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| 1. Wrong Turn Director: Rob Schmidt | |
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Reviews (276)
Now we have the formula of city folks looking for excitement in the country both stranded and divided, in the backwoods of West Virginia. Why would anyone look for a phone where there are no power lines whatsoever? Simple, to create this kind of suspense in a slasher/thriller movie in which the blood will soon fly and the city folks soon die. Spectacular mutants, a squealing stupid girl, stupidly brave and clueless men, and some nice knife and axe work blend together to give us this bloodily entertaining movie with just the right allotments of gore, cheese, and stupidity. Definitely entertaining splatter for those who appreciate the genre. Mmmmmmm. Long Pork. Don't check the fridge for any snacks!
Wrong Turn resembles one large part Texas Chainsaw Massacre, one part Deliverance, and one part Predator, baked in a Friday the 13th 'Dead Teenagers in the Woods' pie crust. The cast looks smart, but their fate is sealed in an extended sequence detailing a tour through the 'Terrible Place', you know, that place in horror movies where bad things happen and would-be victims linger for a long, long time. On his way to a job interview in Raleigh, our hero Chris rams his Mustang into an SUV that has been taken out by barbed wire purposely strung across a backwoods road in the mountains of West Virginia. Enter victims: two couples and a single girl who is trying to...gasp...sob...get over a recent breakup by going on a fun camping trip. Trying to find a phone (the cell phone device of modern times rendered useless by being in, well, the backwoods) they get rocketed back a few hundred years when they come across a cabin that, it becomes obvious in a few seconds, is inhabited by some truly scary creatures. This sets up a long, long sequence of finding all sorts of neat things in this house of horrors like teeth in a jar, stolen merchandise from past victims, and a fridge full of organs and meat. Infuriatingly, one girl insists on using the bathroom in this disgusting hovel, even after it's painfully obvious that INSANE KILLERS LIVE IN THIS HOUSE. Even for a slasher flick, you have to wonder... The killers in question are a group of mutants who, through generations of inbreeding, have turned into a truly vile cast of deformed, homicidal, cannibalistic savages. They can't speak any known language, they have three fingers, humpbacks, and generally look like characters from The Dark Crystal on crack, yet they can drive, fire guns, and somehow not get discovered despite the regularity with which people disappear in the area. Just in case you were thinking that this is a deeply cynical, ridiculous job of stereotyping by the filmmakers, the DVD featurettes inform us that ALL THE DEFORMITIES ARE BASED ON REAL MEDICAL CASES! Whew! And there I thought they were taking artistic license. The film borrows heavily from the aforementioned films. The Predator bits are the extended hiding and moving in the tall tree tops, bathed in shadow to mask sets. And what a surprise, the film was even made in Canada, to shave yet a few more dollars off the clearly low budget. The cast is mostly game, and in particular Jeremy Sisto stands out as better than the material (before he inevitably checks out after uttering the line "We are never going into the woods again!") The approach the filmmakers seem to be taking is that this genre and setting is "new", and there is hardly a wink from the players to the audience to lighten it all up. At least the DVD is heavy on features, though quantity does not equal quality. The commentary is awful. There are long stretches of utter silence as it's obvious that director and two stars just have nothing to say about this movie. Unless you want to hear the gorgeous Eliza Dushku give a shoutout to her "Albanian peoples" you'll want to skip it. And the deleted scenes? Think about it, if they weren't good enough to make an 84-minute movie... Actually, only scene is really cut, but it's just an alternate take of Dushku's big acting moment. 'Acting' here means some fake tears, and a...lot...of...pausing...between...sighs...and...gasps...when...she...talks...about...her...dead...friends... When 4 friends decide to blow off work and take their friend Jessie(Eliza Dushku) camping to get her mind off her recent break up with her boyfriend they find themselves in trouble when they run over some barbed wire and are stranded on the side of a backwoods road. At the same time Chris Flynn(Desmond Harrington) finds himself late to a big interview. Taking the same backroad he runs straight into the off roaded vehicle. As they look for help they come upon a house of back woods cannibals. Desperate and fearing for their lives, the horror surges as they find themselves relentlessly pursued by a force of evil beyond their imagination! The acting is decent, for a horror film, the suspense is great, the feeling is eerie and there are some pretty nice killing scenes. While watching this movie I couldn't help but realize this movie somewhat resembled "The Texas Chainsaw Massacre" which is one of my favorites and maybe that's why I enjoyed this particular film. Regardless if you are a fan of the horror genre make sure you see this movie, I don't think you'll be disappointed!
