Reviews (247)

Kidnap the Sandy Claws!
This is my favorite animated film and in my opinion the best to come out of the Burton/Elfman team. The plot is... well... "different": The denizens of Halloween Town kidnap Santa Claus and have their way with Christmas. i.e. make a complete mess out of it. The visuals are spectacular (if a little dark) and the music and songs are wonderful and fit right in with the action. Regarding the "family appeal" of this movie: just keep in mind that this is a Tim Burton creation (Beetlejuice, Sleepy Hollow) and therefore it is dark, a little scary and the humor is on the sarcastic side. Oh, and if you absolutely can't stand musicals, then this movie will either make you a believer (like it did to me) or will put you off.

About the DVD edition: I've seen this movie in the theater, on TV, on VHS and now on DVD and I must say that the DVD edition had the best sound quality. They could have included some bonuses (a "the making of..." type of feature is really missing) but the excellent sound and decent picture quality was good enough for me.

Go ahead and give it a try, especially if you're a Burton/Elfman fan!

Fantastic, wonderful, and moving...
I've not seen this movie in a very long time, and it wasn't until just recently that I revisited it. The Nightmare Before Christmas' title sounds like something from a horror movie, but it certainly isn't one. Sure, everything looks grim and creepy, but that's just the setting. The story of Jack Skellington feeling as if everything is a routine for him and wants to experience something different was kinda touching, as is with the songs he sings to himself in the film. The music is creepy at times and is beautiful when needed, and it's all composed by Danny Elfman; who in turn also wrote the songs, and does Jack Skellington's voice. TNMBC was skillfully animated, using the stop-motion style, which most likely took them quite a while to finish. The end product looks pretty good too, especially for a movie released back in '91. Tim Burton has always been one of my favorite directors, and this film didn't let me down. Not only did it bring back some nice childhood memories, but it also made me feel good in the process. Those parents who aren't sure of showing this film to their kids because it may scare them, at least consider that the movie has NO violence either than a stitched-up lady jumping from a building, but she doesn't get harmed as she puts herself back together. If your kids can handle the creepy looking monsters and creatures, by all means let them watch this movie. They most likely will never forget it.

the best christmas and halloween movie ever
wellllllllllllll.the guys from halloween land go to x-mas land and kidnap santa and do x-masup thier own way.its animated or something so no stars per say.this one is for some kids and not for others.the sensitive types need to be in bed.it is another one of tim burtons abselute masterpieces.there are basicly 2 kinds of movies.your julia robetrs-sell out-hollywood-junk and movies that actualy required some thought.so anyone with an imagination will like it.this is themost over the top and wild x-mas movie ever.

Spellbinding
This movie is beyond enchanting, delving into the realms of spellbinding. I never thought that an animated film could be so stunning with its cinematography mixed with the music. That's the amazing beauty of Tim Burton's world: it's filled with contrasts. In particular is Sally (voiced by the Canadian goddess Catherine O'Hara) the ragdoll who externally is not the most beautiful thing with her stitchings and patched clothes, but internally she is pure and filled with love for Jack. Even her singing (again Catherine) sounds like an innocent child, straight tone (no vibrato) and a flowing, velvet soprano.
The world of Halloweentown is dark, but filled with beauty and rich melodies straining through (by the genius Danny Elfman). The construction of the film is so perfect making Halloweentown filled with browns and blacks whereas Christmastown is bright and cheerful, joyful as we expect Christmas to be and the real world is somewhere in between. All of it pulls together beautifully to create a timeless story and the most magnificently filmed ending with Sally and Jack in the snow.
Just proves the genius of the film makers.

yuck
Why does "everyone" love this movie? It's not that good. Not at all. I saw this when I was four and I absolutely hated it when I found out they kidnapped Santa Clause. The zombie girl taking her head off at one point in the movies was pretty gross too...yuck. I don't reccomend this film. ... Read more

Reviews (32)

A fantastical, nightmarish ride
When I first saw the animation of the Brothers Quay, I was totally entranced. Their stop-motion puppet style is so bizzare and unique, it pulls you in.

First, they use "antique dolls" for their characters. everything has an old and used feel.

Second, is the use of "common items". This really brings it to another level. Nothing is more artistic than a ballet of wood screws, an old pocket watch, and some very creative uses for red meat (you just have to watch it). It can be disturbing at times, but with their sense of direction and cinematography you will almost always find something new with each viewing.

I can see some people who are into mainstream things absolutely hating their work. It is bizzare to say the least. But there is a unique charm that these brothers have created in their dark world.

On this DVD, to me the main features are "Nocturna Artificiala", their first feature (a "bonus" on the DVD), "Street of Crocidiles" (the one that I found the easiest to follow, yet one of the more bizzare), and "The Cabinet of Jan Svankmajer" (tribute to the Chech animator). Most of the other films are shorts under 5 minutes, but it is still a great DVD to own if you like the art of animation.

Retrospective of Innovative Animated Short Films
The Brothers Quay have been producing surreal short stop-motion animated films and videos since 1979. This dvd features 11 different shorts, often grotesque but always stunningly beautiful animation in each. The two shorts I am most familiar with, "Are We Still Married" (1992) and "Can't Go Wrong Without You" (1993) were music videos produced for 4AD Records for the band His Name Is Alive. Both feature similar character animation to several of the Tool videos of the mid-nineties, such as "Prison Sex". Yet I think the Brothers Quay have a more subtle and complex style. Another stylistic influence on BQ is Czech animator Jan Svankmajer, who produced a macabre version of Alice in Wonderland called "Alice" using fish skeletons and animal skulls as a medium. Indeed, the link is more than a coincidence -- one short, titled "the Cabinet of Jan Svankmajer" (1984) pays hommage to Jan.

Any fan of animation should check out these artists. Even if you are not a fan of 'experimental' or non-narrative film, you will find much to enjoy and discuss about their work in this collection.

Great Films, Terrible DVD
I just wanted to leave a quick note about the quality of this DVD.
While the films in the collection are great for the most part, as a few others have noted, the DVD menu has severe problems which at best will present annoying noise on the main menu, and at worst will actually prevent you from viewing some of the content.
I find it hard to believe that this disc was produced with such low attention to quality.

oh my "gooding-ness"!
This show is a mix of a primus/nine inch nails/tool video as far as the animation,and it has trippy music in it as well.The ideas the directors convey to the viewer are meaningfull,and the stories keep you thinking.My personal favorite of the shorts is called"street of the crocodile"(I think)because it's one of the more spacious-looking sets and the characters were also trippy indeed.If you like strange shows,know when 4:20 arrives,or want to play a hilarious joke on a way-too-serious person,you would profit from investing in this tripped-out masterpiece......fo-shaye!

Oddly compelling and disturbingly beautiful
This film is my husband's one party trick. When we have guests, no matter who they are, they must experience Brothers Quay. the films are gorgeous and haunting--but they won't appeal to everyone. I didn't actually care for them much, initially, although I could appreciate the artistry. after repeated viewings with aforementioned guests, well...the films are very dreamlike and surreal--insects, porceline dolls, and raw meat are frequently employed. the music is wonderful, too. ... Read more

Description

From the creators of the box office smash "Chicken Run" and "Wallace and Gromit" comes "Creature Comforts," an amazing collection of clay-animation shorts from world-famous Aardman Animations. It's a Zoo's-Who of fun! Clay animation animals comment on life at the zoological gardens in "Creature Comforts," winner of the 1990 Academy Award for Best Animated Short Film. Then meet "Wat's Pig," the 1996 Oscar-nominated tale of knights and daze involving two brothers one raised in royal splendor, the other by a kindly pig. In the darkly hilarious "Not Without My Handbag," a dear, deceased Auntie makes the ultimate fashion statement she won't stay in Hell without a proper handbag. And lastly there's the story of "Adam" (1992 Oscar-nominee for Best Animated Short Film), a whimsical in-the-beginning tale about a little clay and a lot of imagination. ... Read more

Reviews (51)

Great potatoes, but very little meat...
From Aardman Animation Studios, creators of Wallace and Gromit and Chicken Run, come four wonderful animation shorts.

