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| 1. Buffy the Vampire Slayer - The Complete Series (Seasons 1-7) Director: Marti Noxon, Tucker Gates, Stephen L. Posey, Deran Sarafian, Charles Martin Smith, Daniel Attias, Bruce Seth Green, Michael Gershman, James A. Contner, Regis Kimble, Turi Meyer, John T. Kretchmer, Joss Whedon, David Fury, Nick Marck, Douglas Petrie, Michael Grossman, David Greenwalt, Michael Lange, David Solomon (II) | |
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| 2. The Twilight Zone - Season 1 (The Definitive Edition) | |
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| 3. The X-Files - The Complete Seasons 1-9 | |
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| 4. Buffy The Vampire Slayer - The Complete Sixth Season | |
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Amazon.com This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humor. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney Reviews (301)
Season 6 spends much of its time delving into the darker sides of the characters. Buffy has to deal with being alive and suddenly having the responsibilities of family caretaker. Willow finds out just how addiction can ruin a life. Xander and Anya realize that they're not as ready to be grown up as they thought they were. Spike lets his worser half get the better of his love for Buffy. Dawn explores her bad girl side by shoplifting and sneaking out ever more. In some ways, this darkness gets a little too big for the show. It's the dark sides of the characters themselves that turn out to be the Season 6 "Big Bad", not the Geek Trio of Andrew, Warren and Jonathan. (The geeks are amusing if you enjoy seeing geeks extensivey mocked, however, they do start to grate as the season progresses.) The season follows the depression of the characters. At the beginning, before things start to fall apart, it's interesting to watch. Almost every one of the first 8 or 9 episodes of the season are at least good, peaking with the amazingly underappreciated (at least by the Emmy powers that be) musical episode, "Once More, With Feeling". The problem is that after that, the season plunges into the steaming pile of dung that makes up the middle of Season 6. (This contains two of my least favorite episodes EVER, "Doublemeat Palace" and "Normal Again". "Hell's Bells", however, is a worthy exception to the rest of the mid-season rubbish.) Things pick back up with "Entropy", and the season manages to redeem itself through an amazing, if heartbreaking, turn of events in the end (which I'm trying hard not to spoil with this review). However difficult the middle of the season is to watch, this DVD set will be worth it for "Once More, With Feeling" alone. It's Joss Whedon's (BUFFY creator and ruling lord) masterpiece. With little to no music writing experience, he manages to write a 50 minute musical that plays to the strengths of his non-musical cast. The cast, ever the troopers, sing and dance their way through with enthusiasm and finesse. It's often clear that they are not singers or dancers by trade, but they are all so charming (especially Emma Caulfield as Anya) that it's easy to forgive them their occasional off-key notes and missteps. And then there's Hinton Battle, the demon villain of the episode. He dances. He sings. He's probably the most charismatic thing to hit Sunnydale since Spike crashed into town in Season 2. It's a shame that he only got to have the one episode, but what an episode to have! There are other gems in the season. Check out "Tabula Rasa" and "Life Serial" for some of BUFFY's funnier moments. It's a shame that the middle of the season is so hard to stomach, but I think that it all pays off in the end.
1) Dawn. Adding a "baby" to a family is an old sitcom device to shake things up. It worked because of the clever writing and, obviously, Michelle Trachtenberg. Season Six dealt with the problem of topping Glory by going the opposite route, and creating the Triad, three hapless nerds who in no way were worthy successors to the Master, Angelus, bad Spike & Dru, evil Faith, etc. It was often hilarious, but not really strong enough of an idea to sustain over a whole season. The Triad would have made a very funny three story arc, but beyond that, their limitations were obvious. It also made the fundamental mistake of pushing suspension of disbelief right over a cliff (that shark-headed gangster demon boss was just the worst idea in history....what were they thinking?). Also of betraying some signs of insecurity about the things they had done in season five and in six as well, and then trying to cover it up with clever humor, such as when the shrink tells Buffy that the retro-active addition of a sister (Dawn) into her alredy established family is a "ridiculous plot device" or that the Triad were "pathetic" villains. Tongue-in-cheek is one thing, farce is another. The episode where they allude that Buffy is in fact in a mental institution and everything you have seen in the previous 100 episodes is nothing more than the fever dreams of a schizo nut case is the classic "Bobby Ewing" mistake...."That last season? It was only a dream!" This was just insulting to the audience. I also felt the middle episodes suffered badly from the absence of Giles and from an overdose of Spike. Sometimes the best thing you can do with a great actor/character is hold him back a little bit, so as to leave the audience hungry. Spike is a great character and James Marsters a great actor, but sometimes less is more. This is not to say there were not some truly good moments in the season, such as Riley showing back up (didn't realize I liked this character until he left) the crotchey old Doublemeat Palace demon ("You may want to flail your limbs while you still have time"), the musical episode, the capricious and brutally violent way that Tara is killed off, or the fact that ordinary Xander finally got to save the world when all the super-powered people failed. But overall, season six left me feeling a bit like Buffy after her ressurection: down, disappointed, and ungrateful. Five out of six ain't bad.
