read more

Reviews (20)

Hornblower Lives! Three cheers for A&E!
A&E continues to treat fans of the Horatio Hornblower book series with two new movies. These movies are at least of equal quality, if not better, than the six previous films. Everything from the ships to the costumes to the sets hit all the notes and make you feel a part of the period.

Likewise the stories and acting are fabulous. Horatio is given command of the Hotspur and is forced to deal with a new crew (with some old faces), the French, spies, and rebel Irishmen. Coming through with flying colors, Hornblower tackles the unthinnkable - marriage. This second film, Duty, is the best of the series. The central theme of 'duty' is so thoroughly woven into the fabric of the story that almost all of the relationships in the narrative are faced with the question of duty.

Ioan Gruffud continues to give a truly inspiring performance as Captain Hornblower. He continues to let the character grow and mature, while at the same time maintaining the core identity of Hornblower - an honorable, intelligent, courageous soldier who is wholeheartedly devoted to Britain and her navy. The relationship between Hornblower and Admiral Pellew continues to become more of a father-son relationship. Paul McGann (of Doctor Who fame, among many other things) returns as Lt. Bush. McGann gives a strong performance as Hornblower's second in command, showing that that he is more than capable of both being a leading man and an excellent supporting character.

Something that many may find as a negative is the lack of totally new music. Much of the score seems to be a reworking of the major musical themes found in the first four films of the series. Personally, I find this a 'plus.' It helps establish a certain continuity to the series that is nice. I always find myself grinning when the "Horatio has done it again" theme begins playing across the cheers or astonished looks of the other characters!

For those of you who have seen the Gregory Peck film, Horatio Hornblower, the A&E series is just about to catch up (chronologicall) to the events portayed in that film. Let's hope that A&E continues producing the films until the complete life & times of Horatio Hornblower are done with such excellent acting and production values!

Hip-hip Horay! Hip-hip HORAY! HIP-HIP! HORAY!

Those of you who giggle at the word ¿frigate¿...
Will nevertheless enjoy the latest two entries in this neat little series of movies. Fifth Officer Lowe from Titanic has received a promotion to Captain Horatio Hornblower in this rousing seafaring adventure. Ioan Gruffudd, a charmer in the tall, dark, and handsome mold, plays C.S. Forrester's idealistic early 19th century British naval hero in two movies, "Duty" and "Loyalty." Hornblower is passionate about the sea and his duty to King and country, but less so about the woman he marries, Maria Mason. Forrester's hero is a man so ethical that he marries beneath him not out of love, but duty (hence the first title). He cannot bear Maria's complete adoration of him to go unnoticed, and for her to realize his own lack of feeling for her, so he marries her and lives a charade. Alack and alas, this pairing is bound to be ill-advised.

Those who dig rip-roaring stories of the sea will enjoy this one. The writing and direction are excellent. There is enough historical information to please purists. There are swordfights, spies, war, cannons, Napoleon, and enough things blowing up to please action fans. Still, the series is suitable for older children, as the violence is rather tame and the lack of sparks between "Horrie" and the dumpy Maria translates into prim kisses but little else. The relationship between Hornblower and his superior, Admiral Pellew, is distinctly father and son, and between Hornblower and his second-in-command, Lieutenant Bush, distinctly brotherly. Shades of gray do not appear in Forrester's stories as A&E has brought them to the screen; characters are mostly polarized as good or bad. The turncoats aboard Hornblower's ship are entirely devious, the loyal ones entirely good.

The somewhat priggish Hornblower is idolized near-completely by his crew, especially when he throws himself on a bomb thrown on board the Hotspur and claps it out with his hand-knitted gloves (two guesses who lovingly knit them). Then he orders it thrown overboard. Why not just throw it overboard to begin with? Then he is too modest to mention it in his report to the Admiral. When Maria reads of his bravery later, she starts blubbering, as per usual. I love Julia Sawalha, and she does her job well here, as Maria is too googly for words.

The effects aren't half bad, but the same picture of the harbor standing in for Portsmouth every time got a bit tiresome. Comic moments abound, my favorite being with the hapless Styles, who gets into trouble at every turn. "Who's first down the privy, then? Styles?" Barbara Flynn as Maria's conniving mother and Hornblower's landlady, seems to have trotted directly out of a William Hogarth illustration, albeit she's about fifty years out of date. Also brilliant is Greg Wise as Major Cotard, the Frenchman "frog dandy" who Hornblower suspects may not be on the side of the British after all. He is almost, but not quite, as dashing as Mr. Gruffudd, who appears to have a nifty little franchise going here in the upright Hornblower. Let's hope he gets a spirited woman companion to loosen him up a little in later episodes.

All in all, most will enjoy the story, acting, and production values. It appears to remain true to the novels. Rent it or buy it, you will not be disappointed.

The best yet!
Of all the hornblower movies, the two newest are my favorite. All the old charecters are still there- Bush, Matthews, Pellew, Stiles- and better than before, with some interesting new charecters. Keeps you gessing who the enemy is. A new twist to an old tale, you're sure to love these!

Worth Every Penny
Our boy is back. This time he is on a secret mission to return a French defertor to France. I know that doesn't make any sense but you have to see the show to understand. Also at home he stuggling with a marriage that he does not want be involved in. Really interesting to see him back a decision, will he grow up or have the mindset of a midshipmen forever?

Overall-I always enjoy the vast majority of A&E stuff especially these movies. The characters are mostly due true to the books, the actors seem to care about their job and when the movie is boring it never stays that way for long. highly recommended

Great Fun!
Horatio Hornblower and the crew of the Hotspur are sent to investigate Napoleon Bonaparte and the rising threat of the French. Accompanied by a suave French officer and the young son of a rival officer, Horatio is challenged by saboteurs, a shipboard fire and other menaces. Along the way Horatio marries the daughter of his landlady not out of love- but more out of guilt.

I really loved this 2 DVD set! Horatio shows a great deal of humanity and some weakness in this series and we learn a bit more about the rest of the crew.

Peeves: I'm probably the only one, but I thought his Steward was treated terribly. I felt Styles was awful towards him, and that anyone could see that the Steward did not intentionally hit the officer. I also wish that Horatio's relationship with his wife was more solid. I just didn't get the sense that he was happy.

Overall, an excellent, excellent video series. I hope and pray there will be another sequel. ... Read more

Amazon.com

You won't need a bottle of rum to enjoy Pirates of the Caribbean: The Curse of the Black Pearl, especially if you've experienced the Disneyland theme-park ride that inspired it. There's a galleon's worth of fun in watching Johnny Depp's androgynous performance as Captain Jack Sparrow, a roguish pirate who could pass for the illegitimate spawn of rockers Keith Richards and Chrissie Hynde. Depp gets all the good lines and steals the show, recruiting Orlando Bloom (a blacksmith and expert swordsman) and Keira Knightley (a lovely governor's daughter) on an adventurous quest to recapture the notorious Black Pearl, a ghost ship commandeered by Jack's nemesis Capt. Barbossa (Geoffrey Rush), a mutineer desperate to reverse the curse that left him and his (literally) skeleton crew in a state of eternal, undead damnation. Director Gore Verbinski (The Ring) repeats the redundant mayhem that marred his debut film Mouse Hunt, but with the writers of Shrek he's made Pirates into a special-effects thrill-ride that plays like a Halloween party on the open seas. Aye, matey, we've come a long way since Jason and the Argonauts! --Jeff Shannon ... Read more

Reviews (1787)

YOU HAVE TO SEE THIS MOVIE!!!
Any one who has not seen this moive or dosen't like it has poor taste in movies!! This is a MUST see! This is my new all time favorite movie! I can't waite till they make the next one! Jonny Depp is PERFECT to play Captain Jake Sparrow! If you like the ride, you will love the movie. It will make you want to sing Yo HO Yo Ho A Pirate's Life for Me.

Leave 'yer Disbelief behind, Matey!
Disney went on a new marketing binge a few years ago and decided to commission feature films loosely based on attractions at their amusement parks.There were a couple made based on the Haunted Mansion and the Country Bear Jamboree that were not well-received, but Pirates of the Caribbean hit a lot of people in their "lets-have-fun-at-the-movies" bones and won Johnny Depp a well-deserved Oscar nomination as a pirate captain named Jack Sparrow who teeters constantly at the edge of over-the-top.As Roger Ebert observes - there's a scene where Captain Jack gets drunk as a skunk on rum on a deserted island, and his personna really doesn't change at all.Captain Jack has lost his beloved pirate ship, The Black Pearl, to his rival Captain Barbossa, played in an equally fun and over-the-top performance by Geoffrey Rush.Barbossa is the yang to Sparrows ying and he gets absolutely fantastic lines like "I'm disinclined to acquiesce to your request - that means NO!"

Barbossa and the remainder of the Black Pearl crew are also inflicted with a curse that makes them undead, and when hit with moonlight they turn into skeletons - which makes for some fun and convincing special effects.Keira Knightly plays the beautiful governor's daughter in the damsel-in-distress role and Orlando Bloom is rather bland as her intended.

As long as you can accept pirate curses and fighting skeletons - suspend your disbelief and enjoy the ride.... er movie.Keep your hands and feet inside the boat at all times and absolutely NO flash photography....

Heeeeeeer's Johnny!
Yep, Johnny Depp has priate blood in him for sure otherwise how could he play this role so magnificiently?He's lovable, serious and funny and I think his best role ever. Just his actions, and much black mascara, convince you he is a true pirate. Orlando Bloom and him make the perfect duo. We loved the ghost pirates and the excitement of the curse and how it played out in the movie, kept you on the edge of your seat.This is a definite "have to own" DVD just because you can watch it over and over without getting tired of it.

A Fun Pirate and Ghost Adventure
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Warning: NOT FOR THE VERY YOUNG!!!
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Summary:

An enjoyable, interesting and fun pirate adventure with lots of good humor, great scenery, solid script supported by excellent acting all around.

WARNING :

ONLY for older kids and possibly teenagers and not too squeamish adults.The "Living Dead" pirates (shown 2/3's of the way through the film) can bother more sensitive viewers!!

With that said, my young son - the pirate lover -was able to differentiate between the story's realism and the "Living Dead" make believe - but, his older sister was not able to.

Review:

Fun movie with a great script, great filming, great editing, great special effects, great story, great acting, good humor, great scenery, lot's great story evolution, of fun. (this review is just too easy).

But, too scary for some people and not appropriate for the very young.I really wish this had not been so well pursued, because I think this would otherwise be a fun movie for my young son.

Story:
Captain Jack Sparrow (Johnny Depp) is an affected pirate Captain in port in search of a ship in the 18th century Caribbean who finds the "leverage" (blacksmith and expert swordsman Will Turner played by Orlando Bloom) to re-acquire "his" "Black Pearl" ship that was taken from him by his mutinous crew and the infamous Captain Barbossa (expertly played by Geoffrey Rush).Sparrow and Turner's adventure is propelled forward by Turner's love for Elizabeth Swann (Keira Knightley - in a very talented role as the Governor's daughter) who has been kidnaped by Captain Barbossa by mistake in her identity.

DVD's Extra's

Commentary is good, not great.I wished for more.Other DVD extra's are plentiful and excellent:like making of the film, deleted scenes, etc. and well worth the time and investment for the DVD.

Brilliant family entertainment
This book is based on the Disneyland ride of the same name, not something that would inspire you to watch it....however, suspend any preconceptions because this is a terrific film. Starring Johnny Depp as the pirate, Captain Jack Sparrow, Orlando Bloom as Will, the young blacksmith and Keira Knightly as Elizabeth, the governor's daughter, this movie couldn't fail.
The story is a simple one. There is a ship, the Black Pearl, formerly owned by Captain Sparrow and now led by an evil captain (Simon Callow) and crewed by pirates cursed never to die until a final piece of stolen gold is returned to its rightful place. Elizabeth has been in possession of this missing gold since she was a girl but never known its significance. When the Black Pearl discovers the whereabouts of this missing treasure they set forth to Elizabeth's home and kidnap her. Soon Will and Jack are in hot pursuit, Will because he loves Elizabeth and Jack because he wants revenge on the pirates who stole his beloved ship from him.
Johnny Depp is brilliant as the camp, funny Captain Sparrow (whom he based on Keith Richards of Rolling Stones fame) and he certainly steals the show in spite of worthy performances from the rest of the cast. This, alongside excellent special effects and a myriad of extras (some hidden) on disc 2 make this a DVD well worth purchasing.
... Read more

Reviews (39)

Vault Disney DVD packed with extras for a low price
What a fantastic DVD this is. The Vault Disney series is wonderful, and I hope they give more films the same treatment soon. Not only is the film beautifully restored (in its original 2:35:1 theatrical aspect ratio, and with 5.1 THX surround sound), but the DVD itself is packed with delightful extras.

There's a documentary about making "Swiss Family Robinson" that is nearly 50 minutes long and contains interviews with Sir John Mills, James MacArthur, Tommy Kirk, and Kevin Corcoran. There's a commentary track with the latter three contributing comments about the film. There's an additional interview with MacArthur about his film work, the original theatrical trailer and television spots, radio spots, the entire story album that came out with the film, a Donald Duck cartoon, and more! If you like "Swiss Family Robinson," get this DVD -- even if you already have the VHS tape. It's worth it just to finally have a widescreen version of this family-friendly classic (the better to view the wonderful island vistas), even if you don't figure all of the wonderful extras into the bargain.

this LOADED dvd deserves more than 5 stars
I strongly reccommend! This has to be one of the most fun family films Walt Disney ever made. And the 2 disc DVD treatment that Disney gave this film is perfect. It is Widescreen first of all, maybe it is the first widescreen release outside of theatres ever done for the film. And what a diffenrence in makes in the beautiful island vistas of the film. The DVD transfer itself is well done, with lush colors, great image and depth, great sound, it just sparkles.

The movie was filmed on location on the tropical island of Tobago. While the production went way over budget, Walt did not get mad at the time since the film was worth it. Featuring loads of animals, comedy, action, suspense, pirates, and tropical scenery this was a hard adventure film to beat. And similar to the role the Nautilus filled in "20,000 Leagues Below the Sea", the treehouse becoems a star in it's own right. The invenetive home designed by the castaways from the ship salvage is incredible to behold. An audio commentary as an alternate track features comments from casr and crew.

The extras on this DVD are what really make it a treasure, and they are not all listed here at Amazon or even on the packaging. You have to hunt it down and get creative with your remote. So let me help by telling you what to look for if you buy this... For starters they have the original cartoon that was released with the movie, "Sea Salts" allowing you to see this with the kids the way that it is meant to be seen. There is a 2 minute "1960 Disney Studio Album", a montage of projects, attractions, shows, and films being made and released that year. Next we have 23 minutes from an old Walt Disney television episode titled "Escape to Paradise", that includes the parts of that episode that show the making of the film. Up next is original 1960 movie theatre trailers for the film, and 1960 televison spots. Then there are "Storyboard to Scene Comparisons"; a seperate "Storyboard Gallery"; and a 2 minute "Production Gallery" of photo stills from behind the scenes at location. Another gallery of production stills; "Biographies" on 8 principle actors; and "Concept Art" on the film design work.