The first, Creature Comforts, winner of the 1990 Oscar for Best Animated Short Film, is cute, as various zoo animals are interviewed on what it's like to live in a zoo. This one contained some of the funniest moments of the four shorts on this disc. This short runs about 6 minutes.

The second short, Wat's Pig, is a story of two brothers born into nobility and separated at a young age, one becoming the ruler of a kingdom, and the other a poor peasant, and what happens when a neighboring kingdom decides to declare war. This one runs about 11 minutes.

The third short, Not Without My Handbag, is a darkly humorous tale, which is, as other reviewers put it, in a rather different style of animation than the other three shorts. The style and story line reminded me a lot of Tim Burton's The Nightmare Before Christmas. Due to the darker humor of the subject matter here, it may not be appropriate for younger viewers. This one runs about 11 minutes.

The final short, Adam, is a funny look at the first being created, and the problems he must face in a rather limited environment. This one runs approximately 6 minutes.

In all, there is about 35 minutes of material here (no extras), and even at a seemingly lower price, one must consider if it's worth the money. I did enjoy all the shorts, but I do wish they could have included more, even if it meant a higher cost. I would have liked seen these included as extras on either a Wallace and Gromit or Chicken Run DVD, but to release so few on one DVD seems a little wasteful. I feel like I've just had the appetizer, and now I am waiting for the entree.

Good, but not in the "Wallace & Gromit"/"Chicken Run" level
This DVD includes four shorts from the company that produced the Wallace & Gromit shorts. These are:

1) Creature Comforts - directed by Nick Park, this short is only five minutes long. It is a funny concept: animals are interviewed at a zoo, and they talk about the advantages and drawbacks of captivity. This, however, gives no space to the excellent action scenes that charactherize Park's best work. It is just the animals talking in front of the microphone.

2) Wat's Pig - this one narrates the story of two brothers separated at birth: one ends as king, the other is raised by a pig. There is no payoff here at the end.

3) Not without my handbag - this one is weird, in the line of Beetlejuice. Some people say it is a little scary for small children. I don't think is scarier than other cartoons in TV. This is the funnier of the lot.

4) Adam - a small (and naked) man in a small planet, "a la The Little Prince", while his creator (God) works on him. Interesting, and more in line with the visual humor that we expect.

Somes notes regarding the price. Ten dollars sounds cheap for a DVD disc but consider that it is only 35 minutes long, it is not close captioned and lacks any extras. The transference, as noted by other reviewers, is not great (while maybe better than VHS, but that is expected).

I will recommend this disc only to the die hard fans of clay animation.

Zoo gets 5, the rest bring it down a notch!
I first saw Creature Comforts as a fill in on PBS. Many years have passed and I still recall the polar kid asking if it was ok to eat the interviewer.

The juxtaposition of the creatures of our Earth having such a clear image of human (and arn't they) lives is beautiful.

Seemingly trapped to the day and yet somewhat content in their memory of what has, might have, or may be.

Lovely! Thanks, Nick.

So-so
While "CC" and "Adam" are modern masterpieces, it seems the other, weaker shorts included on this release are merely there to pad out the DVD. Still, the price is very reasonable

Cheap Presentation
While considerable time and money were spent producing the four short films presented on this DVD, very little went into producing the DVD itself - and it shows.

Individually, the four shorts are nice, although the vocal tracks are muddy and overpowered by the musical soundtrack in places. Closed captions or subtitles would have been helpful, but they aren't included.

Unfortunately, you can't watch the features individually. Even though there is a "Play All" option on the menu screen, if you start with "Creature Comforts" all four shorts will play.

"Creature Comforts" is the best of the four, but because of the poor sound it also suffers the most. With no commentary track or making-of bonus feature the irony of the interviews (talking with kids about zoos and seniors about retirement homes) is lost.

"Wat's Pig" - with its minimal dialogue - comes across nicely, although the parallel storylines can be hard for younger viewers to follow. As with all four of the films a commentary or making-of feature would have been nice.

"Not Without My Handbag" has a good Tim Burton-esque style, but unless you're prepared to discuss the afterlife, the underworld, or the intricacies of contract law, it's not really appropriate for younger viewers. This is where the individual-play bug in the main menu is most apparent, as you have to manually stop the DVD after "Wat's Pig" (or hit the Skip button) to avoid this one.

"Adam" is my second favorite, and with its minimalist soundtrack it comes across the best of the four. Yes, there is cartoonish nudity. No, it doesn't conform to the Biblical chain of events. Nevertheless, it is a very witty story with three or four big laughs in its brief play time.

Ultimately, this DVD is worth less than the sum of its parts. Wait for something better to come along. ... Read more

Reviews (32)

A decent Alice...sadly, a little known one.
This is doubtlessly the most bizarre film I have ever seen. Since it is a version of ALICE, that's okay. It holds a sort of hallucinatory shadow over the story from which it was inspired: it is a frightening look into the very desolation that comes with age. Alice herself is lost in Wonderland, perhaps an embodiment of the corruption and decay that follows the subversion of childhood. The characters of the book have been reduced to dead, mindless things here: the White Rabbit is a taxidermist's expirament; the Mad Hatter is a marionette; the March Hare is a stuffed animal. These characters, void of life and thought, seem to represent the dull world of adulthood, where the repetitive events of every day are hammered out endlessly, and seen without the color or whimsy they hold when seen through the eyes of a child. The movie is doubtlessly symbolic of many things, however they are so cryptically presented that I cannot figure any of them out for myself. The movie itself is not fun to watch, it is rather tedious, in fact: but it holds a subconscious power over the viewer, he sees with astonished eyes Alice moving through the doorways and drawerways of the decaying realm. The viewer becomes part of a different sphere of consciousness: he lingers with Alice in a perpetual dream-state, or, a nightmare from which he cannot awake, until the last scant bit of dilogue is recited, and the final credits roll. Svankmajere (or however you spell it) has a fine taste for the macabre, and by moving as far from Carroll's story as possible, he does it ironic justice. By moulding the plot to form his own tightly-knit fantasy, he does not sabotage the feel of the book, but intensifies it. For this he deserves praise. With Alice we feel every bit of menace and curiosity, a trait rarely found in films. This one touches profoundly and unexplainably with the child inside us, and for the lapse of its running time we become part of another world, one which we are anxious to escape while we linger in it, but feel obsessively drawn back to after the return to our conscious states.

Svankmajer's hugely influential chef d'oeuvre
The influence of Jan Svankmajer's 1988 ALICE on the art and film and deisgn of the 1990s and beyond is enormous: you can see it almost evidently in the films of the Brothers Quay and David Fincher as well as in every beautifully designed magazine you open today. Svankmajer took the Lewis Carroll story and transposed it to a world which seems totalitarian in nature, and beautifully shabby and eroded in look, where everything is chappied and falling to pieces. The white rabbit is a terrifying taxidermic model, with huge teeth and glass eyes; it pulls itself from its mounting pins and bleeds sawdust when opened. The fall down the rabbit hole is a dark descent by elevator down through what seems to be a beautifully decrepit storage warehouse: the small animals Alice encounters are skull-headed toys.

All this is beautiful, and creates a stunningly original aesthetic. It's also sometimes a bit creepy, and (worse) at times exceptionally tedious. (You think if you get one more extreme close-up of Alice's lips telling the tale you'll scream.) It's something to pore over shot by shot or sequence by sequence, but it's not particularly entertaining by any means. But it is something that still deserves to be seen again and again.

