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| 41. Pride and Prejudice (Special Edition) Director: Simon Langton | |
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Reviews (596)
There are no annoying "Hollywood stars" in it like in Ang Lee's Sense and Sensibility, yet the acting is incredible. Although I enjoyed Sense and Sensibility (on the second viewing because the first time I watched it I fell asleep), it doesn't hold a candle to Pride and Prejudice. This adaption lets your imagination steep in the imagery, language, and essence of the film so you never get "pulled out" of a scence. If you're unsure as whether or not to buy this gem, just do what I did and rent it for the weekend. You'll soon discover that your movie collection will be lacking without this rendition of Pride and Prejudice.
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| 42. The Golden Girls - The Complete Second Season | |
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Amazon.com Highlights of the 26 episodes include "Ladies of the Evening," featuring a cameo from Burt Reynolds, just a few years prior to his own network sitcom, Evening Shade. As Blanche exclaims, "Mr. Burt Reynolds is one of our finest living actors...I mean, you put Sir Laurence Olivier in Cannonball Run--see what he can do." Then there's "Isn't It Romantic?" with Lois Nettleton (In the Heat of the Night) as Dorothy's lesbian friend, Jean, who falls for an unsuspecting Rose (Betty White). As was often the case, a sensitive subject is handled with taste and humor and resulted in an Emmy nomination for Nettleton's performance. Further highlights include a white-wigged Nancy Walker (The Mary Tyler Moore Show, Rhoda) as Sophia's long-lost sister, Angela, in "The Sisters" and "Long Day's Journey Into Marinara," and a pompadoured George Clooney (ER) in "To Catch a Neighbor." The final episode of The Golden Girls second season, "Empty Nest," features David Leisure and Oscar winner-Rita Moreno (West Side Story) and sets the scene for creator Susan Harris's 1988 spin-off, Empty Nest (although only Leisure would segue to the new show, while Soap's Richard Mulligan would take over for Moreno). --Kathleen C. Fennessy Reviews (29)
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| 43. Firefly - The Complete Series | |
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Amazon.com What makes it work is Whedon's delightfully well-chosen cast and their nine subtly-developed characters (a typically Whedon-esque extended family), each providing a unique perspective on their adventures aboard Serenity, the junky but beloved "Firefly-class" starship they call home. As a veteran of the disadvantaged Independent faction's war against the all-powerful planetary Alliance (think of it as Underdogs vs. Overlords), Serenity captain Malcolm Reynolds (Nathan Fillion) leads his compact crew on a quest for survival. They're renegades with an amoral agenda, taking any job that pays well, but Firefly's complex tapestry of right and wrong (and peace vs. violence) is richer and deeper than it first appears. By the time we've gathered tantalizing clues about Blue Sun (an insidious mega-corporation with an as-yet mysterious agenda), its ties to the Alliance, and the traumatizing use of Serenity's resident stowaway as a guinea pig in the development of advanced warfare, it's painfully clear that Firefly was heading for exciting revelations that never came to pass. Fortunately, Whedon was developing a Firefly movie as this DVD set was being released in January 2004, so the ultimate fate of Serenity's crew remains to be seen. In the meantime, these 14 episodes (and enjoyable bonus features) offer everything you'd expect from the creator of Buffy: action, drama, humor, hints of romance, suspense, fine acting, film-quality direction, dazzling special effects, and ample proof that Fox made a glaring mistake in canceling the series. --Jeff Shannon Reviews (1033)
Five hundred years in the future, humanity has spread into space, and the Alliance completes the Unification, i.e. forcible pacification of all planetary colonies resisting absorption under their rule, the so-called Independents. Malcolm Reynolds (Nathan Fillion) was an Independent Sergeant who, even in the final battle on his world against the Alliance, never gave up hope, still believed (wrongly) victory was possible, when his government and military pulled the plug on him, admitted defeat. Unwilling to live under Alliance rule, he and fellow soldier Zoe (Gina Torres) head for deep space as their last possible source of freedom. Thus the lines from the show's great intro tune, "Take my love, take my land/Take me where I cannot stand/I don't care, I'm still free/You can't take the sky from me." Now Mal is captain of the Firefly-class transport ship Serenity, Zoe his second officer, existing outside the law, smugglers, thieves and scavengers trying to balance their need to make a living with a code of personal integrity that's an expensive trait in the life they lead. This is not a blindingly original premise, the basic idea is old hat science fiction. But it doesn't really need to be original, anything can be done well or poorly, right? Fortunately, Whedon & Co. go straight for "well," not even stopping at "poorly." Firefly's greatest strength is its cast of well-drawn characters. In addition to Mal and Zoe, crew and passengers on Serenity include: "Wash" Warren (Alan Tudyk) is ship's pilot and Zoe's husband. He goes where his love goes, his personality alternating between a wacky sense of humor when at ease and extreme competence under pressure. Inara Senna (Morena Baccarin) is a registered Companion, i.e. psychologist/counsellor/prostitute. Revered in some quarters as the highly trained, upper class professionals they are, condemned in others as common [prostitutes], she rents one of Serenity's shuttles as her "office." It's hard to see Adam Baldwin in a t-shirt and fatique pants and not think "Animal Mother," his role in Full Metal Jacket. Jayne Cobb is kind of like Animal Mother with the intensity control turned down from 10 to about 7, from absolute psychosis to