A featurette titled "Adventure in the Making" was made just for this set, and at 49:00 minutes long it is very complete, with recent interviews of the original cast and crew. There is great behind the scenes footage in this piece, and the folks regale us with funny stories. Peter Elleshaw (matte artist), Ken Annakin (director), Danny Lee (special effects), and actors John Mills, Tommy Kirk, Kevin Corcoran are all here. ANOTHER short 4 minute featurette that was also made just for this set is "Swiss Family Treehouse" narrated by Hayley Mills, it is the pre-opening footage and the actual Opening Ceremony of the Swiss Family Robinson's Treehouse (now gone) at the Disneyland Park. Walt is really enjoying himself in this must see footage.

Included on the set is a very nice 12 minute interview with James MacArthur, who appeared in this film and 3 others for Disney along with a TV movie. This features great video as well. There is a "Pirates" music video of clips from Disney films, tv shows, cartoons, and the theme park to the tune of "Yo HO Yo HO A Pirates Life For Me". Another unusual feature has 20 minutes of excerpts from the 1940 non-disney version of the film.

The set has Audio Archives set to photos from the film, including 2 Interactive SOund Studios, 2 songs from the film, original 1960 radio spots, and the soundtrack of the original merchandise Storybook Album released on LP in 1960.

I really enjoyed this DVD, I wish all the really good classic Disney films got at least some of this kingly treatment. They are the best studio about protecting their old source material, archives, etc, and are in the best position to place intruiging extras with the movie. Thank YOU Disney for this compilation that really honors this gem of a film the way it should be!!!!

Good Movie.
This is a really good movie. Especially for little kids.... but hey, we're all little kids at heart, except for scrooge, but it's still a good movie. Both versions, new and old.

ALL AGES
This is a classic for all ages. We have watched the video over and over as a family and now need it in DVD. From my 3 yr. old niece, to my now teenage son, and my husband and I, and even my parents, it continues to draw us in. I believe its lure is that everyone can find a character to identify with, and long to prove their mettle on the island. I love introducing new generations to this tale.

Don't waste your time or money
Don't bother wasting your time or money on this movie. I don't care about the quality of the cinematography, the quality of the story is what is lacking. From the elmination of Jack, one of the Robinson children, to the blatant disregard for absolutely any speck of information from the book, this film will make you cringe in horror. Rather, go get the original book, and curl up with your family and read. It's a better use of your time than watching this garbage. It doesn't deserve the one star I was forced to give it. ... Read more

Reviews (1660)

Pirates Treasure
Whenever I found myself on a family vacation at a Disney theme park, one of my favorite attractions, was always Pirates of the Caribbean. When I heard that mega producer Jerry Bruckheimer was going to make a film, based on the ride, I was more than a bit skeptical. It's hard enough sitting through some movies, based on TV shows, Comics, or books, let alone one born out of a ride. How would Brucheimer and director Gore Verbinski pull off the seemingly impossible. Things turned out better than I, or most folks for that matter, figured that they would.

Captain Jack Sparrow (Johnny Depp)loves living on the high seas as a pirate. His world is turned inside out, when his mortal enemy, Captain Barbossa (Geoffrey Rush) steals his ship, later using it to attack the town of Port Royal. During the onslaught, Barbossa decides to kidnap Elizabeth (Keira Knightley), the daughter of the town's Governor. Her childhood friend Will (Orlando Bloom) is determined to save her--he and and Jack team up--to reclaim both the ship and get the girl.

A big reason, that the film exceeded my expectations, was due to the inspired performance from Depp. Once again, he proves his versatility, and becomes the character. The role allows him to show off his rare comedic side and he really runs with it. The rest of the cast is up to the challange as well...but clearly having lots of fun in the process. Verbinski fills the screen with plenty of action and great effects, but at no time do these elements overtake this pirate tale. Everything falls into place very nicely. I was a bit surprised by the film's running time though, at 2 hours and 23 minutes, I thought some of the pacing could have been just a tad tighter--just a minor quibble if I may...

The folks at Disney and Bruckheimer must have known what they had in the film. The 2 disc DVD set is loaded with some fine extras, for both the technical film buff and the casual viewer. For me, the three audio commentary tracks, are the highlights of the the entire set. The commentary by Verbinski and Star Depp is the most interesting though. Depp seems relaxed and not as one demensional, as I've seen him in the past, doing interviews for his other work. For the second track, actors Keira Knightley And Jack Davenport, have the most fun. Davenport is very witty and keep things light. Recorded separtely and added in on this track are comments from Bruckheimer to balance it out. The final track brings together writers Stuart Beattie, Ted Elliot & Terry Rossio and Jay Wolpert (Wolpert adapted the 2002 version of The Count Of Monte Cristo also recommended) for a look at the writing process.

Disc two starts out with a lively 37 minute look behind the scenes called aptly enough "An Epic At Sea: The Making of "Pirates of the Caribbean: The Curse Of The Black Pearl". I mentioned the film's running time before--so to my surprise there are no less than 19 deleted and alternate scenes that were wisely trimmed or cut altogether.5 addtitional featurettes explore filming and life behind the scences--"Moonlight Saranade" scene progression, "Fly on the Set" looks at some of the specific scences as they were being shot, "Diary of a Pirate" is a behind-the-scenes look with cast member Lee Arenberg (best known for playing a alien Ferengi on the Star Trek spinoffs The Next Generation and Deep Space Nine), a Producer's Diary with Bruckheimer as your guide, and the
"Diary of a Ship" Video Journal. Some of these work better than others, in terms of content, but are still worth a look. Next up there is the well researched primer "Below Deck" - An interactive and fun History Of Pirates. An 18 minute segment from January 1968, as part of the TV show "Walt Disney's Wonderful World of Color", where Walt himself gives us a tour of the ride that inspired the film. It is very cool to have something like this as part of the set. A very extensive still gallery and a 3 minute blooper reelthat works once but not beyond that are here too. Finally, there are some really cool DVD-ROM Features for your PC: "Moonlight Becomes Ye" is an Effects Studio that allows you to create some magic of your own,there's even more history on the ride, a Virtual Reality Viewer, Scriptscanner & Storyboard Viewing Modes.

Who knew that a film, based on a ride, could be this much fun and entertaining? Pirates...is recommended with **** and a half stars

Blockbuster of the Summer DVD of the Winter
THE MOVIE
Movies about cursed pirates died out and flopped decades ago but this movie is brings new enthusiasm the pirate genre has been looking forward to. This is a great popcorn flick that has really put the Swash back into Buckling
This action/ adventure/comedy is loosely based on the ride at Disneyland. Although the similarities are somewhat few and far between this is probably a good thing as it escapes the Disney marketing attempt feel.
The extremely well chosen cast could never be better with Johnny Depp brilliantly playing the light-hearted mostly-drunk pirate Jack Sparrow (sorry Captain Jack Sparrow). He provides most of the comedy in his one-liners, lucky escapes and defiant bragging. The romance is between the kidnapped Governors daughter Elizabeth Swann, (Kiera Knightly) and Will Turner (played wonderfully by man-of-the-moment Orlando Bloom) who comes to her rescue. The typical cursed pirate, Captain Barbossa of the titular 'Black Pearl' (played by Geoffery Rush) is the all round bad guy shouting traditional pirate phrases.
The CG (done by Industrial Light and Magic) is literally ground breaking with cursed pirates turning from skeletal to flesh as they battle in and out of moonlight. This gives both an eerie and astonishing effect.
To round off there are action scenes galore with numerous sword fights and canon fire which are amazing and really keep the film up to speed.
THE EXTRAS
No DVD is complete nowadays without extras. With a full extra disc there is quite a lot to keep one amused for hours. There are three commentaries, which really depend on what you want to get out of a commentary the first is with Gore Verbinski (director) and Johnny Depp, which is surprisingly quite dull mainly thanking various people for hard work. If you are looking for trivia then the partial commentary with Jerry Bruckheimer (producer) or commentary with scriptwriters is for you, but the one I found the best is the commentary with actors Kiera Knightly and Jack Davenport (who plays Commodore Norrington) This commentary is also partial but is the funniest. The partial commentary is something I have never come across before but is quite an advantage, as you don't have to watch the whole film again and listen to people drone on about scenes that weren't really important to them.
The downfall I felt to this DVD is the interactive menus which if you just want to get the film to play means time is lost waiting for menus to load.
Back to positive and the second disc holds loads of good stuff. The first I checked out was the blooper real with the actors messing up, which you don't quite often get to see. The bad thing about this is that it was only 3mins. There are 19 deleted scenes, which I didn't really feel were very interesting so it just as well they stayed deleted.
There are many different featurettes on this disc. The ones I'm liking the most is the Epic at Sea, Diary of a Pirate and Fly on the set which are all on the set interviewing actors etc. which prove very interesting and in depth. There is also "Walt Disney Wonderful World of Color" which shows a bit about the ride for all who haven't been on it.
The last line is I think this is a wonderful movie and the DVD really compliments it well.

Incredibly entertaining
Johnny Depp plays Cap. Jack Sparrow, a pirate on a mission to get his ship back. Orlando Bloom plays Will Turner, a sword crafter out to save his secret love Elizabeth Swann played by Keira Knightley. With the help of a crew of misfits, they embark on an adventure that they won't soon forget.

Hilarious moments with incredible special effects, this movie will not disappoint you.

And then they made me their cheif...
This film shines like aztec gold! Johnny mad a superb Captain Jack Sparrow! It is my favorite movie EVER!!!!! Keira and Orlando made a cute couple, Geoffrey was cool, and Jack (the monkey ^-^) was adorable, but I must say, Depp stole the movie! Influenced by Keith Richards and Pepe Le Pew, he made a hilarious (and slightly drunken) Sparrow! 5 stars, MUST see! If you don't like it you need a medication.

I Want to be Saved by These Pirates!
Awesome movie filled with action, adventure, and romance! ... Read more

Reviews (19)

Right up there with the top 10!
This movie has to be seen to be believed. It's an absolutely fabulous film. Director Michael Curtiz is, in my opinion, one of the great storytellers of all time. (After all, he directed "Casablanca" only two years after "The Sea Hawk.") This is a film unencumbered by flashback sequences and neurotic characters. At the same time, the characters are rich and complicated, all of them caught in an escalating war between England and Spain. These were symbolic when the film was made for the Allies and the Nazis, and you can almost feel the actors' intensity over their uncertainty of the future, and Erich Korngold's music is probably his masterpiece in conveying not only chivalry and heroism, but an extraordinary longing for freedom and release from political aggression.

Like the other reviewers have noted, Errol Flynn is at his best. The cast is generally superb, although I would have cast something closer to a real Spaniard for Don Alvarez instead of - again! - Claude Rains. As a Spaniard, he should at least have tempered his British accent. Flora Robson as Queen Elizabeth I is simply the best Elizabeth I have ever seen on film. (Sorry Bette Davis and Judi Dench.)

This film is not only thrilling, dashing, and heartwarming, it is really "about" something. And since September of 2001, this film has suddenly taken on yet a new meaning for our own time.

I am holding my breath for a DVD of this soon?? And please, be careful with the sound transfer. The music for this film is one of the finest film scores ever composed.

FLYNN IN HIS ELEMENT
An English privateer learns the Spanish are going to invade England with their Armada....Even without the benefit of Olivia de Havilland and Technicolor, this is a prime Errol Flynn outing. After CAPTAIN BLOOD proved to be such a gold mine, Warner Bros. put writer Delmer Daves to work adapting another Rafael Sabatini novel THE SEA HAWK; it ranks as one of Flynn's best all-round films, and remains a beautiful picture to see and hear. The 1.7 million dollar budget was lavish by 1940 standards; an enormous new sound stage was inaugurated for the film. Two newly built full-scale ships - one 165' long, the other 135' - both surrounded by 12 feet of water (!) helped make the opening of the movie an amazing, crammed-with-detail piece of filmmaking. The musical score by Erich Wolfgang Korngold was his last for an historical pageant and one of his best; his score splendidly captures the "sweep and roll" of 16th century ships. It's interesting to compare Flora Robson's interpretation of Queen Elizabeth I to Bette Davis's. Both are intelligent and convincing, but Robson conveys level-headedness with flashes of temper while Davis (in THE PRIVATE LIVES OF ELIZABETH AND ESSEX, which she made with Flynn one year prior) projects distinctly neurotic and indecisive aspects of her character. Flynn's performance is good and believable; he chose a relatively quiet, restrained delivery here and he was at the apex of his career both looks and performance-wise. The term was "sea dogs" was conveniently changed to "sea hawks", thereby refuting history and confusing Sabatini buffs, but giving a 'raison d'etre' to the saleable and dramatic title the studio decided to retain. Available colorized, which is advantageous for some, and an affront to others.

One of the great swashbuckler films
A REVIEW BY NICK EVANGELISTA:
The Sea Hawk is one of the great swashbuckler films of all time. Errol Fylnn was in top form for the movie. The fencing is a joy to watch. As the author of The Encyclopdia of the Sword and The Art and Science of Fencing, and the publisher of Fencers Quarterly Magazine, I recommend it highly.

Fabulous High Seas Adventure
This movie deserves 5 stars and so I had to vote. Great adventure, message, and appropriate for children. The action and story is awesome.

Stunning Errol Flynn Adventure On The High Seas
"The Sea Hawk" is the definitive swashbuckling tale and captures legendary actor Errol Flynn at his most dynamic. He was an actor born for these type of romantic action roles as seen in the earlier classics "Captain Blood", and "The Adventures of Robin Hood". This film reveals Flynn in a tailor made role when he was at the peak of his physical fitness, and athletic prowess and he brings a new maturity and depth to his character here after 5 years of top stardom at Warner Brothers. "The Sea Hawk", is everything a good high seas adventure should be with eye filling adventure, exotic locations, romance, dashes of intrigue and superb swordplay.

With the the huge box office returns Warner's got for "Captain Blood", it was certain that Errol Flynn would be the natural choice to head any future productions of lavish pirate tales being filmed by the studio. That encore came along in another adventure story written by Rafael Sabatini "The Sea Hawk",which Warner's planned as one of their most lavish productions for 1940. Discarding most of the original novel writers Koch and Miller fashioned an exciting and beautiful screenplay that worked wonderfully on screen. "The Sea Hawk", tells the story of British Privateer Capt. Geoffrey Thorpe (Errol Flynn), who with secret backing from Queen Elizabeth (Flora Robson), sets out on many voyages designed to harrass the Spanish Empire while enriching the British treasury with plunder from the Spanish Galleons that Thorpe raids on their way back from the New World. An adventure of a different sort confronts Thorpe when he inadvertently captures a Spanish ship that happens to be carrying the new Spanish Ambassador Don Jose Alvarez de Cordoba (Claude Rains),and his niece Dona Maria (Brenda Marshall) to England. What initially starts out as outrage at the injustice done to her by Dona Maria slowly turns to love as she sees Thorpe's humane side in rescueing the unfortunate slaves from the Spanish ship's galleys and in seeing to her comfort on the journey to England. Once in England after a superficial reprimand from the secretly pleased queen for the benefit of her Spanish guests, Thorpe and the other Sea Hawks press her about the seriousness of King Phillip of Spain's threat to England's security with the mighty Armada he is planning. Capt. Thorpe plans to attack the Spanish before they are ready to sail and with the Queen Elizabeth's un-official blessing secretly plans a voyage to the Carribean to raid more Spanish vessels to get more gold to help build England's defense fleet. He however doesn't count on English spy Lord Wolfingham who by underhanded means finds out about the voyage and warns the Spanish Ambassador of Thorpe's intent. Once the privateers are in Panama they are ambushed by the Spanish in a trap and sentenced to life imprisonment as galley slaves. All seems lost until Thorpe and his men orchestrate an escape plan which sees them get back to England. Aware that the Queen has been forced to put an arrest order on all Sea Hawks in England, Capt. Thorpe literally fights his way room by room to get to the Queen along the way duelling to the death with his enemy the traitorous Lord Wolfingham. Pardoned by the Queen the preparations to defend England from the growing threat of the Armada are put into place beginning with a rousing speech by the Queen about the need for the nation to be united as one in times of adversity.