"Said the Queen of Hearts"
There are only two negatives to this film that I felt were mostly unnecessary elements. One was the frequent edit to a close-up of Alice's, excuse me "Alenka's," tiny mouth and stained yellow teeth saying things like "Said the White Rabbit" or "Said the Queen of Hearts." By the time this monotony reached the double-digits I was getting annoyed. I knew which character said what, and I didn't need a constant reminder. The other negative, and this is up for debate, is that I don't like foreign films that are dubbed in English. Call me crazy, but I prefer subtitles. There is always something lost in the translation. Well, enough of my negativity. There is plenty here worth seeing, and if you are a genuine nut-case for stop-motion filmmaking than you should thoroughly enjoy this movie. This is not a children's film! There are way too many unnerving and nightmarish sequences. In fact, this film feels like a surreal nightmare! There's a slab of meat that squirms into a pot, there are little rat skulls breaking out of egg shells, and my favorite moment of the film comes when Alice is being chased by the White Rabbit and his grotesque friends. Alice slams the door and bars the smaller door at the base. Suddenly, an axe-head bursts through the tiny door repeatedly until it is completely splintered. The axe withdraws and the head of the White Rabbit(a stuffed rabbit with sawdust for entrails) pokes through and he seems to stare at Alice with an evil glare from his glassy white eyes. I expected him to say "Heeeere's Thumper!" That was the creepiest moment for me, but there are others. There are also some wrenching sound effects that add some excellent flavor to the nightmarish proceedings. If it wasn't for the extremely annoying and frequent cutaways to Alice's slimy mouth I may have given this film a higher rating. That, and she has a gross habit of puting everything she finds into her mouth. One thing she tries is a key she finds inside a sardine tin filled with oil. Instead of wiping the key clean on her dress she gives it one good, long slurp. Yuck! Even she grimaced, much to my delight. "Overall, this is a good movie with plenty of jarring scenes and dream-like sequences that are haunting me to this day," said the Amazon.com reviewer. There is also a short stop-motion film on this DVD that is "definitely" not for children, but it does have some humorous moments. Take it easy.

very drugged
While I have never been on acid, I believe that watching this movie is a lot like taking some sort of hallucinogen. It's tweak.

Probably Svankmajer's best movie
If you are unfamiliar with Svankmajer, it may be best to start with Alice. It is his most stylish and least morbid and grotesque long feature.

Sounds appealing? Actually it is a masterpiece. Like his other movies it is not for everyone, but it promises a unique movie experience. ... Read more

Reviews (38)

Great Movie! Special Edition?
This is a great film, and follows the legacy of classics such as Tim Burton's The Nightmare Before Christmas. It is stop motion animation, and every step of the journey is simply magical! The story (written by R Dahl) is about a young boy name James that lives with his two creul aunts, after his parents tragically die. One day they notice that a peach starts to grow, on their peach tree! The mysterious part is that no peach has grown before on the elderly tree! Soon the peach grow so large that it is bigger than their home! James crawls into the peach and meets some new friends played by Jane Leeves (Fraiser), Susan Surandon (Little Women), and a host of others! Soon the peach makes way down the hill and off on a magical journey!

Another great audio/visual DVD experience from Disney! I'am not sure why they called it a Special Edition. There is just the usual DVD features, nothing special. They probably could have done more extensive interviews with Jane, Susan and the singer/songwritter Randy Newman.

Still a great DVD! Next time look at Tarzan or A Bug's Life, Disney!

One of the best movies made since "Nightmare."
I personally like "James and the Giant Peach" because it's a movie that has something in it for everyone. The animation is great and I like the songs. My siblings enjoy it too. One of my brothers can't even hear the title without going berserk, because he really likes the Centipede. I like it becuase Jack Skellington (The hero from "Nightmare Before Christmas") makes a cool cameo appearance in it. It doesn't surprise me. Tim Burton was one of the producers. Anyway, it is a cute story and has something evryone in the family can enjoy. "James" is also very detailed. Inside the peach, you can recognize everday items that are literally larger than life, like a spool of thread and a seed packet. The only reason I give four stars is because it isn't as detailed as it should be, and the animation could use a little bit of improvement.

a good book also
this is a very sorowful tale of horrible women who mistreat a small child called james.he finds some magic ..........mmmmmmmm.............somethings which effect whatever they touch magicly.eventualy it turns a peach into a giant peach.james gets into it and rides with some bugs across the sea from london to new york.it is animated so no stars again.it is very sad at the beginning,but picks up so some children may get worked up.tim burton is in charge again,so it is a gem.it is one of his best works.the 2evil chicks at the start are terrible and have no real place in a childrens movie.the book is excellent also.our teacher read it to us in the 5th grade.this one is great!

Perfect for Children; Fails to Entertain Adults
All children should see this, better yet -read it. The book was actually read to my class by our fifth grade teacher and our imaginations really soared.

The movie is a let down from the world I imagined. Also, this movie is not suitable for adults. It hardly held my attention, the songs are weak, and there is very little (if any) embedded adult humor.

Adult Burton enthusiasts should avoid this movie.

James and the Giant Peach great movied to view on dvd
james (paul terry) is a nice and quite moral little boy who has two loving parents. while near the beach, he and his mom get killed (although this is not shown since it's a pg film) by a rhinoceros. yes this is a fantasy film in part and there are many magical elements in the film. james custody then is then taken over by two ugly aunts: aunt spiker (joanna lumley from "absolutely fabulous" fame) and aunt sponge (miriam margolyes) who are classic examples of adults who abuse their children. they are the classic example of the trash and evil nature that exist in all wretched adults who seek exploit others
for their wealth. in fact, james's aunts use him as basically a slave to work around the house. they starve him and feed the breadcrumbs that are in the trash. they yell at him when james wants to make new friends and talk to kids who he can't
relate to. nah it doesn't get much lower than quality of life aunt sponge and aunt spiker have on james. one day a mysterious man gives james a mysterious bag full of crocodile tongues I believe, which he says are magic and can make James dreams come
true. In this case, James dream was to go to New York City and see Empire State Building. It was actually both James parent's dreams and James dream. However, even though James parent's are long gone, James still wants to go to New York an accomplish the dream he and his parents set out to do. This is one impressive kid, he has a big heart and the kind of determination that almost no adults have nowadays. That's one lesson of the film right there , which is not to give up on one's dream, it's literally embodied in this great kid. So this special bag of magic combines with a small peach to grow into a gigantic peach which Aunt Sponge and Aunt Spiker capitalize for their own selfish profits!!!! Now if you think this made James's life any easier youd be wrong. Nope James's life continues as before, even wore as his rich selfish Aunt have become greedier and more manipulative and more vindictive. It's hard to believe that these "aunts" are the blood relative of James. Now before I go on, I couldn't help but think of James and Harry Potter. Sure Harry Potter was an orphan, but he and James are taken in by their slimy relatives who basically want to exploit and abuse them without any rights whatsover. Potter eventually escapes his vile relatives and so does James. Potter becomes one of the most loved characters at Hogwarts and James also near the end (without revealing too much) becomes
one of the most loved kids in the world. Anyhow James interests in the peach grows huge to the point with the aid of the magic bad of tongues , James becomes magically converted to small size and invades the beach. Inside the beach, James discovers a group of zany characters all symbolizing common day insects who have now made James the center of attention. James meeting the characters of Mr. Grasshopper (Simon
Callow), Mr. Centipede (Richard Dreyfuss), Ms. Ladybug (Jane Leeves from Frasier), Ms. Spider (Susan Sarandon), learns that they have been watching him as he is mistreated by his aunts and know that James dreams of going to New York City. Eventually James learns that the characters not only want to go with him but they are going to help him
on his journey as well. This is a great movie about friendship as well. Let's face facts it's not likely James would have gone to New York on his own, but these group of wonderful friends give the help and encouragement to do it, when he needs it.

