Reviews (17)

"Napoleon" Is Simply Dynamite
The delightfully original film "Napoleon Dynamite" follows the life of a geeky teenager of the same name, and through his misadventures at his high school and at home in Preston, Idaho. This film first began to delight audiences at the Sundance Film Festival, and now that it has been nationally released across the country, I finally got the chance to see why. It is a movie that doesn't seem to bother with an intricate storyline, but is simply tales from Napoleon's everyday life, small events to an outsider but from his perspective, his whole world. This, in a sense, makes the picture a more realistic depiction of teenage life.

The character of Napoleon, brought to life by Jon Heder, is a caricature of a high school teenager. With a tuft of brownish hair, glasses, and a permanent look of confusion, getting pushed against lockers by popular jocks are regular occurrences for Napoleon, and strange behaviors as talking about hunting werewolves or saving tatertots in his pants pockets for later seem normal to him. He is delightfully quirky, and it makes the audience root for him as the unlikely hero. From his adventures at school with his friends Deb (Tina Majorino) and Pedro (Efren Ramirez), to his life at home with his geeky 31-year-old brother Kip (Aaron Ruell), his football crazed Uncle Rico (Jon Gries), and his llama Tina, Napoleon brings a unique charm to the screen that is only enhanced by the crazy characters around him.

"Napoleon Dynamite" is certainly one of the most original and strangely hilarious films of the year, and thanks to the brilliant script co-written by Jared and Jerusha Hess, the direction by Jared Hess, and the performances by all members of the cast, it is sure to win over any audience member, as quickly as it won me over.

I wish I could give it six stars
This is truly the feel-good movie of this year; there's not a curse word to be heard, no more violence than a few noogies, and no sex at all. Still, I defy you not to want to cheer at the end of this. The story of misfit Napoleon Dynamite and his miniscule circle of friends in rural Idaho, this movie manages to present the total nerd characters with their nerdiness intact, as well as their inherent dignity and humanity. I'm not going to tell you one plot point, because I want you to have the total pleasure of discovering them for yourself.

The friend of mine who saw this at Sundance told me that a jaded audience of Hollywood types 2000 strong cheered, stomped their feet and clapped their hands raw at this movie. You will too.

No log off and go see this right now.

The Prince of Preston
This is a small film, a very good one, told large. The director, Jared Hess, is a 24 year old wunderkind from the barrens of Preston, Idaho, and he has created a gem; a cousin to the Coens. This is a comedy that will sneak up on you, the stuff of belly laughs. Last year he did a 9-minute short film, PELUCA, starring Jon Heder, and it seems to have been the outline for this feature film. Hess is from Preston, and he filmed it as only a resident could; full of empty landscapes, lonely roads, farmers, ranchers, and rednecks. A scene where Napoleon gets a job for the day on a chicken ranch is worth the price of admission.

There have been numerous comparisons for this movie to WELCOME TO THE DOLLHOUSE, and RUSHMORE. But for me, this film stands firmly on its own. It plays out like an absurdist straight drama that also happens to be funny. It is reminescent of some of the best moments in the Coen Brother's RAISING ARIZONA.

The film was a big hit at Sundance, and it has been distributed well; a lucky break for Hess. Wouldn't it be wonderful if more of the youth of our country could rally behind this tiny epic, and create it as a cult film; that for a moment they step away from the commedia del raunchy that they mostly immerse themselves in; that they actually laugh at themselves, the way they really are, just kids struggling to grow up? The 13-30 year old demographic dictates our art, our music, and our movies. This little film could go a long ways in restoring the missing heart, the naivete and grace to the comedic genre.

One real plus for me was the odd wholesomeness of this movie. There was zero profanity. Most of the time when a script deletes realistic high school vernacular, and changes the language to a lot of goshs, dangs, hecks, frigging, and freaking, it usually morphs quickly into the landscape of the lame. But somehow, Hess makes the lack of profanity work, and we don't miss it.

Peter Travers of Rolling Stone called Jon Heder," geek deadpan perfection." He loved the film, and directs us," to laugh until it hurts." Heder is a lanky beanpole with a red Afro, all Adam's apple and oversized glasses, and overbite. At first glance one sees a young Yahoo Serious, or a Scott "Carrot Top" Thompson. But no, Heder is more natural, more believable, more absurd, and wonderfully unselfconscious. He is less the over-the-top screamer. In his best moments, like when he played tetherball with himself, or practiced his killer dance moves in his room, he reminded me of some of the great clowns; like a young Jerry Lewis, and even the precursory shadings of the great ones like Jackie Gleason in GIGOT, or Jacques Tati. Heder is Napoleon Dynamite, a prince of Preston, a nerdish Conan out to slay demons, or maybe just to get laid.

The setting for the film seems to be the early 1990's. Napoleon, and his older brother, Kip, live with their grandmother, played by Sandy Martin, who does a great turn as a biker grandma, who still dates, eats entirely too much steak, and loves her llama.
Aaron Ruell, as the brother Kip, a 32 year old who has been a nerd for so long he is oblivious to it, does a fine job with the role. He lives in front of his computer, logging countless hours in chatrooms, searching for cyber-love, running up huge internet bills. Tina Mjorino, as girlfriend Deb, was wonderfully wacky, off-center, and loveable. A former child star, from films like WATERWORLD, she is 19 years old now, and she is good enough to be slugging it out with the likes of Thora Birch, Jena Malone, and Christina Ricci for those Odd Girl parts. She found the sweet quirkiness and heartfelt honesty of her character. Jon Gries, an actor since 1968, son of famed film director Tom Gries, was very good as the arrogant deluded ignorant Uncle Ricco; a man stuck in the past, reliving a fake fantasy that when he played high school football he might have been a great star, even turned pro...if his stupid coach had not left him on the bench so much. Efrem Ramirez, as Napoleon's best friend, Pedro, is a veteran actor from 10 films. His babyface, and deadpan delivery served him well. He did an excellent job. When he decided to run for class president, against a popular cheerleader, the tempo begins to shift, and we begin to see that this sad and funny drama was going to bend into a kind of fantasy tale; with underdogs rising to the occasion, taking on overwhelming odds, and of course, emerging victorious.

In smaller roles we first find Diedrich Baker as the karate teacher Rex, and he is the most seasoned veteran of the cast, having appeared in 33 films. He had a lot of fun with this part, prancing around in his American flag "bad-boy" pants, and pushing around the local kids while taking their money. Then there is Shondrella Avery appearing as Kip's cyberlove La Fawnduh. She is one hot mama, and she seems to like short skinny white dudes. When Kip boards the bus with her, bandana on his head, glasses in his pocket, suitcases in his hands, leaving home for the first time, we realize the film has come full circle, and now is a fairy tale.

I had approached this film skeptically, not being sure how I would react or relate to it...but it won me over. It was not just another dumb comedy that would disentegrate two points off my intelligence quotient just by sitting through it. Rather, it was a fine little film, large on ambition, that I came to care about. I recommend it highly.

Soooo FUNNY!!!!!
I loved this film. It is funny like the mainstream films try to be but usually don't live up to. Its got some really gross parts to so watch out. Every scene is laugh out loud. I was laughing so hard I was crying. It also has a really good theme. The minority actually gets the upper hand by using creativity, not giving up and still being themselves. The actors were absolutely outstanding! The story is fresh and original without the cliches that seem unending in many films. Napoleon is a boy in high school who would be considered a nerd. He is different because normally the nerd cliche would be to not stand up for yourself but Napoleon has a temper and isn't afraid to speak out for himself. Its just that he does it so funnily. Napoleon is not the only funny character, the film just overflows with creative characters, his brother who is 34, still living with grandma who cooks steaks all the time. He is also nerdlike and possibly slow. But he is so funny, he wants to be a karate fighter, he and Napoleon get into a slap fight, its just hilarious. The brother has a girlfriend he meets on the internet, who shows up and changes the brother into Mr. Cool, but it just isn't possible. The Uncle is Uncle Rico who loves football and is stuck in the 80's. He wants to go back and play in the 4th quarter and become a pro, which he didn't get to do. He buys a time machine on the net, another lol scene. Pedro is from Juarez, Mexico who gives a deadpan performance. His acting alone makes the movie a winner. He decides to run for president against the most popular girl in school. He never gives up and neither does Napoleon. Napoleon's love interest switches to Mel who is also another interesting character. Into photography and also somewhat nerdy. She is played by Tina Majorano (sp.) She was that little girl in When a Man Loves a Woman. Another great performance. I can't say enough about the film. I think most ages would like this film, there is some cussing and some gross out scenes, no sex. Go see it!