"The Sea Hawk", is a stunning "A" class production despite it's strange absence of colour photography. It contains great work by Errol Flynn who is in turn rogueish and athletic on the high seas and then refined and subdued in the romantic and court scenes. The supporting cast is headed by "Flynn regular", Alan Hale in the role of Thorpe's offsider in adventure Mr. Pitt, and the lovely Brenda Marshall as Dona Maria who has just the right dark icy beauty to be perfect as the upright noblewoman who is melted by love for Capt. Thorpe. Claude Rains lends his usual excellent suport to the role of the Spanish Ambassador and Henry Daniell steals ever scene he is in as the traitor Lord Wolfingham. Flora Robson in a great performance also lends impressive support in the smaller role of Queen Elizabeth and delivers a totally convincing and balanced interpretation of this famous woman, at times stern and authoritian and at others almost playful and very human in her dealings with Thorpe. The "Sea Hawk", production christened the huge new sound stage at Warner's built to accomodate this huge production and two full sized galleons were constructed for the sea bound action scenes. With a huge budget of almost 2 million dollars the costumes, sets, and attention to historical detail are unsurpassed. Erich Wolfgang Korngold's sweeping Academy Award nominated musical score is one of the best in his distinguished career and really enhances the overall impact of the story. The recently restored "Sepia " sequence is also a highlight during the Panama scenes and it's murky quality really lends atmosphere to the hot swamp scenes when the men are being pursued by the Spainards and are dying of fatigue.

For all lovers of swashbuckling adventures you need go no further than the Michael Curtiz directed pirate classic "The Sea Hawk". This film is certainly what the legend of Errol Flynn is all about and his obvious appeal to movie goers is very evident in his powerful screen charisma here. Many copies of "The Sea Hawk", have been made but none come close to it in great story telling, lively performances and beautiful production values. "The Sea Hawk", is classic Hollywood at its very best and is esential viewing for all classic movie lovers. ... Read more

Reviews (23)

Swab the deck, me matey!
The Disney studios first official full length, live-action feature, TREASURE ISLAND is good fun. Although it lacks the slick story-telling flair of recent family films, the story, based on Robert Louis Stevenson's classic novel, is precise and fluid. Robert Newton chews up the scenery as Long John Silver, paving the way for many lovable villains. Bobby Driscoll (Song of the South) plays the brave little Jim Hawkins (or "Jim Harkins" if you speak pirate) who gets involved in a treasure seeking adventure of good vs. evil. In the end, like the viewers of the video, the line between the two is not so well defined. That is a clever twist, especially for a Disney family film. The VHS format already shows some deterioration after a few viewings so I look forward to a DVD release but in the meantime. Yo ho yo ho, A Pirate's Life for Me!

All Aboard With Long John Silver
Jim Hawkins is a tavern owner's son who acquires a map showing the location of buried treasure. He shows it to an adventurous squire who recognizes its value and outfits the good ship Hispaniola to set off in search of the prize. The squire hires Jim as a cabin boy and persuades his own physician to join the crew as ship's doctor. The gullible squire's first big mistake is to sign up a rascal named Long John Silver as ship's cook. His second mistake is to allow Silver a chance to recruit some of his old shipmates from his pirate days as members of the Hispaniola's crew.

TREASURE ISLAND is an excellent movie with plenty of realistic action and convincing settings. Robert Newton is brilliant as Long John Silver and Bobby Driscoll shines as young Jim Hawkins. A strong supporting cast includes Basil Sydney, Denis O'Dea, Ralph Truman, Walter Fitzgerald, Finlay Currie and Geoffrey Wilkinson.

Director Byron Haskins also directed THE WAR OF THE WORLDS.

Old memories
Emotions ran high when I saw this movie again after more than 50 years. It was as exciting now as when I was a young child. Robert Newton's performance is a classic. After half a century, he is still the baddest (best) pirate ever.

"The Disney Version" is better than the novel.
Don't believe it? Read the book. The reviewer who said "...every screen production I have seen comes across as a cartoon or at best, 'an animated feature'," wasn't paying attention.

Robert Louis Stevenson's pirate story _is_ a children's fantasy. (Stevenson - whose grandson would later become one of Disney's "house directors" -- says as much in the book's introduction.) The principal characters are well-drawn and believable, but the story is 98% adventure. There is no _dramatic_ thrust to events. And it's told from the view of a 20-year-older Jim Hawkins, which tips off the reader that Jim is never in any real danger.

The emotional focus of the story is Jim's attraction to / repulsion by Long John Silver. In the novel, the adult Jim briefly acknowledges that he was attracted to Long John Silver as a surrogate for his recently deceased father, but turned away, because Silver is plainly untrustworthy. Stevenson fails to develop the relationship any further.

Not the screenwriters -- they bring it front and center. The story is now properly focused where it should be -- can Jim _really_ trust Long John Silver?

Silver is also worried about Jim, who plainly doesn't need "Piracy for Dummies" to recognize Silver is not altogether on the up-and-up. In a scene not in the book, Long John attempts to sweet-talk Jim -- one might even call it a seduction -- ending with the presentation of his parrot as a gift. The effect is subtly erotic -- especially as the gift comes from someone with such an obviously phallic name. (One is tempted to think Stevenson's name choice was deliberate -- he must have known how cabin boys were "mistreated.") And though Silver is married in the novel (to an unseen wife), the movie leaves his marital status unstated.

Long John Silver is a morally ambiguous character, and the film plays up this ambiguity. Silver alternates between protecting and threatening Jim, and you believe his sincerity in both instances. At the end, Jim is forced into deciding whether he should let Long John escape or be turned over to justice, completing the film with a solid dramatic "bang!" (The novel simply peters out -- Silver is taken captive, later wandering off with some of the loot.)

Robert Newton's interpretation of Long John Silver has always been controversial. There's no question it's totally "over the top." But that's how we expect pirates to behave, and it's how Stevenson wrote the character. I've seen "Treasure Island" several times -- Newton isn't simply chewing the scenery. His is a conscious interpretation, and he's in full control at all times. It's a great performance.

Arr, maties! Climb abord for a rip-roaring adventure!
The first time we watched this movie I watched it for about five minutes before walking away, because it wasn't interesting to me at the time. But when I caught the last twenty minutes of it, I decided that it was interesting after all and watched it from the beginning again.

I loved it! Bobby Driscoll was wonderful as Jim Hawkins, and Robert Newton gave the performance of his life as Long John Silver. The rest of the cast was also tremendous.

I had tried reading the book before, but it hadn't been interesting to me, and I ditched it before I was halfway done. Now, because of this movie, I think I'll dust it off and have a go at it. Who knows, I might even like it enough to review it! :) ... Read more

Amazon.com essential video

Gracefully adapted from Dava Sobel's extraordinary bestseller, the four-part TV production of Longitude combines drama, history, and scienceinto a stimulating, painstakingly authentic account of personal triumph andjoyous discovery. Equally impressive is the way writer-director CharlesSturridge has crafted parallel stories that complement each other with enrichingperspective. The first story involves the successful 40-year effort of 18th-century clockmaker John Harrison (Michael Gambon) to solve the elusive problemof measuring longitude at sea. In 1714 the British Parliament had offered agenerous reward to anyone who solved the problem, and Harrison devoted his lifeto that solution. The second story, some 200 years later, involves the effort ofshell-shocked British Navy veteran Rupert Gould (Jeremy Irons) to restore theglorious clocks that Harrison had built. Like Harrison, Gould is the mostadmirable type of obsessive, but, also like Harrison, he risks his marriage toaccomplish his difficult task.

Thousands of sailors perished at sea before Harrison's triumph changed history, but Longitude demonstrates that Harrison's glory was slow to arrive--and his prize money even slower. A fascinating study of 18th-century British politics and clashing egos in the arena of science, thefilm is both epic and intimate in consequence, and Sturridge's magnificentscript inspires Gambon and Irons to do some of the best work of theiroutstanding careers. The ever-reliable Ian Hart appears in Part 3 as Harrison's now-adult son and apprentice, and Longitude approaches its dramatic climax with the exhilarating tension of a first-rate thriller. Rallying after sickness to prove the integrity of their marvelous seafaring chronometers, the Harrisons still had to fight for official recognition, and Gould's restoration of the Harrison clockworks provides a fitting coda to this exceptional story about the thrill of discovery and the tenacity of remarkable men. --Jeff Shannon ... Read more

Reviews (20)

Better Than the Book
This film is described as an adaptation of Dava Sobel's book of the same name. It is far more than an adaptation, however. Charles Sturridge took a somewhat threadbare tale and turned it into a stirring, dramatic account of the life, tribulations, and ultimate achievement of the 18th century English horologist, John Harrison. It's not that Sobel's book is poorly written. It is in fact entertaining and engrossing as far as it goes. The trouble is that she doesn't go into enough detail and leaves a lot of questions unanswered for the reader. Sturridge takes up her story and fleshes it out, providing the sort of background and character development that the book lacks. Providing the audience with a parallel storyline involving the WWI veteran, Rupert Gould (briefly noted in Sobel's book) also is a stroke of genius on the writer/director's part. The parallels between the lives of the earlier inventor and the shell-shocked vet are striking and poignant.

It does nothing to hurt Sturridge's cause to have assembled such a sterling British cast. Irons and Gambon have great roles to their credit, but they surpass themselves in this production. Sturridge has demonstrated that he can squeeze good acting out of a virtual lemon (Ted Danson in Sturridge's adaptation of "Gulliver's Travels"). He has far more to work with here, and the results are remarkable. Gambon, perhaps best known to American audiences for his lead role in "The Singing Detective," and the recent "Gosford Park," again delivers the goods in this masterful performance. He captures perfectly his character's idiosyncrasies, vicissitudes and ultimate triumph.

Much of the series of course focuses on the "chase" for a solution to the longitude problem that plagued seamen from time immemorial. Methods for determining longitude before the chronometer was invented ranged from the sublime to the ridiculous. Heavenly charts were sometimes supplanted by such ludicrous schemes as "the wounded dog method". The following is a transcription of a dialogue delivered by the method's inventor:
" Now, it is vital to my process, Sir Edmund, that each dog be wounded with the *same knife*, as these three animals have been, under my instructions, some three days ago. Now, the animals are then to be conveyed aboard one of His Majesty's ships, uh, under the supervision of a designated officer, whose task it is to *prevent the wound from healing*. Now the knife, however, would remain here, in London, and at *precisely noon*, each day, is to be plunged into the Powder of Sympathy, which would immediately aggravate the wound, so that each dog, no matter how many thousands of miles away he may be on his particular vessel, would begin to howl... thus."

Clearly, there was a need for a practical solution to this age-old problem, as thousands of sailors were placed in constant peril, owing to the fact that, without a reliable method, they really couldn't get their bearings. This is one area where Sobel does a very good job in her book describing the difficulty in determining longitude, versus the rather simple methods for calculating latitude. That a rather simple man of humble origins could work out the method was disconcerting to several members of the vaunted Board of Longitude, which was composed of members of the ruling class. Harrison's chief detractor and a rival for his claim of the longitude prize (20,000 pounds, equivalent to almost a million dollars by today's standards) was Sir Nevil Maskelyne. Maskelyne comes across in the film and in Sobel's book as a rather arrogant, self-inflated snob, who engages in actual subterfuge of Harrison's claims. Viewers/readers may be interested to note that Maskelyne also appears as a character in Thomas Pynchon's "Mason & Dixon," also in an unflattering light.

In terms of a recommendation, I would have to give Sobel's book between three and four stars. While it is highly readable and engaging, it leaves way too many avenues and dramatic possibilities unexplored. Sturridge fills in all the gaps, and then some. It is not often that I recommend a film over a book, but in this instance, the film is a far richer and satisfying experience.

The Quest for Longitude.
I just watched this docudrama this weekend, and while it is too early to see if critics will give this film any latitude, I will.

As a historian, I often long for at least a blend of authenticity when discussing historical events. Often, as in Jean d'Arc films, accuracy is forgotten in leiu of mythology. Longitude give us the story of one of the greatest quests in history, and remains true to Dava Sobel's book on John Harrison and his son William. The two of which have perhaps saved more mariner's lives than life preservers! One mistake of a few minutes cost more than 1,700 men their lives in one incedent.

The drawback to accuracy is length, as this is a four hour film. However, it took the Harrisons 40 years to construct the four clocks/watches, thus an hour per decade seems reasonable.

If you care about maritime travel, history or clocks, this film will keep you interested for the entire four hours.

Exodus I; BA History EWU

A wonderful tale of vital historical importance
The beginning of this film makes clear the importance of knowing one's position at sea. Disasters--some of epic proportions--were distressingly regular when doubts about one's position relative to land or dangerous reefs were the order of the day. This film tells two stories in parallel. The first is of John Harrison's efforts to make accurate nautical clocks--called chronometers--that could be used at sea and provide a simple means of acertaining longitude (by comparing the time at the home port of known longitude to that of the ship determined by the sun or the stars). Harrison had to struggle against many technical odds to make his machines--and against many bureaucratic barriers to getting them accepted.

The second story is that of Rupert Gould, the Royal Navy officer, who, suffering from his experiences in the first world war, begins the process of restoring the old Harrison clocks to working order. This story is of less historical significance than the first, of course, but it is why we are able to go to the Royal Observatory at Greenwich and see the clocks running today. The poor fellow turned the clocks into an obsession as his life changed dramatically around him.

Well done, and well worth the time.

True Story of a Lone Genius who Captured Time
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Note: This review has been written from a city with the following position on Earth:

LATITUDE: (43 degrees 2 minutes North)
LONGITUDE: (81 degrees 9 minutes West)

This 3 hour 20 minute movie (based on the 1995 book by Dava Sobel) that was first on television in 1999 (and transferred to two 100 minute DVDs in 2000) is "a sweeping epic that takes place in two worlds." The two worlds are the eighteenth century of John Harrison (1693 to 1776) and the twentieth century of Lieutenant Commander Rupert Gould (1890 to 1948). This movie chronicles the life of Harrison who builds sea clocks and alternates his story with Gould's who restores Harrison's clocks and at the same time restores his own health. (Note that most of Sobel's book {that has the same title as this movie} is concerned with Harrison's story while only four pages in the last chapter of her book are devoted to Gould's story.)

The beginning of this movie is narrated and lasts less than three minutes. However, this narration is probably the most important part of this movie because it tells the viewer about latitude and longitude, indirectly how to calculate longitude, how time is related to longitude, and why longitude was so difficult to measure "during most of human history." (How to determine latitude was discovered centuries before this.)

I felt this narration was adequate but it did not mention one simple and important fact:

In 24 hours, the Earth spins 360 degrees on its axis from east to west. (Thus, as the narrator states, four minutes of time equals one degree of longitude east or west.)

The first DVD tells the story of how ships (with their crew and valuable cargo) were being lost at sea because they could not determine their position properly since their navigators were unable to calculate the ship's longitude accurately. As a result, the British parliament offered a reward that's equivalent to many millions of dollars today to anyone who could practically solve "the longitude problem."