When James and the group decide on a plan to go to New York City, they're journey is stalled by several dangerous adventures which include a metallic shark, dead caribbean pirates, and the hazardous condition which threaten to end their journey. However that isn't stopping anyone and James and his friends, as a group are determined to make it New York and James is determined to make his and his parents dream come true.... As you can see you can describe the movie any better than better, and the movie itself is loaded with amazing special effects that elevate this entertaining fantasy world that James has now come into contact with. In fact when I first looked at the effects, I thought I was watching another classic fantasy film like in "The Nightmare Before Christmas", and guess what both films were directed by the same great director, Henry Selick. I was success and an eye for greatness embodied in fantasy is a signature for
Selick. He really outdoes himself here.

Sony Imageworks and a trio of great animators provide the stop motion technology and animation that make the world of James and The Giant Peach so fantastic. Speaking of fantastic the voice talents in this film are all great with Sarandon, Dreyfuss , Leeves, and David Thewlis as Mr. Earthworm are great, you can tell
that they captured the characters really well, but the person who outshines them is Paul Terry as James, he give's quite a performance and I couldn't think anyone better to do the role he did. So as you can see James and The Giant Peach is far from being just a kids flick, it's that kind of stupid attitude that shows the true ignorance of so called critics who we'll miss out on the many meanings of films like "James and The Giant Peach". In fact one critic even mentioned that the film brings up ideas by Karl Marx for example the relationship of the slave, and master which are true in some regard, but above this a film that really does capture the spirit of having a dream and not quitting until he or she achieves that dream, because as you watch the ending, you can see in the ending, that James's dream really affects many people, not just himself. I could go and on about how great "James and The Giant Peach" but I think I've nailed everything good about it, all that's left now is to recommend the film to those who haven't seen it.

DVD Details:

Ah, the DVD is excellent coming up with several extra features:

*Commentary

*Behind the scenes on the making of the movie

* A special music video by Randy Newman who wrote several songs for the movie

* A beautiful transfer of the movie shown in letterbox format.

*Theatrical trailer

* About 13 character sketches on the characters themselves giving a glimpse
into the artistic process of the film

* Dolby Digital Surround sound.

As you can see a good DVD definitely worth checking out especially if you want
more details about the film. ... Read more

Description

For the past forty years, Jan Svankmajer (Alice, Little Otik) has been hailed as one of cinema's most consistently surprising, wildly imaginative and remarkable surrealists of our time. Utilizing a delirious combination of puppets, humans, stop-motion animation and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty and perversely visceral. This collection of remarkable short works pays tribute to an artist that has mesmerized audiences the world over, inspiring filmmakers from the Brothers Quay to Tim Burton and Terry Gilliam. Volume 2 includes: "Dimensions of Dialogue," "Down to the Cellar," "The Pendlum, the Pit and Hope," "Meat Love," "Flora," "The Death of Stalinism in Bohemia," "Food," BBC Documentary: "Animator of Prague", Selected Svankmajer Poems. ... Read more

Reviews (2)

Interesting surreal shorts.
This is a good, but somewhat short collection at 76 min. Having seen Dimensions of Dialogue years ago on PBS I had some idea of what I was getting. Much of it is weird and some are rather difficult to understand, but still good to watch. The style of the stop-motion is unique and is even used with people. I didn't find any of the shorts to be bad and would recommend it to those who are open-minded (these certainly aren't for everyone) and have an interest in stop-motion animation. Unfortunately, a good number of shorts by Svankmajer are not included on either DVD and Image Entertainment is not planning to release them.

A great collection of incrediable films!
I've been waiting for years to get a copy of one of my favaorite Svankmajer films DOWN TO THE CELLAR. This precusor to his acclaimed Little Otik is exquisitely funny and creepy. This is a must collection for fans of both SVANKMAJER and surrealist cinema in general. The presentation of the films is excellent and the dvd is fitted with some nice extras - artwork, poems, a doc to help you get a fuller sense of SVANKMAJER as not just as an extraordinary film maker but as an artist as well. DON'T MISS THIS ONE! ... Read more

Description

This award winning Wallace & Gromit compilation video includes three irresistible films- A Close Shave, A Grand Day Out and The Wrong Trousers. Climb aboard for a wacky voyage with The Incredible Adventures of Wallace & Gromit! ... Read more

Reviews (159)

Simply Grand!
You have all 3 Wallace and Gromit cartoons in one package with this! Anybody interested in animation should see this. Nick Park (also known for Chicken Run and Creature Comforts) uses the Claymation technique (simmilar to The Nightmare Before Christmas) and I was reading 1 review which said his 1st movie, A Grand Day Out took 6 years to perfect. That explains why he has only made 3 films at this writing.

The 1st movie, A Grand Day Out, introduces Wallace, clever crackpot inventor in England who loves cheese, and his dog Gromit, the brains behind the two. Wallace invents a rocketship to take himself and Gromit to the moon (after all, the moon IS made out of cheese, isn't it?). They find out quickly that the "oven" they've been using to heat Wallace's moon-cheese is really a crater-skiing robot who doesn't take too kindly to their visit!

In the 1993 Academy Award winning The Wrong Trousers, Wallace gives Gromit a pair of walking trousers (designed to walk Gromit when Wallace has better inventions to think up!). Gromit feels ignored, especially after Wallace takes in a boarder, a mysterious penguin. Later, Gromit discovers the penguin is a notorious thief and makes plans to save himself and Wallace!

In the 1995 Academy Award winning A Close Shave, Wallace and Gromit go into the window washing business. When Wallace meets the sweet Wendoline (who owns a knitting business) and her evil dog Preston, Wallace invents the Knit-O-Matic, a yarn making machine which strips the wool of a whole flock of sheep as fast as you can say "Confound it, Gromit!". Then when Preston starts playing with the machine, trouble begins (and it's up to Gromit to save the day)!

Each one of these adventures is worth more than 1 view and I look forward to more Wallace and Gromit adventures (and other Nick Park produced efforts) in the future.

No Cheese, Gromit.
The WALLACE & GROMIT shorts have accomplished something very few other franchises can claim. They are as popular with cult-clasping-college students as they are with kindergarten children. For the First episode creator Nick Park needed an excuse to get a man and his dog to the moon... A GRAND DAY OUT was the result. The episode is quaint and filled with great character and humor. The second, and greatest to date, THE WRONG TROUSERS introduces an evil penguin to the mix. Thats right, an evil penguin. The last episode, A CLOSE SHAVE, is an awesome sequel but suffers from the same thing that haunts many live action sequels. It is given a bigger budget and more time is spent on the mechanics of the story than the human side. All three are laugh-out-loud. And coming in short of 30 minutes, they can easily be taken in in one sitting and you won't feel guilty for not getting your bank book balanced. This is the most recent DVD release and includes interesting making of material, commentary by creator Nick Park, and even 4 early animations. Great for the entire family...

The worst animation on Earth
If you can stomach "Wallace and Gromit",I admire you.This is the absolute WORST animation on Earth!I felt like I was punishing myself by watching this horrible DVD.The stories had no plots-they were just a bunch of adlibbed scenes slapped together in hopes of making a plot.The animation itself is sloppy,choppy and cheapThis is NOT worth your time-if you want a good cartoon-get "Tom & Jerry" or "Popeye" instead.

ARE THERE MORE WALLACE & GROMIT OUT THERE ?
We have purchased all the Nick Park/Aardman/Wallace & Gromit DVDs we can find on Amazon. Are there more out there? It seems to me from watching PBS, etc. that there might be. It may take a certain mindset to really appreciate this animation, but we'll take all we can get!