Lisa Nary

Napoleon Dynamite. More Movies should be like this.
Napoleon Dynamite was a fantastic movie. I came into the theatre about 10 minutes late, it was still great. Some movies have their fabulous moments, but not this one. The whole movie itself is a fabulous moment. I love movies with no point! Example: Welcome to The Dollhouse, I thought Nothing could even be the same as that movie or replace that movie. Then all the sudden a brilliant writer came up with this movie. I really appreciate Napoleon Dynamite. I really do not think anybody knows how much I appreciate it or even understand. I do not want to rate this movie a five, I want to rate it a 6. Sadly I can't, anywho for all of you who have not seen it go see it, then go see it again. ... Read more

Amazon.com

The brief 1980s mania surrounding "the Coreys" peaked with License to Drive, a modest but surprisingly still enjoyable adventure comedy. Les (Corey Haim, Lucas) has a chance to date his dream girl, Mercedes (Heather Graham, Boogie Nights, in her first significant movie role)--but he's just failed his driving exam. Motivated by a mixture of pride and hormones, he steals his grandfather's Cadillac and heads out on the town with Mercedes for a night that swiftly becomes an escalating series of disasters, made worse by the foolhardy antics of Les' best friend Dean (Corey Feldman, Stand by Me). Despite some egregious '80s fashion disasters (Graham gets the worst of them), License to Drive holds up surprisingly well--it's no work of genius, but it is a solidly made and entertaining teen comedy that's more coherent than most.The depiction of parent-teen relations is fairly honest and particularly well-played by Richard Masur (Risky Business) and Carol Kane (In the Soup) as the parents. The DVD includes a very funny and rambunctious audio commentary track by the screenwriter and director, as well as interviews with the grown-up Coreys. A must-have for fans of '80s nostalgia. --Bret Fetzer ... Read more

Reviews (37)

License to Drive - my all time favorite!
Being a child of the 80's - this movie was great! I watched it as a teenager over and over (probably more than 50 times) and laughed every single time! If you are a fan of 80's movies, you'll love this one! I've been waiting for it to make it to DVD - I'm so glad it has finally happened. It's a movie that brings back great memories for me.
Enjoy!

What more could you ask for?
I waited patiently for this DVD to come out.Ok, maybe not so patiently. Buuuut, I finally got my copy of License To Drive.I couldn't be more excited.Corey Haim, Corey Feldman and Heather Graham drunk and locked in the trunk of a hot car- what else could you possibly want in a light-hearted 80's teen movie!?This movie is an 80's classic! I would say it's even better than most of the Brat Pack stuff... This DVD is top notch. The extras are very cool. Interviews with both the Coreys! I've already watched the DVD start to finish twice this weekend!!!

License To Drive is Pure 80's fun.A must have...

A Cool Movie, Nice Extras
In License to Drive Corey Haim stars as Les Anderson. He has a problem. He has no license. He is too cool to be seen on the school bus and it's totally not cool to have your friends mom drop you off at parties. Plus, Wes has a crush on a hot blonde who just happens to be named Mercedes.

The time arrives when Les finally has his opportunity to go out on a date with Mercedes--but his parents discovered that he really failed his driving test. Les has got to make it happen and he takes the car anyway. Heck, Mercedes called him and expected to see him in 20 minutes, what's a teenage boy to do? The night becomes filled with misadventures and Mercedes gets so smashed she spends part of the night in the trunk of the car. The excitement only continues when Les' mother, played by Carol Kane needs to get to the hospital.

If you haven't seen this film in a while, it's just as great as it was when it was first released. The two Coreys followed up License to Drive with the movie Dream a Little Dream. Dream a Little Dream didn't have the commercial appeal as License to Drive. Although both Corey's appear on the cover, this was another film in which Corey Haim was definitly doing most of the driving considering the majority of the storyline revolved around him, his circumstance and his family, but Corey Feldman is a good sidekick as his buddy Dean.

There is also some cool music featured in License to Drive. While watching the movie keep your ears peeled for "Rush Hour," by Go Go's member Jane Wiedlin, "Mercedes Boy," by Pebbles, "Trouble," by Nia Peeples, "I Feel Free," by Belinda Carlisle, and "Get Out of My Dreams and Into My Car," by Billy Ocean.

The DVD itself does have some cool features which makes up for the wait in having this cool film on DVD. Extra's include interviews with Corey Haim and Corey Feldman, audio commentary with director Greg Beeman and writer Neil Tolkin, deleted scene, TV spots and theatrical trailers. The DVD-Rom portion of extras include the films screenplay.

The best extra's are the interviews with Corey Haim and Corey Feldman. Both actors look much better than they have in years. Corey Feldman has cut his hair since he appeared on The Surreal Life. Corey Haim has lost some weight and is sporting a spiky blond haircut. Both actors discuss how they got involved with the film, how they met and their experience of working together. The interviews are not real short, which is sweet.

Funny As 80's Comedy
Licence To Drive is one of those movies we can all relate to, wanting to get our licence, wanting the hottest babe in school. About certain scenes in the movie, the scenes i laugh at the most is where Dean is testing Les on driving licence questions & he goes up to the intercom & talks to les's sister & burps into it, another scene is where he is on the hill & the elderly driver behind him says "C'mon you little moron!" also the scene where the driver says to Les, "What am i speaking greek"? there are a lot more funny scenes too much to mention here, i just can't wait to buy it on DVD. One revealing scene you see is where charles is trying to pickup a passed out mercedes & take her into the resturant for a soda, in the next scene you can see a shadow of her hair moving back & forth. All in all a very funny 80's comedy that rates a high 5 for me.

Two Coreys, Fully Loaded with options and LOW sticker price!
LICENSE TO DRIVE is a fast-moving teen comedy from the 80s starring the comic duo of the two Coreys - Haim and Feldman.Anyone who remembers a time when all our idols were named COREY will love this trip back down memory lane. First off - great cast with Heather Graham in an early role as dream girl Mercedes Lane and Carol Kane as the pregnant mom.It's a typical comedy, but the director provided enough style and zip to make it all work well.The driving exam scene is classic, and there a lot of good one liners "Who would have thought a Mercedes could fit in the trunk of a Cadillac?".The DVD includes a deleted sequence with an ALTERNATE CLIMAX.The whole thing runs about 20 minutes, and shows you how the movie could have ended.Also you get a funny commentary with the director and writer, and some current intereviews with each Corey separately.The transfers and audio are top-notch as well!Great price for a great DVD. ... Read more

Description

Nowhere-man Ronny Miller is secretly in love with Cindy Mancini, the prettiest, most popular girl on campus. When Cindy finds herself in a desperate predicament, Ronny steps in to save the day ... for a price! Cindy must pose as Ronny's girl so that her popularity might rub off on him. But the road to popularity takes an unexpected twist when Ronny becomes so "cool" that his former friends feel the chill, Cindy is left toally out in the cold, and Ronny himself discovers that money might buy you popularity, but it can't buy you love! ... Read more

Reviews (69)

You Can't Buy Love, But You Can Buy This Movie
Amusing story of a nerdy high school student Ronald Miller (Patrick Dempsey) who discovers that becoming popular isn't the greatest thing in the world. After she accidentally ruins her mother's suede dress with some wine, Cyndi, the most popular girl at school (played wonderfully by Amanda Petersen) will do anything to replace it before her mother gets back from her trip.

Enter Ronald. After seeing her desperate attempt to replace the dress at the mall, Ronald makes a deal with Amanda. He'll use the money that he has earned all summer by mowing lawns to buy a new dress, in return for Amanda's help in turning him to Mr. popularity.

Along the way, Ronnie learns lessons about the true value of having real friends, and towards the end of the movie Ronald discovers that he is still himself.

This film, which is no longer produced by Touchstone Video (a division of the Disney Corporation) features many couple of stars before they hit it big. Gerardo, the Latin-singing star who scored a one-hit wonder with "Rico Suave," plays one of the football jocks in the film. However, the real scene-stealer in this film is Seth Green ("Austin Powers"; "Buffy the Vampire Slayer" "Can't Hardly Wait") who plays Ronald's annoying, yet hysterical little brother, Chuckie. By taking a look at Seth in this past role you can understand why he is such a big star today. He is always a trip when it comes to comedic performances.