Without the weeks or sometimes months between new episodes (God bless UPN for keeping Buffy alive, but couldn't you have shown new episodes closer together?), the narrative structure of the season works so much better. It is much easier to watch and appreciate the growth and change experienced by the main cast, all of who slowly grow up throughout the season until they are nothing like the group of high schoolers we first met. The writers did a wonderful job of providing a distinct arc for each character, and the actors did a brilliant job portraying the evolution of the characters. Sarah Michelle Gellar is once again stellar as Buffy Summers, whose emotional problems this season make all the angst up until now seem like kiddy stuff. I'm so glad Joss and company made the effort to earn Buffy's resurrection instead of simply reviving her and then letting everything immediately go back to normal. They took the much more difficult and ultimately more rewarding path of having Buffy slowly readjusting to her life, not fully reintegrating herself into Sunnydale until the end of the season. All the other actors actors are equally fine, but Emma Caulfield deserves special recognition for her charming and underappreciated Anya. Consistantly hilarious, Caulfield takes a character who was clearly added to the show's roster as comic relief and makes her multi-dimensional and surprisingly human. By the end of the heart-wrenching "Hell's Bells," Anya shows an emotional depth that makes her possibly the most tragic character of the season, and Miss Caulfield handles the part beautifully. And of course, season six of Buffy gave us the much lauded musical episode "Once More, With Feeling." I'm not ashamed to admit that it is my FAVORITE episode of the entire seven season run, encapsulating just about everything that makes Buffy special. It's smart, well written, irreverant, and packed with a surprising amount of emotional resonance. No, most of the cast won't be going to Broadway anytime soon, but bravo to the entire cast for handling their own singing, which actually only serves to make the episode more charming. Season six of Buffy brought the characters to new low points in their lives, the show to new heights as far as writing and storytelling go, and produced some of the most entertaining adversaries the show's every seen (maybe I'm a nerd, but I find the Trio to be absolutely hysterical). If you've been watching the show since day one, now certainly isn't the time to stop, and if you've never seen the show, you're missing out on one of the most consistantly excellent programs of the last decade. ... Read more | |
| 5. The Nightmare on Elm Street Collection | |
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Reviews (176)
If you love these movies, BUY THIS SET! Well worth the money!
The first three movies are without a doubt the best, with part 4 being okay, and part 5 being awful. "Freddy's Dead" capped off the series nicely, while "New Nightmare" found a brilliant way of making another movie as a self-parody, rather than a cookie-cutting of the older movies. Many don't consider it to be part of the series, but it defintely is in my opinion. I will always pick Freddy over Jason or Michael Myers for his devious sense of humor. Who can forget the classic line "You've got the body, and I've Collectors can enjoy a whopping 8 DVDs of Nightmare material, including all 7 films and a bonus DVD filled with behind-the-scenes extras, interviews, and other goodies. I enjoyed the book, but the extra DVD is a real bonus. It made the DVD set more enticing, considering the price tag. Unlike the Friday the 13th or Halloween movies, which specialized in cookie-cutter sequels and little to no variation, the Nightmare series is the one that is worth owning on DVD. The originality, the chills, and the fun make the series stand out from all the other campy 80's horror series. I can join the rest of the horror movie fans in saying "They don't make em like this anymore".
