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    $11.24 $9.28 list($14.98)
    1. Butch Cassidy and the Sundance
    $56.21 $40.79 list($74.95)
    2. John Wayne DVD Gift Set (The Shootist/
    $11.99 list($19.96)
    3. Blazing Saddles (30th Anniversary
    $11.24 $9.50 list($14.98)
    4. The Man from Snowy River
    $11.23 $8.99 list($14.97)
    5. Last Stand at Saber River
    $11.23 $8.54 list($14.98)
    6. Drums Along the Mohawk
    $10.48 $8.19 list($14.97)
    7. Purgatory
    $10.48 $9.19 list($14.97)
    8. Conagher
    $14.99 $13.04 list($19.99)
    9. My Name Is Nobody
    $11.24 $6.74 list($14.98)
    10. Lonesome Dove
    $29.97 $22.74 list($39.96)
    11. The Clint Eastwood Gift Set (A
    $22.49 $15.99 list($29.98)
    12. Dances with Wolves (Special Extended
    $17.98 $12.58 list($19.98)
    13. Heaven's Gate
    $11.22 $8.03 list($14.96)
    14. Jeremiah Johnson
    $11.23 $9.30 list($14.97)
    15. The Wild Bunch - Restored Director's
    $11.21 $7.00 list($14.95)
    16. Hour of the Gun
    $11.23 $8.78 list($14.97)
    17. The Searchers
    $11.24 $9.82 list($14.99)
    18. Paint Your Wagon
    $11.21 $7.97 list($14.95)
    19. The Magnificent Seven (Special
    $22.49 $13.95 list($29.99)
    20. The Alamo (Widescreen Edition)

    1. Butch Cassidy and the Sundance Kid (Special Edition)
    Director: George Roy Hill
    list price: $14.98
    our price: $11.24
    (price subject to change: see help)
    Asin: B00003RQNJ
    Catlog: DVD
    Sales Rank: 693
    Average Customer Review: 4.57 out of 5 stars
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    Reviews (93)

    5-0 out of 5 stars "You Just Keep Thinking, Butch...!"
    This film truly deserves the description of being a "Classic." Paul Newman and Robert Redford (in the company of Director George Roy Hill and a particularly appealing Katharine Ross), take the history of the bloodthirsty "Hole-in-the-Wall Gang," and turn it into an affectionate cinematic portrayal of male bonding and cultural change.

    Taking place at the end of the 19th century, Butch and Sundance are, as veteran actor Jeff Corey, playing a sympathetic sheriff and accidental existentialist, snarls, "two-bit outlaws on the dodge!" They spend much of the movie dodging a posse hired to hunt them down and kill them in the wake of a series of amusing train robberies. The location shooting of their escape is breathtakingly beautiful.

    Ultimately, they have to flee the closing frontier, and end up in Bolivia, which is portrayed as a kind of low-rent version of the Old West. Their trip to South America is an intermezzo, done in sepia tint, focusing on their stay in New York, which, with its (relatively) modern conveniences, underscores how anachronistic their lifestyle has become.

    Their inability to rob banks in Bolivia without using Spanish-language crib sheets is both hilarious and touching, a kind of paradigm of cultural and technological dislocation.

    In keeping with its 1969 release date, the film has a strong antiestablishment cant to it: Authority is faceless, unyielding, and, mostly, inept. It is telling that Butch and Sundance kill no one until they "go straight" as payroll guards. Their criminal lifestyle is romanticized as a kind of "On The Road" on horseback. That this doesn't offend the audience is a measure of how fine this movie is. The warmth and humor overcome both the moral relativity of the characters and their sad ending.

    Newman and Redford are wonderful together as the affable outlaws. Newman's Butch is a charming, flaky visionary who is trying desperately to cling to the past. When confronted with the new alarms and teller's cages at a favorite bank, he dismisses the guard's explanation of, "People kept robbing us" with a wistful, "It's a small price to pay for beauty."

    As Butch says: "The future's all yours, you lousy bicycles!" In a sense: the Western Outlaw was succeeded by "Public Enemy Number One" when cars succeeded horses, and train and bank robberies became Federal crimes. "Your times is over!," Jeff Corey insists, and he's right.

    Redford plays Sundance as the stylish straight man, never quite falling prey to Butch's dreams, but never able to dismiss them utterly: "You just keep thinking, Butch, that's what you're best at!" The onscreen chemistry between Newman and Redford is so palpable that although they only made two films together ("The Sting" in 1973 is a modernized version of "Butch & Sundance"), they can easily be considered one of the finest comedy duos ever, anywhere. The dialogue between them is banter between two very good, very old, very comfortable, friends. Maybe there was a script involved, too.

    "Butch and Sundance" may be short on facts, but it speaks a kind of truth for which facts are not needed.

    5-0 out of 5 stars Newman & Redford's First Film Together
    Paul Newman and Robert Redford are two of the biggest movie stars of all time. They are also the best of friends and that friendship shines through on their first film together, Butch Cassidy & The Sundance Kid. The film is set in the old west, but it has a definite 60's feel to it. Butch and Sundance are anti-heroes who defy the "establishment" by robbing trains. Finally the train company gets fed up and sends an elite team of bounty hunters to track them down. This inspires the film's classic catchphrase, "who are those guys" as Butch & Sundance can't shake their pursuers. The film has a light comical side to it as Mr. Newman is at his charming best as Butch and Mr. Redford elicits laughs as the uptight Sundance. Katherine Ross provides a pretty diversion as Sundance's beautiful schoolteacher girlfriend, Etta Place. Mr. Newman & Mr. Redford are instantly likable in the lead roles and you can feel their real affinity for one another come through in the film. The movie was a major box office hit and won and William Goldman won an Oscar for his crisp and witty script and But Bacarach and Hal David won an Oscar for the film's theme song "Raindrops Keep Fallin' On My Head" which B.J. Thomas took to number one in late 1969.

    5-0 out of 5 stars Style and Substance
    I remember seeing this movie at the cinema as a kid (many years ago)and being knocked out by how COOL Redford and Sundance were. You know the scene in Blues Brothers, the doorway of the transient mens refuge and the rocket launcher, and they just get up, brush themsleves off, music resumes and go on as if nothing happened. That cool. And so when they get to the stage of being concerned "who ARE those guys" we have substance for the actions they take afterwards. Now watching this movie on DVD with my kids, they didn't get enraptured as I did at their age. As you might guess, not enough action for their generation - and yet, when there is action, it plays with as much emotion as the best of hollywood today. A tremendous cast delivering a tremendous performance, this will always be one of my favorite movies.

    5-0 out of 5 stars Sticks pretty well to historical fact
    For one when Butch and sundance are being chased up the mountain by the posse Butch mentions Joe LaFors (sp?). I checked a while ago. LaFors really existed as a lawman at the time. But Etta Place (Kathryn Ross)though she really existed was actually not a school teacher. More likely she was a prostitute.

    5-0 out of 5 stars Butch & the Kid
    Butch Cassidy and the Sundance Kid is one of the best movies (if not the best!!!) I have ever seen. The action, the interplay and the chemistry between the 2 leading stars (Newman, Redford) is like "poetry in motion". The action is non-stop, as well as the comedy, especially of Newman. Even though there is quite a bit of violence throughout the movie, I would recommend that everyone buy the video!!! ... Read more


    2. John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance)
    list price: $74.95
    our price: $56.21
    (price subject to change: see help)
    Asin: B00006674Y
    Catlog: DVD
    Sales Rank: 1275
    Average Customer Review: 4.75 out of 5 stars
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    Description

    Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin. ... Read more

    Reviews (4)

    5-0 out of 5 stars You can't go wrong with THIS package!
    Individually, these five movies range from three stars to five stars, but as a package, I give it FIVE STARS. Watch them in chronological order and you see the Duke evolve from 50's Hollywood "tough guy" to legendary leading man in his final film. The man truly had more depth as an actor than the medium of the 50's allowed him to show. In 1976 he was finally given a vehicle to give us everything he had, even though he truly was dying of cancer.

    5-0 out of 5 stars A great collection of John Wayne's Westerns
    This splendid collection of John Wayne's Westerns is a must-have for any fan or would-be fan of John Wayne (if you don't have these films already, that is). It contains some of the Duke's best movies, at an affordable price and in an attractive packaging. All of these movies are great:

    THE SHOOTIST was the Duke's last film, and is truly a door-closing sort of movie. It is a fitting end to a very long and very great career. Wayne plays an old, dying gunfighter who is ready to hang up his guns but just cannot be left alone to die in peace.

    THE SONS OF KATIE ELDER: Wayne stars as John Elder, the eldest son of a woman named Katie who has just died. John and his three younger brothers (one of them played by Dean Martin) return to their hometown to mourn their mother and to set things right with the people who wronged her.

    TRUE GRIT: Old, fat, and ornery. That describes Rooster Cogburn (played by Wayne) as well as anything. Duke one an Oscar for his performance in this film. Truly, this is a unique character for Wayne, and a good film.

    EL DORADO: This is one of my favorite of Duke's movies. He plays a gunfighter-turned-deputy, and fights to aid his alchoholic friend (the sheriff) of a gang of outlaws infesting the town. Features James Caan in a great performance as 'Mississippi.'

    THE MAN WHO SHOT LIBERTY VALLANCE: Wayne stars opposite James Stewart in this John Ford classic. Wayne's character (Tom Doniphan) is a rancher/gunman whose noble spirit saves the life of a young lawyer (Stewart) come to bring 'order' to the small territorial town of Shinbone.

    These are five great films by the Duke, three of them (Liberty Vallance, the Shootist, El Dorado) among the Duke's best (in my opinion), and all of them very enjoyable. This box set makes a great addition to any home DVD library.

    4-0 out of 5 stars Fair, Good, Great and near-Great
    I received this set as a Christmas gift. I am pleased to now own a DVD version of "The Man Who Shot Liberty Valance" which is my favorite Western and "True Grit" which previously held that personal title. I was also happy to own "The Shootist" which ranks as a near-great Wayne movie. I will enjoy "The Sons of Katie Elder" a time or two again but I am disappointed that "El Dorado" couldn't have been replaced by the better movie it copied; "Rio Bravo". This is, of course, the problem with movie "sets". I'm not sure whether the person or persons who put these collections together include lesser movies in order to market them better or whether they really think that they're in the same class as the others. What would have been hard to top would have been "Red River" replacing "The Sons of Katie Elder" along with the aforementioned switch to "Rio Bravo". Oh well, at least it didn't include "Rio Lobo".