I loved this film for many reasons, but I think the most memorable scene in this film probably has to be Ronald learning an African dance he saw on television (he thought he was watching "American Bandstand"). After learning it, Ronald performs it at the big dance, not knowing that it would become a huge hit.

This film ranks among the 10 best teenage comedies produced in the 1980's. Let's only hope that it will be re-released on video and DVD in the near future.

Great 80's teen comedy
Viewed as a genre of its own, the 80's Teen Comedy produced some fun, enjoyable movies. One that holds up quite well is Can't Buy Me Love. Starring Patrick Dempsey in what was probably his best role of the era, it's the story of a geeky kid who pays the captain of the cheerleading team to pretend to be his girlfriend for a month. While not entirely realistic, it has a good ending. The humor holds up well after 16 years, as does the movie overall.

The DVD was hugely disappointing, and my 4 stars are based on the movie itself. Unless you consider chapter stops a special feature, the disc is devoid of any extras. The greatest offense is that it's presented only in fullscreen. I'd normally pass on a non-widescreen release, but my wife insisted on having it. If you have to have this movie, this is probably the best release it will see for quite some time.

ONE OF MY ALL-TIME FAVS***
If you love the corny but terrific 1980's, you'll love this movie. In my opinion, the TEEN MOVIE OF ALL TEEN MOVIES... tHE CLOTHES ARE A RIOT, but ther than that this movie has a terrific point, Cools, Nerds...who cares! Ronald Miller rides into the most popular girl in school's heart on a lawnmower. From there its all sorts of fun for the move watcher! I love this move and was soooo pleased it was released on DVD. No special features, bummer. Terrific film though. Be sure to get it!

1980s classic!!!
Patrick Dempsey plays nerdy Ronnie Miller, who is so on the outside of society at his high school that he is known simply as "Lawn Boy" because he mows everyone's lawn for his part-time job. He wants to be popular for his upcoming senior year, and he sees his chance when cheerleader Cindy Mancini is in a jam, having ruined her mother's suede outfit at a party and needing $1000 to replace it.

Ronnie happens to be at the mall at the same time, purchasing a new telescope with his lawn-mowing money when he sees Cindy's dilemma. He offers to pay for the new outfit if she will pretend to be his girlfriend for a month and introduce him to the popular circle.

Although this seems completely crazy to Cindy, she does it (after a great little makeover -- quite the staple of 1980s teen movies!) She even starts to like Ronnie as a person, until popularity goes to his head.

People are lemmings and will believe whatever they are told, particularly in the classic scene where Ronnie starts doing the "African Anteater Dance" which he saw on a show he mistook for 'American Bandstand'. Everyone at the school dance follows him instantly.

Don't miss a very young Seth Green as Ronnie's annoying brother! He is great as a smarmy kid!

NERDS, COOLS, MY SIDE, YOUR SIDE, ITS BS !!
THIS MOVIE IS ONE OF THE GREATEST TEEN MOVIE'S EVER MADE. I just saw a preview the other day for a movie thats about to be released.. i think its called "Love Dont Cost A Thing" - and its a total rip off !!!! of Can't Buy me Love, just shows how their is no originality these days, they sample the hell out of music, now movies !! ... Read more

Reviews (68)

John Hughes At His Best
Movies like this are what make one want to cry over the media-provoked labeling and fall of "The Brat Pack". The stars of the 1980s teen films were expected to form the next generation of great actors until Hollywood tore them apart and sent them scraping for whatever cable-movie parts they could get their hands on. Though Pretty in Pink was more-or-less the swan song of John Hughes'-masterminded films, to this day it continues to bring in fans to the genre with it's sweet and simple poor girl/rich guy romance and the social issues therein. Though star Molly Ringwald is occaisonally over-emotional in her portrayal of the girl from the wrong side of the tracks, it is not unfitting with her strong but somewhat neurotic character, Andie. Andrew McCarthy, though of greater acting capability than he displays here, still plays his rich but insecure Romeo (Blane) to a T, and is cute enough to make any teenage girl fall in love with him-despite the wierd eye thing. Annie Potts and Harry Dean Stanton are both memorable in their roles of somewhat bizzare parental-type figures, as is a young James Spader as Blane's perfectly condescending best friend. However it is Jon Cryer, as Andie's best and besotted friend Phil "Duckie" Dale who truly steals the show with what is surely one of the top performances of Cryer's varied career. Though on the outside this movie may appear to be pure teen fluff, the story has an endearing quality that will continually find it back in the VCR on any all night movie fest.

A girl from the wrong side of the tracks and her life
This movie set in the mid 80s era of brat-prack movies is a unique shining star. Molly Ringwald is Andie a girl from the wrong sides of the tracks who has romantic intrests from both sides of the spectrum; Duckie (Jon Cryer) who's puppy-dog love for her is both sweet and endearing to watch, and Blane (Andrew McCarthy) the rich guy who has everything going for him. What follows is Andie having to deal with this, the bitchy cheerleader type girls at school, her loving but dishonest father (Harry Dean Stanton) and through all this will she get an invatation to the prom? This is a great film, with both Blane, and Andie having to deal with their friends disagreeeing with their relationship. Steff (James Spader at one of his very best) Blane's best friend, who tries to make Blane try to decide between Andie and himself, when really he just wants his finger in the pie. Annie Potts as Iona, Andie's quirky older best friend is excellent and her weird and orginal costume changes throughout the movie are a highpoint. This is a emotionally raw film a rareity at the time it was made. If you ask me this should have swept the Oscar nominations with Molly Ringwald getting Best Actress, but hey regardless of the miss of Oscars watch this, it is a powerful film and a great piece of film making

Watch 16 Candles or The Breakfast Club, instead
Pretty in Pink is truly one of the worst bratpack movies ever made. Whiny Molly Ringwald has by this time thoroughly worn out her welcome; her perpetual pout, her eye-rolling and her generally sour disposition are extremely grating, all the moreso because she is in virtually every scene! The only interesting thing about Ringwald's "performance" is her ever-changing haircolor (throughout the movie, her hair goes from strawberry blonde to dark auburn to nearly chartreuse back to strawberry blonde, and so on. At least SOMETHING changed; her expression never did!).

Andrew McCarthy is the wimpiest "romantic hero" ever, and, like Molly, his expression never changes. "Must remain bland" was surely his mantra throughout filming.

Jon Cryer plays "Ducky" (did YOU go to high school with anybody who had a nickname like that???) like a spastic goofball. James Spader is wasted in a one-note role as "The Mean Snobby Guy." There's no end to the talent wasted in this film: Annie Potts and Harry Dean Stanton are also squandered in thankless, my-character-only-exists-to-showcase-Molly-Ringwald roles.

As if all that's not annoying enough, Molly's character is the richest "poor girl" ever, with her own lilac-colored Kharman Ghia, an endless supply of funky vintage dresses, petticoats, sweaters, granny boots, and hats (if you think she picked all that swag up at Salvation Army, you're crazy), and her own phone complete with answering machine (no big deal now, but it was in the '80s).

The cherry on top is the fact that the dress Molly cobbles together and "triumphantly" wears to Prom is ugly. Ugly, ugly, UGLY. That's not just my opinion, either: I saw this dog in the theater, and people LAUGHED when she made her entrance.

Bottom line: if you're in the mood for a bratpack movie, watch 16 Candles or Breakfast Club, instead.

One of the better Brat Pack movies.
Molly Ringwald did an good job in this film. The movie wasn't the best brat pack movie, but it is enjoyable. The supporting cast is okay, and the romance you are able to relate to. All, in all good, and heartfelt. See it, if you love teen romance movies.