So this guy runs into this car on a desserted road and meets up with 6 peope whose car has blown a tire from man made barbed wire. 5 of them head off trying to find help and leave 2 behind who get killed, in interesting ways yes, but not suspensful or scary...then the 5 come across and old cabin and find out that it is the breeding ground for hundreds of grisily murders and are about to leave when the killers come home:a bunch of mutated hill billy mountain men...the rest of the movie basically consists of them running around trying to esacpe and getting killed in semi-suspencful, kinda sorta scary fashions. Its not that bad of a movie. i found it to be one of those movies that you talk along with it, like "No why did you do that!" or "Oh crap! Look behind you!" i was doing that frequently and i rarely do that with a horror moive. The acting wasnt the greatest, someone on here said that card board cut outs could have done better...that isnt entirely false..although you did spend enough time with the cast, you didnt get to know them well enough, so you really werent able to care when they were choked with barbed wire, or butchered in front of their friends, or shot down with arrows, or decapitated from the mouth down... Its still a good movie, and would be better watched at night. The mountain men, by reviewers, have been said to look fake, but, obviously no ones seen true pictures of inbreads. Ok this is getting long, end comments: good movie, ok cast, great score, good plot see it
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| 2. Freddy vs. Jason (New Line Platinum Series) Director: Ronny Yu | |
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Description Reviews (540)
"2 OR MORE THUMBS UP."
Directed by Ronny Yu (Bride with White Hair, Bride of Chucky, Formula 51) made an entertaining Spin-Off to the "A Nightmare on Elm Street" and "Friday the 13th" Series. Englund, who played Freddy Krueger for the 8th Time seems that he had a Blast Making this Film. Kirzinger replaced Kane Hodder, which Hodder Originally Played Jason Voorhees in the last Four Friday the 13th Series. Kirzinger is Good as the New Voorhees. Sean S. Cunnigham, who produced the Original "Friday the 13th" is back producing this film. The film also stars:Jason Ritter (Which Jason's Father-The Late:John Ritter also worked with director-Yu on Bride of Chucky), Kelly Rowland (R&B Singer from the Group-Destiny's Child), Lochlyn Murno (Scary Movie) & Katharine Isabelle (Ginger Snaps Trilogy). DVD has an Sharp Anamorphic Widescreen (2.35:1) transfer (also in Pan & Scan) and an Superb-Dolby Digital 5.1 Expanded Surround Sound. DVD has an engaining Commentary Track by the director-Yu and actors:Englund & Kirzinger. Disc Two has Deleted Scenes with/without Commentary by the Director and Executive Producer-Douglas Curtis, Many Behind the Scenes Feautrettes, Music Video, DVD-ROM Content and More. This film has an Strong Music Score by Graeme Revell (The Crow) that pays Tribute to the "A Nightmare on Elm Street" and "Friday the 13th" Series. The film ended up being a Profitable Hit for New Line Cinema. Extremely Entertaining for the Fans of the Freddy and Jason Films. Watch for New Line Topper:Robert Shaye in a Cameo, which he's One of the Executive Producers of the Film (Which Shaye was Involved with Every Nightmare Film). Great Gory Fun all the Way. Super 35. Grade:A-. ... Read more | |
| 3. House of 1000 Corpses Director: Rob Zombie | |
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Reviews (486)
Rob Zombie fought long and hard to convince movie companies to release this movie that he wrote and directed. Many felt that it's too gory to appeal audiences. After watching this, one will realize that it was worth the fight. Those sensative to graphic nature may not find pleasure in this. Otherwise, one will not be disappointed, but one will be surprised when completed. Fans are recommended to watch "Texas Chainsaw Massacre" afterward as they will discover one of Rob Zombie's movie influences.