extreme self-interest. Kaylee aka Katwinnit Lee Frye (Jewel Staite) is ship's engineer, a charming gamine with a smudge of oil on her nose and a million mega-watt smile who's obviously, completely unaware she's beautiful and sexy. Shortly into the first episode, Serenity takes on three passengers (extra cash and a cloak of respectability) who stay on as de facto crew themselves: Two days out of an abbey, Shepherd Book (Ron Glass), a missionary, gets sucked into the world of Serenity. Problem: everyone else on board is either already religious or completely uninterested in what he's selling. The one exception, though he knows it not, is the most overtly anti-religious person on board, Mal Reynolds. Once extremely devout, Mal was a charismatic, inspired warrior who believed God was on his side in the fight against the Alliance. Since God betrayed him, he now hates God. Like the saying goes, "A cynic is a romantic who's been hurt." Simon Tam (Sean Maher), a doctor, becomes ship's medic. Born to aristocratic wealth and privilege, he threw away both to rescue his sister from an Alliance "academy," an act that's left them both highly sought fugitives. Finally there's River Tam (Summer Glau). Owning an IQ that looks like a zip code, Alliance experiments on her brain have (a) driven her insane, (b) unlocked psychic abilities. Much has been written about the series pilot "Serenity" being the last episode aired due to network interference; how in Firefly Whedon takes conventions of the Western, transplanting them into outer space (the parallel between the Alliance Unification and the United States' Civil War is obvious); how this DVD set includes every Firefly episode ever completed, even three not actually aired; of Whedon's refusal to abandon the project and his work on a Firefly movie. So I won't discuss all that (I'm coming to end of my allotted 1,000 words); you can read about it elsewhere. I'll just say this is one of the best television shows ever, the DVD set is priced to own with hoards of cool "extras," and if you buy it, you will love it. 'Nuff said.
Fortunately, the DVD not only has the episodes which I missed, but it also presents the series in a rational order. This is great sci-fi.
I'm sure most of us fans who have sniffed out this boxed set can agree Fox dumped this one far too soon. Our collective solace? With a Firefly movie in the works, and such series as Family Guy resuscitated due to strong DVD sales, can a Firefly revival be far behind?
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| 44. La Femme Nikita - The Complete Third Season | |
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Description Reviews (7)
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| 45. Northern Exposure - The Complete Third Season | |
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Reviews (37)
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| 46. Stargate SG-1 Season 5 Boxed Set | |
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Amazon.com Most shows go through a run-around, skin-of-their-teeth period awaiting renewal, and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things, however, was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring-species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks Reviews (23)
Season 5 introduces some very key characters and situations: All of these situations play key in the epic saga of the Stargate universe, providing for plot variations and new ideas in later seasons. The new ideas are still there. The humor is still there. Over 100 episodes in, Stargate is still going strong in this collection. I am looking forward to adding this 5th boxed set to my other four boxed sets. I enjoyed Season 6 even better. Season 7 is still blowing my mind. Let's have those as boxed sets soon as well.
Daniel's departure is handled adequately for his character in terms of how he is retired, but the story feels quite too sudden and contrived. His storyline is almost entirely forgotten by the next episode, especially in terms of the civilization he saved. The remaining story lines depend too heavily on previous stories from as far back as season one. It was rumored that this would be the last season of the show, and the writers wanted to tie up the loose ends of the series. Fortunately (or unfortunately), the show wasn't canceled, leaving the cast with few allies or enemies. Because of this, the season finale feels weak and ultimately ends up being the worst yet. Collectors should purchase this item to complete their set. Newcomers to the show may feel best skipping this season.
Ironic to find this in a sci-fi show of all places, but I have to thank the producers for the care they put into the characters! Not that there's really a Stargate, a Prometheus or even a Samantha Carter, who can solve any threat with five minutes to do calculations in her head, but at least these Air Force men and women aren't cynical hardcases out to rape and pillage the worlds across the stargate for the "military industrial machine". That's what you would get from MOST of Hollywood if they were doing this show. ... Read more | |
| 47. Nova - The Elegant Universe Director: Joseph McMaster, Julia Cort (II) | |
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Amazon.com Reviews (29)
No I do not believe that "The Elegant Universe" should delve on hairy mathematics, but it should answer "whys" and "hows" rather than just simply tell us that there are strings in subatomic atoms. Instead, it wasted so much time repeating things over and over like "people who believed in more dimensions a long time ago would have been labeled 'crackpots' but now String Theory demands it" or "if you can't test something then it's runs the risk of being philosophy." While those are interesting points, they are repeated in these documentarys over and over by the same people with computer graphics running all over the screen, never really doing a great job explaining any these claims. I think this would actually be pretty good for anyone who has little knowledge on physics, but definitely not for anyone who is at least familiar with what String Theory is.