Anyhoo, here goes: The Encyclopedia includes 'Prime Time', an hour-long documentary on the making of the first 'Nightmare', featuring musings from director Wes Craven, stars Heather Langenkamp and Robert Englund, and other people involved with the project. A few behind-the-scenes & technical things are shown as well. While I found some of the subjects' thoughts about the movie's significance and influence rather droning and pretentious, much of the stuff shown here was reasonably interesting. Then there's the encyclopedia proper, an archive of interviews and behind-the-scenes featurettes on every 'Nightmare' flick from the first on through to 'New Nightmare'. Much like the 'Prime Time' doc, the seemingly endless array of stuff has its more interesting parts and its drier and downright boring parts. While most of the interviewees (i.e. the films' directors, actors, writers, & producers) seemed a bit too full of themselves at times and made the 'Nightmare' franchise out to be more important and significant than it really was, these interviews paled in comparison to those of Clive Barker, writer-director of the 'Hellraiser' flicks. I tell ya, this guy's pretentious pontificating and going on and on AND ON about the horror genre could put the worst insomniac to sleep in mere moments! If ever there was a truly scary nightmare, it's tryin' to sit through an interview with this guy! Which now that I think about it would probably make for a pretty good story idea for a possible "Freddy vs." sequel! I can just see it now: "Both combatants possess some truly scary capabilities and skills! Freddy has the power to invade your dreams and kill you in your sleep! Clive Barker has the power to bore you into a coma in mere minutes with his endless babbling! Who will win this titanic tussle of truly horrific proportions? Find out when you go to see: 'Freddy vs. Barker'! Coming soon to a theater near you!" I'd be rootin' for Freddy, myself, even though Barker definitely has the edge in the scariness department... Also included is a trio of music videos, including Dokken's "Dream Warriors", as well as one by the Fat Boys and another by some other rap group whose name I can't recall. Of the three only the Dokken video is really worth checking out. BTW I'm surprised they didn't include Will "Fresh Prince" Smith's "Nightmare on My Street" video, which I kinda liked when I saw it on MTv many years back. Also included are theatrical trailers to every 'Nightmare' mo-pic. Finally, there's the Labyrinth game where you walk through the halls of Springwood H.S. to grab a few things and solve puzzles to help you unlock a few of the game's features. These features include a bunch of really corny MTv promo spots hosted by Freddy himself, a couple behind-the-scenes moments and interviews that weren't included in the encyclopedia section. Also thrown into this labyrinth were a few things that were carried over from the encyclopedia section, including several cast and crew interviews, the theatrical trailers, and the trio of music videos. I was kinda disappointed by the latter array of features, since I was able to access them in a different part of the bonus DVD, and didn't have to click through a maze of hallways to watch 'em. The way I see it, they shoulda' made the Labyrinth game completely of stuff I couldn't access anywhere else. Otherwise, I found the adventure engaging and surprisingly quick to get through-- it only took me about 90 minutes. I probably woulda' taken twice as long had I not fast-forwarded through the stuff I'd already seen before... Overall, I found the movies decent viewing even though none of 'em were all that scary to me. Funny for sure, but scary? Nope. Well, except perhaps for 'New Nightmare', a little bit. And the bonus platter had a nice array of good stuff, as well as some dull stuff. Fortunately, the dull stuff can easily be fast-forwarded through. Bottom line: this baby's worth at least one rental, just so you can finally say you saw all of the 'Nightmare' movies. 'Late
Nightmare on elm street - This is by far the best on the series. Freddy looks very dark in this one, and this is probably the one were he is the most violent. Robert England plays him so well. It can be shocking at times, but not scary. Lots of disturbing and strange scenes too. Nightmare on elm street 2: Freddy's revenge - A lot of people really hated this film because it messed with the original story. Robert Englund reprises his role as Freddy. It is set in the same area, but this isn't a film with nightmares. It starts off as a nightmare film, but at the end this is a normal slasher. That's why people didn't like it. Still, I still like it, and it contains so much more gore. Nightmare on elm street 3: Dream warriors - This is the one that made the second look like it didn't exsist. This one follows from the first, not the second. Many people enjoyed this one, as I did. Robert Englund is back, and so is Heather Lagnekamp (played the main character from the first film). The story concentrates on a group of teenagers this time, and their nightmares, and Freddy is back again, invading their nightmares. This one is probably the most fun, since Freddy gives us better and more creative death scenes, like the puppet scene (SICK!). This one isn't set on Elm street though, it's a hospital, but it has good atmosphere. An enjoyable entry. Nightmare on elm street 4: Dream master - This was a dissapointing sequel, which I also didn't like. Freddy loses his touch in this film. It can also be very stupid at times, and the deaths are -- creative -- but very OTT. The gore is the same (OTT). It does continue from the third, but the leads who survived in the third don't survive for long in this one, and it changes to another story. This is quite a bad entry to the series I think. Nightmare on elm street 5: Dream child - This is very much the same to the fourth, but this is the worst in the series. The film doesn't concentrate enough on Freddy, but instead it's his mom. Freddy's one-liners are very cheesey and crap, and there aren'r enough deaths in this one. This one concentrates more on Freddy's past. Shame, 'cause the opening of this is quite scary. Freddy's dead: The final nightmare - People also don't like this one, the consider it to be more funny than scary - which it is, but it's a really good film. It opens up quite satisfyingly, and the film also gives us information on Freddy, before he became a killer. This is the only elm street film where he doesn't use his claw to kill someone, but he kills people in a cool, fun way. I like this entry, certainly an improvement to the lat tow films. Wes Craven's new nightmare - I actually like this film. It's all about Freddy in the "real" world. Many roles from the original movie star in this and play themselves, as this film is like a docusoup. Once you get to the last thirty minutes of this film you'll love it. But, Freddy isn't in much of the start of this film, and it has a story that can be quite hard to follow. Other than that, this is an excellent film, and it's a great and different way to end the series. A classic horror series that must be bought.