Most of the scientists of this time thought that this problem's solution, even at sea, was astronomical. However, a lone genius, simple carpenter, and clockmaker named John Harrison (acted superbly by Michael Gambon) knew the fact stated above, so he reasoned that time was the solution to this problem.

So Harrison began building a clock (eventually called a "chronometer") that would be accurate enough to be used by a ship at sea. (Realize at this time there were only pendulum clocks that were quite bad at keeping time on a swaying ship at sea.) The viewer is shown Harrison constructing his clocks with it's many components. As well, we are shown the final beautiful result -- a clock that was to be used at sea. (Note that this first clock was named "H-1.") We are also shown the maiden voyage of H-1 as it's tested in 1736 on a ship bound for Lisbon (with Harrison, a non-sailor, on board). H-1 worked well during this trial. Because of Harrison's perfectionism, he elected after this trial, to build a better clock called H-2 (which was never tested). H-2 led to H-3 (which was also not tested).

As mentioned above, we are also shown scenes of Rupert Gould's life (very well-acted by Jeremy Irons) that alternate with Harrison's adventure described above. We are made aware that Gould's own life was tragic. As a result, he volunteers as a sort of therapy to restore clocks H-1, H-2, and H-3 that, in his time, were almost two centuries old. The result is that the viewer is shown more of the exterior and interior of Harrison's beautiful and complex "timekeepers" and how they actually work.

The second DVD tells us of Harrison's masterpiece -- H-4 (that was the size of a large pocket watch). As with H-1, H-4 is tested in 1761 on a ship bound for Jamaica with Harrison's grown son (well-acted by Ian Hart) on board. This timepiece worked well.

Also we are shown how Harrison had trouble collecting his monetary prize. In fact, we hear one official on the board (the "Board of Longitude") responsible for bestowing this prize say, "I would not wish to see the longitude prize stolen by a country toolmaker." As fate would have it, an astronomer who favored an astronomical method, Nevil Maskelyne (well-acted by Sam West) became the head of this board, causing further delays. Harrison has to seek the assistance of King George the Third (well-acted by Nick Rowe) to cut through this bureaucracy.

Meanwhile, Gould finishes restoring the clocks and manages at the same time to overcome his own problems.

The acting of those indicated above and the supporting cast is exquisite. The cinematography is breath-taking with the scenes at sea very realistic. All costumes that represented the two alternating time periods transport the viewer back to those periods. The movie itself has it all: intrigue, science, history, geography, astronomy, navigation, clockmaking, ambition, and greed.

A minor complaint is that a simple calculation for determining longitude was not shown. As well, the DVD only has one extra feature called "Behind the Scenes."

Finally, although not absolutely necessary, I recommend reading Sobel's book before viewing this movie. Doing this will enhance your enjoyment and understanding of the movie.

In conclusion, this movie was an A&E production. As a result, viewing this movie is definitely "time well spent."

<=====>

The Best!
This has it all! History, science, a great adventure story, great acting. Michael Gambon and Jeremy Irons are superb! Though I haven't read the book I got the book for my Dad a number of years ago. He's a scrooge about books and loved it!
This has a fast-paced story; lots of action shots, verve and movement. The story never dulls and moves easily and effectively. I've watched it nearly a dozen times. If you are interested in how academy, science, and politics collide; are interested in how difficult the scientific and historical processes were almost 300 years ago, this is a DVD for you! ... Read more

Reviews (36)

Hornblower, The Adventure Continues
The cast, producers, directors, etc. did and outstanding job in the latest two episodes, Mutiny and Retribution! I heartily echo the sentiments made by Hornblower fans in previous reviews.

It is so refreshing to see a wonderful story, with outstanding acting, direction, etc. without relying too heavily on complicated special effects. With that said, I would like to state that the sequences with the model ships were outstanding yet again!

Because I have so enjoyed the Hornblower series on DVD, I have eagerly read all the Hornblower reviews by you long-time Hornblower fans.

Being a fairly new fan of just one year, I have recently learned here on this site, that CS Forrester had written a series of 11 books about Hornblower's career. I have purchased and read Mr. Midshipman Hornblower. What an excellent book! Looking forward to reading the remaining 10 books and hope more televison movies will be made!

Hornblower On Trial
This was one fantastic movie. Ioan Gruffund, Jamie Bamber, David Warner, Paul Copley, and all the other members of the cast did a superb job. No longer a boy, Horatio has grown into a man while maintaining an honorable character. This movie begins with Horatio, who is in prison with the charges of mutiny on his head, being paid a visit by the obviously ditraught Commodore Pellew who cannot believe that Horatio, of all people, would be in prison for mutiny. Horatio assures him that it was for the good of the service that he and those who were in agreement with him should take over the ship. He then launches his tale starting six months prior to his imprisonment. Horatio, along with Archie, Styles, and Matthews,is stationed on a British War Frigot known as the Renown that is captained by the aged war hero Captain Sawyer, who is out of his mind. Horatio and his friends for a long time must put up with their captains crulety and his strange antics, until when he endangers the ship and its entire crew, the men have him chained up and locked in his cabin. Fearing court marshall should they not do something quickly, the men attempt to take a Spanish fort. The second half of the movie is about their on land adventures and how Horatio must prove his innocence in court. This fantastic movie is filled with adventure and loyalty and honor just as much as the original four movies. Along the way, Horatio will lose friends and gain them as he fights for survival during the Napoleonic Wars.

The best gets better
This follow on to the earlier efforts of A&E are actually an improvement where few thought that possible. The widescreen format and the quality of the filming are superb. Forrester's work is excellently adopted to the big screen. With a large screen televison and surround sound this ranks as an all time favorite.

the best movie in the world!!!!
i love horatio hornblower its my absolute favorite movie i would deffinetly give it five star, i'd give it ten if possible.
it's absolutely amazing, interesting, and the best movie in the history of time!!!!
watch it!!!

it was the best movie ever writen
In the movie Mutiny we find Horatio In a prision with Captian Pellew coming to see him. Then we see that horatio begin to tell captian pellew the whole story. Including every bit of detail possible. Also in Mutiny we meet Mr. Bush and we see that he is not trusted at and has no friends aboard the Renown.

In retrubution we see Horatio Hornblower and Mr. Bukland tell the rest of the story at the trial. At the end of the secound movie it ends very tragicly but it had to end that way be sure to keep a box of tisues near by.

It defently has to be rated five stars for the best acting and spacial features and the feelings that Ioan Griffudd shows. I recomend it to any person who loves action/ drama movies. ... Read more

Reviews (403)

Masterful and Commanding
Master and Commander: The Far Side of the World is the latest attempt by the Hollywood establishment to revive the nautical adventure genre that enjoyed great popularity during Hollywood's "golden age." Based on Patrick O'Brian's phenomenally successful novels about British heroism during the Napoleonic Wars, the film traces the efforts of Captain Jack Aubrey (Russell Crowe) and his loyal crew to intercept and destroy an errant French warship in the Pacific waters near the Galapagos Islands. Although this movie will disappoint any audience member who is expecting a great deal of background information about the historical intricacies and personalities of the Napoleonic Age, it will thrill and entertain all filmgoers who love the kinetic energy and old-fashioned showmanship of a well directed swashbuckler.
Veteran director Peter Weir is entitled to an Oscar nomination simply for staging some of the most dazzling and exhilarating naval battle sequences of all-time. The violent encounters between Aubrey's HMS Surprise and its French counterpart the Acheron were so gripping and realistic that several audience members at the showing I attended were literally gasping for breath as they left the theater (the sound of cannon fire and rushing water no doubt reverberating in their ears). However, Weir deserves the most credit for his detailed and provocative portrayal of every aspect of life aboard a British warship, circa 1805. Audiences get to see the chief lieutenants create strategies and chart courses, the midshipman cope with the responsibilities holding authority over much of the crew while still conforming to the expectations of their superiors, and the common sailors, mates and boatswain confront unbearable weather and inedible food as they prepare to risk their lives for the country they love. Several characters leave an indelible mark on the hearts and minds of viewers, particularly Max Pirkis as a prepubescent crew member who faces the amputation of an arm with unwavering courage and Lee Ingleby as an indecisive midshipman who becomes convinced that his presence is cursing the ship. The battle scenes owe much of their punch and power to Weir's realization that it is far more engaging to watch complex, multifaceted figures battle it out for God and country than it is to watch caricatured personalities scramble through combat without purpose or motivation.
At the center of the fray is Russell Crowe, who thoroughly captures Captain Aubrey's intensity and charisma. It isn't easy to play a character that orders the vicious beating of an unruly sailor in one scene and makes charming toasts to wives and sweethearts ("may they never meet!") in another, but Crowe succeeds brilliantly by imagining Aubrey as an impulsive individualist who stands by his instincts and emotions in any context. When the Captain engages in heated philosophical discussions about loyalty and leadership with his friend Dr. Steven Maturin (Paul Bettany), it is riveting to watch the star's fascinating portrait of a man obsessed with his own righteousness. Crowe will almost certainly reap some significant awards from this impressive performance, and at the very least he has found a profitable new franchise to sail through the rest of the decade with.

The War on the Waters
I came to 'Master and Commander: The Far Side of the World' with little expectations beyond reasonable entertainment. I was thus surprised that this was a powerful little human drama about a vicious chase in the high seas.

What makes 'Master and Commander' successful is not the plot, which is a straightforward cat and mouse story. Rather, it succeeds because of its gritty sense of realism and the ability to capture the feel of time and place.

While most historical movies feature ordinary, contemporary people in period dress (see 'Gangs of New York'), Master and Commander does feel like it takes place in the early 19th century. It is little things, like Captain Jack Aubrey (Russell Crowe) motivating his troops by demanding "Do you want your children to sing 'La Marseillaise'?", or the real excitement the characters display in discussing Nelson.

Also powerful is the film's feel for the hardships of warfare on the Sea. Early in the film, a child loses his arm, and throughout the movie real characters suffer casual death. At one point Jack Aubrey must choose between saving one man and saving his crew, and he allows the man to drown. This form of realism is so rare in Hollywood films, in makes 'Master and Commander' truly unique.

The great weakness of the film is its episodic nature. There is scarcely a plot - the hunt for the French frigate "Acheron" is merely a framework for the individual happenings, which include a storm, a suicide, and most infamously, a rather overlong subplot about Crowe's sidekick's (Paul Bettany) Darwin-like expedition to Galapagos Islands.

Indeed, the emergence of this subplot makes the second half of the film slow and much less interesting then the first half. Although the scenery is breathtaking, the story just fails to move, until Bettany's accidental discovery of the Acheron, which sets the stage for the climatic battle.

Director Peter Weir and his crew should be commanded for a great adaptation of Patrick O'Brien's seafaring adventure. If there will be a sequel, I will go with high expectations.

EVERYTHING --& more!!
1. this is THE cute guy movie. from 8 to 80, small, tall, thin or round, this movie will have someone for you. i can only imagine my sister, who once had a list of 254 men she Truly Cared About that included people like the guy 3d from the left in the second scene of Star Trek 2, drooling like a pet of pavlov w/in the first 3 minutes.

2. & speaking of star trek-----

russell crow _IS_ Captain James T. Kirk.

this is the most postmodern movie i have ever seen!!

here is an actor playing a captain playing an actor playing a captain!!

i think captainhood has been forever embedded in the mind of anyone young or old & privileged enough to see the _real_ & _only_ Star Trek as meaning one thing: William Shatner. watch the timing!! watch the _gestures_!! watch the way he looks at the camera. the likeness is uncanny!!

my partner watched this movie a couple of days before i did & when i said to him, "you know who that is--" he said he had thought the same thing.

amazing!!

dont worry, i LOVE Captain James T. Kirk. when i was a very little kid, even younger than any of the little kids in this movie, my parents & i saw him (the actor, not the captain) screaming at his girlfriend at a folk dance festival. that image is embedded in my brain as well!!

anyway.

Captain Kirk, in order to be Captain Kirk, MUST have his Spock. & here, of course, he does. but oddly his Spock is only the entrée into........

3. the Monty Python element. think John Cleese, younger (much much younger), w/ a lot of freckles & a slightly skinnier jawline. think his uppercrust gestures & the way he often looks up at you (thru the camera) w/ those eyes..... right here. Mr. Spock as a naturalist-warrior-sailor-doctor who also, on the side, runs the Ministry of Silly Walks.

but thats not all!!

you also get, in this movie that was modeled on "Star Trek transports itself into Monty Python & the Holy Grail on the High Seas" --the old guy. you remember the Old Guy. he is embedded in yr brain too. i know he is. & it will be very very hard for you to watch a scene wherein he appears w/o thinking of eric idle, hanging on a dungeon wall & singing. every single time.

but nobody is singing "la marseillaise" b/c when you finally do meet those french types, they are too busy yelling things like:

"oh you english pig-dogs!!" --you get that too!! i almost expected a bunch of fruit & a cow to come flying over the side of the boat.

& theres more-- so much more-- it makes ones brain itch trying to remember it all.....

4. &, speaking of an itchy brain, in addition to heroic self-surgery, one also gets: trepanning. woohoo!! personally, i recommend amanda fielding's video (worth looking up) as she is doing real-life, real-time self-trepanning, but this one works as a little preview. & besides, she doesnt stick a quarter into her skull.

5. &, wait, there is so much more!! poop on the poopdeck (rewind or you will miss it. my partner, who worked on lots of boats made us rewind so i wouldnt miss it)-- & LOTS & LOTS of animals. i LOVE this movie!!

but probably not in the way that peter weir intended. which is why i gave it 4 stars. it is the most postmodern movie i have ever seen. the whole thing seems plotted, directed & acted as if it were a bunch of archetypal television programs strung together or laid on top of one another (lets not forget marlon brando (rip) in "mutiny on the bounty," although that might just have been inspiration for the costumes) (& do remember "the poseiden adventure" & undoubtedly "titanic" (i havent seen it)) w/ unbelievably fabulous images of oceans, islands, ground & ships-- just gorgeous stuff from the director of "the last wave."

& yes, it is a roiling barrel of entertainment.

Cat and Mouse on the high seas
Set in the Napoleonic Wars of the early nineteeth century, Master and Commander is based on the Patrick O'Brian's historical novels. The essence of the story is a chase starting off the coast of Brazil and ending up off the Galapogos islands, between a French ship with its clever commander and the HMS Surprise- the ship at the center of the story.

The movie itself is richly laid out in genuine props of the era, which succeeds in giving it an air of realism. Russell Crowe does a fine job as Captain 'Lucky Jack' Aubrey, a man with a history of experience and well respected by his sometimes grumbling men. The supporting cast is excellent with a list of characters that adds to the richness of life on a seafaring ship of that era.

Crowe doesn't grandstand and take over the movie allowing the story, other characters and action to speak for themselves. A lot of credit should of course go to Peter Weir for his direction and his adaption of O'Brian's novel.

Master and Commander is very reminiscent of old Hollywood epics and a quite enjoyable movie. I honestly didn't expect much and came away very satisfied and entertained.

Highly entertaining and recommended.