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| 4. Halloween (Divimax 25th Anniversary Edition) Director: John Carpenter | |
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Description Reviews (633)
Set in the small town of Haddenfield, Illinois, it is the story of Michael Myers, a boy who murders his sister on Halloween night in 1963. Incarserated within the confines of the mental institution Smiths Grove, he is treated by Dr. Loomis (played by Donald Pleasance) until he can stand trial as an adult for the criminal activities of that fateful night. Fifteen years pass, and Myers is now grown. Loomis is assigned the duty of transporting Myers back to Haddenfield for his criminal hearing. On the eve of halloween, and badgered by a horrendous thunderstorm, Loomis travels the final distance to the gates of the institution with the aid of a nurse who has been assigned to him. Upon their arrival, they discover that the inmates have been set free to wonder about the confines of the sanitarium. Loomis, who has long since grown to believe that Michael Myers in the embodiment of pure evil, rushes to the gaurd post at the front gate. In his absence, Myers overtakes the nurse and steals the car. Loomis cries out "He's gone..the evil has gone..." And so begins Halloween. The balance of the story takes place in Haddonfield, where a group of unsuspecting teens will have a fatal encounter with Michael Myers. Leading the cast is Jamie Lee Curtis, daughter of veteran actress Janet Leigh (of "Psycho" fame), who plays Laurie Strode, a high-school student who begins seeing "The Shape", a non-descript man dressed in a blue coverall, wearing a white mask. She sees him again and again, through the classroom window at school, in her backyard, behind bushes. For the majority of horror fans who have seen this film, I need go no further. For those of you who haven't, I should go no further, for the film is definitely more than the narrative I began above. It is a story that touches on the psychological truths that our society seems to function on. Whats more, it is a film that touches at our primal fears. Unlike so many films in this genre, Halloween is genuinely frightening, not because of its use of graphic gore, or visually stunning effects (there really aren't any in this film) but because it plays on the things that scare us most. Whats more, Carpenter uses carefully placed light and shadow to really enhance the experience of his film. His soundtrack also underscores the film as a whole, bringing it to a level and intensity that keep viewers on the edge of their seats. Carpenter went on to film two additional films in the franchise, the much more commercial Halloween II and Halloween III:Season of the Witch (the third installment having nothing to do with the Myer storyline). The Halloween franchise itself has given birth to a total of seven sequels, including the largely popular Halloween H20, in which Jamie Lee Curtis reprised the role of Laurie Strode. Still, it is this original film, a small budget, independent movie that was shot in the early spring (yes, leaves were brought in and scattered about to simulate the fall season) that has become a staple that is synonymous with the holiday which the movie was named after. If you have reservations about this film, set them aside and watch it...but watch it with the lights on, because Michael Myers might be there, in the shadows, waiting. Halloween-the Night He Came Home-is worth the time and money. It is the film that really re-defined the horror/slasher genre, and it is the one film that really rises above the rest, setting a standard that no film that followed has ever matched.
When Michael Myers brutally murdered his sister Judith he was sent to a children's hospital for a life sentence. But after serving 15 years he escaped and travelled to the small town of Haddonfield where he stalks 3 young women Laurie, Annie and Lynda. It also happens to be Halloween night when he comes out of the shadows and definitely gives them a scare to remember! Everything about Halloween is 1st class entertainment! John Carpenter doesn't rely on lots of gore to make this movie a classic. He relies on suspense which works like a charm! The music score is also terrifying and the now famous Halloween tune will haunt me forever after watching this film! It's really fun to see a young Jamie Lee Curtis running around scared because in this day and age you don't think of her being able to play the virginal heroine! Clearly it was down to her that the stereotype was even created in the first place!!! With excellent supportive performances from Donald Pleasence, Nancy Loomis and PJ Soles this film will always live on!
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| 5. The Last House on the Left Director: Wes Craven | |
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Reviews (200)
OVERALL: I would NOT recommend this movie if you are looking for an Oscar-winner or whatever unless you are a B-movie collector who likes this stuff. I give it 4/10 for a good idea in story but poor sound and picture quality.