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| 6. The X-Files - The Complete Second Season | |
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Amazon.com The seven-disc boxed set includes some interesting background material, but again, the heart of the set is the episodes themselves. Among them are standouts such as "The Host," "Duane Barry/Ascension," "Humbug," "Dod Kalm," "Colony/End Game," and "Anasazi." These episodes are a powerful reminder that The X-Files, like no other show on television, can span horror, suspense, mystery, romance, drama, and comedy, sometimes all in the same episode, and always with the production values of a major feature film. --Eugene Wei Reviews (84)
1) Fox TV episode trailers: they are so short it takes you more time to click through the menue to get to the trailer than to watch it. Whats good about that? Why would i care to watch the trailer anyway, if I have the whole episode on DVD? 2) Deleted Scenes: There arent many of them and they are terribly short. Some are simply pointless and thats exactly the reason why there were deleted. Only interesting were to discover that X was in the first reason a woman and an additional funny scene from "Humbug". 3) Special effects: Ouch! 3 of them and one shorter than the next. If I remember well, Carter has exactly the time for one sentence until the the special effects clip is over. A disappointment. X-Files would have so much to offeron that ground. 4) Behind the Scenes elements: Yeah, well, the one with Gillian Anderson chewing an insect was funny, the rest useless. 5) 15-minutes documentary: quite ok, but nothing really new. 6) Behind the Truth elements: well, copied from the TV, not really spectacular 7) Comments by Chris Carter: they were already on the Video collections by Fox available in Europe. I give it a four star because after all, the main elements are the episodes themselves which of course are great and worth the price! There is absolutely nothing to complain about those. Maybe in the 3rd season collection we will finally find some really decent special features!
Anyway, in the 2nd season, the X-Files really got going with the big arc story of the big conspiracy hiding the truth about aliens (which is also used in order to handle Gillian Andersons pregnancy at the start of the season, she gets abducted... nevertheless Gillian looks quite different before and after giving birth). This makes for the really good two-parters of the season "Duane Barry/ Ascension", "Colony / End Game" and the cliff-hangar "Anasazi" (can't wait for Season 3!). The extras on disc 7 are nice in itself, especially the commentaries by Chris Carter. Would have been nice if these were a little bit longer. A must buy for every fan of the X-Files, go and buy it!
The story arc involving the alien conspiracy kicks into high gear and all the major players are in place by the time of the second season. Season two starts off with "The X-Files" closed down. Mulder and Scully have been reassigned nevertheless, "X" is Mulder's friend inside the FBI. Eventually, the X-Files are reopened and Mulder & Scully discover far deeper mysteries than they ever imagined during season one. The highlight of season two, for me, is "Duane Barry" and "Ascension". Production values are up as well during this season which means that the effects and sets improved. It's clear that Fox released they had a hit on their hands. We get all the original broadcast episodes with the addition of Chris Carter's commentary on nearly half of the season. There's also international clips (which are always good for a chuckle)and also a number of great extras. What matters is whether or not the set is worth it based on A) The quality of the episodes and B) The quality of the transfers. A) The writing establihed a benchmark that all other series (from "CSI" to "Buffy")benefited from. While Carter may have been inspired by "The Night Stalker" television series, he way beyond that series with drama that could hold its own with the best of mainstream television. The set comes with a twelve page booklet that details every episode and gives the general production info. It also includes a picture from these which, if you're like me, helps because I can never remember the title of many of my favorite episodes. | |
| 7. Buffy the Vampire Slayer - The Complete Fourth Season | |
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Amazon.com Buffy truly hit its golden years in the fourth season--just when you thought this show couldn't get any better, Joss Whedon and his creative team pulled out all the stops and took Buffy and co. into rich new territory. By far, the highlight of the season (and the entire series) was the Emmy-nominated "Hush," a nearly dialogue-free episode in which the creepy "Gentlemen" rob Sunnydale of its collective voice, and Buffy and Riley finally come face to face with each other's hidden identities. While Frankenstein-esque monster Adam wasn't the show's best villain (you'll have to wait until next season's Glory for that), he was a worthy adversary for the biotech age, and the military milieu was a nice contrast to Buffy's previous gothic outings. Season 4 also marked the return of blond vampire Spike (who developed a crush on Buffy), the ascension of vengeance demon Anya to full-time cast status, and the brief return of bad slayer Faith (in a fab two-part body-switching episode). Throughout, the entire cast, headed by the unparalleled Sarah Michelle Gellar, worked television magic of the kind rarely seen on the small screen. This is Buffy at its best. --Mark Englehart Reviews (246)
(...)
The Initiative, of which Buffy's new boyfriend, Riley, turns out to be part of, is a government-sanctioned demon-hunting organization that captures and experiments on the demon population. As she allies herself with the Initiative, Buffy discovers the threat of the mysterious 314 and a villain who unites all the demons of Sunnydale and divides the Scoobies against themselves. Season 4 marks the return of beloved characters from seasons past, most notably Spike, the snide, leatherclad, chain smoking vampire, who is promptly neutered by the Initiative and forced to depend on the Scoobies for help. Ethan Rayne also returns to turn Giles into a Fyarl demon. And the rogue slayer Faith returns in a brilliantly executed two-part body-switching episode. While often maligned (including on this website), Adam is, in my opinion, the show's best villain. A charismatic demonoid cyborg, he unites all races of demons and vampires in a quest to create others like him and overrun the earth. A modern update of Frankenstein's monster, he is chilling in his assertion that he is "aware". He uses Spike as a pawn to divide and conquer the Scoobies, who he sees as the only true threat to his plan. He knows that without each other, they cannot stop him. The result is a very interesting spell and an very well-done climactic battle, as well as the prophetic and surreal season finale Restless. It is a fitting end to an awesome season. Season 4 was an interesting change of pace, and marked the transition out of the familiar setting of Sunnydale High. A very well-done season, definetly among the upper eschelon of the show's achievement.