WALLACE AND GROMIT SUCK!
THESE SHORTS ARE NOT WORTHY OF THE ONE STAR WE WERE FORCED TO GIVE THEM. WHAT IS WRONG WITH ALL OF YOU PEOPLE???? WALLACE AND GROMIT ARE THE CREEPIEST THINGS ON TV AND SHOULDN'T BE ALLOWED TO BE VIEWED BY CHILDREN (MUCH LESS ADULTS!) WE'RE GOING TO HAVE NIGHTMARES FROM BEING FORCED WHILE BABYSITTING TO WATCH "THE WRONG TROUSERS" WITH A 2 YEAR OLD. WHAT ARE WE MISSING? WHAT IS SO EXCITING ABOUT THESE VIDEOS?? NOTHING!!!! THEY ARE SCARY SCARY SCARY!!! AVOID THESE FILMS AT ALL COSTS. EVERY REVIEW ON THIS SITE PRAISES THESE MOVIES LIKE THEY ARE THE GREATEST THINGS ON EARTH. IF YOU HAVEN'T SEEN THESE MOVIES- SAVE YOURSELVES NOW!! WE ARE REACHING OUT TO YOU!! P.S. We love you but yea craig ... Read more

Description

Jan Svankmajer's long awaited follow up to his acclaimed "Alice" is an equally astounding version of the myth of Dr. Faustus. Merging live action with stop motion and claymation, Svankmajer has created an unsettling universe presided over by diabolic life size marionettes and haunted by skulking human messengers from hell. ... Read more

Reviews (23)

A fantasy to dream with again and again.
Wonderful blend of real-time and stop-motion storytelling by a master of the surreal. An apparently ordinary everyman is led by curiousity into a dilapidated building which turns out to be a strange cross of theatre, a puppeteer's workshop, and an alchemical laboratory. Suddenly, he finds himself becoming the legendary character Dr. Faust, selling his soul to the devil to gain magical powers.
Jan Svankmajer is the real sorcerer here and blends stage sets with real settings, seven foot puppets with live actors, and makes magic of it all.
The film has been dubbed for English audiences, but I have never seen a less obtrusive film dub. The voice performances are excellent and actually add to the surreal quality of the film.
Just one caution: This is not a "family" film. There is some adult material, so don't confuse this with Bass and Rankin style claymation.

Brilliant Avante Garde portrayal of Chris Marlowe's Faust
I have fond memories of this film in my ealier adult years, being very ripped on 'mood altering substances' and having a good ole kick back and watch of this film! It really used to bend my head! These days although making more sense in regards to a linear plot, I was somewhat dissapointed with the fact that this DVD does not offer the film in it's orginal language (Czech). Having seen the film in it's original language with English subtitles, I must say that the poorly dubbed voices, although bearing close resemblance to the original film do not give it the ambience it remember, however I'm sure than anyone watching this film for the first time in this dubbed format will throughly enjoy it!
Definately one to kick back with a Philly and a Guiness and enjoy!

jan's best!
I have yet to see jan's "lil otik" but out of all his others "faust" is by far the best of his vivid,imaginative works.new fans will want to see "alice"(his stop-motion take on alice in wonderland)first to get a real feel for his stuff.then buy "faust" if you like alice.the story is actually based off of a play,and includes live actors,string puppets,claymation,and such awesome scenery!fans of david lynch's "eraserhead" should not miss this.

pay attention...it's worth it!
This was simply the most visually and conceptually mesmerizing film I've seen in many years. It seamlessly melds the classic "Faust" story (a man selling his soul to the devil for a lifetime of earthly powers but who desperately regrets it at the end of his days) with modern-day capitalist society seen from the arresting perspective of Prague, The Czech Republic---where communism fell only recently, in 1989, and where people are still adjusting to the monumental cultural shift therein.

Even though the film is mostly silent, it's hard to take your eyes off the screen. Svankmejer is almost never predictable, and the surrealism and magic realism he infuses the film with keeps you constantly guessing what's coming next, and usually finding yourself unable to do so correctly. Much of it reminds me of "Alice in Wonderland"---you are transported into a parallel universe where all sorts of bizarre inexplicable things keep happening, it all makes no sense yet it does make sense. Of course, Svankmejer's famoust clay-mation plays a HUGE part in creating this surreal otherworld (he did the clay-mation for a couple of Peter Gabriel's videos, most famously "Sledgehamer"). After a while you simply give up and just sit back and just EXPERIENCE the film without trying to put it into any sort of predictable logical structure---which is exactly how you later start to see one emerging.

Truly, cinematic artistry of the highest order.

trip for two,please!
this movie is perfect for a big dube on a cold -20 winter night!strangely enough,I thought the "depth and pace"of this film were kind of like the big lebowski or the last tv episode of twin peaks!and as the green burns down,you'll find that you may have opened a virtual treasure chest of trippiness for all your buddies to behold!buy this movie just for the trippy factor alone. ... Read more

Description

The Czech stop-motion puppet animation master Jiri Trnka directed some of the most acclaimed animated films ever made. In 1966, four years before his death, Newsday lauded him as "second to Chaplin as a film artist because his work inaugurated a new stage in a medium long dominated by Disney." Trnka continues to astound audiences to this day, particularly those discovering this amazing animation for the first time. This collection includes five of the master's shorts and his feature-length classic "The Emperor's Nightingale" based on Hans Christian Andersen's fairy tale and narrated by Boris Karloff. Includes: The Emperor's Nightingale (1951, 67 min.), The Hand (18 min.), The Story of the Bass Cello (13 min.), A Merry Circus (11 min.), A Drop Too Much (14 min.), The Song of the Prairie (21 min.), Jiri Trnka: Puppet Animation Master documentary (12 min.). ... Read more

Reviews (3)

Worthwhile collection
The Emperor's Nightingale is feature-length (67 minutes). There are also five shorts plus a brief documentry on Trnka. I'm not familiar with Andersen's original, but Trnka's treatment of The Emperor's Nightingale makes it perfect for his medium. First of all, it is a story within a story: a live-action unhappy boy dreams the puppet-animated fairy tale. Then, the dream itself revolves around a real singing nightingale and a mechanical singing nightingale. Having this mixture of live action and puppet animation makes the experience more complex and interesting than reading the story in a children's book. Plus, nowadays, with simulated on-line experience competing with "real" get-out-of-doors experience, the story is even more complex. The Emperor of the title is the boy Emperor of China, and this leads to a nice Czech-filtered Oriental flavor to the art design. The shorts are a mixed bag. Story Of The Bass Cello (1949), from a Chekhov piece, and The Song Of The Prairie (1949), a spoof of Hollywood westerns, have humorous moments but felt too much like 1950s TV children shows. The Merry Circus (1951) is unique: the animation is done entirely with paper cutouts. The colors are very beautiful and reminded me of vintage carnival posters come to life. Then there's A Drop Too Much (1954), which is like the Citizen Kane of animation because of the virtuoso display of narrative technique. There is a stunning sequence of a drunk motorcyclist racing everything on the road during a rainy night. The last short, The Hand (1965), is best enjoyed as a Beckett-like short play, rather than a political allegory.

Wonderful Kid Movie Classic
Boris Karloff (who also narrated in The Grinch Stole Christmas) narrates this Hans Christian Andersen classic about a lonely emperor and the delightful comfort provided by a Nightingale.

The Master of puppets.
What Harryhausen and Pal are to America, Trnka is to Eastern European stop-motion animation; the Master. This collection includes some of his best work, and these short films now shine like never before on this new gorgeous DVD release. -This almost hypnotic new video format (DVD) seem to have a very positive effect on people in the industry, bringing them to seek the release of many a lost or forgotten treasure. I think the future looks golden, indeed. There's something truly unique about the high art of stop-motion, and personally I feel the older it is, strangely enough the better it is somehow. Also adding to the fun in this case, is hearing the wonderfully voiced Boris Karloff narrate one. Let's hope more Trnka stuff (and puppet trickery in general) is on the way; he and other Czech animators, like Karel Zeman, deserves it. ... Read more

Reviews (13)

Exquisite cacophony of images
Jan Svankmajer, whose name is almost always mentioned in the same breath as the Brothers Quay, is an animator with a deeply philosophical, psychological bent whose mode de employ is the infinite variety of the grotesque. If you appreciate Joel-Peter Whitkin's stills, you will love Svankmajers films. Objects animated are people, tubers, taxidermilogical failures, etc. Svankmayer takes a thousand separate, shocking little pieces and combines them into a sublimely shocking whole. The end product is always bafflingly surreal and so over the top as to be beatific. His filmography is made up mostly of shorts, and two other feature length films, Alice (1988) and Faust (1996), all would be worth some footwork to catch a glimpse of his intricately wrought madness.