Pretty good 80's movie
This isn't really my favorite movie that John Hughes made, Sixteen Candles is my favorite, but this one is also pretty good..besides the ending. Molly Ringwald was SO much better with Duckie. Duckie is the best character in this, he's so funny. The part at the end when he's at the dance and he looks at you through the camera, it's priceless!! You got to check this movie out, it's a good one. ... Read more

Reviews (213)

2 thumbs down
I found John Hughes' 1985 movie The Breakfast Club to be an extremely generalized, heavy handed, piece of trite filmmaking that may or may not have been relevant to teenagers fifteen years ago, but is certainly nowhere near on target now.
Obviously it was by design that his five main characters were one-dimensional character sketches of so-called 'traditional' high school stereotypes. You have Andy the jock (Emilio Estevez), Claire the princess (Molly Ringwald, a John Hughes staple), Bender the criminal (Judd Nelson), Brian the nerd (Anthony Michael Hall), and Allison the basket case (Ally Sheedy). In my opinion, for Hughes to insinuate that these five people come from completely different backgrounds and had absolutely no contact with each other or anyone else from their particular 'type' during school is just plain silly. For example, it is quite likely that Claire and Andy, being popular people, would know each other, or at least that princesses and jocks would interact on a regular basis. Same thing goes for Bender and Allison as social outcasts. Only Brian, being the brain, would logically be shunned by all other classes.
For another thing, these categories have little relevance today because in today's modern society, and indeed this has always been true, teens simply cannot be categorized and labeled, even by their peers, in this manner. I myself saw elements of my personality in every one of the characters, and neither I nor anyone I know would fit neatly into these stereotypes.
The last thing I'm going to gripe about in this review is, logically enough, the ending. For a film that tried so hard to be edgy, the denouement was awfully hackneyed and predictable. Four out of the five characters hook up at the end? Gosh, I never saw that coming! Also, the treatment of Allison was laughable. This girl has serious psychological issues that have been with her all her life, but all she needs is a little makeup, a nice dress, and a clean-cut boyfriend to set her to rights? I don't think so, pal. Willful suspension of disbelief is all fine and good, but to trivialize Allison's pain and emotional trauma in this manner is irresponsible and does a disservice to those young people who do identify with her character. I think that's enough bashing for this film; while it had its moments, it certainly is by no means the 'classic' that it is reputed to be.

One for the ages
This movie is a classic and it will stand the test of time. This is the second "teen coming of age" installment from John Hues, and round 2 for Molly Ringwald and Anthony Michael Hall. The first installment, Sixteen Candles, was more of a sexual coming of age movie whereas The Breakfast Club is more of a coming of age for one's character and social awareness. Where they are "teetering" with; do they stay with the social allegiances of their perspective pack, or do they listen to that inner voice...the voice of reason, maturity and human compassion that's not bound to any "click". I also like the choice of actors here; I think they all fit like pieces in a puzzle and make their characters totally believable. I am in the same age range as almost the entire cast and I was a senior in High school when this film came out. Allot of reviews seem to put this film within the Junior High crowd but I feel it's much more mature than that. The very message that it's trying to get across isn't understood in real life until we get close to 18 or so. The story is simple; 5 kids have to come into school on a Saturday for detention. At first they try to segregate themselves according to their school social standings. Inevitably they find out that they are more alike than they ever thought. The movie, in my eyes, is broken into 3 parts; the first part is pure character development. This is where you (the viewer) get to know each person they way they are supposed to be seen with their everyday face. At first, they act the way they think they should act, and stand up for what they always had, with out question or defiance. They stay true to their cause never steering away for a second. The second part of the film is where the movie itself develops. These 5 separate entities realize that they are variations of the same person. They have the same desires and anguishes. Their pressures and stresses are the same even though it's generated from very different sources.
The jock (Emilio Estevez) has the pressure to be on top of his sport (wrestling). In return for this he gets attention from his dad, coaches and keeps his standing within his social group. This is his priority in life and he doesn't stray.
The Princess (Molly Ringwald) has to conform and obey the rules of her social group in order to be accepted and keep her standing within the group. She keeps her eyes closed; mouth shut and goes along for the ride.
The Metal Head/criminal (Judd Nelson) is an angry guy! He wears the physical and mental scars of growing up in an abusive house. He hates most people, like the ones Emilio and Molly play, because in his eyes, they have had a free ticket and earned nothing...things are handed to them because of their social and/or economical standings. On the other hand, he feels that he's on a whole other plain because his eyes have been beaten open and he was forced to grow up a little faster than he wanted too or was ready too. I feel that Judd Nelson's character is the most crucial to the movie. He is the key to this whole new self-awareness for everyone, including himself.
The nerd (Anthony Michael Hall) is the quintessential geek. His every woken moment is spent learning. He hides behind his grades and in fact, he wants to be more accepted by the "cooler" groups. He also is a little "cocky" about his better grades and academically superiority to the other people in the room.
The weirdo (Ally Sheedy) is a loner and an outcast. She doesn't have friends that we (the viewers) know of. Because her parents ignore her, She feels ugly and without a place in the world. She is starving for positive attention. I think her character was needed in this movie to balance off the cast. It would have left out a very critical part of teen angst!
Richard Vernon (Paul Gleason) is the "Villain" of the movie. To the kids, he represents the out of touch older generation and the mean spirited, high testosterone adult. For Richard Vernon, these kids are the source of his anger and agony. He has lost touch with the younger generation for 1 reason, he got older...and the older you get, the harder it is to relate to youth. Youth recycles right before your eyes, but you keep getting older. His character is the key that releases these kids. He helps them to strip away the blindfolds and to take a fresh look at every thing and everyone (including themselves).

This leads to the 3rd and final part of the movie. Where they cleanse themselves of all the pentad up anger and prejudices. When the kids realize that they all have the same goal, they were just taking different roads to reach it. I highly recommend The Breakfast Club and it should go down as one of the all time great teenage movie!

A little time - a little perspective
I first saw this movie at a cinema in Austin in March, 1985. Just a year out of high school, I thought this was a deep, moving motion picture with a quality cast that really showed the feelings of different groups of students in schools. I could relate to the characters.

Move forward more than 19 years. This movie has not aged well. I read on the IMDB that John Hughes wrote this script in two days. After watching this movie again, I find that very easy to believe. It is horrible! - and this coming from a man who loves all things 80's! Was Judd Nelson about 35 when he made that movie? He looks about 20 years older than Anthony Michael Hall. Unbelievable characters and dialogue. Then they tie it up nice and neat at the end - with 2 unlikely couples pairing off leading us to believe there's no social caste in high schools.

With the small cast and lack of location shots, I'm amazed that I've never read about some high school drama club doing a stage production of this disaster. In any case, I've got a Breakfast Club DVD I'll never watch again - I'll post it used "New & Used" above.

Still relevant after all these years
Some question the durability of "The Breakfast Club," saying that the themes and plotlines do not hold up in today's teen society. As a 15-year-old, I would like to say that that is thoroughly untrue. 19 years after its release, "The Breakfast Club" is still a truthful, relateable account of teenagers and their personalities, and the ways in which they interact with each other. Sure, the stereotypes of the characters may be a bit exaggerated -- but that's necessary in order to get the point across. Watching this movie, I feel as if I know these people, or at least I've run across them at one point in my high school career.

The plot, as most people know, involves five different kids being assigned Saturday detention together. Each kid represents a typical high school stereotype -- a princess (Molly Ringwald), a jock (Emilio Estevez), a brain (Anthony Michael Hall), a basket case (the excellent Ally Sheedy), and a criminal (Judd Nelson). At the beginning of the day, none of them know each other, except for the princess and the jock. Throughout the day, they learn more about each other and work at tearing down the stereotypes that pit them against each other. As for the reviewer who said this isn't realistic that they would open up so much to each other -- it absolutely is. Put five kids into a room without an adult for nine hours, and they will talk about anything.

The beauty of this movie is the depth of the characters beyond the stereotypes -- particularly the nerd, Brian, who as we find out in the movie has problems well beyond what people think of him. He is the one that I most relate to in the movie. Watch "The Breakfast Club," and see who you most relate to. It's a great experience. Beyond the social commentary aspect, it's also just a funny movie. The jokes come at breakneck speed, especially for the first half of the movie (before it gets somewhat serious). The actors are also very enjoyable in their roles, particularly Ally Sheedy and Anthony Michael Hall. Highly recommended.

Must have to any collection.
The quintessential John Hughes film. I remember in my English class my junior year (1987) we had to analyze this movie. Only 2 years after it's release it was had all the qualities needed for a class analysis. I will spare you the report that I did back then.

Since then I have watched this movie at least once a year (and contrary to popular believe it is not for the panty shot). The characters are very well done. There is something that anyone who went through high school can relate to, even if we fit more than just one character. The interactions between the teens towards each other and then towards the principal as a group is classic. It's got love, teen angst, popular kids, geeks, dweebs, outcasts and the ever popular kid that doesn't fit in but always tries to get the attention. Nothing like dumping out your bag for people to go through to get attention.