    5-0 out of 5 stars THE DUKE IS THE GREATEST EVER!
    There never has been and never will be again a movie star like John Wayne. Miles above everyone else. These are five of his greatest films, including his Oscar-winning role as "Rooster Cogburn" in "True Grit", and his last film "The Shootist", for which he should have won an Oscar and which Fox News commentator Bill O'Reilly calls "The best western I've ever seen." Highly recommended. ... Read more


    3. Blazing Saddles (30th Anniversary Special Edition)
    Director: Mel Brooks
    list price: $19.96
    our price: $11.99
    (price subject to change: see help)
    Asin: B0001Z4OXS
    Catlog: DVD
    Sales Rank: 107
    Average Customer Review: 4.46 out of 5 stars
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    Description

    The railroad's got to run through the town of Rock Ridge.How do you drive out the townfolk in order to steal their land?Send in the toughest gang you've got...and name a new sheriff who'll last about 24 hours.But that's not really the plot of Blazing Saddles, just the pretext.Once Mel Brooks' lunatic film many call it his best gets started, logic is lost in a blizzard of gags, jokes, quips, puns, howlers, growlers and outrageous assaults upon good taste or any taste at all.Cleavon Little as the new lawman, Gene Wilder as the wacko Waco Kid, Brooks himself as a dimwitted politico and Madeline Kahn in her Marlene Dietrich send-up that earned an Academy Award nomination all give this sagebrush saga their lunatic best.And when Blazing Saddles can't contain itself at the finale, it just proves the Old West will never be the same! ... Read more

    Reviews (207)

    5-0 out of 5 stars The Quintessential Comedy Movie
    I love this movie! From the opening scene, where Cleavon Little sings the negro work song, "I Get a Kick Outta You", ala Nat King Cole, and he is corrected by the white men shoing him how to sing "Camptown Ladies", to the absurd surrealist ending (when was the last time you've seen a movie burst out of the movie, this is beautiful comedy.

    Sight gags flying by at the speed of light, you will have to watch it hundreds of times to get them all, one liners that would make the Marx Brothers proud ("Bart, I heard you was hung." "You heard right!) This is absurdist comedy at is best (A toll booth on the William J LaPetomaine Freeway). The Mel Brooks choreography is wonderful when Lili Von Schtup sings "I'm Tired." When was the last time you saw German Soldiers tango with their rifles. This movie is filled frame to frame with humor, and no one gets away not insulted (Okay, we'll take the Irish too!)

    The cast was perfection, either just over the top, or way over the top Harvey Korman is hilarious as the nefarious Hedley Lamarr. Cleavon Little is fantastic as he makes fun of his own stereotypes, it is absolutely one of the funniest movies ever made by humans on the planet earth.

    4-0 out of 5 stars Until a Special Edition comes along ...
    ... this will have to do. But that ain't all bad.

    Politically incorrect and loving it, "Blazing Saddles" holds up as a comedy nearly 30 years after its release, and maybe even has gotten funnier as Americans get more uptight. Heaven help us if we lose our ability to laugh at the outrageous.

    And while the bathroom humor (and the campfire scene) gets all the notice, there are some very subtle jokes in the film, such as the "laurel and hardy handshake" and "Thank you, Van."

    As for extras ... there's not much. A trailer, both widescreen and cropped versions, and an monologue by Mel Brooks that plays over the first half of the movie. It's not scene-specific, but it's worth listening to. For instance, Gene Wilder wasn't even supposed to be in the movie. To find out who was, and why Wilder got the part ... listen to the interview.

    This film cries out for a special edition. A scene-specific commentary by Brooks and co-writers Andrew Bergman and Richard Pryor. A making-of documentary. The scenes that were edited into the TV version of the movie (like the diving scene and the governor's visit to the fake Rock Ridge)...

    4-0 out of 5 stars Tasteless But Funny
    Plays like an ennactment of one of those tasteless joke books set to a Western theme. Not for everyone. Even fans of this sort of thing have to be in a certain mood.

    5-0 out of 5 stars The funniest western ever made
    Cleavon Little plays a black railroad worker condemend to death for assaulting his white foreman. At the last minute he is reprieved by the governor who has the devious idea of making him sheriff of Rock Ridge, a town the governor wants destroyed so they can run the railroad through the area, he thinks a black sheriff will finish the town off. When Little arrives in Rock Ridge he is nearly lynched by the outratged inhabitants but manages to outwit them. Safe in the sheriff's office, he finds the town drunk (Gene Wilder) just waking up in the cells, and they strike up a friendship. Together they set about the task of winning over the folk of Rock Ridge ("simple, wholesome, country folk - you know, morons" as Wilder says), and trying to save the town from destruction. This blissfuly funny film is packed with hilarious episodes. There's the wonderful scene where Little, asked to sing a negro song, obliges with 'I get a kick out of you', the scene where he arrives in Rock Ridge, there's Madelein Khan's hilarious Marlene Dietrich impersonation, the wonderful scene where Little and Wilder infiltrate the baddies' gang disguised as Klu Klux Klan members, and my favourite scene of all, the bit where the townsfolk, asked to give some land to the minority groups who are to help them build the fake town, reply "All right, we'll give some land to the niggers and the chinks, but we DON'T want the irish!" The film is utterly delightful, with hilarious performances from all concerned. There's just one thing that I wonder about. Cleavon Little is such a wonderful comic actor, not to mention being drop-dead gorgeous as well, why has so little been seen of him since this film was made? Never mind, if you're only going to be famous for one film, this is a great one to be remembered for.

    5-0 out of 5 stars Even the "Making-of" was recycled!
    Five stars for the movie itself as well as the presentation. The movie looks and sounds great.

    BUT--- as noted by many, the "30th Anniversary Edition" supplements are basically a hack job. This is easily one of the most influential comedies of all-time, it deserved to really be given the Special Edition treatment.

    The "Commentary" is not a traditional commentary at all; not only is it simply the audio from a 55 minute interview with Brooks, it was issued on the previous dvd. This has been mentioned by many reviewers.

    What hasn't been as well-reported is that even the half-hour retrospective doc has been recycled. The "Back in the Saddle" program, which is admittedly a decent if unspectacular show, was previously issued on the 2001 VHS edition! Basically, this featurette was issued on the 27th Anniversary video cassette release. Yes, this is the first time it has appeared on dvd, but still a rather lazy choice.

    The "Additional Scenes" are, somewhat annoyingly, not accessible scene-by scene. They play as one approx. 10-minute piece. These scenes were added to the TV broadcast version. It's nice to have them, though most of them are shown in the "Back in the Saddle" featurette.

    The only other significant supplement is the "Black Bart" pilot episode. This 24-minute show is a real curiousity, a great archival piece even though the show itself is excruciatingly BAD. Still, its interesting viewing, and very easy on the eyes. This show, quite simply, looks amazing! Very well preserved.

    There are a couple other bits, like the trailer and an excerpt from a Madeline Kahn documentary (only about 4 minutes or so).

    Really, all things considered, Warner really dropped the ball on the supplementals for this edition. The movie itself looks fantastic and the new 5.1 mix isn't anything special but it sounds better than the old disc. The movie is what really counts, and in that area the presentation can hardly be faulted. But in the end, they didn't actually produce any NEW supplemental material for this set. ... Read more


    4. The Man from Snowy River
    Director: George Miller
    list price: $14.98
    our price: $11.24
    (price subject to change: see help)
    Asin: B000062XG0
    Catlog: DVD
    Sales Rank: 892
    Average Customer Review: 4.91 out of 5 stars
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    Reviews (67)

    5-0 out of 5 stars Wild Horses
    The rural grazing life in the Snowy Mountains has hardly changed since Banjo Paterson traveled the high country and wrote his famous "Man from Snowy River" poem. His poetry is an authentic voice of a frontier society in which song and campfire recitation were much appreciated entertainment.

    "And the Snowy River riders on the mountains make their home,
    Where the river runs those giant hills between;
    I have seen full many horsemen since I first commenced to roam,
    But nowhere yet such horsemen have I seen."

    Andrew Barton Paterson was born in New South Wales and was the son of a Scottish immigrant. Paterson was a poet, journalist, lawyer, jockey, soldier, farmer and one of the best-loved figures of Australian literature. His poem is the basis for this gorgeous movie about the treacherous terrain and bands of wild, stampeding horses. He also wrote Waltzing Matilda, which is lovingly woven into the soundtrack.

    The Man from Snowy River Movie tells a more in depth story of a cattle baron Mr. Harrison (Jessica's father) who has had a long quarrel with his brother Spur. Kirk Douglas plays both roles. When one brother finds his fortune, the second goes searching for gold. This is a story based on a time when families tended their sheep and cattle. Ghost towns from the gold rush still haunt the landscape.

    Set against the untamed Australian Outback, a love story unfolds between Jessica Harrison ( Sigrid Thornton) and Jim Craig (Tom Burlinson). Jim seems to have a way with horses and Jessica is a bit of a brash filly herself.

    She has her own ideas regarding a woman's choices in life and choosing the path she will take in her own career. She defies her father and runs off to find Jim. Her anger towards Jim over a horse riding accident is like a summer storm that quickly disappears once she experiences the excitement of forbidden love.

    Her father, Mr. Harrison, has not yet learned that there is a beautiful place inside each person where we are either nurtured or destroyed. He seems emotionally destructive and Jessica rebels because he won't let her follow any of her dreams. He seeks to trap her in his own wishes and thinks she should settle down into a domestic lifestyle.

    Jim and Jessica are soul mates with hearts as wild as the horses running free through the snow. While at first they fight their mutual attraction, Jessica seems clearer in her thinking after she almost dies and realizes there are just some things in life worth fighting for.

    Equestrian Heaven with an impressive conclusion! You must see this movie once in your life if you love horses. The wide-screen edition is highly recommended!

    5-0 out of 5 stars What's Not To Like...??
    "NEVER CRY WOLF"..."FLIGHT OF THE PHOENIX"..."THE ENLGLISH PATIENT"...