Well acted action-adventure film
A definite surprise - I enjoyed this movie much more than I thought I would. Very well acted, especially Paul Bettany as Dr. Stephen Maturin and Max Pirkis as the very young midshipman who loses his arm in the opening battle scene. While the special effects of the movie are amazing, they didn't overshadow the depth of the characters protrayed. Unless you are a reader of the O'Brian novels (which I recommend even more highly than the movie), you wouldn't notice one major change. The Acheron was really the USS Norfolk - an AMERICAN ship - not French. I guess the producers figured we wouldn't put down our dollars to see a movie where we were the losers. ... Read more

Reviews (403)

Masterful and Commanding
Master and Commander: The Far Side of the World is the latest attempt by the Hollywood establishment to revive the nautical adventure genre that enjoyed great popularity during Hollywood's "golden age." Based on Patrick O'Brian's phenomenally successful novels about British heroism during the Napoleonic Wars, the film traces the efforts of Captain Jack Aubrey (Russell Crowe) and his loyal crew to intercept and destroy an errant French warship in the Pacific waters near the Galapagos Islands. Although this movie will disappoint any audience member who is expecting a great deal of background information about the historical intricacies and personalities of the Napoleonic Age, it will thrill and entertain all filmgoers who love the kinetic energy and old-fashioned showmanship of a well directed swashbuckler.
Veteran director Peter Weir is entitled to an Oscar nomination simply for staging some of the most dazzling and exhilarating naval battle sequences of all-time. The violent encounters between Aubrey's HMS Surprise and its French counterpart the Acheron were so gripping and realistic that several audience members at the showing I attended were literally gasping for breath as they left the theater (the sound of cannon fire and rushing water no doubt reverberating in their ears). However, Weir deserves the most credit for his detailed and provocative portrayal of every aspect of life aboard a British warship, circa 1805. Audiences get to see the chief lieutenants create strategies and chart courses, the midshipman cope with the responsibilities holding authority over much of the crew while still conforming to the expectations of their superiors, and the common sailors, mates and boatswain confront unbearable weather and inedible food as they prepare to risk their lives for the country they love. Several characters leave an indelible mark on the hearts and minds of viewers, particularly Max Pirkis as a prepubescent crew member who faces the amputation of an arm with unwavering courage and Lee Ingleby as an indecisive midshipman who becomes convinced that his presence is cursing the ship. The battle scenes owe much of their punch and power to Weir's realization that it is far more engaging to watch complex, multifaceted figures battle it out for God and country than it is to watch caricatured personalities scramble through combat without purpose or motivation.
At the center of the fray is Russell Crowe, who thoroughly captures Captain Aubrey's intensity and charisma. It isn't easy to play a character that orders the vicious beating of an unruly sailor in one scene and makes charming toasts to wives and sweethearts ("may they never meet!") in another, but Crowe succeeds brilliantly by imagining Aubrey as an impulsive individualist who stands by his instincts and emotions in any context. When the Captain engages in heated philosophical discussions about loyalty and leadership with his friend Dr. Steven Maturin (Paul Bettany), it is riveting to watch the star's fascinating portrait of a man obsessed with his own righteousness. Crowe will almost certainly reap some significant awards from this impressive performance, and at the very least he has found a profitable new franchise to sail through the rest of the decade with.

The War on the Waters
I came to 'Master and Commander: The Far Side of the World' with little expectations beyond reasonable entertainment. I was thus surprised that this was a powerful little human drama about a vicious chase in the high seas.

What makes 'Master and Commander' successful is not the plot, which is a straightforward cat and mouse story. Rather, it succeeds because of its gritty sense of realism and the ability to capture the feel of time and place.

While most historical movies feature ordinary, contemporary people in period dress (see 'Gangs of New York'), Master and Commander does feel like it takes place in the early 19th century. It is little things, like Captain Jack Aubrey (Russell Crowe) motivating his troops by demanding "Do you want your children to sing 'La Marseillaise'?", or the real excitement the characters display in discussing Nelson.

Also powerful is the film's feel for the hardships of warfare on the Sea. Early in the film, a child loses his arm, and throughout the movie real characters suffer casual death. At one point Jack Aubrey must choose between saving one man and saving his crew, and he allows the man to drown. This form of realism is so rare in Hollywood films, in makes 'Master and Commander' truly unique.

The great weakness of the film is its episodic nature. There is scarcely a plot - the hunt for the French frigate "Acheron" is merely a framework for the individual happenings, which include a storm, a suicide, and most infamously, a rather overlong subplot about Crowe's sidekick's (Paul Bettany) Darwin-like expedition to Galapagos Islands.

Indeed, the emergence of this subplot makes the second half of the film slow and much less interesting then the first half. Although the scenery is breathtaking, the story just fails to move, until Bettany's accidental discovery of the Acheron, which sets the stage for the climatic battle.

Director Peter Weir and his crew should be commanded for a great adaptation of Patrick O'Brien's seafaring adventure. If there will be a sequel, I will go with high expectations.

EVERYTHING --& more!!
1. this is THE cute guy movie. from 8 to 80, small, tall, thin or round, this movie will have someone for you. i can only imagine my sister, who once had a list of 254 men she Truly Cared About that included people like the guy 3d from the left in the second scene of Star Trek 2, drooling like a pet of pavlov w/in the first 3 minutes.

2. & speaking of star trek-----

russell crow _IS_ Captain James T. Kirk.

this is the most postmodern movie i have ever seen!!

here is an actor playing a captain playing an actor playing a captain!!

i think captainhood has been forever embedded in the mind of anyone young or old & privileged enough to see the _real_ & _only_ Star Trek as meaning one thing: William Shatner. watch the timing!! watch the _gestures_!! watch the way he looks at the camera. the likeness is uncanny!!

my partner watched this movie a couple of days before i did & when i said to him, "you know who that is--" he said he had thought the same thing.

amazing!!

dont worry, i LOVE Captain James T. Kirk. when i was a very little kid, even younger than any of the little kids in this movie, my parents & i saw him (the actor, not the captain) screaming at his girlfriend at a folk dance festival. that image is embedded in my brain as well!!

anyway.

Captain Kirk, in order to be Captain Kirk, MUST have his Spock. & here, of course, he does. but oddly his Spock is only the entrée into........

3. the Monty Python element. think John Cleese, younger (much much younger), w/ a lot of freckles & a slightly skinnier jawline. think his uppercrust gestures & the way he often looks up at you (thru the camera) w/ those eyes..... right here. Mr. Spock as a naturalist-warrior-sailor-doctor who also, on the side, runs the Ministry of Silly Walks.

but thats not all!!

you also get, in this movie that was modeled on "Star Trek transports itself into Monty Python & the Holy Grail on the High Seas" --the old guy. you remember the Old Guy. he is embedded in yr brain too. i know he is. & it will be very very hard for you to watch a scene wherein he appears w/o thinking of eric idle, hanging on a dungeon wall & singing. every single time.

but nobody is singing "la marseillaise" b/c when you finally do meet those french types, they are too busy yelling things like:

"oh you english pig-dogs!!" --you get that too!! i almost expected a bunch of fruit & a cow to come flying over the side of the boat.

& theres more-- so much more-- it makes ones brain itch trying to remember it all.....

4. &, speaking of an itchy brain, in addition to heroic self-surgery, one also gets: trepanning. woohoo!! personally, i recommend amanda fielding's video (worth looking up) as she is doing real-life, real-time self-trepanning, but this one works as a little preview. & besides, she doesnt stick a quarter into her skull.

5. &, wait, there is so much more!! poop on the poopdeck (rewind or you will miss it. my partner, who worked on lots of boats made us rewind so i wouldnt miss it)-- & LOTS & LOTS of animals. i LOVE this movie!!

but probably not in the way that peter weir intended. which is why i gave it 4 stars. it is the most postmodern movie i have ever seen. the whole thing seems plotted, directed & acted as if it were a bunch of archetypal television programs strung together or laid on top of one another (lets not forget marlon brando (rip) in "mutiny on the bounty," although that might just have been inspiration for the costumes) (& do remember "the poseiden adventure" & undoubtedly "titanic" (i havent seen it)) w/ unbelievably fabulous images of oceans, islands, ground & ships-- just gorgeous stuff from the director of "the last wave."

& yes, it is a roiling barrel of entertainment.

Cat and Mouse on the high seas
Set in the Napoleonic Wars of the early nineteeth century, Master and Commander is based on the Patrick O'Brian's historical novels. The essence of the story is a chase starting off the coast of Brazil and ending up off the Galapogos islands, between a French ship with its clever commander and the HMS Surprise- the ship at the center of the story.

The movie itself is richly laid out in genuine props of the era, which succeeds in giving it an air of realism. Russell Crowe does a fine job as Captain 'Lucky Jack' Aubrey, a man with a history of experience and well respected by his sometimes grumbling men. The supporting cast is excellent with a list of characters that adds to the richness of life on a seafaring ship of that era.

Crowe doesn't grandstand and take over the movie allowing the story, other characters and action to speak for themselves. A lot of credit should of course go to Peter Weir for his direction and his adaption of O'Brian's novel.

Master and Commander is very reminiscent of old Hollywood epics and a quite enjoyable movie. I honestly didn't expect much and came away very satisfied and entertained.

Highly entertaining and recommended.

Well acted action-adventure film
A definite surprise - I enjoyed this movie much more than I thought I would. Very well acted, especially Paul Bettany as Dr. Stephen Maturin and Max Pirkis as the very young midshipman who loses his arm in the opening battle scene. While the special effects of the movie are amazing, they didn't overshadow the depth of the characters protrayed. Unless you are a reader of the O'Brian novels (which I recommend even more highly than the movie), you wouldn't notice one major change. The Acheron was really the USS Norfolk - an AMERICAN ship - not French. I guess the producers figured we wouldn't put down our dollars to see a movie where we were the losers. ... Read more

Reviews (52)

Voyage of the Nautilus
Kirk Douglas and James Mason explore the mysteries of the deep in the Sci-Fi classic "20,000 Leagues Under the Sea". Rumours of a sea monster that attacks ships, has open the interests of a curious French scientist (Paul Lukas), his faithful aide (Peter Lorre) and an able harpoonist (Kirk Douglas). Upon a striking encounter, they learn that the "sea monster" is a powerful under-water vessel under the command of the vengeful Captain Nemo (James Mason). "20,000 Leagues Under the Sea" is a remarkable adaptation of Jules Verne's stunning adventure tale. The film features a powerful story, great under-water photography and a rich music score. Kirk Douglas, Paul Lukas and Peter Lorre are well cast but it's James Mason's intense performance of Captain Nemo that often drives the whole film. It also contains some impressive visuals and thrilling momments including a gripping battle against a giant squid.

Disney gives "20,000 Leagues Under the Sea" the full "2-Disc special edition" treatment. The movie is presented in it's original theatrical widescreen format. The DVD contains an amazing video transfer and clear digital sound quality. Disc 2 features exclusive bonus material including Behind-the-scene featurettes, Theatrical trailer, picture gallery and audio commentaries. Like previous Disney DVD, the disc also contains forced commercials and trailers of upcoming Disney releases. Overall, it scores an "A".

It's not just a Disney classic, it's a classic, period.
Among the live-action output of the Disney studios there are precious few _truly_ great films. One of them is "20,000 Leagues Under the Sea."

It was the first wholly live-action movie made at the Burbank studios (the previous live films having been made in England, one of which -- "Treasure Island" -- is another classic, recently reissued in a gorgeous DVD transfer). "20,000 Leagues Under the Sea" is a classic example of how simply throwing money, talent, and imagination at a project can result in a masterpiece.

It is difficult to overpraise this film. Earl Felton's imaginative rethinking of Jules Verne's novel and his script's focus on the moral issues at the center of the story; James Mason's subtle and controlled performance as Captain Nemo; the startlingly realistic miniatures (which have not been surpassed); and Richard Fleischer's simple, uncluttered direction are standouts.

But all these pale in the face of the incredible art design, which deservedly won an Oscar. The interior of the Nautilus cleverly imagines how a Victorian submarine (had there been such a thing!) would be furnished. The exterior is the most-fanciful submarine design ever conceived. It does for this film what Robby does for "Forbidden Planet."

Did I forget to mention the fight with the giant squid, one of the most-memorable scenes in the history of movies?

My only complaint is that I'm not a fan of Paul Smith's music. His principal theme for this film is inspired, perfectly invoking the fundamentally somber mood of the story, but the rest of the score doesn't come up to it. (It might be that the dreadful style of Disney's "house" orchestrations -- which afflict dozens of other Disney films -- keeps me from properly appreciating Smith's work.) I can only note that, while Disney was hiring one of Fox's model designers to create the miniatures, he might also have borrowed Bernard Herrmann, who, five years later, would produce a classic score for another Jules Verne story, also starring James Mason.

This transfer is the best yet (including the LV). The color is rich and varied (quite unlike the overly-red/muddy-green mess Technicolor would soon become), and I didn't see a single spot or scratch. There's a lot of supplemental material, including an hour-long "making of" feature that's well-above-average for this sort of thing, Disney or otherwise. There is also a intermittently interesting running commentary from the director and Rudy Behlmer, the film historian. Note that the "Operation Undersea" episode of Disneyland -- an hour-long "commerical" for the film that won an Emmy -- is _not_ included.

Despite its half-century age, "20,000 Leagues Under the Sea" has lost little of its freshness or excitement. If your kids don't like it -- get new kids.

A Great DVD of a Great Film
Like many of the other reviewers of this movie, I'm a pre-boomer who was dazzled by the film as a child. Somewhere in my aging mom's attic, I have a few bolts (painted wood) from the movie set of the Nautilus, which I "borrowed" from one of the Disney properties as a kid nearly a half century ago. I remember taking a bus from LA to Burbank to stare through the slats of the fence in the back lot of the Disney Studios and seeing a partial model of the Nautilus, perhaps 1/3 scale, tossed in a corner like so much debris. What I would have given to be able to drag that model home.

When I viewed the VHS version of this film a couple of years ago, I was bitterly disappointed by the poor quality which made the watching experience actually painful to a fan like me. But, let me tell you, this DVD is as thrilling as the VHS was painful. This fully-restored version of the film comes roaring back to life in all of its glory and then some. It's the best film restoration these old eyes have ever beheld. Watched on a state-of-the-art widescreen TV, this is every bit the experience it was in the '50's and I think it's wonderful that this great film is now preserved for the ages, just as it was when it was first released.

Is this a perfect movie? No. Even as a kid, I noticed that the background music was too cheesy, that Kirk Douglas's songs seemed gratuitous, that the fish swimming outside the large porthole were cartoonish, and that the electrically-illuminated eye of the Giant Squid made an otherwise perfect special effect look a bit fake. I'm just as puzzled by those weaknesses today as I was then, especially since all other aspects of the film, including the numerous, Oscar-winning special effects involving the Nautilus, are masterful. But no movie is perfect and this movie, minor warts and all, is nothing less than a memorial to the genius of Disney, the acting of James Mason, the passion of the Disney staff, and the vision of Jules Verne.

The best Disney movie ever... and a DVD to match it!
Finally! The definitive edition of a Jules Verne classic brought back in all its pomp and glory. The price, for once, is right.

I remember it when it first was released in Europe, and I can safely say that this version beats even that showing back then.

Extremely clear image, stupendous surround sound, make this a must have in the most absolute way.

Forget all the other versions ever made. This remains THE classic of them all!

Forget the dated special effects which, by the way, you may not even notice, since the story is so gripping and fast paced, that you may not even realize they are.

James Mason gives a wonderful portrayal of Captain Nemo. One of his best roles, together with Fieldmarshal Rommel in "The Desert Fox", Cicero in "Five Fingers" and Professor Arronax in "Journey to the Center of the Earth" of about the same period.
Kirk Douglas and Peter Lorre form a perfect if not odd comical duo, to ease the tension of the story.