The first 3 minutes was the trailer/intro of this 3 hours DVD. It really drew my attention with interesting topics and high quality special effects & CG animation. I knew my $35Cdn was very well spent. The first hour talked about the ground concepts of basic forces: Gravity & Quantum Mechanics. Don't worry, you don't need a science or physic degree to understand these concepts. The beauty of this DVD is that it uses various scenarios, via pictures, animiation, & special effects to depict the complex concepts to you in a very simple & understandable way. Trust me, even your grade 6 children are able to comprehend the elegant universe theory from this DVD. The first hour was focusing on these basic forces, what Albert Einstein wanted to do with unification, and what the problems were. The second hour talked about how the String theory evolve and help to solve the puzzle of Einstein's unification problem. And the last hour will take the String theory to realize the possiblilities of 11th dimensions, the impacts to our world, and the future of this 'Theory of everything'. If you still find difficulties to understand those concepts, don't worry, you will find lots of interactive education materials from the second DVD. There's an initeresting demo let you to build from 1 dimensional line to a 4-dimensional hypercube visually. I absolutely found those extra goodies were very helpful. The only picky thing I disliked was there're quite lengthy advertisings at the beginning of each episode. However, you can always skip it using fast forward. Honestly, this is a true FIVE STARS DVD. It's entertaining, it's simple, visual, excellent three hours programme. You and your kids will sure benefit from this amazing 'Theory of Elegant Universe' --- String.
Well, here are the few points I wanted to make that are not in the work itself and don't seem to be in here: 1. One of the most interesting parts of this thing is how the community responds to the idea of postulating about problems that cannot be observed. It almost plays like a Lutherian drama at that point (faith/works threatening to split a rift that will lead to civil war). But let's face it: a. the main discovery of the 20th C was uncertainty, which means that even if you can see the electron trail, you have not really succeeded in observing it (at least cleanly), and b. this is an edge that we are bound to have come upon and furthermore, consider the question of what we would do even if we could see down into a realm that bears no resemblance to where we exist, what would we be able to deduce (c.f. Ambrose Bierce's "The Damned Thing": 'nothing')? Anyway, I found this part and the echoes of it here most amusing. 2. Doesn't 1 kind of point in the direction of Wolfram's unoriginal revolution? Aren't we bound for a world of new information derived solely from simulation? Or are we already there? Why aren't scientists screaming when the proteomics people talk about simulating protein formation? 3. Scientists are sometimes great story tellers, and sometimes not. This is definitely a case of not. The Newtonian/Einsteinian vectors being returned to ad nauseum are clear signs of a threadbare, almost infantile notion of story construction (with the apple falling standing in, for instance, for the fallen cherry tree of yore). Gleick's book about Feynman shows that that great man view of all things is certainly gone (if it ever did make any sense). Great to herald the accomplishments of others, but should be in a context that provides more depth than the rodeo scene from "Annie Get Your Gun." 4. Most of the hard questions here were really ultimately ducked or served cold. The buildup to the genius coming in and solving the five models problem was so drawn out I started to think TiVo was tormenting me by replaying sections (I couldn't imagine a conscious editor called for that many repeats). And then the genius' conclusion is that the five models are all reflections of one reality. Ah, I see.... Hello? Are we that dumb? If so, why are we watching? A little more detail please. I hope this cat doesn't decide to do a film about Fermat's Last Theorem... I'd like see something that takes a bit more bother with the seminal moment and less with the titillation.
What a vapid production! Terribly, almost moronically, edited, taking forever to say anything, endlessly repetitious. Narcissistic. Precision and key details missing everywhere. No profound development of ideas. Images and props constantly get in the way of meaning and exposition, and most of what IS said will surely already be known to the majority of the literate public. Ironically, "The Elegant Universe" is the least elegant of science productions. It could be skillfully cut to a third or a fourth of its present length without substantive, persuasive, or artistic loss, but much dramatic gain. Absurd platitudes fairly trip over one another's feet. Why is Isaac Newton supposed to be the "greatest scientist of all time"? In point of fact, he is a most unlikely choice. This is the worst science film I have ever seen as a scientist, at least for its length and melodramatic ambition. Although kindergartners might like it. Certainly the ingenious visual and musical simulation of the jittering Dirac vacuum is magnificent! With respect to superstring theory itself, this supposed documentary is more like an advertisement than an honest examination of what to date remains a charming but sterile scientific theory, a theory that could easily be joined by a thousand other ideas, neither less nor more plausible, on the same shallow pond of data, where they could all figure skate together. A scientific theory never "proclaims" anything about the universe; only its exponents - physicist Greene, in this instance - can be guilty of THAT. Although I found much to enjoy, and more than a little enlightenment, in Brian Greene's superb book of the same title years ago, and strongly recommended its purchase to sophisticated lay friends, in this extraordinarily bathetic television tutorial there is little or no trace of his expository genius and style. I am afraid that in the making of this program the youthful Prof. Greene allowed himself to be badly misused by his handlers. The universe is not a cartoon, and science - as publicly understood and professionally pursued - can only be degraded and perverted by such undignified, unintellectual drivel. Final impression: Revolting! Literally an embarrassment to watch.
A superb presentation that explores the boundary between physics theory that can be experimented against (quarks, etc), and that which currently cannot (strings). ... Read more | |
| 48. The Twilight Zone - Season 1 (The Definitive Edition) | |
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| 49. Sex and the City - The Complete Second Season | |
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Amazon.com Reviews (140)
Parts of each character are realistic, but ultimately there's an element of satire and "over-the-top" that keeps the reader hooked. (...) And in Season 2, Big comes across as a really decent guy. He accompanies Carrie to a wedding of a couple he doesn't know and to a dinner with her friends. And she comes across as high maintenance. She can't read between the lines to see how much he cares for her so she keeps pushing for more. (...). I believe the episodes work best when they're light-hearted and playful, such as 20-somethings vs. 30-somethings. (...)." Sometimes I think SATC is a litmus test for personalities. Everyone who watches sees something different. Some like Samantha best, others like her least. And some viewers focus on the clothes. What hooks viewers, I think , is the three-dimensional qualities of the four main characters, and even of Big. They have real flaws as well as great virtues. And they have enough money and career stability to spend all their energies on relationships. Sometimes it's exhausting just to watch the quest, but the writers make sure it's never dull.