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| 8. Buffy the Vampire Slayer - The Complete Fifth Season | |
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Amazon.com Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful center of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart Reviews (281)
What can I say about Season 5, that most don't already know about already? Nothing! So let me express this review, in my view, how I felt about this famous year! Many fans,(old or new), have different opinions about their favorite season, but my favorite will always be Season 5! Why is that? You may ask, and I'll tell you that this year was great because we finally saw Buffy grow into a young adult, actually, we saw the rest of the Scoobies grow deeper into their character too, which is so much, that they seem as if they were really real best friends of mine growing up. There's an excellent season premier with Dracula visiting the Slayer, and the episode, "Blood Ties", that really shows the meaning of sisterhood and family,through Dawn finding out who she really is, and there's many more that I can't name in just one review....Well, I could, but it would be a really long review,lol! This year, Buffy faced her first female villain, Glory, who was stronger than Buffy would ever be. Dawn Summers, Buffy's sister,(played by Michelle Tractenberg-"Harriet the Spy"), has a brillaint storyline in the season which really shows the meaning of true love and family. Riley breaks down, loses faith in Buffy, cheats on her with a vampire, and leaves Sunnydale to join the Initiative in South America in a dramatic episode leaving Buffy broken hearted. Xander confesses his love for Anya and in the finale, proposes for her hand in marriage, while Willow and Tara prove their love is stronger than anything around, as Giles buys the Magic Box to occupy his time as unemployed Watcher, as Spike comes to terms with his feelings for Buffy, that grows into something special throughout, and near the end of Season 7. Now, I have my title, "A New Direction for Sunnydale", because thats what it was. Seasons 1-4, they seem so different than Season 5, and the final two, and thats because the Scoobies grew up so fast, and they began to mature into wonderful young adults. My last statements is that, I love the last years more than the first few years, I love the way they ended the series! I loved Season 6,(it was so much mature, and they went throught what many real people will in life), and I especially love Season 7, (Because its connected to Season 5 on so many levels, and has a brilliant storyline so wonderful for the Slayer, that many so-called fans hate, and love). I'm so glad Season 5 comes out on DVD, and encourage fans, and fans who are starting to witness to greatness of this series, I encourage all to buy this season, you won't be let down! And I also want to thank Joss Whedon too, for not stoping the series in the 5th Season, because he, and they gave us two more wonderful, (but misunderstood by many), seasons for all to charish forever! Enjoy! You won't regret it!
A friend of mine says most dramatic shows have five or six good years in them, before decline sets in or they are cancelled, and I think she's right. NYPD BLUE worked for six years before it collapsed under the weight of too many teen-idol replacements for Smits and Caruso; THE WEST WING's fifth season was a travesty without Aaron Sorkin and Thomas Schlamme around to guide things; and even a sitcom like FRIENDS, whose character arcs resemble those of dramatic programs, had a hard time keeping things interesting after year five. There's no set formula, of course, but it's fair to say that a program's cast and crew might get a little bored after awhile, might have trouble finding new shadings for their characters or new spins on their environments, and might begin to take it easy and coast. Seen in this light, the initial slacker quality of BUFFY year five becomes both more comprehensible and also a little ominous-- when a program's first episode is given the distinctly Marvel Comics-esque title "Buffy v. Dracula," its not hard to imagine the blood in the water and the sharks circling. Such fears were, for many fans, confirmed by the appearance of Dawn, Buffy's heretofore unseen, uncommented-upon little sister. Some fans and critics immediately dubbed her "Oliver," a reference to the mysterious "cousin" that appeared in later seasons of THE BRADY BUNCH, and whose name has become shorthand for a show's desperate attempts to add characters and keep things alive near the end. Who was this strange, annoying little girl? Why had we never seen her? And why was every character on the show already acting as if we had? As if the "new relative" gambit wasn't enough, BUFFY' s writers also tossed in the Mysterious Illness ploy for Buffy's mom, and the Hot New Relationship plot for Buffy and Spike, in what initially seems like a wan attempt to recreate the old magic of Buffy and Angel. By the time, in episode six, Tara's family arrives to inform the Scooby Gang (and viewers) that this quiet girl has a Dark Secret, fans can be forgiven for thinking that the WB had secretly switched our usual BUFFY blend with episodes of GUIDING LIGHT. Silly