I've think.. -Wes is worth it two sell your DVD'S Craven.. -Is a cheap cheap film maker..? -And taken This movie may disturbed a lot of people..! -But Two girls go into a night in town..! -As they've But the same rapest's go too the house..! -Have Wes Craven.. -and; -the introduction.. -Which Wes Craven.. -Shooed of gane an oscor.. -But he This is my Grade -A.. -Horror flick.. -Some say Wes had a nice try with this..!! ... Read more | |
| 6. The Texas Chainsaw Massacre Director: Marcus Nispel | |
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Description Reviews (500)
What does this remake have working in its favor? Well, first the film is selective in what it takes from the original. We have the same beginning with the grainy film and the same narration talking about "one of the most bizarre crimes in the annals of American history" (again narrated by a now considerably more famous John Larroquette), and we have the same basic idea that a group of teenagers in 1973 make the mistake of running into Leatherface and his kin. But in terms of the specifics the screenplay by Scott Kosar does not treat the original like gospel: the hook is still there, but we lose the bizarre dinner scene where the original really lost me. I was also surprised to see that cinematographer Daniel Pearl is back to show what he has learned since 1974, which is apparently a note. Maybe the music video sensibilities of director Marcus Nispel have something to do with this at well, but this horror film looks the way that horror films are supposed to look. You know that things are going well when you are getting the wiggins and the sun has not yet set in the film. There are plenty of bad things to see in this film, but the camera does not wallow on them the way so many splatter flicks do. Maybe part of the effectiveness of this remake is that for those of us who watched the original we know the basics of what is going to happen so that there is a sense of anticipation that no matter what is happening on screen something really bad is about to happen. But if I were going to point to something else beyond the cinematography it would be the fact that this time Leatherface (Andrew Bryniarski) is not the really scary one. No, the honor goes to R. Lee Ermey who brings his drill sergeant from hell to the character of Sheriff Hoyt. Even before Leatherface shows up these teenagers are in way over their heads. Ripe for the slaughter are good girl Erin (Jessica Biel), her boy friend Kemper (Eric Balfour), young stud Andy (Mike Vogel), the friendly hitchhiker Pepper (Erica Leerhsen), and for comic relief stoner Morgan (Jonathan Tucker). They are driving through Texas to get to a concert when they almost run over a disoriented and frightened girl walking along the road. They try to help, but she is beyond help and so, as she plainly tells them, are they. Biel, still trying to put her good girl image from "7th Heaven" behind her, manages to play a scream queen without going off the deep end like she did in "Gear" (even in a freezing meat locker). Often these films come down to the good girl character trying to survive the maniac with their weapon of choice and in that regard Biel is one of the better to come along. Yeah, she is smart and sexy, but for once when she gets to the part where she has to fight back you actually believe she might pull it off. This is a grim and relentless film that assaults its audience as much as it does its characters. After so many horror films that fail on that score perhaps the biggest shock is any film could get this far doing what it is supposed to be doing and if you come here expecting a cathartic ending abandon hope on that score right now. Also, when you decide to watch it late at night, remember not to turn all the light out.
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| 7. Jason Goes to Hell - The Final Friday Director: Adam Marcus | |
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Amazon.com Reviews (153)
Now, there are a lot of Friday the 13th fans out there, and many of them are die-hard loyalists to the "Jason mythology," which includes, believe it or not, a list of rules of what he can and cannot do. This film tosses out all those rules and says, "Let's up the make-up budget by $100,000 and forget about everything else." So in this film you get graphic and creative murders, but little substance to keep the red gooey stuff sticking together. A wave of embarrassment washes over you ever time a character opens his or her mouth. You think to yourself, "Is this my life? Am I really watching this movie?" and then you realize yes, you are, so you'd better cope or get help now, friend, or it's going to be a long, brutal old age. Even though they cannot target these types of films to kids -- those bastards at the MPAA have ethics and standards -- this is one of those films that is. Full of glistening red gory stuff, your children will love eating this up. They'll sleep like little angels, too. It's a shame that with its budget and the cool new look Jason gets, this film had to suck tailpipe so hard. It's even more so a shame that this is Part 9 in a series that hasn't decided to quit yet. When people will tire of relentless gore is beyond me ... but I really hope it doesn't end. Honestly, the slasher flicks in the eighties represented a time when Americans wanted to get scared on cheap effects and bad scripts. It worked, and movies such as Friday the 13th became massively successful. The modern horror genre has "smartened up" and become "hip," and now its died down into the deepest pits of remake hell. So the Friday the 13th series, as well as those other quickie gore-fests during that blissful Ronny Reagan time period, hold a special place in America's heart. "Jason Goes To Hell" holds a place at the bottom of the toilet, floating amongst the throw-away goo of a dissatisfied audience.