Of course you can't forget the star cast of strong 80's actors, Emilio Estevez (Andrew 'Andy') Anthony Michael Hall (Brian) Judd Nelson (John Bender) Molly Ringwald (Claire) Ally Sheedy (Allison) and Paul Gleason (Principal). Great acting, John's look at teenagers and a great script all make for a very enjoyable look at the interactions and 'attitude' typical of the high school years.

I truly could go on about this movie but I won't. I'll just say that this is a much have for any movie buff and if you haven't seen it you must. ... Read more

Reviews (286)

Hilarious!
The first American Pie started the trend, but American Pie 2 has even more laughs. And it has retained and amplified one important aspect of the original, a somewhat cornball sentimentality that offers a nice counterbalance to the gross sight gags and pervasive atmosphere of salaciousness.

Jason Biggs continues to throw himself into the most embarrassing of situations with admirable gusto, and the movie hinges on his ability to play Jim's most humiliating shenanigans with an odd but appealing, dogged dignity...even when wearing only his drawers. His comic timing is even better than last time, and the movie's best moments come of his straight-faced delivery. And in this sequel you can see how Alyson Hannigan managed to walk off with the most famous line in the original: Given much more weight in American Pie 2, Hannigan is a delight, playing Michelle's offbeat geekiness but hidden warmth to perfection. And her deadpan delivery (the "trumpet" line is bound to become another classic) is beautiful as always. Shannon Elizabeth is surprisingly lacklustre, and Tara Reid is still stuck with the most boring character of the bunch, but otherwise the rest of the supporting cast (Seann William Scott is especially good, reprising uber-jock Stifler) is great, and the sight and verbal gags come faster and tighter than in the original, with the benefit of familiar characters. The famous central gag (won't give it away) had me belly-laughing for a solid minute, something I haven't done since the first time I saw Clerks.

No, it's not cerebral, nor is it an unprecedented classic. But for a good rowdy night of teen comedy, American Pie 2 hits the spot.

Go see this! Best sequel of the summer!
I've seen many movies this summer. As many of you know, there has been many dissapointing movies out there this summer.(Tomb Raider, A.I.,Scary Movie 2,and Planet of the Apes to name a few.) Sequels have been horrible lately, like Scary Movie 2 and Jurassic Park 3. Rush hour 2 was one of the better sequels this summer. When I went to see AP2 with my friends yesterday, I was expecting another sequel that was put together way too fast and didn't have any thought in it. I loved the first one, and I probably have watched the American Pie DVD about 100 times! I bought my popcorn and my drink and was ready for another bad sequel. Man, was I so wrong. AP2 was probably my favorite movie of the summer. I barely ate any of my popcorn or drank any of my drink I was laughing so hard. I thank Universal Studios for giving Eugene Levy a bigger part in this movie. Seann William Scott is extremely funny in this movie, with all his comments. I don't want to spoil it for all you people who haven't seen this movie, but there will be lesbians, some phone sex between Mena Suvari(Heather), and Chris Klein(Oz), a "champagne" bath for Seann William Scott(Stifler), an accident with superglue for Jason Biggs(Jim), the rule of three, and more of Eddie Kaye Thomas and Stifler's mom(What a MILF!just kiddin!) Go see this movie, You will not be dissapointed. It is the funniest, crudest movie of the summer. NOT for Kids!

Awful
Maybe the worst movie i've ever seen. Boring, very TALENTLESS actors, and bad jokes. Primitive film for primitive people.

Wow....what a great sequel!
I loved the first American Pie movie; I would watch it almost weekly with friends. I didn't think any movie could top it, but American Pie 2 comes very close, and at times, is better than the original. I also wanted to start off by saying, to the viewers who complain about such movies having too much raunchy humor, and therefore rating it low, you have to know going into these movies that they will be like this. Some people need to seriously lighten up, quit being a stiff, and have a good laugh every now and then. Also, to the last 1 star guy on here, you need a reality check. I'm not saying that the military is a bad thing, but you can't underrate the value of a college education/experience. It gives people who aren't born for the military (which is most of us) a chance to get a career and contribute to society, and it's also a social experience (the social experience aspect of college is probably more beneficial in the long run than even the educational aspect). And Road Trip was a great movie as well; LIGHTEN UP! (or quit your complaining). The only people that make your generation look bad are people like you!!

Anyway, Jason Biggs is in his usual role as Jim, despite getting laid last movie by a band geek, of having zero confidence in his ability to score (or do much else, for that matter). I disliked the opening scene, especially with that cheesy line "this is my first time......since my.....first time....so....technically, it's my second time," which made me weary about this movie. However, when Jim's dad (Eugene Levy) enters the room, the scene became hilarious, as Eugene perfectly plays the nimwitted father who is completely inept to the fact that no kid wants his/her father to see him/her naked. The movie continues as Stifler (Sean William Scott) and Oz (Chris Klien) discuss how many girls a man is supposed to have sex with during one year at college. This scene could have been a waste of a few minutes, but Scott, being the acting prodigy that he is, knows how to play the cocky card while not coming off as a complete a$$hole. When the four boys Oz, Jim, Kevin (Thomas Ian Nicholas), and Finch (Eddie Kaye Thomas) later meet at their local diner, Finch comes off as this sex god, having gotten laid with a Japanese girl in an art museum, his psychology professor, and of course, Stifler's mom. Finch and Stifler steal the show this time around, as the two have amazing chemistry as enemies. Stifler constantly makes fun of Finch's practice of tantric sex, and Finch constantly practices his tantra in various places just to piss off Stifler (like the plant in the house that the boys rent for the summer), as well as.......well, I won't reveal the ending. They rent this house to throw monster parties, and to help Jim have amazing sex with Nadia when she plans to visit him at the summer. Jim also gets practice from the nerd he "scored" with last time around, and when she told him that he sucked, I laughed my ass off! (not only at how she said it, but Jason Biggs needs to be told he sucks, and I relished that moment). Also, the scene where Jim is mistaken for a trombone king Petey is very poorly done (what a surprise, since Biggs is a the forefront of the whole scene). He isn't as bad in this sequel as he was in the first one, but overall, Biggs isn't even close to the talent of the others (which is how he usually is). However, I do have to admit that the superglue scene was quite funny, mostly because we expect lousy things to happen to Jim, though I have to give him credit for putting effort into at least that scene. Despite any other minor flaws this movie may have, it overall comes across as a strong comedy that often goes for the gut, and succeeds about 98% of the time, with viewers in constant pursuit of fresh air after laughing so hard.

The Best Part of the Pie
American Pie 2 is a sequel that is better than the original and better than the 3rd one.No denying that this one is the best one of the series. FAMOUS SCENES

1)Lesbian Scene 10/10
2)Super Glue 10/10
3) Trumpet Scene 9.2/10
4) Jim on Stage 8.5/10
5) Phone Sex 8.7/10
MORE!!!! ... Read more

Reviews (97)

Comedy, Poetry, Hot Chick
I'll begin with a confession: I was reluctant to watch this film. It was snobbish on my part. A recent interview with Tara Reid in MAXIM portrayed the actress as a shallow ditz, and I doubted that the voluntary suspension of disbelief would succeed in allowing me to see her as serious college student Gwen Pearson. This was the crux of my objection to NATIONAL LAMPOON'S VAN WILDER. My husband cleverly defeated my opposition with the "Yes, but she's a really hot chick" argument, and we bought the DVD. To my surprise, Reid pulls off the act, dropping words like "pander" and phrases like "benevolent agenda" as if they had belonged in her personal vocabulary bank all along.

The writing goes far beyond clever. It's down right poetic, with lines dance on the ear like a butterfly on a buttercup. Take, for example, "That's no bong! That's for my shlong!" Watch out Shakespeare.

Best of all, the movie answers the age-old question: What was Ferris Bueller like in college? Van Wilder (Ryan Reynonds) fits the mold rather closely. He's a philanthropist who knows how to have a good time. He's funny, good looking, and popular with just about everyone. Brilliant ideas like topless tutors and the naked mile run are a-dime-a-dozen with this guy. Most importantly, he gets away with everything. I'm glad I didn't get away with turning my nose up at this delightfully amusing film. So even if you're skeptical, give it a try, and don't neglect to consider that Tara Reid's a really hot chick.