    ...all, cinematic and character delights - as you will find "THE MAN FROM SNOWY RIVER"...

    Technically a "10", this Aussie (and World) classic, may leave you none-the-less breathless. George Miller's direction, Cull Cullen's script (enhanced by John Dixon and David Bradshaw's, "A.B. 'Banjo' Paterson", whose original poem is the essense of the film), Keith Wagstaff's absolutely stunning cinematography and Bruce Rowland's original and heart-tugging music (particularly, the piano solo, "Jessica's Theme") may bring tears to your eyes with this simple, Down-Under western plot -- but it took a world-class editor like Adrian Carr to put this gorgeous film into the top ranks of movie-watchers the globe over. Carr's timing of Wagstaff's photography and Rowland's music is the stuff legends are made of...just, dare I say it, "Professional Grade"(!)
    It didn't hurt to have a made-to-order cast. Burlinson is quietly, and wonderfully, cast as the young male hero, "Jim Craig." Kirk Douglas hasn't played a better role - and, as a double. Terence Donovan played the quietly strong, short-lived role as Burlinson's father, "Henry." Sigrid Thornton was exemplary and believable as Tom's love interest, "Jessica" (the woman is beautiful) and the venerable Jack Thompson was magnificent as "Clancy" - the range-wise, "horse-magician" glue that holds the whole film together.
    The subtle British humour Americans are so used to is sometimes raucous in the film - more the better from Chris Haywood's
    "Curly" (..."Ah'm studyin' to be Supavisa!").
    If you can't get an empathetic rise and a teardrop over the cornea through this wonderfully crafted epic, then pop-a-top from a 12 oz. curl of your favorite brew, pull back the handle on your Lazy-Boy and turn on the Wrestling Channel...you dolt.

    Filmed in 1982, it's still a true classic 22 years later.

    ~Bob Shank Jr

    Technical Support Engineer
    IT UNIX Help Desk
    Engineering Computing
    Raytheon Missile Systems Co.
    Tucson By-God Arizona (...and, yes, we still have true 'horsemen' here - they just blacksmith Tomahawk missiles in their spare time)

    5-0 out of 5 stars Great movie, with beautiful music and scenery!!
    I was only nine years old when this movie came out, and I have loved it ever since I first saw it in the theater. I am a horse lover and rider myself, and so I'm sure that's a big part of why this movie is one of my favorites, but I think even people who have never even been around horses can appreciate it. The acting is excellent, and the scenes with the horses galloping across the gorgeous Australian countryside, are wonderful. One of my favorite things about it is the music. The music is some of the most beautiful I've ever heard. The soundtrack is definitely one of the highlights of the film. And of course, I can't forget one of the most incredible scenes I've ever seen in any horse movie, which is where Tom Burlinson gallops his horse down an unbelievably steep mountainside. My family and I have always wondered if this was actually done by a stunt rider, or if it involved trick photography. Either way, it is a very impressive scene, and will leave you in complete awe. This will always be on my list of all-time favorite films, and I would recommend it to anyone who is a fan of the Western-type genre, or anyone who loves horses.

    5-0 out of 5 stars My All-time Favorite
    I first saw The Man From Snowy River when I was 8 years old and now that I'm 23, it's still my most favorite movie. I've probably watched it close to a thousand times by now, with every line memorized. There is not a single thing about this movie that's not amazingly beautiful, and the sequel is just as good--if not better, then the first! I would absolutely recommend this movie to anyone looking for some good, wholesome entertainment!

    5-0 out of 5 stars Twenty years later, this movie is still an Aussie classic
    I remember seeing this with my girlfriends in the theatre, and then buying my first vcr so I could watch this film everyday. The cinematography is gorgeous. The music is haunting and beautiful. Tom Burlinson and Sigrid Thornton make a great romantic team, and Jack Thompson is wonderful as Clancy. All of the actors fit their roles except for Kirk Douglas. It really shows that a "big name star" had to be used to get this picture made. Kirk Douglas insisted on re-writing many of his lines, and refused to step off his horse with the entire cast at the end of the movie in homage to The Man From Snowy River. The entire end scene had to be re-written. Little wonder that Brian Dennehey was cast in the role in the sequel. Enjoy both the original and the sequel. And be sure to get the soundtracks. Bruce Rowland created two of the best movie scores you will ever hear. ... Read more


    5. Last Stand at Saber River
    Director: Dick Lowry
    list price: $14.97
    our price: $11.23
    (price subject to change: see help)
    Asin: B0007OY2OE
    Catlog: DVD
    Sales Rank: 279
    Average Customer Review: 5.0 out of 5 stars
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    Tom Selleck shows a harder side of his persona as a disillusioned Confederate who returns home in the waning days of the Civil War in this adaptation of the Elmore Leonard novel. His wife, Suzy Amis, isn't ready to forgive him for leaving his family behind for the "adventure" of war, and his children hardly remember him. Haunted by his actions in the war and caught in a power struggle in the Arizona territory, Selleck's soul-scarred survivor makes a last stand to protect the only thing left that matters to him--his homestead and his family. The film has its share of gunfights, showdowns, conspiracies, and Civil War rivalries, and even a runaway stagecoach, but its power lies in the somber exploration of how misunderstandings and conflicts tear at a marriage during such a volatile time, when ideals are set against duty to family. Director Dick Lowry's lean style makes the most of the gorgeous landscapes, and he creates a strong dramatic tension in the bubbling undercurrent between Selleck, who leaves behind the jovial character of his Louis L'Amour Westerns for a man hardened and embittered by war, and Amis, an excellent actress who brings to life a woman who shoots, speaks her mind, and harbors resentment just as well as any brooding male hero. Keith and David Carradine costar as Union wranglers who hold a grudge against the Confederate veteran. One of the most mature TV Westerns ever made. --Sean Axmaker ... Read more

    Reviews (5)

    5-0 out of 5 stars One of the Best Westerns Made
    I must say, this is one of my favorite Westerns of all time.Sort of like "Shane", it is full of emotion, and mood.When Cable comes home from the "Struggle", his wife is still resentful of his leaving her and the children, even though they had heard he had been killed. I love Harry Cary Jr's line, "Well I'll Bow" when he sees Cable riding up. And Cable's comment to his wife, I don't want to live with someone that doesn't like me, "I'll take you back to Texas if you want".Their struggle with their relationship, and the local Union Sympathizers is a great tale.I recommend this movie to all.Very true to life.Good Acting, Great Story.

    5-0 out of 5 stars Tom Selleck is the next John Wayne!
    And I do not say that lightly. This is a one of his finest works. One I prefer over Monte Walsh ( 4 stars ). This is a gritty movie without all of the Hollywood enhancements. Coming back from the war, Cable finds himself disillusioned with the Confederacy cause, but ready to start his life fresh. But he finds it's not easy to start where he left off, due to Union loyalist and Confederate sympathizers. His primary problem comes from his own wife, who has her own issue with him leaving the family to go off to war and has yet to forgive him. This is a keeper. I hope Tom keeps up the great work!

    5-0 out of 5 stars Can't Wait for the DVD!
    The television Westerns starring Tom Selleck are among the best of the genre. I think of them all, Last Stand at Saber River is my favorite. It's a great if simple story, but one so well done you can't help but enjoy the film. Selleck is superb as a cowboy and I hope he and the TNT network continue to team for more. The period accuracy is excellent, the variety of arms refreshing for any gun enthusiast. A wholehearted thumbs-up for Last Stand at Saber River!

    5-0 out of 5 stars Selleck rules the modern western
    After reviewing Last Stand this week, and having thoroughly enjoyed Monte Walsh, I think Tom Selleck is the cowboy star of
    the 21st Century. I mostly appreciate his attention to detail
    in arms and cowboy gear of the period. Along with the great story
    line and characters, this attention to detail is much appreciated
    by a fan and student of the Old West and Old Western.
    Hope for more from Mr. Selleck in the future.
    P.S. If you read this, Tom, I'd give my eyeteeth to be an extra in one of your films

    5-0 out of 5 stars Excellent Western
    Tom Selleck does an excellent job as a disillusioned civil war veteran determined to bring his family back together on their own land after he is wounded in the war.This is a western as westerns were meant to be made,not the Young Guns type of violence laden shootfest.If you are Westernfan that enjoyed Alan Ladd, Jimmy Stewart, Glenn Ford, Gary Cooper or JohnWayne, this is a Western you will enjoy. ... Read more


    6. Drums Along the Mohawk
    Director: John Ford
    list price: $14.98
    our price: $11.23
    (price subject to change: see help)
    Asin: B0007PALM0
    Catlog: DVD
    Sales Rank: 122
    Average Customer Review: 4.5 out of 5 stars
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    Nineteen thirty-nine is often proposed as the movies' halcyon year, and three reasons why were directed by John Ford: Stagecoach, Young Mr. Lincoln, and Drums Along the Mohawk. In that exalted company Drums... would have to be accounted "merely superb"--even if it's the best film ever made about the American Revolution and, oh, only about eighth-best picture of its year.

    Henry Fonda and Claudette Colbert play newlyweds in New York's Mohawk Valley at the time of the Revolutionary War. That war is more a distant rumor than a direct concern of people with cabins to raise, crops to harvest, and firstborn on the way. When it comes to their valley, in the form of hitherto-peaceable Indians whipped up by a gaunt Tory with an eyepatch (John Carradine), life changes as though with the passing of a cloud shadow.

    In this, his first color film, Ford created indelible images of the dawning of America: a lone wagon making its way through acres of long grass rippling in the wind; the Indians, at the onset of their first raid, seeming to materialize out of the mist, out of the very trunks of trees; a ragged line of farmers with flintlocks passing along a split-rail fence, then resolving into a column, an army, marching toward a distant horizon. (Utah's Wasatch mountain country stands in persuasively for upstate New York in pioneer days.) Edna May Oliver scored a best-supporting-actress Oscar nomination as a memorably crusty frontier widow, while Ward Bond--oddly omitted from the opening credits--claimed a place of honor in the John Ford Stock Company playing Fonda's best friend. --Richard T. Jameson ... Read more

    Reviews (18)

    4-0 out of 5 stars Brilliant restoration
    Fox did a brilliant job in restoring Drums Along the Mohawk for DVD, with one small, annoying exception ... the 20th Century Fox trademark is from a much later era, perhaps the 1960s or 1970s.They also did this with the DVD restoration for Leave Her to Heaven. It would have been simple enough to use the original.