Jason jumps body's: So? It's trying to be scary, it's a horror movie. Do you think every horror film will be the same? Jason's a demon: Well he alway's acted like a demon to me. He runs around killing people with a hockey mask on. Jason has a sister: Hey his Dad left him, don't you think he got remarried? Deleted secencs: I saw those sence, they were not a big deal. the Tree Trunk Demons looked fake. They made a sequel: They made other movies with Jason in them but they never did another Friday film. Jason X does not have Friday the 13th in the title so it's not a Friday film. Well that's it. You'll like this film if you liked the old ones. 80'S FAN'S REJOICE!!!!!!!!!!!!!!!!!!!!!
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| 8. Black Christmas Director: Bob Clark (III) | |
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Description Reviews (140)
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| 9. The Hitcher Director: Robert Harmon | |
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Amazon.com Reviews (78)
C. Thomas Howell plays a young man by the name of Jim Halsey, who is delivering a car to a customer in San Diego. As he travels across a lonely West Texas highway at nite, he's having trouble keeping awake and nearly runs afoul of a big-rig. When he catches a glimpse of a rain-soaked hitch-hiker (Rutger Hauer) standing on the shoulder, he stops to pick him up, against his better judgement, figuring the man's company would keep him awake. Halsey tries to strike up a conversation with the hitcher, but the hitcher only gives him a terse and twisted tale about being out of gas and needing cigarettes. The hitcher begins to play a psychological game of words with Halsey that quickly turns into a life-threatening situation. A quick-thinking Halsey pushes the hitcher out of the moving car and speeds away, thinking that's the last he'll see of him. The hitcher seems impressed(!!!) by Halsey's escape; apparently no one else has been so lucky. The hitcher begins to pursue Halsey with a mindless obsession that leaves dead bodies and destruction all around them. The hitcher is a master of manipulation in this film. I really liked the ending, although, if the storyline is followed accurately, it doesn't allow for a sequel with Rutger Hauer, who absolutely is the shining star of this movie. I would love to see him play this part again- it truly is his calling. As a previous Amazon reviewer noted, he doesn't have to speak a word for you to know what he is thinking and contemplating as the role of The Hitcher. His body language and facial expressions tell you all you need to know. I think this entire movie could have been done without a single line of dialogue from the hitcher and been just as effective. Rutger is waaaay cool, the movie is awesome and it should be part of your collection if you dont have it yet. A DVD must!
The plot is staggeringly effective in its simplicity; a college kid (C. Thomas Howell) contracts to deliver a car from Chicago to San Diego. In the desert during a storm he picks up a hitch hiker (Rutger Hauer) who doesn't bother with the pretense of winning his mobile host's faith and trust; he immediately slips into maximum creep-out mode and the kid knows he's in serious trouble within minutes as the hitcher makes it known under no uncertain terms that he has indeed killed someone in a particularly brutal fashion...and with a seeming trace of resignation and inevitability he plans to do the same to the kid. What follows is a fortuitous escape and a series of subsequent encounters between Howell and Hauer, with entanglements involving the police, Jennifer Jason Leigh (thankfully before she picked up that horrible New England upper class accent she seemed to use in a number of her '90's roles), and more murder victims. The encounters succeed in building a sense of escalating tension that is never satisfactorily resolved until the film's ending, which does seem somewhat contrived (minus one star for that). However, the performances of all the actors are excruciatingly believable, especially Hauer, who is genuinely disturbing. He's not some sort of supernatural teen slasher a la Jason or Freddy Krueger or (to a lesser extent) Michael Myers, classic horror movie icons all; Hauer is simply someone...ANYONE...that could cross your path without any warning or fanfare...and could make your personal terrorization his sole purpose in life. That is what makes this movie truly scary; while watching it you will clearly understand the implication that yes, this too could happen to you. "Riders on the storm", indeed.