The second season includes Carrie & Big getting back together and breaking up again (can they ever make up their minds?!), Miranda having a real relationship (with Steve, a bartender), Samantha having a relationship (oh my stars!) with the perfect guy (except for one "little" thing), and Charlotte dating so many guys (your head will spin) and not keeping any of them. It is a whirlwind of laughs, a few tears, and more, more, more. This show has all of the elements that keep you tuning in. This is a must buy for all the non-HBOers out there. Buy it!!!
It then occurred to me after watching a number of these episodes that it is really the story of 4 gay queens looking for a gay partner. At least that is the way it is written. Seen through this prism, the show is actually more poignant. The show -- through its characters -- strives to champion promiscuity as a virtue. And isn't this really at the heart of the gay ideology? But what makes the show so good is that the writers never insert love into the equation. These 4 selfish people constantly indulge in sex, but it is plain that none really have their hearts in it. They bemoan the lack of men who would love them, but they themselves withold their own love. Stingy with offering out their heart, they trade affection for something they do not value, their own bodies. My first experiance with the show was in 1/2 drops every 6 months or so on HBO. But the DVD format allows one to watch the episodes back-to-back. With my infrequent viewings I was impressed with the glamour and adventurousness of the stars. But with seeing the shows back-to-back, the loneliness, neediness, and desparation exhibited by the ladies pops to the surface. There is nothing glamorous about their lives. Commendably, sex isn't depicted as an answer, but more as a drug to take the edge off of their main concern, their inability to win the heart of a man. Intentional or not, it is this truth that makes the show as good as it is. Oh, by the way, the show got cancelled because the 4 ladies just got too old for their make-up to hide. They probably stayed on 2 seasons too long, but at least they got out when they did. How long could anyone watch 4 old ho's whine on about how they missed the boat?
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| 50. The Complete Basil Rathbone Sherlock Holmes Collection | |
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| 51. Gilmore Girls - The Complete First Season | |
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Amazon.com It sounds like a premise potentially fraught with angst and trauma, but in reality Gilmore Girls was one of the freshest, airiest, most enjoyable shows to air on the perpetually melodramatic WB network, critically praised once viewers got hooked on its unique brand of humor. Rory's growing-up adventures, including her acclimation to snooty Chilton and romance with townie dreamboat Dean (Jared Padalecki), gave the show a teen-friendly feel, but Gilmore Girls was anchored in the adult by the luminous Graham, a brilliant comedic leading lady who could turn dramatic on a dime and never break stride. The show's hallmark was its rat-a-tat, whipsmart dialogue, delivered perfectly by Graham and Bledgel, as well as a host of wacky supporting characters who would go on to become invaluable cast members. The first season allowed the show--and its lead actresses--to bloom gracefully and establish a deep, humorous rapport that lent itself perfectly to weekly travails both comedic and dramatic. --Mark Englehart Reviews (192)
There are quirky townspeople in the town of Stars Hollow, CT where Lorelai and Rory live. There's Luke, the grouchy proprietor of Luke's Diner where the Girls eat practically everyday. It's obvious though that he has a crush on Lorelai. Well, I've got to run so buy this DVD ...
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| 52. Stargate SG-1 Season 3 Boxed Set | |
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Amazon.com "Forever in a Day" begins an important storyline about Daniel's wife Sha're's stolen child who is a "Harcesis," an illegal breeding between Goa'uld hosts. Then an earlier thread is picked up in "Past and Present" on planet Vyus whose people all suffer amnesia. Their leader Ke'ra (played by Megan Leitch who's portrayed Mulder's missing sister in The X-Files) is a link to the earlier "Prisoners" episode and the dangerous "destroyer of worlds". In a two-part cliffhanger, Sam must attempt to rescue her father, face Satan himself on a prison moon, and resurrect "Jolinar's Memories" from the Goa'uld she was briefly possessed by, then "The Devil You Know" reveals an embarrassing secret that could allow the team to escape the clutches of Satanic Sokar. "Pretense" is one of those sci-fi series staples as a character is put on trial to prove their guilt on behalf of another. "Urgo" expands the general sardonic humor with a little pathos for the guest appearance by Dom DeLuise. Lots of slapstick ensues. "A Hundred Days" is the three months O'Neill spends stranded on planet Edora by the fire rain of a passing asteroid belt. Then in "Shades of Grey" he appears to suffer a total personality switch when he steals technology from the Tollan and is insubordinate in the extreme. Both these are terrific concepts but are scarcely enough story to have stretched across more than one episode. --Paul Tonks Reviews (42)
This season is just great and sets up a lot of stuff that we will be going back to in further seasons. Such as the episode jolinars memories and of course urgo is a great episode and shows what most sci-fi shows preach. Foothold is a great episode as well and tends to bring the sgc some trouble later on in the series. It's truly tough to choose the best episode for any stargate series as pretty much all shows are great. For the technical aspects The show has improved on their transfers for the video and added a great bit more extras! The audio is still amazing with its 5.1 audio. Season 3 is an amazing season and well enough reading the review just watch the season and enjoy!