It Felt Great To Laugh Freely Once Again
National Lampoon's Van Wilder is an absolutely Hillarious movie. It was so refreshing to see a movie where you can laugh freely once again without having to worry about whether or not what you're laughing at is Politically Correct or not. Who Cares, it's just a movie for Gosh Sakes, if it's funny, LAUGH! Ryan Reynolds is very charasmatic as Van Wilder, who is a College Campus Party Liason, who would rather party than study, until he's forced to, and then he shows that he can be serious when he has to. Kal Penn as Taj, Van's personal assistant, is hillarious, a job well done, and Tara Reid as Gwen Pearson, a student reporter who at first does a hatchet job story on Van, but then has the decency to print a follow up, much more researched truthful story on Van, something a lot of real life media members should have done long ago with regards to stories they've written on certain celebrities, especially, Tara Reid herself, who for some unknown and totally unfair reason has been designated as a media scratching post. She does a very good job in the film, especially considering what she had to work with, and the fact that she basically had to portray the "straight man" to everyone elses comedic performances. Her on screen presence, as usual is captivating. The eclair scene (when you see it, you'll know what I'm talking about), is very gross, it's extremely funny the very first time you see it, but every time I've watched it since, it truly is disgusting. But that's only one scene. All in all it's an absolutely hillarious movie, fine performances all around, and had it been any other actress, especially a "Hollywood Favourite", other than Tara Reid, they couldn't have portrayed the role of Gwen Pearson any better... Anyways, for a good laugh, and just to be able to forget about the hardships or trials and tribulations of the everyday rat race, just for an hour and a half or so, see this movie.

A very well-scripted comedy masterpiece...
This was avery funny movie that I enjoyed thoroughly from start to finish.Some of my favorite moments in this film included the eclair-stuffing scene involving the dog and the Phi Delta Kappa Fraternity,the hockey showdown,and when Gwen mixed up the "bloating formula".

Van Dumber
Let's put it this way: it takes a lot more than farting strippers and a dog with giant testicles to make me laugh. Should we have to watch another wannabe actor try to distinguish himself by doing what looks like a bad Jim Carey impression throughout the movie? What do you call toilet humor without the humor? Will Tara Reid ever act, or will she be stuck in an eye-candy phone booth forever? Is sex talk supposed to be funny just because it's coming out of the mouth of an ethnic guy with an accent? When a movie has nothing else going for it, is throwing in a pair of naked boobs really going to make much difference? These are but some of the questions "Van Wilder" poses.
Here's a tip for the guys over at National Lampoon:
Animal House = a funny movie about idiots
Vacation = a very funny movie about an idiot
Van Wilder = an unfunny movie starring, and made by, idiots
Moral: Comedies are supposed to be funny.

Best...Movie...Ever!!!
Van Wilder is the type of movie that you either love or hate...and I think if you are a teenager or in your young 20's, you will absolutely love this movie. I bought it when it was first released on DVD and didn't watch it until about 2 months after owning it, but when I finally got around to watching it I realized taht I made a huge mistake waiting as long as I did, as this was truly a great movie. The emotion is very apparent as I felt like I got to know the characters and it led me to follow Ryan Reynold's career by buying "The In-Laws" when that came out on DVD as well. I also became an avid "Two Guys and A Girl" watcher after catching him on it, as he is a great actor for these kind of roles. Pretty much everyone I've watched this movie with has gone into the movie thinking "this can't be as good as he's making it out to be" and then after the movie is over, they go out and buy the dvd themselves, so do yourselves a favor and buy this one as well... ... Read more

Reviews (141)

Not a 5 star movie, but it has 5 star appeal!
Director "Savage" Steve Holland does a masterful job of showing how HS aged teens perceive the world around them. And a young John Cusack does a great job as the inwardly tortured teen with the twisted view of reality (funny, but twisted). It is, after all, our perception of reality that is, for us, reality.

John Cusack plays a HS teen obsessed (and I mean OBSESSED!) with his girlfriend. When she dumps him for the captain of the HS ski team it's amazing what happens to and around him.

This movie includes laugh out loud scenes. You'll love his nemesis on the street racing scene, his neighbor "Ricky," and the French foreign exchange student who sees Cusack when he can't see anything else.

Watch for lines that will live forever, like... "Oh, please, don't let it be a bugger." "Gee Ricky, I'm sorry your mom blew up." "Language lessons." "You know...friend." and "I want my two dollars!"

There are, however, students at the HS dance who cannot possibly still be of HS age -- but that's typical for the movies...people want to remember themselves as being older, more mature than any HS students are anywhere -- talk about twisted views of reality!

Anyway, this is a grand movie with lots of wonderful lines, a fun story line, some interesting side trips into Cusack's daydreams, and an ongoing feud between Cusack's dad and the paperboy.

Check it out, it's a 4 star movie with 5 star hilarity.

Alan Holyoak

Can I Date Beth?
Better Off Dead is a small little gem from the mid 80's. With all of the other teen/school comedies of that era, it's no wonder this appealing and funny film got lost in the mix. John Cusack stars as Lane Myer, a normal kid with a not so normal family. His mom is a little off her rocker. She cooks horrendous food and makes deer coats for Christmas. His little brother tries to pick up trashy women. Lane's Dad is battling the paperboy. But, worst of all, Lane doesn't make the ski team and his beloved girlfriend, Beth, dumps him for some pukey captain of the ski team. Then, Lane meets a cute foreign exchange student who's staying with his obese neighbors. Lane tries to win her love as does the son of the family she's staying with. The movie is funny. Dan Schneider, as neighbor Ricky, is downright hilarious. An underrated comedic performance. Cusack, as always, is solid and appealing. The remaining cast includes Curtis(Revenge Of The Nerds)armstrong, Vincent Schiavelli, David Ogden Stiers FROM "Mash", and Kim(True Grit)Darby. There's even a cute animation sequence involving hamburger. You heard me right. The onrunning joke about a psycho paperboy is pretty funny. The best comedy from this film is, as I've mentioned, the
nerdy, overweight nerdy boy Ricky. This is a lost comedy gem that deserves to be exposed again.

Utterly Unbelievable, Lane Myer - Cusack Classic!!!!
John Cusack has done some campy flicks One Crazy Summer and Better Off Dead. This one far exceeds the first. There are so many funny scenes I don't know where to begin. The soundtrack although disappointing on the CD will not disappoint on the DVD. Too bad no additional footage or goodies like that. To me this was John Cusacks best movie.

Favorite Moments (Close your eyes and remember)

1) CHRISTMAS! DO THEY HAVE CHRISTMAS IN FRANCE? CHRISSSSMASSS! Opens picture of Ricky and goes outside and laughs for about 5 minutes on the front step.

2) TWO DOLLARS, PLUS TIP! I don't think there can ever be a more evident line for a movie than this. All you have to say to someone is "TWO DOLLARS!" Chances are if they saw this flick they will say "BETTER OFF DEAD".

3) "DUDE, RIGHT NOW I CAN BE MAKING SOME KILLER EGGNOG FROM LIGHTER FLUID!" "CHICKS WILL GET STERILE JUST LOOKING AT YOU" "BUCK UP LITTLE TROOPER" Charles Demar or Booger as you may have come to know him steals the scene on several occassions.
The funny thing is he teams up with Cusack again in One Crazy Summer.

4) BARNEY RUBBLE ASKING LANE TO GO OUT WITH BETH. Need I say more.

5) IT'S GOT RAISINS IN IT, YOU LIKE RAISINS - With that the green slime crawls off of its plate and across the table.

I could go on for hours, do yourself a favor and buy this movie! If you want to remember the eighties all over again this will bring it all back home. A great cast, script and many, many laughs. Also check out One Crazy Summer, along the same lines.

TWO DOLLARS!

Review #143 (and that should tell you something)
This is a great movie to have around for those nights when you really don't want to think about how it is, but would rather think about how it was. 143 people can't be wrong. John Cusak might be the most easily identified with actor of my generation, (with apologies to Jon Cryer, who makes a good race out of it.) The first time I saw it in the cheap local theater I almost suffered an incontinent moment when Layne (Lane?) uttered, "Gee, I'm sorry your mom blew up, Ricky." It's lines like that, scenes like David Ogden Stiers in the reindeer head coat, and the only known soundtrack appearance of Van Halen's "Everybody Wants Some" that make me go back for this one again and again.