    4-0 out of 5 stars Stop the screaming.
    I actually give this movie 41/2 stars. I would give it five stars if it weren't for Claudette Colbert's annoying screaming.

    3-0 out of 5 stars A perfect example of negative stereotyping!!
    Drums Along the Mohawk is a perfect example of films of that era that paid no attention to history and created and reenforced negative stereotypes about American Indian people. I use this film in my American Indians in Film class as an example of how inaccuracies and negative perceptions of American Indian people were created.

    5-0 out of 5 stars HISTORICAL ADVENTURE COMES TO LIFE
    Apple-cheeked Claubert and tall and gangly Fonda are so young, they're a pleasure to watch. All performances, including Ward Bond and Edna May Oliver, are exceptional and the color is amazing. "Drums Along The Mohawk" is an epic of the frontier that you'll want to watch again and again. Although the film takes place in upper New York State, viewing the terrain, it was probably shot in northern California. No matter. The film begins with hope alive and better things to come yet is dashed by the realities of the frontier and war. Battle scenes between indians and settlers can be a little frightening so I'd recommend that if you're going to let small children see this, an adult should sit with the child. A perfect film.

    5-0 out of 5 stars Outstanding!!
    This is one of Henry Fonda's and Claudette Colbert's best movies..!! They play a young couple new to the frontier (Upstate New York pre-revolution). Well written and acted. Don't miss this one it is well worth viewing. ... Read more


    7. Purgatory
    Director: Uli Edel
    list price: $14.97
    our price: $10.48
    (price subject to change: see help)
    Asin: B0007OY2OO
    Catlog: DVD
    Sales Rank: 421
    Average Customer Review: 5.0 out of 5 stars
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    Description

    Between somewhere and nowhere in the untamed West is the small town of Refuge. There, neither the sheriff nor his deputy carry a sidearm. There's no jail either, because shooting, carousing and bad blood are not in the town's character. What peaceful folks live there? Wild Bill Hickok. Doc Holliday. Jesse James. Billy the Kid. All long dead. All mysteriously given a chance to undo their violent pasts in Purgatory. All put to a stern test when Blackjack and his ornery gang ride into town. ... Read more

    Reviews (48)

    4-0 out of 5 stars Intriguing idea
    When a few outlaws (led by Eric Roberts and Peter Stormare) enter upon a mysterious town, they get more than they bargained for in Purgatory: an intriguing allegory made for cable channel TNT.All the legendary names of the Wild West, including Billy the Kid (Donnie Wahlberg), Wild Bill (Sam Shepard), and Doc Holiday (Randy Quaid); all of whom attempting to redeem their souls for the acts committed while they were alive.Naturally, a conflict ensues, with the townsfolk reluctantly resorting to the violent means they have been trying to erase.Purgatory packs enough action for western enthusiasts, even though it may come off as too preachy for some, and while it wears thin towards the end, it still manages to be solid entertainment with an intriguing idea.If you dig westerns with a twist on redemption, check out Purgatory.

    5-0 out of 5 stars The Title That Caught Our Eyes
    As my wife and I are devout Catholics and checking what was
    on TV one Saturday afternoon during our little one's nap, this
    caught our eyes immediately!
    We have seen this movie every time is has been on when we've had
    the time to see it.I taped it and bugged two of our teenage
    daughters to watch it.They begrudgingly accepted our invite,
    and were slowly pulled in like we had been.They were pleasantly surprised at how much they enjoyed it!
    For more proof of this being a worthwhile "movie shot" for you-
    The reason I'm here right now at Amazon writing this review is
    because I am shopping for Purgatory on DVD!!!
    Although it is far from Catholic doctrine on purgatory, it is
    a very well done, thoughtful piece of work.
    It will make you think and at the same time it is definitely
    entertaining you!

    5-0 out of 5 stars Riveting!
    Im normally not into westerns, but this one changed my mind totally! The cast was great, cant wait to get it on DVD. This movie also has my favorite actor, Donnie Wahlberg (Billy the Kid) in it, I can say he played the part well...

    5-0 out of 5 stars Purgatory... only seen part of... just HAD to find it!
    I was getting ready for checkout at my hotel and turned the TV on just for some noise. I almost didn't check out on time! I had missed the very beginning of this movie. I HAD to get to my gig, so I missed maybe the last 30% of the movie. The other guys in my band were rivetted to it as well, and they are not big Western fans. The movie is just GRIPPING!

    I just ordered it from Amazon.com, and can't WAIT for it to get here so I can see it! I HIGHLY recommend it!

    4-0 out of 5 stars Goodness in the heart can ALWAYS prevail
    I have always despised just about every western made except for less than a handful."Purgatory" and "The Quick And The Dead" are just about the only ones that I enjoy."Purgatory" has such a deep underlying meaning to me...it's very hard for me to put it into words.But I can say that this movie shows to its viewers that through one's own personal convictions, no matter how rough life's road may get...salvation and peace of mind can and will be one of the eternal rewards.Sam Shepherd does a GREAT JOB as Sheriff and even though I love Eric Roberts, I thought that he was a "real S.O.B.!!!!!".I mean...whatever happened to "love thy brother" especially your own blood?My own brother is a real ass and even though I don't like him 90% of the time...I STILL LOVE HIM.Watch this movie, you won't be disapointed. ... Read more


    8. Conagher
    Director: Reynaldo Villalobos
    list price: $14.97
    our price: $10.48
    (price subject to change: see help)
    Asin: B0007OY2NA
    Catlog: DVD
    Sales Rank: 382
    Average Customer Review: 4.5 out of 5 stars
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    Description

    Conagher is both a hard-riding actioner and a character-driven look at Western life. Katharine Ross plays Evie Teale, widowed after coming West and forced to prove her mettle in many ways. Sam Elliott plays Conagher, a cowhand who, when not tracking rustlers, drifts in andout of Evie's life. Something about that frontier woman keeps drawing him back. But can Evie ever keep him from drifting out again? ... Read more

    Reviews (21)

    5-0 out of 5 stars MR. AND MRS. ELLIOTT SHINE IN L'AMOUR CLASSIC
    While Sam Elliott has become (along with, perhaps, Tom Selleck) the personification of the Louis L'Amour screen hero, it's especially nice in CONAGHER to see him opposite one of the first ladies of western cinema, Katherine Ross.It's especially nice when one remembers that Ms. Ross is also Mrs. Elliott in real life.

    The two provide a power-packed performance in bring Louis L'Amour's classic western tale to life.CONAGHER is the story of an honorable cowhand who almost single-handedly takes on a gang of marauders bent on doing all the damage they can to everyone they meet. Yes, a classic battle of good against evil ensues but it's done sincerely and lacks some of the schmaltz that surfaces in similar western sagas.

    Add to Elliott and Ross an all-star western cast including Dub and Buck Taylor, Barry Corbin and Ken Curtis and you have an enduring western classic.Great to finally have this one on DVD!

    THE HORSEMAN

    5-0 out of 5 stars Top Notch Western!
    Outside of the Duke's "Big Jake", Conagher is my favorite western as it is done right. The country is beautiful and Sam Elliot and his beautiful wife Katherine Ross made this movie out of deep respect for Louie L'Amour. This film captures the loney life of ranchers and cowboys in the old west. This is also the last picture that Ken Curtis (Festus from Gunsmoke) ever made.
    As mentioned in another review, the line "It's a hard country kid" is probably THE classic line of all cowboy movies.

    One strange thing concerning the ending though, in the book Conagher finds the remains of Mr. Teal, along with the gold he was taking to buy cattle, and on the outside of the Conagher VHS box there is a picture of Conagher looking at the bones of Mr. Teal, but this scene never made the movie? That would have give more closure but I guess it was cut to fit in to a TNT time slot.

    5-0 out of 5 stars Conagher-The Best
    I happen to like all of Sam Elliott's movies, but this one is the best he has ever done!

    Louis Alford

    5-0 out of 5 stars "You couldn't hurt Conagher with an axe."


    Format: Color
    Studio: Warner Home Video
    Video Release Date: May 11, 1994

    Cast:

    Sam Elliott
    Katherine Ross
    Gavin O'Herlihy
    Daniel Quinn
    Barry Corbin
    Ken Curtis
    Cody Braun
    Anndi McAfee

    Conagher was written by Louis L'Amour (Lamoore) about life in the West around the end of the 19th century, with trouble with the Indians, rustlers, and a widow woman (Katherine Ross) tryimg to raise her children on a hard scrabble farm.Conagher comes to their aid.

    L'Amour was a student of Western history.He understood the common man, having worked as a cowboy, circus roustabout, merchant seaman, boxer and served in the U.S.Navy.He was also a prolific writer of Western fiction, among other things.

    This is not the first L'Amour story that Elliott has played in.He also performed as Tell Sackett in The Sacketts, which was an amalgamation of several of Louis's stories in that series on that family.

    This story of Conagher was one of his good stories, which you will find typical of L'Amour's writing...good entertainment.