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| 53. Cheers - The Complete Fifth Season | |
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Amazon.com Reviews (7)
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| 54. The Complete Prisoner Megaset | |
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Amazon.com essential video As we learn in Episode 1, Number 6 can't leave. The Village's "citizens" might dress colorfully and stroll around its manicured gardens while a band plays bouncy Strauss marches, but the place is actually a prison. Surveillance is near total, and if all else fails, there's always the large, mysterious white ball that subdues potential escapees by temporarily smothering them. Who runs the Village? An ever-changing Number 2, who wants to know why Number 6 resigned. If he'd only cooperate, he's told, life can be made very pleasant. "I've resigned," he fumes. "I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own." So sets the stage for the ultimate battle of wills: Number 6's struggle to retain his privacy, sanity, and individuality against the array of psychological and physical methods the Village uses to break him. So does he ever escape? And does he ever find out who Number 1 is? "Questions are a burden to others," the Village saying goes. "Answers, a prison for oneself." Within this complete 17-episode set (which contains the entire series), all is revealed. Or is it? --Steve Landau Reviews (39)
As for the DVDs themselves, the audio quality of the episodes is what you might expect from a 1967 TV series (the difference between the audio of the shows and the modern-day interview is pronounced), the menu screens are attractive and in a style which fits the series well. The bonus features are a little scant. The "alternate version" of Chimes is so barely different it isn't that interesting, the Trivia Quiz was lifted right off the Appreciation Society's website, the trailers would make you NOT want to watch the episodes, but the couple of extra interviews are pretty cool.
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| 55. Curb Your Enthusiasm - The Complete First Three Seasons | |
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| 56. The Complete Jeeves & Wooster Megaset | |
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Description To millions of devoted fans, P.G. Wodehouse's "Jeeves and Wooster" stories are a delightful obsession, an irresistible and irreverent romp through the drawing rooms of Edwardian England's tweedy elite. Now, these comic masterpieces come to life in acclaimed productions with an extraordinary cast that features Hugh Laurie (Sense and Sensibility, Strapless) as the well-meaning but dim aristocrat Bertie Wooster, and Stephen Fry (Wilde, Cold Comfort Farm) as Jeeves, his hilariously arch and resourceful valet. This 8-DVD collector's set includes 23 digitally restored and remastered episodes. Reviews (14)
To be perfectly honest, I must say that it was hard to say no to after the pitch I was given. My sword swingin comrade said in no uncertain terms, and with a polite slowness that keeps me on the right level, that I would like them, that they were good, and that he would stand behind me with said sword and make sure I laughed. At first I gathered that he was laying it on a bit thick, but when I saw the fevered intensity that broke out into a sweat across his face, I knew that he was sure of himself. They were dashed nonsense really, but I couldn't help but take a liking to them. Seeing an English gent trying to fix situational problems when he seems to be missing a bit of grey matter is all well and good, but I felt nothing but relief each time his valet was brought onto the scene to take matters into his own hands. Wooster (the grey matter missing chap), is a likable fellow. Always willing to help out a friend in need, which usually lands him into a tight spot, while Jeeves (the aforementioned valet), has a mind that can tackle the toughest issues, and is willing to do so as long as Wooster can stay within Jeeves's fashion limits. Along the way I encountered an odd, but strangely refreshing cast. From jolly old fish-face, to the newt toting Finknottle. From a multitude of Brittish gals who have the wrong idea that Wooster is madly in love with them, to an array of aunts who can't wait to find something wrong with the poor chap. (...) And I can't forget to mention the mob of friends who flit from one romance to the next. After sitting through all four seasons in a short 3 or 4 week time, I realized that Wooster was a part of me and I couldn't very well give up the poor fellow. I have of late found myself reading a dashed good novel called "Life With Jeeves", also provided by my previous mentioned chum. Supposedly it was written by P.G. Woodhouse, but I know it was really Wooster himself just using a pen name, after getting the idea from his friend Bingo who once gave him the false name of Rosie M. Banks, a popular novelist of her time. I know this because he wrote it in first person, and someone calls him by his real name at least once every page.