The score is beautifully remastered and brings you immediately back to those long bygone days of great moviemaking.

I won't be long reviewing this movie, since many others before me, have already praised it and described it in detail.

I can only say, buy it, buy it, buy it!

Oh, and by the way, don't forget about another Jules Verne classic coming out soon on DVD and in Widescreen:
"Around the World in 80 Days".
That's another "absolutely must have".

In the meanwhile, have you checked on "Journey to the Center of the Earth".
Do you have it on your DVD shelf?
No?
Shame on you...
Go and get it fast.
It's been remastered and it's a worthy companion to the other two Jules Verne movies.
So, what are you waiting for?

Superior DVD Package of a Memorable Film
Loosely based on the celebrated novel by Jules Verne and set in the late 19th Century, LEAGUES offers the story of Professor Arronax (Paul Lukas), his assistant Conseil (Peter Lorre), and harpooner Ned Land (Kirk Douglas), who are coaxed by the United States government to aid in the search for a sea monster said to be terrorizing shipping lanes. But the monster is not of flesh and blood, and soon the three find themselves in the hands of the mysterious Captain Nemo (James Mason) as prisoners aboard the Nautilus--a fully functional submarine capable of ramming ships and sending them to the ocean floor.

Underwater photography was hardly new in 1954, but never had it been used so extensively nor to such visually beautiful effect, and the art designs--particularly those for the Nautilus--are justly celebrated. But for all its beauty, it is the performances which make the film work. James Mason does not merely play Nemo, he seems to be Nemo; after seeing his performance it is impossible to imagine any other actor in the role. Paul Lukas adds yet another brilliantly understated performance to his memorable career, and while Kirk Douglas and Peter Lorre are hardly the Ned Land and Conseil of the Verne novel they have surprising chemistry and lend the film considerable dash.

At the time of its release, LEAGUES was the single most expensive motion picture ever made (ironically it would loose that dubious distinction later that same year to yet another film featuring James Mason: A STAR IS BORN), and every penny of the money spent shows in the onscreen result. While many of Disney's live-action films are fondly recalled, few have had enduring fame, much less claim to status as art--but LEAGUES is the exception, and although the episodic nature of the story seems a shade languid from time to time it remains both a landmark and one of the most influential films of its decade. Truly enjoyable from start to finish.

GFT, Amazon Reviewer ... Read more

Reviews (40)

A courageous effort by John Huston
It took a lot of guts to adapt "Moby Dick" to film and instead of maligning John Huston's effort, critics should have hailed his courage. This is a fine, intelligent film with a lean screenplay by Huston and Ray Bradbury. While I would have loved to have seen Laurence Olivier play Ahab, I think Gregory Peck turns in an adequate performance. Much of the action is shot at various outdoor locations and the special effects were impressive for the time. The great Orson Welles appears in the small but important role of Father Marple. The themes of friendship, revenge, and the role of conscience are all examined in "Moby Dick". Great literature often tanks when translated to the big screen. While "Moby Dick" is not among the greatest films of all time, it is a solid, admirable adaptation of Melville's masterpiece. I highly recommend it.

Epic film of American Masterpiece....a wicked great film
The collaboration of Director Houston, script writer Ray Bradbury and Gregory Peck heading a superb cast, make this production of Melville's masterpiece marvelous. It's said that John Houston "drove"...with flattery, fear and abject insult... now justly reputed master of American fantasy/allegory, Ray Bradbury like Ahab himself to create the script that makes MOBY DICK exciting adventure...without diluting its dark, Apocalyptic symbolism and portents. MOBY DICK is regarded by many as THE GREAT AMERICAN NOVEL. No one will disagree its demands and reward are comparable to...for example...Dostoyevsky or Conrad's work. AHAB is one of the great figures of world literature; perhaps,the most powerful ANTI-HERO yet written. Gregory Peck is...in my estimate...uniquely succesful in his cinamatic incarnation of this "godly, ungodly man." The symbolic depths that Moby Dick essays are manifest. Bradbury's pierces "cardboard masks" of the human conditon, ultimately tested, with sure insight and genius comparable to Melville. John Houston's control of his material is equally deft. Pacing is swift. From the moment Royal Dano delivers his "warning"...as Prophet Elijah...the Pequod's foreshadowed doom is pursued with recklessness that hypnotically enthralls the viewer as Ahab intended to beguile his crew. Against Peck's Ahab is Leo Genn's Mr. Starbuck. Genn plays this stalwart Quaker as tragic antagonist but ironic disciple whose fatal conversion to Ahab's defiance/obsession("I'd strke the sun if it insulted me!") seals the fate of his comrades. Richard Basehart plays guileless Ishamel without hint of the cynicism he brings to his most famour role as Ivan in THE BROTHERS KARAMAZOV. Comparison with the recent HALLMARK Patrick Stewart hinges on what you surmise MOBY DICK to be about, therefore, expect from a film. Patrick Stewart is magnificent as Ahab. But, in my mind's eye, GREGORY PECK IS AHAB. Moby Dick is about...like Apocalypse Now!...courage confronting radical evil tragically becoming that which it beholds. This is Ray Bradbury's craft above all else. His script focuses on the mankind's combat with Evil. Houston has filmed Melville's ultimate metaphor for such an impossibly malign force of Nature: THE GREAT WHITE WHALE. Ray Bradbury has written many parables about such battles (Fahrenheit 451; Tales "Quicker than the Eye"; Something Wicked This Way Comes) and Herman Melville seems soul-mate blood brother. John Houston's MOBY DICK, and Gregory Peck's Ahab epitomize the grandeur of what Melville called his "wicked book." In my estimate, this is the definitive rendering, the epic film of the American masterpiece. It is a wicked, great film......

Boring!!!!!!!!
This movie is very boring and is not very good. While watching this shameless movie, I fell asleep. It is about Ahab and his obsession with a white whale (Moby Dick). If you are looking for action this is not for you. It gets somewhat suspenseful in the last half-hour. However, I do not recommend it to anyone!!

Very exciting classic!
Moby Dick is a very exciting classical tale, retold in a movie starring Gregory Peck and Richard Basehart. The director also seems very experienced, and his talent really shows in the fight scenes between Moby Dick and the crew in boats. The story tells of a young sailor shipping aboard the Pequod, a whaling ship captained by Ahab. Captain Ahab is obsessed with killing the white whale that took off his leg in a previous encounter. He offers any crew member a spanish doubloon, if they spot the whale first. The entire story is suspenseful, ending in a mind blowing climax. The digital transfer used for this is surprisingly good for a 1958 movie. TCM (Turner Classic Movies) has also broadcast a very pristine version, which I taped off of, and it well rivals the quality of the Moby Dick DVD. The best purchase would be the DVD or the television Turner rendition of this riveting classic.

Movie=5 Stars / DVD= 4 Stars
John Huston's film of MOBY DICK is perhaps a rare exception. It's a great film in its own right, apart from the great novel upon which it is based. The case can easily be made that this film does not 'do justice' to the book, if only for the reason that it does not cover every aspect of Melville's original. But this film proves that a slavish literary imitation is not necessary for a great film.

The director fought with the studio over the color process used in MOBY DICK: it's intentional. He and the cinematographer were trying to capture a visual style that would be evocative of a certain style of painting and that would contribute to the mood of the story. Huston also fought with Ray Bradbury over the screenplay. The great science fiction author was literally reduced to tears by the gruff director, and he wrote a book about the experience. There was also some conflict over the casting of Gregory Peck as Ahab. Some say Orson Welles or Leo Genn (Starbuck) would have been a better choice. This may well be, but it should be admitted that Peck rises to the occasion when it's called for. The great scene with the Spanish doubloon and the great scene with Starbuck on the bridge, where Ahab explains his obsession. Few other actors are likely to have surpassed these moments.

MOBY DICK (1956) was not filmed in widescreen. This DVD presents the film in the original aspect ratio. It looks very good and and nothing appears to have been done to tamper with the look of the film in terms of color. This is how is should look.

Anyone interested in background on this film should read THE HUSTONS by Lawrence Grobel. The harrowing production is detailed, with plenty of attention given to the above-mentioned conflicts and also to the shooting of the INCREDIBLE final sequence.

Some extras would have been welcome, but this DVD is more than worth owning by any fan of Melville, Huston or American film. ... Read more

Amazon.com

A hit in Europe but a flop in the U.S.--where it was trimmed, rescored, and given a newending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeousphotography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet andsensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has theastounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that'sonly been observed in whales and dolphins… until now," remarks one scientist. Kooky New Yorkinsurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexybest) melts after falling into his innocent baby blues, and she follows him to Italy, where he'scontinuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic andtouching).

Besson's first English-language production looks more European thanHollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAXundersea documentary than a drama about free divers, but the lush and lovely images create a fairytale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's sotorn between earthly love and aquatic paradise that even his dreams call him to the sea (in asequence more eloquent than any speech).

Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slowsthe contemplative pace until it practically floats in time, and has restored Eric Serra'ssynthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Mostimportantly, he has restored his original ending, which echoes the fairy tale he tells Joannaearlier in the film and leaves the story floating in the inky blackness of ambiguity. --SeanAxmaker ... Read more

Reviews (99)

Long film
I have not seen the shorter version, and can give no comparision between the two cuts.
I bought the movie because I was impressed with Luc Besson's other films, such as La Femme Nikita and Leon. The story is about 2 divers, deep free diving divers. Very deep, very dangerous. The competitiveness and relationship between these 2 men is most definately love-hate, with Reno's charactor not being able to be himself without his competition and friend.
Very long, as stated perviously, with 49 minutes of footage added, the picture moves along at a fair pace. This is not an action move. Even the dive sequences are not fast paced; they move to where you are moving with them, down to their deep depths which they are certain will challenge them, but not kill them, or at least fairly certain. With Arquette's character, we are introduced to the love interest. Reno warns his friend to avoid her and concentrate on his work, but he is in to her in a very big way.
I am not sure who to recommend this film to, but it is definately worth a look.

Unfortunately, the Director's Cut left me feeling empty.
Well, I've read the other reviews and I find myself most decidedly in the minority. The movie is good, but it's not great. On the other hand, neither is it terrible. My first experience with The Big Blue was the American version, cut shorter and with Bill Conti's score in place of Eric Serra's. The Director's Cut (D.C.) is both longer and darker.

Okay, I'll say it. I like the American version better. Period. It was, perhaps, my all-time favorite movie. But things have since gone downhill. Eric Serra's music is good, don't get me wrong, but I don't feel that it has the emotional impact of Conti's. Yes, we're talking about something very subjective here. If the D.C. is your first experience with this film, then you'll be lucky enough to enjoy it without having to compare and contrast. However, for me, something was missing in this new release. I found many of the extra scenes superfluous to both the story and the character arcs. For example, there's an added humorous scene midway through the film that exists, supposedly, to show that Enzo likes to take chances and flex his masculinity. I agree; the scene depicts just that. But there are plenty of other scenes that do the same thing; this one is redundant. (On a side note, the endings of each version are virtually identical -- don't let someone tell you otherwise. Ultimately, this movie is about a man's struggle to choose between Humanity and Nature, and that message remains unchanged from one version to the next.)

Regarding the scoring, there are points in the D.C. where a given scene just didn't work for me with Serra's music (sometimes Besson chose no music at all, and the silence that falls over the action is absolutely stifling). I don't believe that Serra's score did the movie justice. Conti was able to capture the flavor of the film much more easily, yet without being disrespectful to Besson's message. At best, Serra hit the mark only five times out of ten.

To be fair, I can't honestly say that my take on the D.C. is based solely on its own merits, as I saw the American version first. I'd suggest that you watch both and decide for yourself. Of course, it might prove difficult to find the older one these days (outside of rental stores, that is).

In short, I was disappointed that they didn't come out with a DVD that had both the American and Director's versions. I realize that'd be more expensive, but it would've been a nice touch (and I'd have paid extra for it). I'm glad I saw the D.C., but I'd much rather own on DVD the American version and I regret that I now think less of the movie than I had previously. I would have given it two and a half stars, but it wasn't bad enough to warrant a solid two, considering how much I loved the American version; despite its flaws, this is still a pretty cool movie.

ETMR - The Big Blue
1. Humanity: Many critics claim the central themes portrayed by the two male protagonists are the search for freedom and the proclamation of one's individuality. Yet both Jacques and Enzo are undeniably not free, having self-imposed chains tied both to the sea and their fantasies about the sea. In what ways does the film express the dangers of escapism and sentimental loneliness?

2. Implications: All three characters are tied to their worlds. Enzo is trapped in his status as the best, Johanna cannot move beyond her desire for a normal life with Jacques, and Jacques is unwilling to depart from the last words of his father. Do you think this film romanticizes these issues, or criticizes them?

3. Evolution: Besson (the director) stresses the super-human qualities of both men. Do you think these qualities are tied to their fate with the sea, or do they have a choice about their fate?

4. Realism: There is a magic realism in the film that cannot be ignored, form the magnetic pull of the ocean, to the unhuman mysteries beneath. Without these magical elements, does the movie stand on its own as a piece of reality?

5. Stageplay: Much of the acting in the film is overdramatized, from the sensual yet sentimental plumbings of Johana, the deaf silence from Jacques, to the heavy and bawdy nature of Enzo. Do the actors work together in a cohesive whole, or do they jarr the story and create separate entities upon themselves?

Please put the Original US Version on DVD!!!
Like many others who discovered this well overlooked film many years ago, I was greatly disappointed in the Director's Cut. For starters, the US Version's Music Score surpasses the European Score by leapyears and this Director's Cut uses that cheesy synthesizery European Score. :-( Secondly, the additional footage simply adds a little more pointless skin in the form of nudity, but adds little or nothing to the overall story except about 50 minutes of your time. It feels like it's dragging compared to the original US Version and often gives you more information than you wanted - sometimes it's best to not tell the audience everything and let them fill in the blanks themselves. The original US Version is one of my favorite films of all times, but this updated Director's Version doesn't make my cut because the extra stuff is pointless and long and the European Soundtrack is horrible!!!

Universal Truth: Review from Power vs. Force by D.R. Hawkins
[Refers to original theatrical release.] "We've made [kinesiological] calibrations of various kinds of records of athletic achievement, including movies. Of all the movies about sports studied, the French film 'The Big Blue' produced the highest calibration. This is the story of Jacques Mayol, the Frenchman who held the world record for deep-sea diving for many years (until very recently). The movie calibrates at the extraordinary level of 700 (universal truth), and has the capacity to put viewers in a high state of consciousness -- the manager of one movie theater that showed it described audiences wandering out lost in silence or crying with joy they couldn't describe." David R. Hawkins, M.D., Ph.D, from "Power vs. Force", page 173 ... Read more

Reviews (408)

The Perfect Storm The Perfect Movie on dvd
Directed by Wolfgang Peterson who has a career
for making great films like the "The NeverEnding Story", "The Perfect Storm" was another great film into Mr. Peterson's resume.

The perfect storm, is based on the book written by Sebastian Unger. It's the true account of a group of fisherman who , in October 1991, died in the worst storm in the century, sacrificing their lives because they were doing their duties
and trying to put food on the table for their families.

There are many reasons I liked this movie:
1) The characters are real and genuine
2) The movie has a lot of heart, action, drama and suspense
3) The movie does have a certain mystique and aura around it, due to the fact that these are very special people whom if you met them you've probably wouldn't forget.