    Joseph (Joe) Pierre

    author of Handguns and Freedom...their care and maintenance
    and other books

    5-0 out of 5 stars A lover of Western American history
    Only a few westerns have become true favorites of mine over the last 40 years. Conagher ranks with the best of them. Why? The movie was not filmed in a movie lot specially made for movies, like Universal Studios or Old Tucson. But rather, you could say it was filmed 'on location' in a rugged, true-to-life environment that honestly represents what it was really like in the Old West. The Teal cabin and the surrounding country, the ranch of Seaborn Tay, the town - all have that authentic realism that lend excellence to the movie. Often in the film the lighting in certain scenes appears lacking as compared to other films in the genre. But actually, this is what gives the film a special feel, a special ring of realism. It's because you feel as though you are really there as a bystander, watching this drama play out right in front of you in the same way it would appear in real life. The direction of the film by Rebaldo Villalobos is superb and the performances by the actors are absolutely memorable. The musical score couldn't have been better because the selections chosen for the soundtrack apply perfectly and leave an indelible impression on the viewer. I don't know what Sam Elliot would think about this, but I believe this film is his best, most memorable performance of his career, bar-none. His rendition of Conn Conagher imprints Sam Elliot on my mind for all time - he IS Conagher. I don't think he has played characters in any of his other films that have struck me the way that Conn Conagher has in this one. But this is not to detract from the other performers in the film: Catherine Ross, Gavin O'Herlihy, Daniel Quinn, Barry Corbin, Ken Curtis, Cody Braun, Anndi McAfee, and the rest - they've all portrayed believable characters that make for a very enjoyable, memorable film that you will want to watch again and again over the years because it brings something special to the heart. Don't pass up the opportunity to see Conagher if you haven't seen it yet - you'll never regret it. ... Read more


    9. My Name Is Nobody
    Director: Tonino Valerii, Sergio Leone
    list price: $19.99
    our price: $14.99
    (price subject to change: see help)
    Asin: B0007M21Z8
    Catlog: DVD
    Sales Rank: 781
    Average Customer Review: 4.5 out of 5 stars
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    Description

    Young, ambitious gunman Nobody (Terence Hill) sets his eye on his idol, gunslinger Jack Beauregard (Henry Fonda), who's intent on sailing off into retirement. ... Read more

    Reviews (68)

    4-0 out of 5 stars A Sergio Leone Production..
    For those who haven't seen this flick, it is a great movie in a semi-Leone style. Terence Hill and Fonda are most suitably cast in a story of an aging gunfighter who is planning to retire and a younger man who has idloized him his whole life.

    For those looking to upgrade, the transfer on this new Image dvd release is FAR SUPERIOR to the older WHAM dvd release.

    No extras at all but the main menu does feature several actual scenes from the film with Morricone's score playing in the background.No theatrical trailer.

    It is said that Leone himself actually directed two or three scenes from the movie.Reason enough to buy.Give it a watch and see if you can identify the Leone directed scenes...

    4-0 out of 5 stars A classic that's often overlooked
    I am reviewing the movie as opposed to the dvd itself. Afterall, it is the movie that we buy the dvd, not all the extras. Now, the movie is really a classic shot with all the campiness of the time. Henry Fonda plays an aging gunfighter looking to get out from under his reputation. Trinity plays an up and coming gunfighter wanting the attention but also has a dream of seeing Henry Fonda single handeling taking on the Wild Bunch, a hundred of the toughest riding outlaws the west has ever seen. The whole movie builds to this moment as Trinity's character leads Henry Fonda into his taking on the Wild Bunch. I consider this one of the great moments in any Western. So if you like your Westerns with drama and a sense of humor, this movie is well worth the money to view.

    5-0 out of 5 stars not exactly a normal movie
    The plot is a little convoluted and unclear for the first part of this flick and by about half way I was beginning to wonder if it is one of those films that dumb folk claim to understand so they can appears smart. The quip about Sam Peckinpah (a beautiful name in Navajo) and reference to The Wild Bunch help keep the story interesting. Unlike what another reviewer was saying it actually does make perfect sense and by the end it all comes together nicely.

    The cinematography, as in most all Leone flicks, is fantastic and Ennio Morricone's soundtrack is wonderful albeit a little odd. I'm used to hearing his soundtracks in a much more serious way but it is obvious he has put an almost childlike/childish slant on this one which is again... a little odd.

    If this is a comedy why do parts of the score, combined with absolutely desolate cinematography, invoke some very sorrowful feelings? This film is almost unique in that it successfully brings comedy into a moral drama and, in the end, comes up with something that isn't contradictory and really lame. This is a surprisingly good movie.

    5-0 out of 5 stars Like finding buried treasure.
    I remember catching this on TV late at night sometime back in the late seventies. I was mesmerized by the whole movie, at once a spoof of all the "quick-draw" westerns, a nod and a tribute to Henry Fonda, a wonderful vehicle for Terence Hill's special talents and comedic gifts, and a wonderfully overblown and melodramatic soundtrack that is nonetheless simply perfect.The small scene with the story about a bird told while playing pool is worth the price alone, and the interaction between Hill and Fonda is superb. I spent the next twenty years keeping an eye out for it. I finally caught it on TV again a few years back and taped it to VHS, but it was a low quality signal so it is not a very good tape. It was still more wondrous than the first time I caught it, and I am thrilled to be able to find it on DVD.

    5-0 out of 5 stars Wanna see my quick draw?Wanna see it again?
    Director: Tonino Valerii, Sergio Leone
    Format: Color
    Studio: Jef Films Int.
    Video Release Date: September 29, 1997

    Cast:

    Terence Hill ... Nobody
    Henry Fonda ... Jack Beauregard
    Jean Martin ... Sullivan
    Piero Lulli ... Sheriff
    Mario Brega ... Pedro
    Marc Mazza ... Don John
    Benito Stefanelli ... Porteley
    Alexander Allerson
    Rainer Peets ... Big Gun
    Franco Angrisano ... Ferroviere
    Tommy Polgár
    Antonio Palombi
    Hubert Mittendorf
    Emil Feist
    Carla Mancini ... Mother
    Luigi Antonio Guerra ... Official
    Angelo Novi
    R.G. Armstrong ... Honest John
    Leo Gordon ... Red
    Steve Kanaly ... False barber
    Geoffrey Lewis ... Leader of the Wild Bunch
    Antoine Saint-John ... Scape
    Neil Summers ... Squirrel
    Karl Braun ... Jim

    This is a spoof of all the 'quick draw' Westerns, and about time!
    Jack Beauregard (Henry Fonda) is a notorious gunslinger--the stuff legends are made of--and the hero of Nobody (Terence Hill) who has idolized him all his life.Nobody has the dream of seeing Beauregard hold off the entire Wild Bunch, numbering 150 or so hard cases, single-handedly, so that his name will go down in history.His idol, however, is reluctant to fuifill his wish.

    Of course, Nobody is no slouch with a shootin' iron, either, as he demonstrates.

    This is a hilarious film, with a great many funny moments, and a surprise ending.I thought it was great, and I hope it entertains you also.

    Joseph (Joe) Pierre
    author of Handguns and Freedom...their care and maintenance
    and other books



    ... Read more


    10. Lonesome Dove
    Director: Simon Wincer
    list price: $14.98
    our price: $11.24
    (price subject to change: see help)
    Asin: B00005Y6YB
    Catlog: DVD
    Sales Rank: 309
    Average Customer Review: 4.3 out of 5 stars
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    Reviews (172)

    5-0 out of 5 stars Probably the Greatest Western Ever!
    A few years ago I had the opportunity to speak personally with Robert Urich about his role as ill-fated Jake Spoon in the epic western Lonesome Dove. Simply put, he said that it was "the most fun I have ever had making a movie. Think of it. Riding and shooting every day with two of the greatest western stars ever: Robert Duvall and Tommy Lee Jones! I won't have that much fun ever again!" I am sure that he could have gone on for hours but, unfortunately, time would not permit. The look on his face and the light in his eyes said it all. Tragically Urich passed away a year or two thereafter.

    The legend and the story live on in the Pulitzer Prize winning book by Larry McMurty and in this faithful video depiction of the classic story.

    A star-studded cast, headed by Duvall, Jones and Urich, along with one of the most beautiful western soundtracks ever composed make Lonesome Dove a viewing experience that you will enjoy time and again.

    5-0 out of 5 stars One of the best things ever done for television.
    Although the phrase "made for television" conjures up the images of the tabloid story of the week and women-in-peril films; Larry McMurtry's epic novel "Lonesome Dove" would not have been given justice in any other format. Television allowed that magnificent work to be brought to life in some form resembling the novel. The six hour running time enabled character and storyline development that would not have been possible if the novel had been adapted for theaters.

    Although it does have the jarring breaks that marked where a commericial interuption had once been and it's share of television stars (Urich, Shroeder, Corbin); "Lonesome Dove" is movie big. Big stars. Wonderful cinematography. Great locations. An authentic look. A terrific score. The producers, cast, crew, and director went the full measure to ensure that this movie did not look or feel like a "movie of the week" production.

    Personally, I believe it, along with "Roots," to be the finest work ever done in the medium of television. It really does make you feel for its characters. The viewer will cheer and hope for them, and when tragedy occurs, as it does throughout the film, it will shake the viewer. Nobody is safe: comic relief characters, children, and, even, experienced Rangers. McMurtry drives home the message that death in the Old West could occur to anyone at anytime with shocking suddenness. In the end, Captain Call looks back and remembers his friends and comrades who did not return with him. As he does, tears come to the eyes of this taciturn character; and rest assured he is joined by many in the viewing audience.

    5-0 out of 5 stars The Return of the Western
    It's ironic that the western, a staple of TV until sci-fi eclipsed its presence, would find its home again on the small screen during a time when big budget westerns seemed to be biting the dust to space opera blockbusters. And that it would take an Australian to realize it. Director Simon Wincer's big-vista understanding of the genre is apparent throughout "Lonesome Dove," which also features some great performances by screen familiars Robert Duvall and Tommy Lee Jones, even if the latter too often looks like a scowling Kenny Rogers here. This tale of an arduous cattle drive by two retired lawmen has the sweep and grist of such classics as "True Grit," "Red River," and "Once Upon a Time in the West," with which it shares many elements (the conversational style, the brutal drive, and the buddy relationship, respectively, the most obvious). And while "Lonesome Dove" doesn't really say anything new about the old west, it is entertaining and fares better compared to many westerns past in terms of presenting the ethnic diversity that history records. Look for many bravura--and few corny--moments like Captain Call's (Jones) reaction to a cavalry scout's whipping of Call's alleged son (a likable but sometimes too aw-shucks Rick Shroeder), MacCrae's (Duvall) gutsy stand against a pack of outlaws, and the touching and remarkably in-character last goodbye between the leads. Basil Poledouris, an underrated composer, provides a solid score. Of the episodes, only one stands out as pedestrian, making this a pretty good choice for viewers who want to savor their entertainment choice.

    5-0 out of 5 stars Yes, it is 360 minutes, not 240.
    240 minutes refers to the much shorter Return to Lonesome Dove mini-series. There is nowhere on the the Amazon website that the original series of Lonesome Dove DVD set is only 240 minutes, it is 360 minutes.

    By the way, my daughter and I loved this series when it was on TV and I purchased the multi-tape set VHS way back when. But the last tape was bad and Cabin Fever, the manufacturers/publishers, would not replace my bad tape (they never even answered my mail except to tell me how to order the set), so, now that I have the DVD version, I finally have a complete set of watchable scenes.