Rare is it for one to find a comedy that deftly blends the best elements of all three 'brow aesthetics' into a humor-vehicle that is at once escapist and illuminating. *Wooster and Jeeves*, an A&E adaptation of the P.G. Wodehouse serial-novels of the same name, achieves this exceptional distinction. With its natural dialogue (culled directly from the source material), impeccable comic timing and excellent acting, along with an extremely refreshing variation on the standard development-of-conflict/culmination-of-tension sitcom-structure, *Wooster and Jeeves* towers over the dross and diminished returns of mainstream H-wood offerings, exposing the implicit poverty of ultra-recycled miscommunication-muddling, senseless slapstick, lowest-common-denominator joke-dialogue and imbecilic 'shock' theatrics. This is one for the archives. *Wooster and Jeeves* centers around one Bertram Wooster (Hugh Laurie), an archetypical English wealth-scion of the flapper '20s (i.e. a playboy and all-around fop), and Jeeves (Stephen Fry), his sophisticated valet. Bertie has devoted his existence to simple pleasures: afternoon excursions to the local gentleman's club for drinks and nine-ball; the occasional golf-game in the countryside; learning all the newest tunes on his piano (and, distressingly, a trombone). But this peaceful existence is constantly threatened by his relatives and school-chum companions, who endeavor often-as-not to involve him in their half-witted shenanigans (often via blackmail), or seek to marry him off so as to be 'molded' into an upstanding citizen. Luckily Bertie has Jeeves, his upper-crust manservant of philosophical bent, photographic memory and astonishing reliability, to help him wriggle free from these various entanglements/entrapments: "you're a rare bird, Jeeves!" Bertie invariably exclaims upon hearing the elegant, simple solutions his valet conjures. Indeed, compared to the lassitude and loathsome irresponsibility run rampant in Bertie's circle of the privileged (...peacocks, puff-adders and/or prunes), Jeeves is a pillar and a paragon, far more cultivated in his education and moral fortitude than any of the noble-rank he so impeccably serves. This could be considered a cliché, and with good reason - but we must remember that clichés often have a strong basis in reality, and such is the case here. Wooster & co., born with the silver spoon firmly placed in mouth, have never had to struggle for anything: thus, stressful occasion is usually invented or invited, for excitement, a 'lark', a means to obtain the suffering so key in delineating character and defining pleasure, whereas Jeeve's fortitude is all self-made, stamped upon soul and sinew through years of willing trial. But I digress. The one thing I like most about *Wooster and Jeeves,* aside from the top-notch writing, acting, set-design and dramatic construction, is the fact that it sidesteps the typical tension-build of very nearly all comedy. In the usual spate of sitcom and other 'brow-aesthetics,' a situation is introduced, complications ensue, and with an unhealthy over-reliance of miscommunication, the tension is milked and milked until 'release' - long after the outcome has been thoroughly predicted by the jaded audience. In each episode of *Wooster and Jeeves*, however, the writers have combined several of Wodehouse's short stories, therein threading events, character-arcs and complications into a sinuous storm of tension/release. Rare is it for an uncomfortable situation to wear out its premise: not only are conflicts dispatched in a speedy and sometimes surprising manner, they often mutate into different, contrasting developments...an incredibly refreshing twist. This show is *not* milked, and there is (almost) always enough material to fill a 45-minute episode. Until, that is, the fourth season. All that makes this series extraordinary is astonishingly reputed in the disastrous return-to-America episodes, which stretch credibility well past the breaking point and simply are _not_ up to snuff with the prior three seasons. The Empire State Building climax of 'The Once and Future Ex' borders on disgusting parody; the castaway epilogue to 'Bridegroom Wanted' is humorous only in a surreal 'what were they thinking?' sort of way. Everything returns to normal (more or less) once Bertie and Jeeves reach England, though the spark of the show is discernable weakened afterward and even the return of powerhouse personality-clashes like that of Finknottle and Spode come of more like copycat comedy when compared to their predecessors. Regardless, this box set is well worth the lucre. Five stars.
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| 57. Stargate SG-1 Season 6 Boxed Set | |
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Amazon.com Reviews (35)
Stargate SG-1 has improved dramatically since the move to The Sci-Fi Channel, and the bigger budget and respect the show is receiving by Sci-Fi really shows in this season. Everything about the production is absolutely top-notch and very professionally done. I was mesmerized by every single episode in season 6, but a little sad that it was limited down from 22 to 18 episodes. Nevertheless, this season is now my favorite. The first three episodes are edge-of-your-seat suspense and action of theatrical quality. Many, many sub-plots are resolved in this season, making it very enjoyable. These folks know how to make a great show, and don't contradict themselves (heLLO Paramount?). What really amazed me was how this terrestrial show has been sucking the life out of Star Trek with many episodes taking place in space. With the 303, humanity now has a home-built interstellar starship that really is taking ground away from the already pathetic (and flushed) Star Trek franchise. I was a big-time Star Trek fan, but am so angry about how Paramount ruined it. Enterprise is a pathetic joke, simply horrible. The writers can't possibly even be Trek fans, just leftovers from one or another soap opera. Come on people! What happened to bringing on sci-fi writers like Roddenberry used to do? This stuff is garbage. Well that's where Stargate SG-1 shines. This season is fantastic, so much so that I've watched each episode twice, including the director's commetary and all the extras. Really great stuff.
At the end of Season 5, a key character of the SG-1 team leaves (essentially) and as such a new character is introduced, Jonas Quinn. He's an off-worlder/alien, from a planet called Kelowna and is in exile because of certain incidents which led to the 'disappearance' of Daniel Jackson. Oh boy, no one thought it would ever work .. the team dynamics would shift, no show has ever done away with such a key character etc. I would have to say that they have done it and done it very well. The plotlines continue to amaze me. Some stand outs include "Frozen", "Abyss", "The Other Guys", "The Changeling" and of course the season ending cliff-hanger "Full Circle". I'm not sure if it's because of the addition of a new character, but there seems to be a whole variety of different themes, plots, interactions added into the show. It's not focused on one huge Goa'uld baddie, unlike previous seasons .. or the really boring Replicators. And the acting, interaction between the cast is just amazing ... Jonas has to basically work his way into the hearts of the earthlings so to speak. Gain their trust and prove that he's an invaluable member of SG1. And prove that he's not just a 'replacement' of Daniel Jackson - you know, bumbling archaeologist type. Plus you still have Daniel Jackson coming back from time to time and expanding the 'ascended' plot line as well. I love how conflicted this character was .. between sticking to what he has embraced or saving his friends, world. It all comes to a climax in the finale and will continue on in Season 7. I have to say I am somewhat disappointed with how they kicked out the character Jonas Quinn in Season 7 - okay, Daniel Jackson is back so he was just filler space .. ugh! If you're a big fan and watched all the 5 seasons religiously, you would think that I would love the idea of having the character back .. but once you watch Season 6, you'll understand. It's THAT good! After that you can't imagine NOT having Jonas Quinn as a member of SG1. It's pretty unbelievable that the makers of the series can continue to churn out really original, thought-provoking episodes .. deep into it's 6th season. You can't say that about most shows. Don't miss out on it. The DVDs are as usual full of extras, which is wonderful. They have kept to their streamlined look for all their boxsets, which I love. The only thing I did not like is that it does not have any subtitles. Plus I notice that the sound isn't as crisp as it should be. No extra languages either.