Conspirators is a cohesive series of vignettes about obsessive-compulsive fetishists whose paths cross, in so doing sparking a series of respective erotic destinies that are fulfilled via a spiraling puzzle like path. The movie itself defines fetishism, turning the everyday object or occurrence into a meaning laden ritual; in these cases lives are compelled by a collection of huge fetish projects: the porno stand engineer who is so in love with images that he constructs a television that can be made to love him back; the mail carrier who maniacally turns loaves of bread into compact little balls that she delivers to the news anchor who feeds them to carp who live in a bucket under her desk and get her off on camera (as part of the engineer's project); her husband who hears symphonies in pursuit of junk he later constructs tools that de Sade would have cried over; and a pair of neighbors who obsess over each other's murders, whose will finds a magical way. This film is a must-see just for the exquisite detail with which the nameless protagonist constructs the piece de triumph of all fetish objects- it cannot be hinted at in less than a volume. These frames speak volumes, a wordless cacophony. Conspirators could be seen as a sort of "The Making Of" a Jan Svankmajer animation- the sympathetic voodoo magic worked by a team of discreet players so intense that genius is sparked and makes vital and gorgeous the previously inert and obscene. I'd give this film one star for each story's achievement, plus one for the opening sequence of *truly* bizarre 17th Century porno woodcuts. A must see.

Two reviewers jointly favor Czech animator.
Conspirators was spectacular in weaving its characters and their strangeness together. I couldn't wait to see what happened next. American film keeps us sadly stuck in the 1980s, bullied into accepting only computer animation because it is easy, unsupportably expensive and you can do it with a pull-down menu. Jan Svankmajer's animation is hands-on, time-intensive studio work and palpably realistic. It challenges the limitations of that generation whose imaginations were teethed on music video. Svankmajer is comical, insightful and grotesque as a children's folk tale. He is a singularly visual storyteller. If you want a taste of Svankmajer and aren't ready for an adult theme, start with Alice.

good for begginers
this one from Jan was cool,but just not quite as trippy as Faust or his collection of short film dvds,I thought.I did think it was funny though!I liked the short film "food"(included w/ the dvd)better than "conspirators of pleasure",actually-and you can get that short w/ the jan collected shorts vol. 2 dvd.I couldn't see paying $26 for this dvd, though.get alice,collected shorts 1+2,or faust before this one.those are actually more worth the money as far as I'm concerned.

Utterly brilliant . . .
This was my introduction to Svankmajer -- and I am floored, even more so because his short "Food" is on this DVD as well. Many folks assume that they have a taste for underground cinema because they (rightly) prefer "Withnail & I" to the latest Queen Latifa/Steve Martin muck, and they've seen "Man Bites Dog" a couple of times . . . but this is REALLY underground cinema. It doesn't jiggle the camera or have a shallow visual gimmick like "Waking Life" -- it is hard to exactly give the flavor of this film. None of the audio is live, it seems -- and the exaggerated foley work of hands squishing clay and rolling little balls of bread with spit and even squeezing a tube of glue all becomes decadently marvelous. As these various folk pursue their, um, completely non-traditional fetishes, no explanations are given, and no ultimate conclusion to anything. But each individual minute is precious. This isn't a film where you can say to those who dislike it, "You didn't get it." There is nothing to "get" in that sense -- but how much tactile strangeness can you delight in? I think it is a masterpiece. Give it a try. Let the rest of the public go on thinking that insipid fluff like "Lost in Translation" is independently-minded cinema. THIS is the authentic underground.

"Fringe" doesn't even begin to describe it
This movie is so weird that I don't even know what to think of it. I question whether it is a truly Surrealist film - it's certainly a very _strange_ film, but "surreal" does not mean "strange", and it's time we buried that misconception once and for all - but it will likely appeal to fans of Surrealism and other avant-garde art.

The film follows about half a dozen characters through the machinations of their utterly bizarre fetishes - a woman who gets off by stuffing bread balls up her nose, a man who delights in the texture of live fish, and - well, I'm not even going to try to describe the chicken guy. Though the characters don't always realize it, their secret pursuits are linked by a web of tangents and coincidence.

Though the characters are ostensibly pursuing _sexual_ fetishes, there is very little about this movie that seems sexual. Real fetishes usually involve playing with power or social roles, but these people just like really specific (and really strange) inanimate objects. Their perversions seem to be more about the ritual than anything else.

Though the movie is mostly live-action, there are some of Svankmajer's trademark stop-motion sequences, such as the chicken man's rampage through the forest. Also, there is zero dialogue throughout the entire film, which actually works quite well, forcing the viewer to engage the unfolding events more directly, and contributing to the overall feeling of "what the [heck]are they doing?!"

Maybe this film is just the product of sheer self-indulgence on the part of Svankmajer, but it will certainly challenge you to think. I'm giving it the median rating of 3 stars not because it's a bad film (or because it's a _good_ film), but because it doesn't even exist on that continuum. It is what it is. You'll have to see it for yourself. ... Read more

Amazon.com

Gumby, the little green plasticine boy from the toy-land world of Gumbasia, first burst onto TV screens on the Howdy Doody show in 1956. By 1957 the landmark children's show had launched its own series of reality-bending adventures. Gumby could walk into storybooks and through mirrors, blast off to the moon and travel back to the dinosaur age, and roll himself into any shape he chose. What kid didn't want to be Gumby?! Over 40 years later the delightful mix of innocence, imagination, and surrealism for kids is just as much fun and still feels unexpectedly inventive--the spacy electronic music alone feels years ahead of its time. Rhino's seven-disc boxed set features over 100 shorts made between 1956 and 1967, remastered from creator Art Clokey's original materials. The age of the series may show in minor scratching and speckling and occasional unsteady frames, but the picture is sharp and the color and sound surprisingly good and the whimsical little shape-shifting boy is as young as ever. The bonus seventh disc features a toy box of Gumby-related goodies, notably interviews with Clokey and original Gumby voice artist Dal McKinnon (quite the ham on camera) and a collection of Clokey's early films, including the inventive Gumby pilot film (sans soundtrack, sadly), gorgeous experimental exercises in abstract art, and two very entertaining marriages of silent slapstick comedy and stop-motion magic. --Sean Axmaker ... Read more

Reviews (30)

The Soundtrack is Brutal!
Art Clokey's Gumby episodes are surreal masterpieces. The innovative and imaginative visuals are the only aspects that saved this box set from the rubbish bin. I originally saw the Gumby cartoons with the original soundtracks, quirky tunes that well complemented the atmosphere in the Gumby episodes. I have to agree with the appalled reviewers who are disgusted with this box set. A young child who has not seen the originals will not know the difference in the music and may enjoy the set, but a seasoned Gumby fan will not be happy with this purchase.

The extras and the packaging are supurb, but the main features, the Gumby cartoons, are utterly ruined by the awful synth soundtracks. The new music is irritating and annoying to the extent of disrupting the action on screen. The plunky goofy nursery rhyme melodies are often louder than the dialogue. Instead of underscoring what is going on in the shows, the music competes and many times overpowers the wonderful images. To add insult to injury, the incompetent engineer who mixed the sound somehow caused an "echo" /reverb on the characters voices, which gives their voices a distracting tinny quality that is franky just poor sound mixing.

Can someone at Rhino explain why they spent so much time on the extras but aren't presenting the cartoons the way they were originally intended?

What a disaster!
Who in their right mind would release a classic like Gumby with all of the 80's stupid/silly sounding music! We want "Gumby" how Gumby was! Since I spent my almost 100.00, the box set has been sitting on a shelf in my garage! I was so upset, and felt I was taken advantage of. If they had put, "Sound not original", somewhere on the box, I would not have purchased it, nor many others.
Sigh...