Fun, stupid movie
This is a great rainy day movie, in other words: a movie you don't need to think about too much that'll still make you smile. Take care of who you watch it with, however, as you may find yourself embarrassed to be laughing at the dinner slowly crawling off the table or David Ogden Spears being foiled by the paperboy. ... Read more

Reviews (125)

One of the Year's Best!
Drumline is a heart-thumping, feet-stompin', get-up-and-shake-your-...-and-feel-good type of movie that makes one thankful to be alive. Nick Cannon plays a gifted drummer from the inner city who gets a full scholarship to Atlanta T&T, a predominantly black college which has a long history of having an exceptional marching band.

Most of the characters are black. A few well placed faces are white. The story, of gifted ambition fighting against the system, is universal. Nick's love interest is Zoe Saldana, a lovely cheerleader (whom I had seen in Center Stage and Crossroads). Orlando Jones (Evolution, The Time Machine) plays an overly conservative band director who is challenged to bring more excitement to defeat longtime rival, Morris Brown College, at the upcoming band competition classic.

Nick wears his motor-board and graduates from high school. There's a touching scene where he goes to see his father, who works as a ticket taker - and "thanks" him for not being there when he needed him. In college, Nick's rebellious nature gets him into trouble and eventually kicked off of the band. He makes a triumphant return - and everyone lives happily ever after (but, of course).

Along the way, however, we are treated to the most exciting display of marching band prowess - and drum line percussion riffs - I've ever enjoyed anywhere! Take it from me, you'll never in a million years view such an exhibition on Saturday afternoon NCAA football!

The finale is spectacular. On the field, you'd be life-challenged to see black cheerleader mid-driffs more sensual; or black drum beats so inspirational. The bands duel, and tie; and the drum lines face-off for the conclusion. Not a word was spoken, but I've never experienced anything so dramatic; and I literally ended the film with my heart pounding in my chest, and tears streaming down my cheeks.

There's a touching moment in the deleted scenes where Nick goes to thank his father - who turned out to offer him a key piece of inspiration in the film.

Drumline is viscerally and emotionally powerful; and it is easily one of the best movies I've seen all year (black or otherwise). I'm sure you'll love it as much as I did!

Believable and entertaining look at college bands
There is no doubt that even the most casually knowledgeable football fan knows the importance of the marching band at historically black colleges. Each year, NBC shows the 'Bayou Classic' football game between rivals Southern University and Grambling State University, where the halftime performances of the two bands is as much a reason for watching as the game itself. "Drumline" is one of the first movies to plow this fertile ground for cinematic plotline, and it does so surprisingly well.

I was initially skeptical about seeing this movie because the premise didn't appeal to me and the promotional ads for the film made the lead character, played by actor Nick Cannon, seem like an arrogant, unlikable young man. However, after listening to a number of positive reviews including, surprisingly, one by the curmudgeon of sports talk radio, Tony Kornheiser, I felt compelled to give it a chance. I'm glad I did. With all the garbage that is being passed off as movies these days, it's refreshing to see a movie come along that could very easily be a mess, but is handled so deftly that it is a truly enjoyable viewing experience. First time director, Charles Stone III (known previously for directing and starring in the Budweiser "Whasssupp?" commercials), handles the material well. The potential for clichéd storylines and unrealistic band performances was great and Stone managed to avoid those pitfalls.

"Drumline", itself, focuses on the story of young Devon Miles (Cannon), a gifted drummer, who has been recruited to be a member of the prestigious band program at the fictional Atlanta A&T University. Miles is an angry young man who comes from a background with very little money and an absentee father. In fact, had Atlanta A&T's band director, Dr. James Lee (Orlando Jones) not recruited him, Miles would not have gone to college. Director Stone could have played this 'angry young man' theme for all its worth in the movie, but he held back and created a more nuanced character in Miles, whose background explains some of what he does, but doesn't dominate or excuse it. Miles struggles with a jealous drum section leader, Dr. Lee's expectations, a burgeoning romance with an pretty upperclassmen on the dance team, and his own surprisingly inability to read music (he plays it by ear). What makes this movie deeper than it could be is that these other characters have there own struggles that coincide with those of Miles'. The drum section leader can't abide Miles' lack of respect for authority, but is troubled even more by the fact that Miles is a better drummer than he is. Dr. Lee faces pressure from the school administration to improve quality and entertainment of the band performances, but he doesn't want to sacrifice the quality and integrity of the musical and educational process to do that.

All of these subplots are intertwined with some of the most energetic band performances ever committed to film. This is where "Drumline" truly shines. As nearly a one-third to half the movie is band performances, it was imperative that the band routines be as authentic as possible or the audience will not believe what they are being told is happening. Fortunately, the performances are electrifying, especially the showdown battles at the BET band competition at the end of the movie. Whether or not these actors were really playing the instruments isn't important. The fact that it looked and sounded like they were was.

This is not an Oscar-caliber movie by any stretch. However, in a period of time when most studios are dumping their dreck into local cinemas, it's nice to come across a fun movie that stands out from the pack like this.

Great!
This movie is refreshing for so many reasons. Cliches are at a minimum (in fact I can't think of any that stuck out to me) and the music is excellent.

A BREATH OF FRESH AIR!!! POSITIVE FAMILY ENTERTAINMENT!
Truly one of the best movies that I've seen in a long time. Excellent, positive family entertainment. Minimal language, no violence, sex, drugs or negative story lines added to give the crowd pleasing 'R' rating. A definite role model film.
Exciting....kept me bopping in my seat. The bands are amazing!
Brought back memories of my college days.
I loved it!!!

a strong movie for nicky cannon
I am all about some good marching band music as it is, so when I heard drumline was actually coming to a theater near me, I rushed to the box office.What I watched was a beautiful depiction of black college marching bands and all the drama that comes with trying to be the best. There as a wake up area for cannon when he couldn't read music, when he thought he had the drumline position on lock, and when he was chosing to leave the school for J. Anthony brown's school. All of this is both accurate and entertaining. Either way, the movie was very good and well worth the watch. On top of that, there is some really good music being played by both the soundtrack and by the bands. ... Read more

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Way before she grabbed an Oscar nomination for her searing performance as a world-weary prostitute in Leaving Las Vegas, Elisabeth Shue was known as one of the squeaky-clean actresses of the '80s. Having made a splash in The Karate Kid and the '60s-nostalgia TV series Call to Glory, Shue cemented her good-girl reputation with the charming but badly titled Adventures in Babysitting. Set in the John Hughes-style suburbs of Chicago, the titular adventures follow babysitter Chris (Shue), who agrees to watch the Anderson kids (Keith Coogan and Maia Brewton) when her boyfriend cancels their anniversary date. All is quiet on the home front until Chris is called upon to rescue her best friend (Penelope Ann Miller, also doing good-girl duty) from the seedy downtown bus station. She can't leave the kids, and she can't leave her friend alone in the big bad city, so she packs everyone in the station wagon and heads into Chicago. Screwball craziness begins as they encounter car thieves, knife-wielding gangs, gun-toting truck drivers, and, worst of all, Chris's duplicitous boyfriend. It's hardly mature entertainment, but Shue makes it work; when she wins over the audience at a blues club with her improv singing, you'll be won over, too. In his directorial debut, Chris Columbus (who later when on to helm the sap-fests Mrs. Doubtfire and Home Alone) gently skewers the suburbia white-bread mindset of the main characters, and plays up the comedy over the schmaltz with a subtlety of which he now seems incapable; the near romance between Shue and Coogan is played lightly and adorably. Look for brief appearances by art-house faves Lolita Davidovich as a college party girl and Vincent D'Onofrio as an unlikely savior. --Mark Englehart ... Read more

Reviews (72)

My Babysitter was NEVER this Fun!
Elisabeth Shue is Chris Parker, a normal seventeen year old who begins the night with an ordinary babysitting job, sitting two normal suburban children, Sarah and Brad. After her friend - Brenda (Penelope Anne Miller) -- calls from a bus station in the city (Chicago), stating that she has runaway from home and needs Chris' support, Chris takes off to the city with Brad, Sarah, and Brad's friend, Daryl. What should have been a 30 minute ride to the bus station turns into a run through the city as the group of four encounter car thieves, weird mechanics, and a place where nobody leaves without singing the blues.