There have been rumors going around for a year or so that the final season is near. Now, with the premier of "Stargate Atlantis" on sci-fi the intent of the show's producers is clear - the tablet found at the end of season 6 that speaks of the "lost city of the ancients" and all the ensuing related plotlines in season 7 refer to the lost city of Atlantis, and are thus the spin-off point for "Stargate Atlantis". Having said that, season 6 is definitely worth watching for its theme development around the deepening mystery of Anubis. Although Daniel Jackson makes several appearances, it is also anti-climactic since I have become fond of Jonas Quinn by this time. In season 6, I think that the character of Sam Carter has been getting a progressively tougher edge since the death of Daniel Jackson, and I'm not sure I like it all that much. I much preferred the softer, more personable Samantha from the previous five seasons. Perhaps this character evolution is all related to a higher design for the series? The DVDs all come with featurettes and supplementary material and options for the home viewer. Overall, I give Stargate SG-1, season 6 my usual rating of five stars for continuing to be some of the best TV being produced.
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| 58. The Golden Girls - The Complete First Season | |
![]() | list price: $49.99
our price: $34.99 (price subject to change: see help) Asin: B0002W4SX6 Catlog: DVD Sales Rank: 25 US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Notable guests to lend their talents to the first season include Star Trek: Voyager's Robert Picardo ("The Operation"), Alice's Polly Holliday ("Blind Ambitions"), and WKRP in Cincinnati's Gordon Jump ("Big Daddy"). In addition, Harold Gould (Rhoda), who appears in "Rose the Prude," would return as a (different) recurring character five years later. The Golden Girls ran for seven seasons and spawned spin-off The Golden Palace (without Arthur) and a British version called The Brighton Belles. By the end of its run in 1992, it had garnered numerous awards, including two Emmys for best comedy series. In addition, each of the four actresses received a well-deserved Emmy for her efforts. --Kathleen C. Fennessy | |
| 59. The Sopranos - The Complete Second Season | |
![]() | list price: $99.98
our price: $76.23 (price subject to change: see help) Asin: B00005NOHO Catlog: DVD Sales Rank: 286 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description (c) 2003 Home Box Office.All rights reserved.HBO(r) and The Sopranos(r) are service marks of Home Box Office, Inc. Reviews (86)
Although there are some lulls early in the second season, the show ultimately surfs the transition extremely well. Episode 14, the first of the second season, reveals what became of Big Pussy Bonpensiero; it also introduces us to Janice, Tony's ne'er-do-well sister from the West Coast. In episode 16 we get a blunt introduction to Richie Aprile (brother of the late Jackie Aprile Sr.). Richie has just been released from prison, and we immediately know that he's going to be a nasty thorn in Tony's side. But frankly, you could skip over episodes 17 and 18 and you would barely miss a thing. By far the most significant long-term development in those episodes occurs when Tony brings Furio back after a "business trip" to Italy. Things really start cooking in episode 19 when we meet Tony's high school buddy and "degenerate gambler" David Scatino, brilliantly played by the underrated actor Robert Patrick. (Frank Sinatra Jr. has a cameo in this episode). It would be unfair to newcomers to detail any more plot twists beyond this point. The sessions between Tony and Dr. Melfi remain the prism through which the entire show is filtered. One of their best and most pointed exchanges occurs in episode 22. Dr. Melfi asks Tony if he believes that his nephew Christopher will burn in hell because of his mob activities. Who among us really belongs in hell? "The serial killers, the people who kill for pleasure, the child molesters, the Hitlers, the Pol Pots. Those are the [...] who belong in hell, not my nephew," Tony responds (I'm paraphrasing a bit). After all, "Rockefeller and J.P. Morgan were crooks and killers too." But those Gilded Age elites needed Italian immigrants "to build their cities and dig their subways and make 'em richer." The rise of La Cosa Nostra early in the twentieth century, Tony concludes, was simply a class struggle in which the hard-working sons of Italian immigrants claimed their rightful "piece of the action." Not even Dr. Melfi can stomach this much moral equivalence. In one of the few times that she blows her stack at Tony, she angrily asks, "Does that justify EVERYTHING you do?" The show's little touches are almost as impressive as the big ones. For example, episode 23 begins with an eyewitness telling the cops about a murder. Later we see him at home, sipping wine and reading ANARCHY, STATE AND UTOPIA. This episode also reveals Richie and Janice's unorthodox (and hysterically funny) lovemaking techniques, which only the two of them could have dreamed up. One could go on and on about what makes this show so special. The key to the show's success, I believe, is that it tends to be character-driven, whereas too many other shows are strictly plot-driven. That explains why THE SOPRANOS almost always rings true. Thank God this show is on HBO and not regular network TV.