    1-0 out of 5 stars Sorry SD, you're wrong. It's not complete. Check IMDb.
    I'm sorry to have to point out to those of you who think this is the complete version, but if you go to IMDb and look up Lonesome Dove, you will find that it has a 384 minute running time. Amazon's version is listed at only 240 minutes. That's over two hours difference from the original film, and no, we're not talking about commercials.
    So unless Amazon has their listed time wrong and it is actually a full 6.4 hours, you've been duped. I wouldn't pay for less than the original length film.

    So, the question stands for those of you who actually bought this DVD, was it 6.4 hours long, or only 4 hours long? ... Read more


    11. The Clint Eastwood Gift Set (A Fistful of Dollars, For A Few Dollars More, The Good, the Bad, and the Ugly)
    list price: $39.96
    our price: $29.97
    (price subject to change: see help)
    Asin: 0792842502
    Catlog: DVD
    Sales Rank: 247
    Average Customer Review: 4.76 out of 5 stars
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    Sergio Leone's trilogy of operatic spaghetti Westerns with Clint Eastwoodmade the former TV star into an international sensation as the scraggly, silent Man withNo Name, a wandering rogue with a scheming mind and a sense of humor drier than thedusty, wind-scoured desert. With A Fistful of Dollars, a blatant rip-off ofKurosawa's cynical samurai hit Yojimbo, Leone transforms the Western hero intoa crafty mercenary. The follow-up, For a Few Dollars More, teams Eastwood upin an uneasy alliance with Lee Van Cleef in a tale of revenge, but the masterpiece of theset is The Good, the Bad and the Ugly, an epic scramble for buried gold setagainst the violence of the Civil War. In this film good is a relative term as threecriminals make a series of tenuous partnerships broken in double-crosses and betrayals in Leone's epicvision of the American southwest as endless deserts and clapboard towns infested withgunmen. This was a new kind of Western: cynical, violent, stylish, and austere.Eastwood's rough face and squinting eyes fill the widescreen frame in massive close-upswhile Leone stages action in bold compositions on empty streets and stark landscapes.The guns ring out in cartoonish exaggeration, and the music, an eclectic, electric mix ofbuzzing guitar, human voice, and harmonica by Ennio Morricone, sets the whole thing ina world pitched between myth and modernity. Leone's shot-in-Spain trilogy ushered in aflood of Italian spaghetti Westerns, but none hold a candle to Leone's stylish classics.--Sean Axmaker ... Read more

    Reviews (33)

    5-0 out of 5 stars Simply Amazing
    These three movies bring a completely new spin to the American west. No longer can you think of westerns as movies with the John Wayne like hero who always does what is right. In these movies, Clint Eastwood is nearly as bad as the men he fights. The camera work of Sergio Garcia provide for some tense moments and classic shots that you can't forget. Added with the music of composer Ennio Morricone, these movies began their own genre, the "spaghetti western" and launched Clint Eastwood's career. The shots of Clint squinting into the sunlight, the cut shots combined with the loud and unusual music of Morricone create some of the most memorable moments in film. For anyone that likes Clint Eastwood or just good, intelligent, and captivating action movies this box set is for you.

    5-0 out of 5 stars Clint Eastwood: The Man With No Name - A Trilogy
    Clint Eastwood is the "man with no name." Italian director Sergio Leone directed what many believe are to be the Top 3 films of all time! Beginning with "A Fistful of Dollars" (copied from the Japanese samurai film "Yo Jimbo") Clint Eastwood rides into a town with two bosses. "For A Few Dollars More" betters on the first. Includes Lee Van Cleef as supporting actor. Two Bounty Killers team up to kill a common foe: One wronged by Indio, the head bank robber. "The Good, The Bad, and The Ugly" is the best of the lot, complete with a haunting musical score by Ennio Morricone. Who could forget the shrilling cry in the opening credits? "Ahh-ee-ahh-ee-iii! Wa...Wa...Wa..." The collaboration of Sergio Leone and Ennio Morricone is what makes these films work. "Spaghetti Westerns" don't waste time with the conventional "cowboys and indians." They focus more on the loners, the gunslingers, the bandits. This DVD Trilogy is the DEFINITIVE COLLECTION. Includes original theatrical trailers, bonus footage, behind the scenes, and much, much more! For more film/music greats look for Leone and Morricone collaborating on "Once Upon A Time in the West" (starring Charles Bronson, Jason Robards, and Henry Fonda), "A Fistful of Dynamite" aka "Duck You Sucker" (James Coburn, and "Once Upon A Time In America" (Robert DeNiro, James Woods). These films are the best, the peak in Western Cinemas.

    5-0 out of 5 stars Make Sure You Buy It.
    These 3 films were the first 3 westerns I ever watched and boy was I impressed. I never even liked westerns before I watched the famous "Spaghetti Westerns". The acting is great, cinematography spectacular and the music is well-crafted. My only complaint is the clean-up on the pictures during the transfer to DVD but it has little impact on the overall quality and enjoyability of the movies themselves. After watching these 3 excellent and well-written films I watched Hang Em High which was also another excellent western with Eastwood. So buy these 3 films in an affordable 3-pack. Well worth your time and money.

    5-0 out of 5 stars The greatest westerns ever made - all in one box set
    Sergio Leone's "Man with No Name" trilogy is classic. It made both Leone and composer Ennio Morricone famous, elevated Clint Eastwood into stardom, and invented the "spaghetti western". Now western fans can own the entire series in one DVD set.

    The series begins with A FISTFUL OF DOLLARS, the classic western that introduced us to Morricone's rolling, whistling score that is now associated with the genre; Clint Eastwood's cool performance of the lone stranger who takes down two feuding small town gangs; and Leone's masterful direction. Then we move on to FOR A FEW DOLLARS MORE, in which Eastwood teams up with an old army colonel (Lee Van Cleef) to capture the bounty on an escaped prisoner. The series ends with THE GOOD, THE BAD AND THE UGLY, undoubtedly the greatest western film ever made. Eastwood is flawless, Morricone's score classic, the action terrific, and Leone's direction extraodinary; you are absolutely glued to the TV screen throughout the entire 2 hours and 40 minutes. Cinema lovers everywhere and anywhere will not want to miss out on this excellent collection of the greatest western masterpieces of all-time.

    5-0 out of 5 stars Clint Eastwood at his Best
    Three of the greatest westerns of all time. A+++ ... Read more


    12. Dances with Wolves (Special Extended Edition)
    Director: Kevin Costner
    list price: $29.98
    our price: $22.49
    (price subject to change: see help)
    Asin: B00008PBZZ
    Catlog: DVD
    Sales Rank: 1517
    Average Customer Review: 4.48 out of 5 stars
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    Reviews (168)

    5-0 out of 5 stars Beautiful film of a bygone era
    Sumptuous, delicious, beautiful movie about a white soldier's journey of self-discovery with a Lakota Sioux tribe.

    Lt. John Dunbar, a Civil War hero by accident (he was trying to kill himself), gets a second chance at life when he's allowed to choose his next military assignment. He chooses to see the frontier--"before it's gone". Arriving at the fort, he finds it abandoned, disheveled, broken down. As he tries to rebuild the fort and enjoy the scenery, hoping to see buffalo, he befriends a wolf, Two Socks. Eventually the local Indians come to check him out, and Dunbar and his neighbors draw closer through a series of stop-and-start encounters. He draws close enough to become one of them--but then Army life intrudes into the near-idyllic scene.

    The details of the prairie and of Sioux village life are breathtaking. The music by John Barry is atmospheric and inspiring. I would hope those viewing the film will ask themselves what it would have been like to live an Indian village, if they would have been up to its demands and open to its possibilities.

    5-0 out of 5 stars An All American Classic!
    This movie has everything (wait a minute, of course it does. it won 7 acadamy awards...)you could ever want in a film. Comedy, history, romance, tragedy, EVERYTHING!!! The story is all about John Dunbar, who enlists in the Union in the Civil War, and is stationed out in the middle of nowhere in one of the plain states (I'm not sure which one). He mets a gentle wolf, and he mets an even gentler Sioux tribe who soon befriend him. He falls in love with an English woman who belongs to the tribe because when she was little, A Pawnee tribe killed the rest of her family. The Sioux somewhat addopted her, & she learned to speak the language. They soon fall in love and get married. But all kinds of tragedies befall the tribe - The ongoing war against the Pawnee, The Union army capturing John (Dances with Wolves is his Sioux name), More pioneers taking the Indian's land, not enough buffalo to eat, etc. This movie is SO excellent! If you haven't seen Dances With Wolves, you are missing out on a great American Classic!!!!!!!!!!!!!

    5-0 out of 5 stars Dances with Wolves Earns Lawrence Award
    Dances with Wolves easily earns a position among the all-time-greatest epic motion pictures. Its story and presentation are fresh, honest, real and breathtaking. "Epic" implies the film takes longer to tell its story than the average movie, and that it does. But consider that the correct measure of the length of any film is to track the number of visits your eyes make to your watch during the film. Thus a three-hour movie may seem shorter than a ninety-minute movie. The character development and interaction of this movie invites us to participate, to be there and feel as our hearts share the emotions of characters even as we feel the pleasure from the eye candy provided by the amazing cinematography that takes us across the massive Northern Plaines of the United States. The movie begins in a dramatic scene in which, Kevin Costner, a lieutenant in the Union Army, crawls off the battlefield surgeons table to save his badly injured leg or foot from amputation. Somewhat delirious he takes actions that lead to victory for his troops and ends a deadly stalemate between the two armies. As the hero of the battle the general's surgeon heals his leg and the lieutenant is offered any post he wants. He chooses the most remote post the army has because he wants to see the unspoiled land before it's too late, and the real story begins. A caution to those who think the white man was portrayed unfairly; read unbiased history, then watch the movie again. This movie undertakes allot and it succeeds. This exciting action, drama, western, love-story shows us a great example of a film that can be so absolutely entertaining and educational at the same time. Dances with Wolves entertains as it shows through historical example the importance and consequences of learning about our own preconceptions and learning the potential benefit we may enjoy from learning to respect and accept other beliefs or points of view, to just learning to understand all that we can before making decisions and drawing conclusions in any matter.
    Dances with Wolves does all that any movie could be asked to do.