Adventures in Babysitting is THE fun movie of the 80s. Well, THE fun movie that doesn't contain little monsters, goonies, or Tom Hanks. As we follow the quartet through Chicago, we are introduced to hilarious scenes and crazy antics as they get themselves in the middle of a car heist, a cheating wife and her enraged husband, and many more. I must say that one of the biggest highlights of the film is the Blues Bar scene where Elisabeth Shue and the kids absolutely have to sing before leaving the bar. It's great.

The films is full of great characters. Elisabeth Shue is vibrant as Chris Parker, the babysitter gal. Her interaction with the kids was great, and she handled her leading status with ease. Maia Brewton is little Sarah who offers a lot of the laughs in the movie. She was awesome - I wonder where she is now? Keith Coogan and Anthony Rapp (Rent! Mark in Rent! I love Rent!) are Brad and Daryl, and both stay true to their roles and make them entertaining. But did anyone else want to occasionally strangle Anthony Rapp for that laugh?! We also see the likes of a young Penelope Anne Miller and Vincent D'Onofrio in cameo roles. Although Miller's role is a bit bigger, and very hilarious.

Although the DVD release is bare, without even a nice trailer to suit a fan, we do get a nicely widescreen anamorphic presentation with nice picture (Although there are signs of an aged film) and good audio.

Adventures In Babysitting is definitely one of my favorite 80s movies. For the fact that it's a great, fun, and crazily adventurous comedy.

Don't Mess With This Babysitter!
In the tradition of the "Goonies," Elisabeth Shue shines in her first starring role as Chris, whose day starts out on a bad note. After her boyfriend cancels their date, Chris decided to babysit for a couple who are in dire need for her services. In care of charges, Brad and Sarah, Chris believes this will be an ordinary job, however trouble comes knocking, first when Brad's pest of a friend, Daryl comes to stay over, and then when Chris' best friend is stranded at the bus depot in downtown Chicago.

What follows are a series of madcap adventures that take these suburban kids into the heart of the city. After their car's tire goes flat, the Chris and the kids must find a way to find their way back home and go help her friend at the same time. However, when they run into a car-theft ring headquarters, their night won't be the same again.

Featuring a wonderful cast including many actors unknown back then (Penelope Ann Miller as Chris' friend; Vincent D'Onofrio as the mechanic, etc.), "Adventures in Babysitting," marks the directorial debut for director Chris Columbus ("Home Alone"; "Stepmom"; the upcoming "Harry Potter" film adaption) who does an excellent job of making this film work. His ability to stretch character limits works well here, as he is able to place the kids in nearly impossible scenarios. The most memorable scene in this film that captures Columbus' imaginative directing features Sarah scrawling the windows of the towering building in downtown Chicago where her father works at night. As she scrawls the windows in fleeing from a member of a car-theft ringleader, she sees her parents at their party from the outside. Who could have thought of such a funny way of seeing your parents at the wrong place and wrong time?

Similar to other amazing average-day adventure films such as "Ferris Bueller's Day Off," and the "Goonies," - "Adventures in Babysitting," is still as entertaining today as it was over a decade ago. Truly this is one of the late 1980's hidden comedic gems.

WHEN THE SHUE FITS
ADVENTURES IN BABYSITTING is a wonderfully entertaining film from the late eighties that still resonates almost 20 years later. Chris Columbus (the future director of the first two Harry Potter films) brings us a series of vignettes resulting in Elizabeth Shue's Chris Parker babysitting for the precious Maia Brewton and the mooneyed Keith Coogan. Shue is marvelous; Coogan and Anthony Rapp are delightful; and little Maia is appropriately cute and loveable. Penelope Ann Miller as the nearsighted Brenda is a riot...especially when she picks up a stray "cat" at the bus station.
Of course, the primo scene is the "nobody leaves till you sing the blues" with Albert Collins. Shue's transformation as she gets into the "Babysitter Blues" is priceless.
This is one feel good movie, and in spite of some of its profanity, a film everyone should enjoy.
It's a minor classic to me!!!

Excellent movie...not too many great DVD features, though
This is an 80's classic! I have always loved this movie...and I was pretty shocked when I found out that Anthony Rapp...aka Mark in RENT is in it! That was soo cool, especially since I liked his character alot. If you've never seen this movie, you should check it out, but if you're going to buy it, unless it's to add to your DVD collection, I'd stick with VHS.

stray dog
if i've said it once, i've said it a million times: keith coogan, where are you? this 1987 flick is hysterical! ya think? ... Read more

Reviews (57)

Pretty In Pink with a sex change...
Very cute movie by eighties teen film master, John Hughes, has a young Eric Stoltz as the poor kid trying to land a date with Lea Thompson, playing the rich girl, even though Mary Stuart Masterson, Stoltz's tomboy best friend, is really in love with him. I really liked this one, I can't imagine why it's the only one of Hughe's teen flicks that never got alot of attention considering it's up there with Ferris Bueller and Sweet Sixteen. Perhaps cinema audiences were getting tired of the formula at the time but in retrospect it's a sweet, funny little drama with the goofy late-Eighties settings and costumes we all know and love.

Before Dawson's Creek, There Was Some Kind Of Wonderful
This movie has remained my favorite film since it came out in 1987. That's 13 years my friends. Like most of the teen angst pictures made by filmmaker John Hughes (Pretty In Pink, Breakfast Club, Ferris Bueller's Day Off), this movie treats teenagers problems with a level of reality that you can't help but respect. John Hughes always made sure the adults were talking on a different level then the kids. Clifford (Keith's dad): "Ah, Keith, you're only 16 years old." Keith (Eric Stoltz): "Then I'm 18, then I'm 19, then I'm 20. When does my life belong to me?" There is a certain level this movie attains that other films cannot touch. Plus, at the core is a love-triangle story that you can't help but get wrapped up in. Mary Stuart Masterson (Fried Green Tomatoes) and Lea Thompson (Back To The Future) reaaly shine as the ladies in the life of Eric Stoltz (Mask). This movie does't pontificate with so many 50 cent words as much as it hits home with bright, witty dialog and a cast that actually looks like they live in the world they move about in. Buy it. You won't regret it.

Wonderful 80's Film
1987's Some Kind Of Wonderful is a gender-revised version of 1986's Pretty In Pink. Eric Stoltz takes the place of Molly Ringwald and Lea Thompson & Mary Stuart Masterson do the same for Andrew McCarthy & Jon Cryer. Mr. Stoltz plays Keith a loner, artistic type who works at a garage and whose best friend is a tom girl, drummer Watts played by Ms. Masterson. Keith pines after Amanda Jones (Ms. Thompson), one of the most popular girls in school. Amanda dates the spoiled rich boy Hardy Jenns (Craig Sheffer) and after they fight, Keith swoops in and asks Amanda for a date, to which she agrees. Keith finds out that the whole date is just a setup to get him to Jenns' house so he can beat him up, he still continues with the date. He sets an elaborate evening, dinner at a fancy restaurant, art museum after hours and a set of diamond earrings. It turns out that Amanda isn't some spoiled rich girl, but a girl from the wrong side of the tracks who sold herself out for popularity. All the while, Watts is secretly in love with Keith and in the end after a showdown at Jenns' house where he is exposed as a chicken and fraud, Keith realizes his true feelings for Watts and they kiss. The movie is filled with nice performances by the three leads, but it is the supporting players that give the best performances. John Ashton is perfectly gruff and pushing as Keith's dad, Maddie Corman is the classic, annoying younger sister, but Elias Koteas steals the show as Duncan, the school thug who befriends Keith. Mr. Koteas throws out some classic lines. This was the last film John Hughes would write or director in the classic 80's teen angst vein. The soundtrack to the film is excellent, featuring no name bands like Flesh For Lulu, The Licking Tins and Furniture and it captures the essence of the films.

Some kind of predictable
The saving grace to SOME KIND OF WONDERFUL are the performances by the three lead actors: Eric Stolz, Mary Stuart Masterson, and Lea Thompson, especially Masterson. There isn't much in this script that hasn't been done before, and yet these three very young performers really pulled something out of it. Otherwise, this is another typical Hughes film filled with teenagers who are vain and self-important until something that SEEMS significant enters their lives. I know I'm in the minority here, and I'm probably just too old, but I would feel so insulted if I were a teenager watching any of Hughes' films. (Go ahead, let me have all your "Not Helpful" votes)

80's music and movies unite in the bratpack movie genre
What is it that makes the 80's so special? It is almost like these beautiful years are the ultimate result of yo