Series Two is a lot better than series one and contains more depth in the characters. If the Sopranos just went about killing one another we wouldn't really care about it, but because it could almost be described as a psychological drama (with guns) it is fantastic. I'm Italian American and don't mind one iota at some of the humor in this and appreciated every second this DVD had to offer. If the creator David Chase is reading this (ha) then when The Sopranos finishes, how about a prequel/spin off with JOHNNY 'BOY' SOPRANO in the fiftys? It'll be a sure hit.
"The Sopranos: The Complete Second Season" has to be my favorite season. As much as I love the first one, this was when things were really funny, intense, dramatic and involving. The season doesn't let us down when it comes to Tony having more problems than ever before. Both in his Mafia Family and his immediate family, Tony can never get a break. His wife gives him grief while his kids keep doing things that upset him. And don't get me started on his ill mother and self-centered sister. Life isn't much better in his Mafia Family when the brother of Jackie is released from prison and is giving Tony a hard time both personally and professionally. Not to mention that his long time friend, Big P. comes back from a long hiatus when he was first suspected of turning rat to the Feds. All of this leads to one incredible and unpredictable season that showcases the show like none other. For me, this was the most entertaining season of them all. I loved the characters, the constantly changing storylines, and the personal and business life of Tony Soprano, which is superbly balanced in this season. There's still the much appreciated humor in these episodes that were found lacking in the next two seasons. It doesn't feel like a soap opera, but a more enhanced look into the Mafia world. There's plenty of action as well as dramatic storylines that will make everybody happy for the most part. This season comes in a set of four discs, totaling at 13 episodes. The great thing about the show is that it is presented to us in a widescreen format that is enhanced for widescreen TVs. This really makes the show that more effective because you feel like you're actually watching a movie rather than a show on cable. The picture and sound quality is great and really shows. There are some nice little extras, such as featurettes, brief previews and recaps of episodes, web-links and more. "The Sopranos: The Complete Second Season" is a bundle of laughs, suspense, drama, action and surprises. You're always on your toes and you never know what's coming next. One thing's for sure; this is the most unpredictable season out of the four seasons (the fifth one looks pretty promising thus far). While you'll want to start with the first season if you've never seen the show before, you'll know that you will have something special to look forward to once you get to the second season. In my opinion, this is where Sopranos is flawlessly at its best. -Michael Crane ... Read more | |
| 60. The West Wing - The Complete First Season | |
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Amazon.com What emerges is more than a collective liberal dream of an impassioned administration battling back ultra-conservative bogeymen ranging from the religious right to bigots to gun-toting militants. Wonderful episodes like "The Pilot" and "In Excelsis Deo" portray a government led by heroic, intelligent, and decent men and women. Whether or not one regards that as a political fantasy, it's a remarkably refreshing and appealing vision of politics and its practitioners, one that the public embraced with consistently strong television ratings. In a country whose citizens are used to viewing their elected leaders with mistrust and cynicism, that might be The West Wing's greatest accomplishment. --Eugene Wei Reviews (131)
West Wing is one of the better ensemble dramas ever screened on television. However it was only after seeing the interviews of Sorkin and the cast members that one realised how it was done. Sorkin is clearly highly intelligent and his scripts are powerful and the basis of the show. This becomes clear when you hear the cast members talk. They lack the presence of their on screen personalities and although they are talented actors one realises that it is the structure of the plot and their lines which creates the characters. Sorkin also indicates how in reality the plots have a high level of sentimental resolutions. One doesn?t pick this up in watching it. Sorkin explains how he uses humour to break up the flow of the story and to prevent the material becoming mawkish. He also indicates that although the White House portrayed is a Democrat one, he interplays conservative and liberal story lines. On first viewing the show it appeared to be moderately liberal but on re-watching the episodes on the CD Sorkin is right. The second episode is highly nationalistic and the last scene is the character played by Martin Sheen regretting that Americans cannot walk the earth with the same protection that was afforded the ancient romans. In other episodes the character Donna argues strongly the Republican line on taxation. Watching these eleven episodes after watching them on TV some years ago, one is still struck by the strength of the characters, the frantic pace of the action and the fact that the scenes are seldom static. Even though one begins to see that there is a sentimentality which initially slips by you, one can still be moved when Toby arranges the funeral and honour guard for the homeless war veteran. It is however the humour and intelligence which is the driving force of the series and what makes it so watchable.
How disappointing then that US fans of this show must look outside their own country to buy the DVD set. I went to Amazon.co.uk (the British local site for Amazon) and found the West Wing Season 1 set there. Be forewarned, however: These are Region 2 discs, meaning they can be readily played only by folks in Europe, the Middle East and Japan. If you are in the US, with a standard (i.e., non-region free) US player, you are out of luck. Your only recourse is to buy a "Region Free" player (many Web sites hawk modified low market players that can play any disc), modify your own player (don't even think about it), or try getting your computer DVD drive to play it. This last option is what I've accomplished, and though I'm happy to be able to watch these West Wing episodes whenever I like, it's a bummer to have to view them on my computer monitor. C'est la vie, I suppose.
Warning: Be carefull, if you buy it or rent it you will be hooked. Very difficult not to start watching the next episode when the previous one ends. The series deals with many current issues and shows us how the people behind the politics really try to do their best (in most cases). Not that this is real life, mind you. But could sure serve as an inspiration to those that serve as our elected officials and those that aspire to serve in that capacity in the future. What else can I say. Buy a copy, rent a copy but you just have to see this series. Then let us all know what you think. I was blown away. I think you will be too.
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