us-- with ep seven, "Fool For Love," everything clicks into place, plot points are clarified, and suddenly it all begins to make sense, and to take on a tremendous emotional power. The remaining fifteen episodes are some of the show's best, and looking at the season as a whole four years after its initial airing, it's remarkable how cohesive it really is. One of the major themes of the year is deception, and by offering their audience a seemingly loose and occasionally incomprehensible start to the year, creator/auteur Joss Whedon and his staff were able to place viewers in roughly the same emotional position as their characters. By the time Season Five rolled around, Mutant Enemy knew it had a hit on its hands, and an intensely loyal fan base. They could now take their show (and its viewers) to different places, and really get under the skins of their characters. They had been doing this all along, of course, but Seasons Five and Six of BUFFY are full of a desire and yearning that is dark, fascinating, and sometimes unsettling. Far from coasting to syndication, the show would take more chances than ever. It's notable that both Seasons Two and Five come, on DVD, in red/reddish boxes-- a color of passion, heartache, blood, and love. Season Five finds the show's characters undergoing a level of trauma not seen since the second half of Season Two, and the final resolution of that trauma is, like the end of season two, both gut-wrenching and utterly logical. I won't give more detail than that, except to note, again, how well-paced this year is, interspersing more dramatic eps with funny ones, allowing moments for the whole ensemble to shine, and keeping the flow so loose and unpredictable that, when twists and suprises come, they really are twists and surprises. This was also a year of behind-the-scenes goodbyes: it was the last season shot by Buffy's great secret weapon, cinematographer Michael Gershman, whose beautiful balance of dark and light (in all senses) had held the show together since its first episode; it was the last year to prominently feature the lush scores of composer Christophe Beck, whose strings had always sonically captured the beautiful adolescent passions of the characters; it was the last full season for Anthony Stewart Head (Giles), whose character would continue to appear, but only in recurring "guest star" status; and it was the last year the show would appear on the WB, since contract negotiatons and public spatting led to the show's vamoosing to the UPN network the following year (this also meant it was the last time-- for awhile-- that there would be character crossovers between BUFFY and ANGEL, since the latter continued to air on the WB, which imposed a "ban" on such occurences after BUFFY left home). In so many ways, then, Season Five marks a turning point for BUFFY, a year in which, even for a show which had always taken chances, questions of change and growth seemed central, both within the narrative and on a stylistic level. I wouldn't start watching BUFFY with Season Five, but it's a crucial year for a crucial show, and well worth one's time.
This is the season that introduced us to Buffy's younger sister Dawn, and while in later seasons she had a tendancy to come off as whiny, here she provides the basis for one of the most beautiful relationships ever portrayed on the show. The dynamic between Buffy and Dawn runs the gamut from loathing to love and everything in between, but above all it is about the utter love and devotion these sisters have for one another. In one of the special features, Joss Whedon is quoted as saying "Buffy's love interest for Season Five is her sister," and this couldn't be more true. Their sisterly bond is deeply touching and totally convincing. But the Buffy-Dawn relationship is only the tip of the emotional iceberg in a tightly plotted season that also sees the death of a major figure in Buffy's life. "The Body" is one of the series' strongest episodes, and its frank look at the consequences of a person's death will surely strike a chord with viewers. Grounding this episode (and indeed, the entire series) is Sarah Michelle Gellar's consistantly strong performance as Buffy Summers. She is at once empowered, humorous, charming, and yet still a vulnerable girl struggling with the relaties of life. And of course, there's the season finale, the heart-breaking "The Gift." One of the most emotionally powerful episodes of the series, it brings all the narrative threads of the season together in a way words can't begin to describe. I won't spoil the ending, but anyone who saw the episode when it aired can tell you it's some powerful stuff. If your prone to crying during movies, you better have a box of Kleenex handy. Season Five of "Buffy" works so well as a whole it's hard to believe the writers hadn't carefully plotted every little twist before penning the first script. The tight narrative consistantly builds on itself in ways that surprise and yet make perfect sense. The emotional core of the show, always its strongest suit, is as powerful as ever, and nearly every major relationship on the show is taken to new levels during the course of the season. So what are you waiting for?!? Go out and buy this set now!