The cast and crew is made up of Billy Tyne
(George Clooney), captain of the Andrea Gail, Bobby Shatford (Mark Wahlberg) ,a beloved
fisherman in Gloucester, Mike "Bugsy" Moran
(John Hawkes), Dale Murphy (John C. Reilly) , David "Sully" Sullivan (William Fichtner). All these characters were loved in their community.

To feed their loved ones, the fisherman go to the Great banks to catch as many fish as possible but they don't see that a huge Hurricane named " Grace" is headed their way, a deadly storm in fact. The fisherman's boss though, Mr. McNally I believe is his name, pays them very little and makes even fishing a hassle for them. The men though still go out to see despite this because of their great love for the see.

One of the characters that are shown
at the beginning is Christine Cotter (Diane
Lane), Bobby's girlfriend, who has an undying love for him, even though she knows that fishing in rough waters can be dangerous.

Making the characters more realistic and with a real storyline the movie shows the mixed hate/love relationship, the crew has with Captain Billy (Clooney). It's debatable whether Tyne might
have been at fault over the dealth of his shipmates. During one scene Tyne, gets a message about the upcoming storm, however, he doesn't immediately make the crew think about how dangerous it is. He instead just leaves the decision in their hands, but another Captain might have taken control and said the hell with the trip.

Each characters has a story to them, it's not just that these guys were average joes and they worked a crummy job, no, they were very much by everyone and the extras on the dvd prove that with all the interviews by people in the community.

The visual effects for the movie are outstanding, it is a very big budget production loaded with great sets and great models..

The movie was a box office hit, and received
praise for all the actors in it like Clooney and Walhberg.

The effects were done by award winning special effects ma Stan Winston and ILM , the same group who gave us the effects for "Terminator 2",
and "Jurassic Park" to give two examples.

The Dvd for the movie comes with many extras:

*Three Documentaries one by HBO called
"Creating the Storm" which has interviews with Bobby Shatford's family,i former Captains of the Andrea Gail, and interviews with local fisherman who know all about the characters involved. Then other documentary on the dvd is called "Witnessing the Storm" which has photos from the storm in 1991 and many interviews on it

Next is the commentary. The commentary
is actually split differently during one
commentary I believe you have Wolfgang
Petersen talking about the film. The other
commentary has Sebastian Unger who talks
about how afraid he was if his book on
the storm would fail,and then how great he felt when the families of the fisherman told
him how good a job he did with it.

With all visual effects, story, good acting
and great directing by Wolfgang "Perfect
Storm" is a very good movie, by a guy
who hasn't really done bad movies.
In fact Wolfgang's next movie is "Troy"
with Brad Pitt. So check that out and check
out this one.

Fantastic Special Effects!!!
The Perfect Storm has some really great special-effects. The movie starts out a little slow describing all the characters and their relationships but then moves along at a breathless pace. You get so caught up with the crew in the middle of this greatest storm in recorded history that you can't take your eyes away from the screen. This storm occurred in the Atlantic Ocean in October 1991, a true story. You feel like your on the ocean with the crew it is so realistic. It even made me feel seasick at times. George Clooney & Mark Wahlberg did a wonderful job as the two main characters. There are a lot of surprises in this film. You get a good feel for the life & people involved in this tough fishing port of Gloucester, Massachusetts.

I only had one problem with this movie, and it was the soundtrack. I felt the music was really appropriate and well-done, but it should have been toned down a little. It overpowered the actors words to the point where you couldn't tell what they were saying. At least during the storm it would have been better to have no music at all and just the natural sounds. Other than that it's a great movie that I will definitely watch again. The special features & documentaries are great on this DVD version, that explain how the film was made. Really quite interesting

lukewarm
I really wanted to like this movie but it came off as a bland viewing experience. A lot of it had to do with poor casting...Clooney (IMO) is not a good actor so without a strong lead, the rest of the ensemble faltered. I don't remember much of a soundtrack-a good musical score would of greatly improved this film.
As a New Englander, I find it quite tiresome to listen to ridiculous interpretations of the local dialects. Obviously most of the actors could not speak it, so the few who tried, looked even more stupid. I would of been happy if they had spoken in their natural accents (even if by fluke, someone was from the South, per se)-at least a viewer can justify it by interpreting the character as a transplant; a horrible rendition of a dialect is just that...horrible, and it is very distracting. The hollywood adaptation of New England locals always strikes me as an insult. It seems fair to state that these filmmakers from the west coast don't know enough about the people and culture of New England either.

No suspense whatsoever
It's hard to get psyched for a movie when you basically know the ending. How can you sustain any kind of tension or suspense? That's a key problem with most movies which are deemed "historical". What most great historical films have done is examine the aspects of the history and demonstrate how the forces came together to create that ending. Think of GLORY or THE LONGEST DAY. They don't even have to be war stories. Think of A NIGHT TO REMEMBER or SEABISCUIT, for that matter.

The problem with THE PERFECT STORM is that there is no suspense, essentially. We know the crew ignored or were deprived the information that things were going to get a little rough in the North Atlantic, and its boat got walloped. I don't know how Wolfgang Petersen or the script writers could have created the suspense, and it's not a reviewer's job to make recommendations. But as it is, I found myself increasing impatient during the first half of the film. Let's just get to the F/X and get it over with, I thought.

The performances, I have to say in all fairness, are good, considering what the actors had to work with. The F/X were great, of course. But I still left this film with an empty feeling. Pass on this one.

Very depressing, but still a good movie.
This film truely has some great special effects, good acting, heart, but the one thing that it lacks is that positive ending that even the saddest films have. The film was very depressing in every sense. George Clooney, Mark Whallberg, and the rest of the cast all did a great job. The cinematography was brilliant. All in all the film is something you need to follow up with a happier movie. If you are in the mood to be crushed stay away. I reccomend this film to people who love special effects films. Two sad thumbs up. ... Read more

Reviews (139)

Superb period drama, great plots, sets and location shooting
I first saw the Hornblower film on a flight back from Seattle without the sound and even then it was good! After having watched all 4 of these TV movies from these DVDs I'm of the opinion that this is the finest sea-based drama!

There are 4 stories, and they're all enjoyable, there isn't a dud. We see Hornblower rise through the ranks and gain respect above and below deck. The best scene of the whole series has to be when they capture a French ship and sail it through a Spanish fleet in the fog.

The quality of the DVD is top notch. Picture quality and sound are up to the standards you'd expect for a 1998 TV program costing £10M. The extras are brilliant: a making of documentary (there's a book too also available on amazon.com) and a whole special on English ships from that period. Worth the money.

Great box set of all 4 Hornblower movies
The Hornblower series, a joint venture between ITV's Meridian and A&E consists of 4x 90 minute TV Movies following the life and times of Midshipman Hornblower. The DVDs are top quality, with a clear full screen image and great sound effects in Dolby Surround. The extras on the DVD are also excellent with a decent 'making of' documentary.

It's the variety in the movies that makes the box set so amicable. The Duel is a good introduction to the characters and Hornblower's rise through the ranks, the fire ships is a tense sea battle (with a great scene with the ships in the fog).

Ioan Gruffudd is brilliant and destined to be a new James Bond I'm sure. With Robert Lindsey as a very Captain Picard Captain too! It's really really good, buy it!

the making of the hero
in this second episode Horatio has already realised that he likes life in the navy, so much so that he is happy to be able to take the examination for lieutenant. Unfortunately, whenever he decides to open a book and study, there is an urgent distraction in the form of an adventure, especially at a time when the Spanish decided that they were allied of the French and they began to attack the British ships (with the infamous "fire ships"). These adventures are, in fact, a way for Horatio Hornblower to see the hardships that officials have to endure: he has to be prepared to take quick, life-or-death decissions for himself and his men; he has to be very sure of his priorities to take these decissions; and his priorities are not exactly the same as those of some other very well-regarded officials, who are considered heros and who could become new and powerful enemies. Horatio learns more about what being an official involves through these actions than what he could learn in a thousand books but, will he pass the exmination and finally launch his navy official career?

Horatio Hornblower, a Hero for Us All!
The story is purely English, but the message is quintessentially American; succeed based upon one's own ability, regardless of class or lineage. Horatio Hornblower (played by Ioan Gruffudd) is brave, intelligent, and as we discover, a natural born leader, and the envy of every man. We all wish we could be like him.

This A&E made-for-TV series is an accurate representation of the C.S. Forester novels upon which they are based. These first four episodes deal with Hornblower's early years as a midshipman after he joins the British Navy when it was the uncontested ruler of the high seas.

Episode one sees Hornblower fall under the control of Simpson, an abusive senior midshipman. Horatio contemplates suicide and desertion, but instead challenges Simpson to a duel. A cruel twist spares his life - but takes that of his friend. He later exemplifies himself in battle, and cunningly outsmarts a rival French captain to begin earning the undying loyalty and affection of his men.

War with France breaks out in episode two, and Hornblower is transferred to the British frigate, the Indefatigable, commanded by Captain Pellew (played wonderfully by Robert Lindsay), who will become, over time, almost a second father to his young charge. Horatio will again distinguish himself towards the movie's end by risking his life to board a burning fire ship (a blazing vessel sent pilotless and kamikaze style into the British fleet) and diverting it away from the Indefatigable. Captain Pellew later congratulates him for saving his ship and the lives of everyone on board. Horatio's pride soars, as does the love we feel for him.

In episode three, Hornblower learns much about life - and women - when he and an English Duchess (who is really an actress) are taken prisoners by the Spanish. A French Captain threatens to reveal them as spies, but the Duchess gives up her honor to preserve their secret. Horatio is at first disgusted, but then respects her immeasurably once he realizes that her pragmatism has probably saved both of their lives. Hornblower later displays unquestionable bravery when he leads a rescue party to save sailors stranded offshore during a storm. His gallantry earns him his freedom, and Horatio gains the distinction of being recognized as a hero in both his own country and by his enemies.

In the final episode, the crew of the Indefatigable is asked to assist French Royalist soldiers in an ill-fated attempt to recapture the country from the Republic. The pomp & circumstance of the well-disciplined British army are used gloriously against the enemy. And a reinstated French Marquis employs the guillotine to lop off a few heads - but in the end suffers a similar fate. Horatio falls in love with a beautiful French girl only to lose her. And he painfully learns that duty -- and the responsibility of leading men in battle -- must always win out over his emotions.

This A&E series was a visual and inspirational delight. Ioan Grufford and Robert Lindsay were both superb. This four disc set is highly recommended!

Where was I when this series first aired on A&E?
I must have had my head stuck in the sand somewhere because after recently watching these videos it seems everyone I've met has gone on and on about how wonderful the series was. I must definitely agree. Although I didn't see HH when it first aired, I am so happy to have found them on VHS and look forward to the next series and a third one I read about on the internet. Bring on more Horatio! ... Read more

Amazon.com essential video

There are several occasions when this rousing Australian thriller from 1987 should have ended with a well-placed shot from a speargun or a stronger knot of rope, but you don't think about these nit-picky details when you're being scared out of your wits. In a role that catapulted her to international stardom, Nicole Kidman plays a young wife who's joined her husband (Sam Neill) on a yachting trip to recover from the tragic death of their son. Far out to sea, they encounter a sinking ship with one survivor (Billy Zane, ten years before Titanic), but inviting him aboard turns out to be a very bad mistake. While Neill attempts to salvage the sinking boat, Kidman is fighting for her life against the psychotic Zane--a villain so creepy that you eagerly look forward to his demise. By the time that moment arrives director Phillip Noyce has resorted to a typical slasher-movie climax (proving that no boat should be without a flare gun), but until then Dead Calm is a nail-biting thriller that's guaranteed to keep you in a state of nail-biting suspense. To accommodate the widescreen compositions on the open ocean, the DVD offers the film in its original 2.35:1 aspect ratio. --Jeff Shannon ... Read more

Reviews (29)

a very memorable suspense thriller
I watched this movie on cable on one of the less popular movie channels, and was pleasantly surprised to find it such a good one. Nicole Kidman was obviously somewhere at the beginning of her Hollywood career when she acted in this. She is refreshingly simple in her appearance, and her acting is superb - she is so expressive and she looked every bit the part for each scene she's playing. I can see why Hollywood decided to make her a megastar after performances like this.

All 3 of them - Nicole Kidman, Billy Zane and Sam Neill were all fantastic actors in this film, which is also why this movie succeeds in being such a good suspense thriller. Its not too long a movie, and you can be sure you'll be holding on to your seat throughout the whole thing!

Billy Zane isn't always at his best in all the movies he acts in - those of you who've seen him in other movies would know this by now - but in this gem of a movie, he really shines as an ultra-convincing psycho. He didn't overact or overplay his role and that's what made him so believable as the charismatic, charming but unpredictably mentally-twisted person his character is. Strange that I've always liked Billy Zane as an actor even though its so difficult to find him in a good movie nowadays... this is one movie I will never forget because of its great storyline, great acting, and its unique setting where almost everything takes place on a yacht drifting and drifting along in the sea... its all very nice.

An smart suspense thriller.
The Plot:Joe(Sam Neill) and Rae(Nicole Kidman) Ingram are trying to start a new life, after the lost of thier Two old son. Since they are sailing in the open sea. After they pick up an only survivor(Billy Zane) from an crippled schooner. Then the strange who survive become danger to the couple, and the couple gets separate by the Stranger. Now is a fight to survive to the horrific nightmare at the sea.

DVD`s has an flawed but fine widescreen(2.35:1) anamorphic format and Pan & Scan is alivable. Dolby Surround 2.0 Stereo has good surrounds and some good base. Good Trailer also. Strong Performance by Kidman, Neill and Zane. Strong Direction by Philip Noyce(Patroit Games, The Bone Collector). Fine music score by Graeme Revell(The Crow, Titan A.E., Bride of Chuchy). Co-Produced by George Miller(He directed-Mad Max Trilogy, The Witches of Eastwick and he also produced the children classic film-Babe and also underrated sequel). One of the strong thriller from the Late Eighties, also if you like Dead Calm, then see the tense thriller-The Hitcher(1986). It has a silmilar strong tense moments in these two fine good thrillers. Grade:A-.
Panavision.

GOOD PREMISE, POOR PACING
A COUPLE [NICOLE KIDMAN AND SAM NEILL] ARE TERRORIZED BY A PSYCHO [BILLY ZANE] AT SEA. THIS MOVIE HAS A CLEVER PLOT, BUT IT'S JUST PACED POORLY AND AFTER A WHILE, THE LACK OF ACTION SEEMS TO REALLY GET ME BORED. THERE IS A REAL STEAMY SEX SCENE BETWEEN NICOLE KIDMAN AND BILLY ZANE THAT IS WORTH WATCHING. I WILL GIVE IT THAT. IF YOU LIKE MOVIES SET AT SEA, YOU'LL DEFINITELY LIKE THIS.

Stay Calm, Cool, And Collected
Before Nicole Kidman catapulted to international fame, Sam Neill faced the dinosaurs in Jurassic Park, or Billy Zane took a ride on Titanic, and director Philip Noyce helped action hero Jack Ryan, they all collaborated to make Dead Calm a memorable thriller.

After Rae (Nicole Kidman) and John (Sam Neill) Ingram suffer the devastating loss of their child, the couple decides to take a sailing trip, in the hope of dealing with the tragedy. Once on the high seas, the pair discovers a disabled cruise vessel, with a lone survivor on board. It seems that the the rest of the passengers died mysteriously. John stays aboard the ghost ship to try to get her working again, while Rae tends to the welfare of Hughie Warriner (Billy Zane). Little does the couple realize that Warriner is not exactly as friendly as they are led to think--putting both of them in considerable danger.