Great Value
Here it is! All the Gumby episodes packed into one collection. It is great to be able to watch all the episodes of Gumby, and they are even in chronological order. However, the set could have been put together way better. It receives four stars because it is a Gumby box set, the first time all the episodes were put together like this. Here are some notes on the features of the set:

The Soundtrack: This is a partially annoying part of the set. They used the synth track made in the 80s for the episodes. I have many VHS sets made by F.H.E. and they used the original soundtracks. So, its not as if the original sound was lost or anything like that. However, Gumby's voice is done by the same person and the rest of the voices are done well enough.

Episodes: I hate the way the episodes are cut up into different parts. The original 22 episodes were 12 minutes in lenght and then cut up to make 44 6 minute episoeds. This is not done by Rhino, but was done by the studio way back when. I have no idea why they did it, but it is annoying.

Packaging: The DVDs do fold out in an awkward way. I like it though because it is different and makes it unique. The set also comes with a Gumby figurine.

Special Features: There are several of Clokey's original clay featuers that are cool to watch. The interview with Clokey himself, however, is very boring. The interview with the voice of Gumby is better. It almost seems as though the voice of
Gumby likes the series more than the one who created it.

Bad points: The menus and navigation in the set is very annoying. The Rhino introduction is retarded. Between each episode there is an introduction to the next one. The intros are repetetive and really stupid. I don't like the new gumby song that plays during the menus. I hate the children singing it. The navigation is so overly childish that I think even children would be annoyed by it.

Overall Value: The value of having all these gumby episodes availible in this way makes this set worth everything. The packaging and presentation could have been way better and I have no idea why they chose to go with the soundtrack that they went with. Maybe they thought modern children would enjoy it more. Who knows?

IF YOU WATCHED GUMBY IN THE 80s+ YOUL LOVE IT
All these other reviews down this dvd so much, i grew up with gumby in the late 80s early 90s and i cant notice a difference in music or voice quality, which is what everyones complaining about, i do notice in the early episodes, there voices are different, but thats obviosly how they started out. This dvd is true to the era of gumby in the 80s. This is the best box set i have ever owned, and will be treasured for ever. I reccommend not thinking twice about buying it, think once and think yes. This is a classic to show the kids, and they will love it as much as you did. This is a great buy, and i give it 5 stars.

To Kylemonger
I agree but as a baby b0oomr who grew up in the Sixties and Seventies and who remembers the (freelanced) Capitol Records-Licensed (incl. among others, the Sam Fox, MuTel (sic), Langlois and others) library music-you'll still hear it on (among MANY others!!!!) Jinks, the Huckster and others on Hanna-Barbera's early, 1958-59 HUCK show, on Quick Draw (also a Hanna-Barbera production), a host of Universal (like HITCHOCK and BEAVER) and Columbia (DONNA REEDIt isn't just the music replacement issue, the music itself IS (as someone said), a "lame Barney mix"--Continuiny seems odd esp.in the 1995 flick with Gumby going with a EW girlfriend Tara, when he still has Goo Mermaid (Voiced by the late, beloved Norma MacMillan of Sweet Polly (UNDERDOG) immortality, and also a sixties voice of CASPER the FRIENDLY GHOST when veteran Mae Questel left for other things).

Also the classic "If you got a heart" sixties them is gone!! The aforementioned canned score (a book by historian Jon Burlingame, TV's BIGGETS HITS from 1996, about the time of the Gumby flick, mentioned the stock music in chaper one HOI YO SILVER< and the music on Gumby, without any reference to the show itself, from Capitol, is mentioned on pp.11-12,with words from Jack Cookerly, a composer of this music as was the great W.G.Loose. It's Wm.G.Loose who did a lot of themes for Columbia/Screen Gems in the late 50s like DENNIS THE MENACE and DONNA REED..both of which were hanging around before). the Music on Gumby atually made the show, when we're talking about the how as it sounded in the fifties and sixties anfd reruns thru 1988.(I am veyr happy to have the earlier videos of the show, three of them, as they were done..) ... Read more

Reviews (10)

Mother love.
'Little Otik' tells its story from two female perspectives. The first is that of a young wife who, infertile like her husband, is depressed because she is childless. Buying a rural allotment to take their minds off their plight, the husband, in a moment of apocalyptic stupidity, digs up an old root and jokingly carves it into the shape of a baby. The mother, far from laughing, transfers all her pent-up maternal feelings onto the stump, even going so far as faking a pregnancy for the neighbours, wearing specially sized cushions each month. Mrs Horakova is an adult who regresses into childhood, who replaces the intolerableness of reality with fantasy and play, make-believing motherhood just as a child plays with its dolls.

The other primary viewpoint in the film belongs to Alzbetha, whose family lives facing the Horaks in a glum Prague tenement. Her development is in the opposite direction, from child to adult. A sturdy eleven-year-old, she is becoming a sexual creature, regularly ogled by the paedophile janitor, hiding sex-education books in a volume of fairy tales, dodging the blows of a comically brutal dad who freaks out every time his little girl declaims something 'adult'. Where Mrs. Horakova tries to hide reality, Alzbetha attempts to discover knowledge - she is a detective figure reading the clues of weirdness and death being left by her neighbours. It is almost as if knowledge is too much for women to bear, though, because discovery causes her moment of regress, and she replaces Mrs. Horakova as the wood's mother, resorting to increasingly desperate tactics to feed it. Because by this atage Otik has become an enormous, insatiable child, feeding on humans to sustain itself.

Facing each other like mirror reflections, these two households offer bizarre distortions on the idea of the family unit. 'Little Otik' is filmed with an austere but grotesque realism, with a shabby, small-minded Czech milieu not so different from the dank settings of Svankmajer's Communist-era films. Huge close-ups focus in on faces expresing (usually gross) appetite, whether for food, drink, sex, reassurance, family, knowledge or love. Equal prominence is given to things, especially food, whose sticky, lumpy liquidity becomes a uteral/infant displacement in a series of provocative visual puns. There are fantasies at the beginning of the film - such as when Mr. Horak sees babies everywhere, being sold like fish at a street market, or enwombed in a watermelon - but they are clearly signalled as such, as unreal as the violently unsubtle advertising that Alzbetha's couch potato father watches, usually for products that require no human input. Svankmajer's trademark puppetry is kept to a minimum, and, except in one case, is used to express character subjectivity (the girl eyeing the bulging trousers of the paedophile; her father witnessing live nails in his soup).

That one exception is little Otik himself, who is given life by the sheer force of his mother's desire, and is sustained by the collusion of the little girl. He is created by the father, and the film adds Frankenstein/Golem/Genesis resonances to its Kafka and fairy tale structure - but it is lifeless until the mother succours it. It is the two women who make it real, who displace drab and unjust reality with an all-consuming, murderous fantasy (it is significant that 'truth' is uncovered by reference to a folk tale). Fertility distorted devours all that surrounds it. The void of denial is filled by a monster who, through appetite, literally creates absence (appropriately, his victims represent authority, bureaucratic, generational and filial). I'm sure this is an allegory of some sort for modern Czech consumerism - as in Haneke's 'The Seventh Continent', a family unit is driven to ruthless besiege isself - but the relentless allusions to the director's previous film, the dark fairy tale mirror-worlds of 'Alice' and 'Down In The Cellar' expecially, suggest that the director is once more interested in burrowing the unexplored recesses of the mind, body and imagination. The result is his most uncomfortable and funny film in years.

The Svankmajer Touch
Master Czech animator Jan Svankmajer's latest film, Little Otik, is, among other things, a continuation of his fascination with surrealism and food (read: consumption). A 30s-ish woman's complete barrenness makes her extremely despondent until one day, her husband, as a bizarre joke, uproots a tree stump, trims and shapes it to resemble something vaguely human and presents it to her. Immediately identifying it as the baby she can never really have, she takes to it at once, dressing it, talking to it and lavishing so much attention on it that eventually it responds by springing to life.