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| 9. Angel - Season Two | |
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Amazon.com It was the best and worst of times for Angel in its second year, for while the basis was being set for the show's stellar third and fourth seasons, dramatic tension was diluted by Angel's going solo and the necessary (but plot-debilitating) flashbacks to various points in Angel's history. However, just when it seemed everything was about to fly out the window, Angel's creative team threw its characters for a loop--literally--by transporting them to the demon dimension of Pylea, a medieval-style fantasyland populated by monsters and humans alike. It shouldn't have worked, as hokey as it was... but it did, thanks to crack storytelling, sharp dialogue, and the sheer joy the actors unleashed, especially the gifted and fiendishly funny Carpenter. The second half of the season also saw the addition of two of Angel's best characters: the horned Lorne (Andy Hallett), a green demon with a penchant for karaoke, and Fred (Amy Acker), a physicist trapped in Pylea who helped the gang engineer their escape. With these two in tow, Angel began to soar. --Mark Englehart Reviews (72)
The team behind the series stayed true to the rules, first establshed on "Buffy", while taking its own risks in year two. The additions work very well, but I must say, that I wish Kane's character would have stuck around a bit longer. The show has really come into its own by now. Season 2 surpasses the first year in spades--Thanks to the influence of creators Joss Whedon (who stepped back a bit to start Firefly) and David Greenwalt. The six disc DVD set has some great extras. There are two episodes that have audio commentaries, the first features Tim Minear on 'Are You Now or Have You Ever Been'. The second is by Fred Keller on 'Over the Rainbow'. Both tracks offer an informative look behind the scenes of these particular episodes. Next up, are 4 featurettes that look at these topics: how the series handled complex make up effects back then, stunts, a season overview, and a look inside Angel Investigations itself. You can also read the scripts for "Darla" and "Disharmony", see the usual still gallery,and look at series bluepints to round it out. The box set makes for fine recommended viewing.
Where the first season essentially followed the monster-of-the-week plus occasional storyline episode formula that has been tried and true on Buffy, Season 2 started to move away from that into the darker, emotionally churning state of being that we viewers have grown so used to in the third and fourth seasons. The second season of Angel also points at the show's tendency to serve an overarching plot rather than a seasonal "Big Bad", when it ends with a trip to a different dimension instead of concluding the Darla storyline (which is completed in the third season). But though this season has a darker, more plot-arc oriented spine, it still contains some excellent character and monster-of-the-week episodes. One of these is "Are You Now or Were You Ever?", thought by fans everywhere as being one of the best episodes of the show. Other greats include "Darla", "Guise will Beguise", and "The Shroud of Rahmon". There are also portents of the futures of the different characters interspersed throughout the season. This is where Wesley really matured, becoming a hard-bitten leader rather than a comical sidekick. You can see his character being prepared to make the harder choices that cause him to be so dark later on in the series. Angel himself has a hard time of it throughout this season, but then, when does he not? He grows dark, deep-set despair keeping him from both his mission and his friends. But his redemption is both funny and touching when he returns towards the end of the season. Cordelia grows immensely during this season, primarily because of her visions. She's still "tell it like it is" Cordy, but her caring for others grows by leaps and bounds, setting the stage for the Cordelia we know later on in the third season. Charles Gunn also joins the Fang Gang, forsaking his old 'crew' to help Angel Investigations in a slow process that is (fortunately) very believable. Also in this season we are introduced to two new characters that will later become regulars: Fred and Lorne (the Host). The first is a slightly cooky, very intelligent woman who was stuck in Pylea for five years before returning with the Angel Investigations gang. The second, Lorne, is a truly unique character - a demon that sings, and can read a person's destiny when that person sings. Both are excellent additions to the group, and help to flesh out the dynamic between the characters. In conclusion, Angel: Season 2 serves as a stage-setter for the third and fourth seasons' storylines and characters, and contains some truly memorable episodes as well.
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| 10. Buffy the Vampire Slayer - The Complete Second Season | |
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Amazon.com Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favor of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humor. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart Reviews (362)
The story arcs in the second season are brilliant. The romance between Angel and Buffy reached gothic heights with Surprise/Innocence (Surprise is astonishing). When Angel turns bad, David Boreanaz manages to do a sensational job of acting the transition (the episodes "Passion" and "I Only Have Eyes For You" are incredible in detailing this, and Buffy's reaction). Willow's romance with Oz is wonderful, and Giles attachment to Jenny Calendar a welcome addition. This show still manages to be surprisingly funny (as seen in Halloween, and Bewitched Bothered and Bewildered) and packs a wallop (the two part season ender, Becoming I & II, are essential viewing for any Buffy fans. They are incredibly moving). Yes, there are some clunkers (Killed by Death, Bad Eggs), but they are more than redeemed. My favourites are: Becoming I & II, Surprise/Innocence, I Only Have Eyes for You, Passion, School Hard, When She Was Bad, and Lie To Me For a show set in high school, the writers have neatly side-stepped making a caricature of Anthony Stewart Head's librarian/Watcher Giles. His befuddled sexiness is immensely appealing. Alyson Hannigan's performance as wallflower Willow blooming into a witch (her growing powers are smartly charted by writers all the way through season six) is strong, and having the animosity between Xander and Cordelia boil over into lust was a masterstroke. Finally, we have to give the star her due. Sarah Michelle Gellar proved with this season that she's actually a capable actress, both with comic timing (Halloween) and pathos (Surprise/Innocence). The second season was an immense improvement over the first season (a solid debut) and the quality continues. In my mind, the second and third season need to be bought together (or at least both bought). Story arcs introduced in the second season are wrapped up in the third season. Buy this set, you won't be disappointed.