It's pretty amazing that the film is as taut as it is, given that, the film's plot is a simple one and that it only centers around three characters. Noyce makes great use of confined spaces and settings. Kidman is great as Rae. She proved just how talented she is, even back then, holding her own agaist Zane's chilling psychotic portrayal. Zane, who has had an up and down career, gives what I think is his best performance here. And for his part, Neill is good too, considering he has to act alone through most of the movie. The film does lose a few points for resorting to a well worn tricks for some of the climax. However, by then, your hooked, and it shouldn't (?) matter too much.

Save for the film's theatrical trailer, the DVD offers, no other bonus material. Given, what has happened to the principal actors and the director since, some sort of retrospective or commentary would be nice...in the future perhaps? Viewers can watch the movie in either the full-screen or widescreen formats.

Dead Calm is a fine thriller, that despite a few hiccups, is recommended. The small cast is the reason to watch this one

Sexy Saturday Afternoon Movie!
I thought this was a great movie. Nicole Kidman in here younger days, I was actually frightened at some scenes. However, I do love movies set at sea ... Read more

Amazon.com

You can almost hear the studio pitch meeting echoing throughout Crimson Tide like the sonar on the soundtrack: "It's The Cain Mutiny on a nuclear submarine!" When radio communications problems aboard the USS Alabama prevent the sub from receiving its orders clearly during a tense confrontation with Russian warships, Navy officer Denzel Washington faces a huge ethical dilemma: countermand the orders of legendary Captain Ramsey (Gene Hackman) to fire nuclear missiles, or follow his command and risk launching an unprovoked nuclear war. It's really an actors' picture, and the fun is in the fireworks between Washington and Hackman, each of whose characters articulates solid reasoning behind his decision. There are no easy villains, and there's no easy way to tell right from wrong--that's what makes the nuclear stakes so terrifying. Director Tony Scott (who directed Quentin Tarantino's True Romance script) called in Tarantino to punch up the dialogue, which is why, for example, the sailors talk about Silver Surfer comic books. The digital video disc is in anamorphic widescreen; the sonorous underwater rumblings on the Dolby Digital 5.1 soundtrack will provide you with a good opportunity to show off your system's bass response. --Jim Emerson ... Read more

Reviews (104)

Crimson Tide rocks the boat!
After experienceing Crimson Tide for the 15th time, I believe this is my favorite movie of all time. From the very beginning of the movie you are swept into a very plausible scenario: Russian rebels have captured nuclear missle silo's and are threatening to launch at the U.S.. The USS Alabama has been deployed to launch a preemptive strike against Russia. This movie has what DVD owners are looking for: Excellent visuals, bass thumping sound, and great acting. Denzel Washington gives the best performance of his career as Lt. Commander Hunter. His character's by-the-book style is at direct odds with Captain Ramsey's (Gene Hackman) old-school ways. The result is an incredible clash of wills that results in mutiny and the near destruction of the world in a nuclear holocaust. The tension is thick in this drama, and the movie has emotional moments and moments of extreme joy. You will be on the edge of your seat rooting for either Capt. Ramsey or Commander Hunter throughout the movie. This is a must-see movie!

Hoovers the greasy tool!
This movie sucks. It's a disservice to the men of the US Submarine Service. Let's look at what's wrong with this movie. Firstly we have Gene Hackman playing the gunger-than-ho submarine captain in a way that makes you think he prepared for this role by trying to channel George C. Scott from _Patton_. Cigar chomping, scenery-chewing aside the US Navy doesn't let guys who act like Gene Hackman did in this movie anywhere near nuclear weapons. I worked with three men who were former commanders of missile submarines and they were the polar opposites of Gene Hackman's character. Then we have the pseudo-dramatic tension of the conflict between Denzel Washington and Hackman over whether or not to launch the missiles, of course the problem with this bit of dramatic tension is that it's BS, one of the standing orders for nuclear launch is "when in doubt, don't." If you can't get a good authorization you don't just pull a wild hair out of your ass and decide to launch some missiles. Anyone who has a problem understanding this doesn't get near the nuclear missiles. People in the Navy have watched _Dr. Strangelove_ and know not to let people who don't understand this sort of thing near the nuclear missiles.

A JOKE
I am an American Submariner. The Boat I was on at the time this "movie" premiered in Canada was invited to partake in the first showing. There were about 50 of us including officers and chiefs. From the word "go", we tore this movie apart. No wonder the Navy didn't participate in its making. IT IS A JOKE! The beginning scenes where they were diving the boat included pictures of all sorts of other submarines diving. I remember at least 6 classes of boats being shown. Maybe if we were not "bubbleheads" we would have thought it was an interesting movie. Highly doubtful tho. The differences in classes is telling. As far as the plot goes there are fail safes incorporated to prevent this from happening. This movie was made to promote hysterics just like some news media only show one side of a story. I have seen this movie once and would reccommend you seeing " The Hunt For Red October". It's closer to what we did than this one.

isn't fit to scrape barnacles off "Das Boot"
I didn't think it was possible for there to exist a badly-made submarine movie, but I watched this and realized I was wrong. If you know anything about submarines, you'll not like this film very much. Examples? Ok, how about this: The boat (sub's are referred to as "boats" not "ships") is crippled by a torpedo explosion, and the Chief of the Boat announces to the XO (Denzel Washington),"forward ballast tanks damaged. we've lost forward air". The next moment, the boat's main propulsion plant is lost, and the sub is shown heading downward into the depths. Do they move the bow planes / fairwater planes or stern planes to use forward momentum to help the boat rise? NO. Do they blow after ballast (the after ballast tanks are presumably still operational)? NO. What do they do? They just ALL STAND THERE staring at the depth gauge, awaiting their arrival at "crush depth", the depth at which the surrounding pressure of the sea will be more than the pressure hull can withstand and the sub will implode and kill them all. But what saves them? Ah, someone in the Engine Room apparently flicks a switch to start the turbines again! "well, whaddya know, I've started the plant again!" Look, if you suffer an engineering casualty that causes the plant to be lost, chances are you're not going to be able to repair the cause in 5 minutes. Add to this the flimsy character development, the "musical chairs" Caine Mutiny - meets - Keystone Kops command changes, the contrived 'drama' - it's just not believable, folks.
So what to do? I recommend you rent, buy, or borrow "Das Boot" (or its very-well-dubbed version "The Boat"), come home and watch it. Immerse yourself in a real submarine drama. And deep-six this artificial-reef of a movie.

Hackman & Washington Chew Up the Screen
Superior performances by Denzel and Gene. Good supporting performances by Tony Soprano and Gandalf. Great tension. Perfect Tarantino dialogue. Lots of nice realistic touches. Aren't that many good sub movies out there. Only a handful come to mind. Definately worth repeated viewing. ... Read more

Reviews (37)

Strawberries, anyone?
"The Caine Mutiny" follows the story of the men aboard the minesweeper U.S.S Caine during the period of 1943-44 in the pacific war. After the Caine is assigned a new captain, Philip Queeg (Humphrey Bogart), the officers begin to get suspicious at various acts that the captain does: His attention to small details such as shirttails and erratic behavior like rolling ball bearings in his hand when he's nervous and the spouting of catchphrases like "I kid you not". His behavior reaches a climax during a typhoon. Executive Officer Maryk (Van Johnson), after being advised by some others, relieves the captain with the firm belief that the ship would founder with Queeg in charge. Now Maryk has to defend his actions in a court martial.

It may seem surprising today, but at the time of this movie's release, Jose Ferrer was one of the hottest actors around. He was already an Oscar winner for 1950's "Cyrano de Bergenac". Here, he plays Lt. Barney Greenwald, who is assigned to Maryk's defense, but isn't so enthusiastic ("I've read the preliminary investigation very carefully and I think that what you've done stinks."). He came off to me as a competent defense attorney who was just waiting for the moment to strike. And although the evidence that backs up Queeg and goes against Maryk is overwhelming, Greenwald is able to break down Queeg in court, validating his instability and allowing Maryk to get off only with a reputation as a "mutineer".

My favorite performance is Fred MacMurray as Lieutenant Keefer, who doesn't think too highly of the Caine, even being cynical towards it ("The first thing you've got to learn about this ship is that she was designed by geniuses to be run by idiots.") And, though not a psychologist himself, he is also the one who raises it to Maryk's attention that Queeg may be nuts. Since he also contains hammering the idea at Maryk, it makes one assume that he would be willing to go all the way by alerting the top navy brass. But we soon learn that he is nothing but a scheming coward. He plants it in the men's minds that the captain is crazy, yet has "A yellow streak 15 miles wide". And when he is called to testify, "He never even heard of Queeg" as Greenwald remarks. At this point, we turn from disliking his cynicism to hating his guts. MacMurray, I thought, played this role so well and very convincingly. Surprisingly, he never got Oscar nominated for any of his performances. Perhaps the academy thought that this actor-who's most well known as the father on "My Three Sons" and had a track record in light comedies- wasn't prestigious enough to win the gold. It's like his against type roles in "Double Indemnity", "The Apartment" and this movie never existed!

In the beginning of the film, we tended to dislike Queeg because he's a nut. He has the ship steam away from a combat mission, he orders no more movies to be shown, has constant practice drills and, when some strawberries turn up missing, has the ship searched and basically ripped apart in a futile search for a "duplicate key to the icebox". But at the end, when Keefer's plan is revealed, when sympathize with Queeg at how he was used and mistreated by his crew. For had the crew supported and helped the captain when he asked for it, things might have turned out different in the typhoon. This is one of Bogart's better roles, maybe his last great one, and it netted him his last Oscar nomination. He made only about 3 or four other movies after this one, with the last, "The Harder they Fall", being released in 1956. In February 1957, Bogart died of complications from throat cancer.

If there is one problem with "The Caine Mutiny", it is the romance plot between Ensign Keith (Robert Francis) and his girlfriend May, played by May (Coincidental?). Keith's character is the first we are introduced too in the film. His involvement in the film is sort of like that of the newsreel reporter in "Citizen Kane": He serves as a guide, a plot device to the events that follow. And only a handful of scenes are dedicated to Keith and May. However, these end up in the way of the much more exciting action involving Queeg and the other officers. I have read Herman Wouk's novel and am aware that this wasn't manufactured for the film, but was actually in the book (And was the main plot, if I'm not mistaken). This shows how much the screenwriters tried to remain faithful to the book. But the only way the movie could have been truly faithful to the novel would be if it had been two and a half or even three hours long. With a roughly two-hour movie, the writers should have figured out what was more important to focus on. If they had either dumped or worked out the romance plot better so it fit more into the plot, the movie would have been even better.

Otherwise, "The Caine Mutiny" is a great film, one that many persons can find something to like. Naval buffs will enjoy beautiful shots filmed aboard naval destroyers at port and sea to represent the DMS Caine. Fans of court room dramas will find a very tense, well played one that'll satisfy them (Though a 1988 T.V movie, "The Caine Mutiny court-martial", was said to do a better job. But having not seen that, I can't form an opinion). Bogie fans will most likely judge this one of his career highlights. And skeptics of Fred MacMurray's talent will be put to rest. Add in a supporting cast that includes Tom Tully, E.G Marshall and Lee Marvin, you have great entertainment, I kid you not!

Intrigue, manipulation and hard choices. A great film!
The 1954 classic is about a naval captain who shows signs of mental instability and the resultant actions of the men in his command. It's not as simple as that, however. The characters are the key to the story, each one developing in front of our eyes into complex individuals with moral dilemmas to confront. There is Humphrey Bogart, cast a Captain Queeg whose decisions are no longer respected by his men. There's Fred MacMurray, cast as a smart and manipulative lieutenant. There's Van Johnson, cast as the lieutenant on whose shoulders the responsibility falls. There's Robert Francis, the young ensign whose perceptions change in front of our eyes. And then there is Jose Ferrer, cast as the attorney who defends Van Johnson when he is put on trial for mutiny. Put them all together in a fast paced script with enough twists and turns, and I couldn't take my eyes off the screen.

The special effects, of course, are nothing like they are today. But they were certainly enough. I wasn't thinking about the special effects as I watched the film. I just simply felt I was on that ship. I wasn't thinking about the actors' performances either. Instead, I was so totally involved with the story that I felt I was actually in the skin of each of the characters. Just like real life, the situations were never crystal clear and each choice that was made opened up new challenges.

These were challenging roles for all the actors and they rose to the occasion magnificently. I'll never forget the twitch in Humphrey Bogart's cheek or the way the lighting captured the white of his eyeballs. I'll long remember Fred MacMurray's speculations and the kind of choice Van Johnson had to make. Robert Francis was good, but not as great as his co-stars, and his role was hampered by a silly romance. This was a strong film, though, and this small diversion didn't matter at all.

Even though this film was about the military, I can't classify it as a war film. Here, there was no enemy but the men themselves and the choices they made. It's a wonderful theme and has the classic universality to it that can adopt the lessons it teaches to a wide variety of situations. I give it one of my highest recommendations. Don't miss it!

"Ah but the strawberries - that's where I had them..."
The crew of the USS Caine resents Captain Queeg, who places the blame for a series of blunders and petty infractions on the crew. Such instances include cutting their own target tow-line while Queeg berates a crewman for having his shirt untucked, and later and most famously, interrogating the officers for the apparent stealing of some strawberries.

The mutiny results when, in a life-threatening storm, Queeg freezes up and does not give the order that would save the ship. At that point he is relieved of command by Van Johnson.

Later at the court-marshall Johnson is defended by Mel Ferrer and prosecuted by EG Marshall. But was Queeg torpedoed by the crew with insubordination and lack of respect, or did Queeg go off the deep end? Queeg's paranoia comes out in full force, complete with marbles.

Based on Herman Wouk's best-selling Pulitzer-winning novel, the movie arguably has Bogart's best performance which was one of seven oscar nominations. Look for Claude Akins and Lee Marvin in small roles. Only the unnecessary love-story between a new ensign and his girlfriend detracts from the otherwise intriguing story.

Way To Go, Pinntinajeur
In early December some guy (or girl) named Pinntinajeur reviewed this DVD and complained about the price. Not less than month later that price was reduced by $10!!!! Way to go, Pinn! I'm not saying he/she was totally responsible but who knows, maybe he/she is.

Great movie, lousy DVD
The Caine Mutiny is a great film and featurea one of the best performance of Humphrey Bogart's life. That's high praise considering the quality evident in his body of work but he really delivers the goods in The Caine Mutiny. The film benefits from other strong perfomrances as well. Jose Ferrer, Van Johnson, Fred MacMurray, and others all rise to the level of the unusally intelligent script. The result is a fancinating character study that I would recommend to anyone.

As good as the movie is, however, the transfer to DVD is about the worst I've ever seen. The moment the movie started, I was stunned by how much noise was evident. I wasn't looking for it or analyzing the picture, it jumped out because it was so extreme. Every face, every object, every thing was literally swimming with digital noise. And the sound is as bad or worse. No effort was made to re-master the soundtrack to even rudimentary surround sound making this the first movie I've seen in years to be presented in basic stereo. In addition, the sound is flat throughout, with even big explosions lacking punch.

The Caine Mutiny is a classic film and deserves much better treatment from the studio. As a movie, I would give it 5 stars but I deduct one for the extraordinarily poor picture and sound quality of the DVD. ... Read more