The woman's fanatic obsession with the stump--now called Otanesk (Little Otik)--is so complete that she dedicates all her time to it, at first nursing it and later, realizing that "milk and carrot soup are not enough", spending enormously to buy vast quantities of food to satiate its voracious appetite. Alas, pork, porridge, and other comestibles themselves are still not enough. The mailman disappears. A social worker suffers the same fate. What to do?

The wily next door neighbor's daughter (a precocious 11-year old) befriends the by-now gigantic stump and cares for it feeding it what it most craves until--. Well, that's enough of the plot for now. Svankmajer even creates a fairy tale to explain Little Otik's history, illustrated in the flat colorful animation characteristic of the work of early animators from long ago. But aside from these short, intermittent segments and Otanesk's thrashing, the tremendously inventive Svankmajer's forte is not much on display.

In addition, at just under a full two hours, the film is somewhat overlong, definitely in need of editing. Yet the trademark Svankmajer focus on the aforementioned food/consumption (see Conspirators of Pleasure, as well as several early short films) is here for sure, as is his obvious delight in surreal images.

This is a work for Svankmajer fans as well as those who love the surreal (with more than a dose of the grotesque). For those who prefer more conventional fare, stay clear!

Suspension of Reality
This film suspended reality for me - I was entranced - the stop-motion technique alone lends to the eery feeling little Otesanek brings to the screen. I began to understand this woman's obsession with having a child - and how she would covet this tree trunk... am I mad??? Fabulous recreation of a disturbing fairy tale.

No spoilers here...
Anyone familiar with Jan Svanky's work already knows they'll love this from the box art alone. For those who are not, however, this is the perfect entry-level Svank film; this is rather tame compared to his other works, which is the only reason I give it 4 out of 5 stars. I like my Svank on far side of surreal.
It is a modern retelling of a classic Czech folk tale, and, like many such old stories, is quite disturbing on many levels. We in the west have fallen victim to disneyfication with most of our legends, a process through whcih most of them have lost much of their meaning, and all of their flavor.
Svankmeier has recognized this unpleasant trend, and subsequently has dedicated much of his recent films towards rekindling the surreal embers of our oral memories. Though you may not be familiar with the tale of little Otik, the journey of discovering who, or what, he is and what he represents to humanity is a genuine trip, one that should not be missed. If you maintain your sanity after viewing this, then get ready because the ride has just begun. I recommend moving on to Jan's other retellings, notably Alice and Faust.

Original, witty and horrific
"Once upon a time there lived a woodcutter and his wife who longed for a little baby..." That's how so many fairytales start and in this extraordinary, disturbing and witty film the fairytale is brought to life not in some suitably fairy-tale setting (as was the case in e.g. Cocteau's "La Belle et La Bete" or Jordan's "Company of Wolves") but in a dingy block of urban flats in central Europe. Here we find the childless, no longer so young, Bozena and Karel who are both hopelessly infertile and wholly in despair. But Karel digs up an old tree stump which looks a bit like a baby, cuts it up a bit to make the resemblance closer and gives it to his wife as a rather sick joke. Immediately, to his horror, she sets about loving it. She even sets up an elaborate fake pregnancy for herself so she can present it in public as her baby - though she soon learns that, given its appearance, she can't very easily do any such thing. Then after she has "given birth", Karel returns home to find the tree stump, named Otik, has somehow become alive and is hungrily suckling at his wife's breast. He wants to cut it to pieces with an axe but she desperately prevents him and they continue to feed it. It grows rapidly bigger and bigger and hungrier and hungrier. In a wonderfully horrible scene it attacks Bozena by grabbing her hair in its teeth. Then it eats their cat. Then it eats the postman. A social worker is sent round and asks to see the baby. "Don't be afraid, I'm not going to eat him", she says. Indeed, au contraire...

The dramatic centre of the film is not any of the characters so far mentioned so much as it is Alzbetka, the little girl next door, beautifully played by Kristina Adamcova. She has a precociously strong interest in everything to do with reproduction and motherhood and assiduously reads books on sex and obstetrics hidden inside the covers of fairy tale collections to evade the notice of her stuffy and anxious father. No one is quite as interested as Alzbetka in the parental lives of Karel and Bozena and soon she is the only person really alive to what is happening next door. But rather than being afraid of the monster she now has for a neighbour her attitude to it becomes maternal and protective...

If you like monster movies and fancy checking out something a bit different this is a good place to come. Indeed it is so enormously different that it is worth checking out if you ordinarily hate monster movies but are open to anything remarkable and imaginative. It's an excellent movie, though perhaps a little bit too long for so simple a tale and the end is a little slow coming. But the first half in particular, charting the surreal nightmare of Bozena's growing madness and then the horror of the suddenly living and feeding Otik is marvellous. Svankmajer doesn't have a monster-sized Hollywood special effects budget to create Otik but he does have a distinguished history as an animator and uses animation techniques to make something magnificantly creepy and horrible. Sometimes one is reminded of the hideous infant from Lynch's "Eraserhead" but really Svankmajer's Otik is like nothing else, a hideous confusion of roots and teeth. It might give you nightmares. ... Read more

Amazon.com

Before Wallace and Gromit, before Gumby and Pokey, Hungarian-bornanimator and director George Pal (1908-1980) created the stop-motion shorts he dubbed "Puppetoons." Arnold Leibovit has assembled an affectionate tribute to Pal that includes animation from 11 "Puppetoons." Twelve other films are included on the DVD version, although there's some overlap. Pal used his charming little figures in miniature Busby Berkeley numbers and simple boy-meets-girl stories. But he could tackle more serious subjects, as he proved in "Tulips Shall Grow" (1943). He caricatured the Nazi wehrmacht as the goose-stepping, robotic Screwball Army, attacking Holland (where the artist had made his first films before coming to America). His most endearing short is probably "Tubby the Tuba" (1947), the story of an eager little horn who wants his song to be heard. In 1947, Ebony praised Pal's "John Henry and the Inky Poo" (1946) as "that rarest of Hollywood products that has no Negro stereotypes, but rather treats the Negro with dignity, imagination, poetry, and love." But the magazine criticized his series about Jasper, a little African American boy. These films have aged less gracefully, and modern viewers may find jokes about watermelon, haunted houses, and other standards of ethnic humor objectionable. Not rated: suitable for ages 8 and up. Parents may want to monitor the use of ethnic stereotypes. --Charles Solomon ... Read more

Reviews (10)

Absolutely wonderful.
I'm a big fan of stop motion animation, and anything that bears the name George Pal, for that matter. This is a great collection of small puppet films, many of them advertising for "Phillips", it seems. However, I do miss one particular of these rare "Phillips" films. -It involves a laughing man going to a fairground attraction, trying everything; shooting, hitting, rollercoaster, etc, finally ending up in his armchair watching TV. It's a marvellous piece of work, with probably more puppets moving than in any of the others. Perhaps collector of this production Arnold Leibovit can clue me in, why it wasn't included. Stop motion is truly high art, and much more atmospheric than cartoons. It deserves more attention and respect, than I feel it gets. It can be a million times more scary and eerie than any form of hand-drawn animation, in my opinion. -Could this be the reason movies and television prefers the "safer" cartoons ?. We're drowning in cartoons !. The world needs a puppet channel !. Thank God for people like Pal, Zeman, Trnka, Quay, Svankmajer, Park, Starewitz, etc, etc.

Arnold Has Done It Again!
Well, Arnold Leibovit has done it again! First he released his wonderful documentary about the life and works of George Pal on DVD, "The Fantasy Film Worlds of George Pal", with almost two extra hours more of interesting facts, films, and fantasy. Now, he's following up this release with his fabulous and heartfelt tribute to Pal's works of Puppetoon short films, with the release of "The Puppetoon Movie" on DVD! Like "Fantasy Film Worlds...", Arnold has added more treats to "The Puppetoon Movie", with a bonus section of new Puppetoons, a photo archive, interviews and movie trailer! Even without these bonus features, &