    4-0 out of 5 stars Still no definitive version available to the public
    The reason I have decided to comment on this film is because I want to warn everyone that DANCES WITH WOLVES is available in two different versions and BOTH are inferior. As far as the the extended four-hour DVD goes, I can only say this: Who the heck has FOUR blasted hours to spend on one single movie? Why extend a movie that was already dangerously long? There must have been a little controversy over this matter because shortly after its release to DVD, the original three-hour theatrical version became available (thank God)... but guess what? It's only available in a full screen format, which means that HALF of the movie has been cropped out, and yes, we are literally missing HALF of the movie! It surprises me to see that the studio would so blatently pull an act of butchery to an important film of this stature in a day when full screen formats are quickly fading out for the more pleasing 16:9 ratio, which is obviously the future standard.

    5-0 out of 5 stars MYTHOLOGY
    Indians are a favorite pet of the liberal establishment. "Dances With Wolves" is a fine movie. Most of them are. Nobody ever said these people are not brilliant. There is no real lie in "Dances" that I can see, but it does seem stylized. The Indians are pictured as peaceful, spiritual conservers of the land. Real-life Indians had every potential of being violent savages without anybody's prompting. Just ask the Mexicans who were systematically robbed by them every harvest until American mountain men with guns were recruited to provide a little security. The soldiers are dumbellionites, as are most of the whites that Kevin Costner "escapes" from in his effort to find the real West. While Indians certainly knew how to preserve the land, an act of necessity for them, they took plenty from it without replenishment. Whites stripped and mined the land, but they also came up with ingenious technologies that re-generated the land.

    STEVEN TRAVERS
    AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
    STWRITES@AOL.COM ... Read more


    13. Heaven's Gate
    Director: Michael Cimino
    list price: $19.98
    our price: $17.98
    (price subject to change: see help)
    Asin: 0792843584
    Catlog: DVD
    Sales Rank: 7891
    Average Customer Review: 3.36 out of 5 stars
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    Reviews (73)

    5-0 out of 5 stars Have you noticed that no one ever gives this film 3 stars...
    It's always 1 or 5 (the occasional 2 or 4 are just cowards...). This is a film you either adore or detest. Those who adore it (moi, for instance, as the 5 star rating clearly indicates) are usually very patient movie watchers who like to watch a film unfold at its own pace. How many films can you name that are still going through exposition an hour and half into the film?

    David Bern once said that movies are nothing but pictures and images; stories are just a trick to get you to watch them. You could turn off the sound and mix up the reels (some probably think that happened when they saw it in the theatre), and this would still be a feast for the eyes. Cimino's lush vision of Montana is overwhelming. It's like a stroll through a moving Bierstadt exhibition. It contains pieces that are almost perfect acts of filmmaking - such as the skating sequence, which could stand alone as a short (the 1 star folks just stopped reading, muttering the word "dilatant" under their collective breaths).

    But despite its cinematic saturation, Heaven's Gate has a powerful, complex story. It's a story about class barbarism, and how the American Aristocracy of the last century committed mass murder in the West, with the help of the Government and the Military. It has a love story between two people who wouldn't have touched each other in the "civilized" East. It has intense performances by Isabella Hupert, Kris Kristofferson, Christopher Walken, Sam Waterston, et al.

    Yes, this is clearly not a film for everyone - in fact, if it was made for anyone, it was for Michael Cimino - but it is a film that some of us are glad was made. If you like LONG, CHALLANGING films by self-indulgent artists, rent it - and if you love it, you'll have to buy it; and if you hate it, well, you probably wasted five bucks and couldn't even get to the second tape...

    5-0 out of 5 stars How the West was Won
    Cimino may not have made a blockbuster, but he did make one of the best Westerns in cinematic history. Unfortunately, most people can't sit through a 4-hour movie. If you are one of those persons who can appreciate a complex narrative, delivered by a stunning cast, that tells a more candid tale of the West, then "Heaven's Gate" is a real treat.

    Cimino has collected a set of compelling stories that swirl around the range wars of the Montana. He relates these stories through his protaganist, a federal marshall played by Kris Kristofferson. His thoughts drift back to Harvard Yard in the opening sequence, where he reveled in the commencement ceremonies with his old schoolmate, John Hurt. Much of this scene was chopped out in the theatrical release, undermining the content of the film. It is this Eastern view, which Cimino wants you to take note of. How one can meld into the West as Kristofferson does, and how one can become part and parcel of the cattle syndicate as Hurt did.

    The stories mainly focus around the Eastern European immigrants who attempted to carve out a life in late 19th-century Montana. They came up against the great cattle syndicates, who owned much of the range, leaving little for the immigrants to settle on. Cimino gives you a very intimate view of the events. His camera angles take you right into the action. This is a very visceral movie.

    Eventually these immigrants come up against the cattle barons, who had formed their own vigilante gangs in an attempt to combat the encroachment of the new settlers on their land. Kristofferson has grown close to the immigrants and eventually chooses to support their claims, leading to a final gut-wrenching confrontation, which includes his old schoolmate, John Hurt.

    The cast is first rate. Walken, Bridges, Huppert, Watterston all give excellent performances. Cimino has inverted many of the myths that surround the Old West, and provided a living history. The film almost has the quality of a sepia tone, as he has muted his colors to give the sense of age. The [fourty]... million budget seems paltry by toda's standards, but at the time it was one of the most expensive films ever made. Unfortunately, not everyone was ready for it.

    4-0 out of 5 stars Quite Possibly the Most Maligned Picture Ever Made
    When self-appointed film experts talk about the worst movies of all time, Heaven's Gate invariably enters the conversation. Until the release of Ishtar, this depiction of the Johnson County War in the late 19th Century enjoyed the dubious distinction of being the biggest box office flop of all time. In my view, however, a box office flop doesn't necessarily denote a bad movie. A bad movie is one with low production values, bad effects, and/or muddled script, like Plan 9 From Outer Space or Manos: The Hands of Fate. Heaven's Gate, though it may have been a box office flop, is actually a very good movie that got it's undeserved reputation due to director Michael Cimino's obsession with perfection. This resulted in multiple takes of scenes that most directors could have shot in one or two. Ultimately, the picture cost three or four times its original budget to make. Negative pre-release publicity from a reporter who managed to get into the film as an extra after Cimino refused to grant him an interview, and the critical shellacking that it received from the critics when released, conspired with the well reported cost overruns to doom Heaven's Gate before it was even out of the starting gate.

    Personally, I like this movie. And while I appreciate Cimino's insistence on period authenticity in such things as trains, costuming and sets but I have a problem reconciling it to a script that takes such artistic liberties with recorded history. The real Jim Averill was a cattle ruster who along with his wife was hanged. He was not the noble sheriff with an Ivy League background as portrayed in the film by Kris Kristofferson. Nevertheless, Heaven's Gate is a superb motion picture in many respects. The cinematography by Villnos Zsigmond is nothing short of magnificent, and the acting performances are all good, especially those of Kristofferson, John Hurt, and Christopher Walken. Although many previous reviewers have criticized the sound quality, I found nothing wrong with it. I also didn't find the plot all that hard to follow, as others claim. Perhaps they expected the movie to give them a clue without any sort of thinking on their own. Of all the complaints that have been levelled against Heaven's Gate, the only one I think that has any merit to it is that the pacing is painfully slow. That said, I don't believe it distracts significantly from the enjoyment of the movie. Incidentally, have I mentioned that David Mansfield's score (sadly, not in print) is beautiful?

    Sure, Heaven's Gate is considered to be a flop. But I would suggest to anyone reading this review that you watch it for yourself and decide. It's really not as bad a movie as others have led you to believe it is.

    2-0 out of 5 stars Check it out for the camerawork; there's nothing else there
    "Heaven's Gate" is one of the most beautifully photographed films ever made. Every frame seems almost antique, a dazzling combination of sunlit exteriors and naturally lit interiors with candles and oil lamps that give the film a burnish unlike any other.

    And there's several brillantly directed sequences that are unlike anything in any other film. A hyper-active rollerskating dance that transforms into a waltz between the romantic leads. A massive graduation dance on the lawn of Harvard (actually shot at Oxford) that is breathtaking in its scope.

    However, all this camerawork and virtuoso editing is wrapped around one of the dullest screenplays ever written. The story is so simple, it could have been covered in 90 minutes instead of 3 hours and 40 minutes, and most of the movie consists of long pensive silences between the actors that lack any kind of dramatic interest or narrative thrust. The movie meanders, wanders, stops dead in its tracks, only occasionally remembering to pick up the storyline and go somewhere with it.

    Kristofferson is utterly passive and uninteresting.

    The film spends its first half-hour setting up a friendship between Kristofferson and John Hurt that has no bearing or meaning to to the storyline.

    The love triangle aspect is contrived and dull.

    And the victimized immigrants in the film are so shrill, panicky, and annoying that you almost wish they'd get killed.

    Pictorially, the film is a masterpiece. But as a narrative film, it utterly fails on every level.....never before has so much care gone into making a film with so little substance.

    As you can tell, this is a very ambivelent review. I think "Heaven's Gate" is worth a viewing just for those lovely images and sequences.....pure eye candy. Just don't expect to be entertained past that level.

    1-0 out of 5 stars Cimino's Hellish Disaster
    I was one of the people who went to see this movie when it first came out in New York City - if you blinked, you missed it because it was pulled after one week! That's an indication of how bad this movie really is.

    While I was watching the movie, I started trying to read lips because the sound was just so horrendous, you could barely hear or understand what was being said - I'm not kidding. I could hear wagon wheels turn and horses trot better than I could the actor's voices. By the end of the movie my glutimus maximus was numb - along with the expressions on the audience's faces. You could hear a pin drop in the place - then the avalanche of boos and scathing reviews started pouring down. I've never experienced anything like it before or since.

    The scenery and music is fantastic, everything else is truly horrendous. Cimino had over 200 hours of film which needed to be cut down to between 2 and 3 hours - it's impossible to make a cohesive, intelligent movie from such a huge amount of film - storylines get trimmed or cut completely leaving you to wonder what the heck is going on or why certain things seemed disjointed and/or untold.