When She Was Bad: 8.5/10 Great episode involving Buffy's nightmares about the master. Some Assembly Required: 9.5/10 Two students try to assemble an ideal woman, using different body parts of girls they know, the head is Cordelia. School Hard: 10/10 The best one to date, watchout, the number one vampire is in town, Spike! He's so cool in this season. Inca Mummy Girl: 8.5/10 Good episode, where an old Inca princess is woken. Reptile Boy: 9/10 Buffy and Cordelia attend a frat party and are being offered by reptile-like creature as human sacrifices. It's a good one! Halloween: 9.5/10 Buffy gets turned into a 18th century woman, 1775 to be exact, Xander turns into a soldier, Willow is a ghost and the only one that remembers who they really are, who bought her costume from Ethan. Cordelia got somewhere else, so she's fine, as well as Angel and Giles. Funny episode!! Lie To Me: 9/10 Vampire wannabes offer Spike the Slayer, but turns into a disaster! Buffy rules!! The Dark Age: 9.5/10 An old demon that Giles and Ethan created, comes after the watchers and eliminates 3 of them. Giles and Ethan are next! Scary! What's My Line Part 1: 8/10 Cordelia and Xander kiss for the 1st time. Buffy is being chased by 3 bounty hunters that Spike hired! Great episode!! What's My Line Part 2: 9.5/10 In comes Kendra, the next Slayer! Great episode, which puts Angel in danger, haha!! Ted: 9/10 John Ritter guest stars as a mysterious person that only Buffy hates. Everyone else is suckered into his personality(mostly Xander and Joyce). Great episode! Bad Eggs: 9.5/10 Starts out as a health class egg experiment. Something in the eggs pops out and takes control of their bodies, to bring out an ancient beast! And guess who pops in here, our favourite Jonathan(Danny Strong)! Everyone but Buffy and Xander is controlled by this bug! Oh yah, Angel, but he's no help here! Surprise: 10/10 Angel, you're going to lose your soul, when Buffy and Angel have sex, Angel experiences his one true moment of happiness, which therefore, loses his soul! Innocence: 10/10 Without Angel's soul, he becomes all nuts and heads out for Spike and Cordelia. The Judge is awoken and Buffy must battle both The Judge and Angel! Getting better here! Phases: 9.5/10 It's revealed, the werewolf who we all know is Ozz is hunted here and found, by Buffy, Willow and Giles, and a hunter. A few spoilers here, on Passion, and Becoming(1&2) Bewitched, Bothered And Bewildered: 10/10 Great episode. Cordelia breaks up with Xander and then he gets Amy to cast a spell which makes every girl and woman in town love him, except the one he wants, Cordelia! Funny Passion: 10/10 Jenny Calender finds a spell to restore Angel's soul, but gets killed in the process. Killed By death: 9/10 This one's scary as a crazy demon starts killing off children and the only way you can see it, is if you have a fever. I Only Have Eyes For You: 9/10 The ghosts of a former student and a teacher take passion to a different level. Death! Angel regains his soul for about 2 minutes during the process! Go Fish: 8.5/10 Xander joins the swimming team, a team full of monsters! Becoming Part 1: 10/10 Part one where Angel aims to destroy the world! Kendra comes back, and get caught in a trap. Drusila joins and kills her, which brings up Faith! Special Features: 5/10 The 1st season had much more of them! Great season, buy it!
The second season of Buffy the Vampire Slayer does feature some wonderful episodes however that manage to make up for season two's shortcomings. "School Hard" is one of my all time favorite episodes because it introduced my favorite character Spike. The bad ass leather clad vampire proved to be so popular, that the writers ended up keeping him around for the rest of the show. The classic episode "Halloween" has everyone turn into whatever they dressed up as for Halloween. "Bewitched, Bothered And Bewildered" is another one of my all time favorites and is definately a candidate for funniest episode ever. When Cordelia dumps Xander on Valentine's Day, he seeks help in a witch at Suunydale High named Amy to cast a spell on Cordelia to make her fall in love with him. Unfortunately, Xander ends up becoming the object of every woman's affection in Sunnydale. The two best Buffy/Angel episodes of the entire show are "Suprise" and "Innocence" in which their relationship ascends to a new level, and we are introduced to Angel's darkside Angelus who turns out to be one of the best villans ever. Season two comes to an amazing conclusion in "Becoming" parts 1&2. Other episodes worth mentioning are "What's My Line" parts 1&2, "Passion", "Phases", and "I Only Have Eyes of You". Even though season two is not quite as good as a lot of people claim, it is still a highly enjoyable and definately worth owning. What really makes the season two DVD set special is the bonus features. The set has many featurettes and interviews, as well as commentary on several episodes. A solid 4 stars... ... Read more | |
| 11. The X-Files - The Complete Seventh Season | |
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