Rutger Hauer is imensely scary as a (not so freaky killer like Jason or Michael, nor a gruesome killer) but a sharp, haunting character with an icy personality. C Thomas Howell is very good as a young teenager. He starts off in the film to be a bit geeky, but once he meets Hauer he starts to get a little freaky himself. They are basically the two main characters in this. The film -- as you probably know -- is about C Thomas Howell delivering a drive-away car (let me just say I don't like the review from Digibiong! because he says there is a mistake on the license plate of the car, but it's a drive-away car so it doesn't matter) and he has to deliver it to San Dieago, on the way he picks up a stranger on the road, he seems like a nice guy, but he turns out to be quite psychotic. Howell is able to push the stranger out of the car and carry on down the road, but the hitcher isn't done yet, he starts to play a deadly game with Howell, like getting the police onto him, framing him, killing people in front of his eyes and all stuff like that. The film doesn't drag at the start, it starts off straight away with Howell picking the stranger up and it gets darker and darker every time. The gore in this film isn't that bad, we do HEAR a woman get pulled apart, but we don't SEE it. We never really do see a lot of deaths happen in the film, but I think that's what makes the film scary. It can be very atmospheric at times, but a lot of the scary parts happen in the day-time. When we come to the conclusion it gets a little dissapointing since it doesn't go on for long and I was expecting a great confrontation. So, that's "the hitcher", one of my favourite movies. Road movies are my favourite genre of movies and here are a couple more good ones: Breakdown
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| 10. Final Destination (New Line Platinum Series) Director: James Wong (IV) | |
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Reviews (332)
in the beginning Alex has a vision of a plane exploding. He gets him and 6 other people kicked of the plane. Seconds later the plane explodes. Death starts killing of the survivers one by one. Luckily Alex finds the design of the deathes and tries to prevent them but he learns you cant cheat death. or can you? ... Read more | |
| 11. A Nightmare on Elm Street Director: Wes Craven | |
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Reviews (261)
Wes Craven's masterful creation known as Freddy Kruger is more than just a disgruntled maniac looking for sex starved teens. He is clever and dark and witty and horrifying and well, creepy as hell. There is actually a story line to this movie. Freddy was once an actual person...a monster in his own right, that was destroyed (burned to death, no less) by the good people on Elm Street. An eye for an eye? Well, Freddy's not finished yet...he re-emerges as a nightmare for Nancy, the daughter of one of the people who burned him years ago. Only Freddy's more than just a bad dream as Nancy (wonderfully played by Heather Langenkamp)and her friends (keep an eye out for a very young Johnny Depp) soon find out. He has gained power through their dreams and has very real consequences in the waking world. Make no mistakes, this is a horror film, but the thinking person's horror film. You want to unravel the mystery of this creepy nightmarish figure that seemingly can do or become anything. Craven keeps it real, while managing to keep it fascinating...something few horror movies can claim. Freddy himself, is never really revealed or completely seen until the very end. This adds a great deal to the overall darkness of this movie. This film is gory but somehow that is not the focal point. It also explores the characters, especially Nancy, who emerges as the unlikely role-model/heroine. "Nightmare On Elm Street" is a good flick, period. It is smart, clever, creative, witty, creepy, dark and down-right SCARY. Kudos to Wes Craven and his most-original masterpiece. Freddy is a force to be reckoned with!
And what better foundation to create a horror film? Craven decided that his generation's horror films weren't up to snuff, and tended toward the "slasher" genre that was becoming very popular after the release of "Halloween." He upped the ante by attacking vulnerable young people the only place they felt safe: asleep. This is an effective and unsettling idea, and is executed with masterly precision. Craven knows how to create suspense while building strong, endearing characters the audience will actually care for. The dream sequences are put together very well, and while the special effects seem dated as compared to today's high-budget Hollywood standards, it is perhaps their gritty, slimy quality that enhances the fright factor. Overall, the acting is fairly decent. Johnny Depp isn't quite the Johnny Depp we know and love yet, so don't get moist in the panties when you see his name. Heather Langenkamp is convincing as the innocent, virginal girl caught in a web of parental lies and secret cover-ups. But it's Robert Englund as Freddy Krueger who steals the show. Later in the "Nightmare" series, Freddy became a comedic character, and all the scariness was lost. Sure, his face became more mangled, and his style of slaughter grew sophisticated and detailed, but the true allure of the Freddy character is portrayed only in this film. "Nightmare" revolutionized the modern horror film, and brought science fiction and horror one step closer to each other. This allowed writers and directors to take more challenging projects and demand an imagination of their audience. Like all good things, though, Freddy was sucked in by Hollywood and New Line Cinemas and turned into an absolute joke. It wasn't until the final addition to the straight-up Freddy series, "Wes Craven's A New Nightmare" that the fright and creativity was redeemed, as once again Craven took it to the next level of horror and surreality. Not only is Craven masterful in his directing, the film is an enjoyable hoot. It's a fun and scary journey into the black heart of a ruthless serial killer -- and cultural phenomenon -- you cannot escape. ... Read more | |
| 12. The Texas Chainsaw Massacre (New Line Platinum Series) Director: Marcus Nispel | |
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Description Reviews (500)
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