    You're left wondering how someone who created a spectacular movie like The Deer Hunter could have become so self-absorbed that he created a disaster of enormous proportions. $40 million might not seem like much nowawdays, but in 1980, it was a heckuva lot of money. (It's equivalent to $100,000,000 today!)

    Such a shame that Cimino threw his career down the toilet with this movie. ... Read more


    14. Jeremiah Johnson
    Director: Sydney Pollack
    list price: $14.96
    our price: $11.22
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    Asin: 6304696531
    Catlog: DVD
    Sales Rank: 763
    Average Customer Review: 4.61 out of 5 stars
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    After they first worked together on the 1966 film This Property Is Condemned, director Sydney Pollack and Robert Redford continued their long-lasting collaboration with this 1972 drama set during the mid-1800s, about one man's rugged effort to shed the burden of civilization and learn to survive in the wilderness of the Rocky Mountains.Will Geer is perfectly cast as the seasoned trapper who teaches Jeremiah Johnson (Redford) how to survive against harsh winters, close encounters with grizzly bears, and hostile Crow Indians. In the course of his adventure, Johnson marries the daughter of a Flathead Indian chief, forms a makeshift family, and ultimately assumes a mythic place in Rocky Mountain folklore.Shot entirely on location in Utah, the film boasts an abundance of breathtaking widescreen scenery, and the story (despite a PG rating) doesn't flinch from the brutality of the wilderness. In addition to the original theatrical trailer, remastered Dolby Digital 5.1 soundtrack, and informative production notes, the DVD also includes The Saga of Jeremiah Johnson, a promotional documentary on the making of the film. --Jeff Shannon ... Read more

    Reviews (72)

    5-0 out of 5 stars Unforgettable Masterpiece From Director Sydney Pollack!
    Robert Redford and Sydney Pollack, the Academy Award-winning director of Out of Africa team up (the 2nd of their 6 films together) for this powerful saga of a man whose determined search for contentment leads to back-breaking, even mind-breaking hardship, and to constant battle with hostile native Americans. This absolutely unforgettable and spectacularly beautiful, yet haunting adventure film captures both the epic scale of an unconquered Nature and the small, frustrating, hard scrabbling struggles of a lone man desperately trying to start a fire during a gale-force blizzard, cross a meadow knee-deep in snow or catch something, anything, to eat.

    Filmed entirely on location in winter-time Utah, this movie captures on film Jeremiah Johnson's (Robert Redford) attempt in the mid 1800s to become a mountain man, seeking solitude in a wilderness whose purity he never questioned. This film is sure to find it's way into the private library of every connoisseur of superb movie making, and is one of those very rare films you can enjoy again and again! Masterpiece!

    4-0 out of 5 stars Robert Redford's personal favorite film role
    I had the pleasure of seeing "Jeremiah Johnson" in the theatre soon after it first came out at Christmas 1972. On the big screen you could really appreciate the magnificent cinematography and the majestic scenery. It loses something when transferred to the small screen. So I recommend watching the letterboxed version on a larger screen TV(at least 27inches or larger.)It has fine direction by Sydney Pollack whom Robert Redford has worked with in more than a half dozen films. The movie takes place in Redford's own neck of the woods,the mountains of Utah.The late Will Geer,(the grandfather on the television series "The Walton's" back in the '70's),is very enjoyable as a bear trapping mountain man named Bear Claw. And,Delle Bolton is impressive in her movie debut as Jeremiah's young indian maiden bride named Swan. I don't believe I've seen Ms. Bolton in anything since this film.The film also has an atmospheric music score by John Rubinstein.

    I haven't read the two books this movie is based on "Crow Killer" by Raymond W. Thorp and Robert Bunker and "Mountain Man" by Vardis Fisher and I hear the books are much more intense and graphic and if the screenplay had followed them more closely the film would have generated a more adult R rating instead of the family friendly PG rating that it has. Redford said in an interview back in the '80's that of all the films he has done that "Jeremiah Johnson" was his personal favorite.

    I think that's really saying something considering all the fine films Mr. Redford has done.This is one of his best along with "Butch Cassidy and The Sundance Kid" from 1969, "The Sting",(the OscarTM winner for Best Picture of 1973),"The Great Waldo Pepper" from 1975,"Three Days of The Condor",(also directed by Sydney Pollack),"All The President's Men" from 1976,"Brubaker" from 1980, "Ordinary People"(which was his directorial debut and was the OscarTM winner for Best Picture of 1980 and he won Best Director honors),"The Natural" from 1984,"A River Runs Through It" from 1992,which Redford directed and was the narrator,"Quiz Show" nominated for Best Picture of 1994,(it didn't win), and "The Horse Whisperer" from 1998(which he both directed and starred in. Among Director Sydney Pollack's best are "The Way We Were" from 1973,"The Yakuza" from 1975,"Tootsie" from 1982 and "Out of Africa",the OscarTM winner for Best Picture of 1985,with Mr.Pollack winning Best Director honors). Robert Redford and Sydney Pollack are two of America's finest filmmakers.

    5-0 out of 5 stars "The day that you tarry is the day that you lose ..."
    He was a big man, maybe even growing in physical stature with the growth of his myth; deadly with his Bowie knife and his gun alike. He'd been a fighter in the U.S.-Mexican war, but left the lowland's ways behind in favor of a mountain man's: the lonesome hunt, the wild outdoors, and the confrontation with nature rather than his fellow men. And he came to be known as "Crow Killer" and "Liver Eating Johns(t)on" when he took war to the Crow nation after they killed his wife.

    Based on Raymond Thorp/Robert Bunker's "Crow Killer" and Vardis Fisher's "Mountain Man" and scripted by John Milius and Edward Anhalt - with input from frequent Redford/Pollack cooperator David Rayfiel - Sydney Pollack's and Robert Redford's 1972 movie loosely traces the mythical hunter's legend, opening with his arrival at the fort where he buys his first horse and gun. "Ride due west as the sun sets. Turn left at the Rocky Mountains," is a trader's goodnatured answer to Johnson's naive inquiry where to find "bear, beaver and other critters worth cash money when skinned." But soon he finds that his lowland skills no longer do him any good, almost starving in the freezing mountainous winter before being taken in by old "griz" hunter Bear Claw Chris Lapp (Will Geer in a stand-out role - his and Redford's deadpan exchanges alone make this movie worth its price).

    Setting out on his own again the following year Johnson fares better, even gaining the respect of a Crow warrior prosaically named Paints His Shirt Red (Joaquin Martinez), the first person he encountered in the mountains. After assisting a settler's wife who had to watch her family massacred by Indians (Allyn Ann McLerie) and reluctantly agreeing to take charge of her son (Josh Albee) - a boy grown mute by the horrors he witnessed, whom he names Caleb - he comes across white hunter Del Gue (Stefan Gierasch), buried up to his head in sand by a band of Blackfeet. Revenging that act unwittingly leaves Johnson with a wife, in exchange for bestowing the Blackfeet's ponies and guns on Flathead chief Two-Tongues-Lebeaux (Richard Angarola): the chief's daughter Swan (Delle Bolton). Although neither embraces the match enthusiastically, over time Jeremiah and Swan learn to appreciate and, eventually, love each other. But then fate strikes: Against better judgment pressured into guiding a cavalry company through Crow burial ground, Johnson finds Swan and Caleb murdered upon his return. He sets out after the Crow who invaded his home ... and plants the seeds of his myth.

    "Jeremiah Johnson" was Redford's and Pollack's second of seven collaborations after 1966's "This Property is Condemned." What most obviously characterizes this movie is the breathtaking manner in which its cinematography uses Utah's mountains (doubling for the story's actual Montana setting): despite studio budgetary limits shot entirely on location, the film had Redford acting as a virtual tour guide to the magnificent Wasatch, which he had recently made his home himself.

    But the movie also shows enormous restraint, particularly given its violent underlying story. There's no blood-gushing "Braveheart"-style, no dramatic score; fights are mostly one-on-one, occurring as they would in real life - silently, with only the opponents' grunts being heard - and despite his fearsome epithet we never actually see Johnson eat a dead Crow warrior's liver. (Reportedly a script change on which Redford insisted: wisely so.) Similarly, Johnson's and Swan's relationship builds on small symbolic gestures, moving from his coarse attempts to teach her English and refusal to learn her language to conversations in Salish (Flathead); and from her submissive expectation of his exercising his marital rights on their wedding night (which rather repulses him) to later-exchanged tender glances and smiles: Thus, we only learn about their marriage's belated consummation when one morning Swan points to his beard in response to his question about her reddish cheeks. - Further, there's no dramatic conclusion; no final battle: as Johnson's myth begins to grow and he withdraws deeper and deeper into the mountains, he retraces his steps and meets in reverse order the people he encountered after his arrival: Del Gue, the settler now living in Caleb's mother's cabin, Bear Claw Chris Lapp; and finally Paints His Shirt Red who, although a Crow, created a monument in Johnson's honor and sends him off with a last salute, which Johnson reciprocates; ending the movie in an immortalizing freeze-frame shot - again, a feature insisted on by Redford, doubtlessly reminiscent of "Butch and Sundance" (and repeated one way or another in several subsequent movies).

    Despite its languid pace and although just under two hours long, "Jeremiah Johnson" formally takes an epic approach, complete with overture, entr'acte and narrator (uncredited, but I think Willie Nelson), whose subtle voiceovers and brief songs provide key narrative bridges. While the latter match the movie's overall style and the overture at least corresponds with Johnson's mythical stature - albeit also setting up ultimately unfulfilled expectations of a dramatic finale - adding an entr'acte may have been a bit much, particularly in the middle of the ride through the Crow burial ground (incidentally a screenplay addition designed to give the Indians a reason to punish Johnson and not make them appear as mindless killers). In my view this breaks the dramatic tension rather than enhancing it; problematic insofar as virtually all that remains thereafter is Johnson's gradual withdrawal into the mountains and fights with the Crow. But no matter. This is a terrific movie, featuring great banter with Johnson's fellow hunters as well as some wonderfully delicate scenes with Swan, showcasing some of North America's most dramatically beautiful scenery, and growing on you more and more the more often you watch it.

    And some say he's up there still ...

    "The way that you wander is the way that you choose. The day that you tarry is the day that you lose. Sunshine or thunder, a man will always wonder where the fair wind blows ..."
    (Lyrics, Jeremiah Johnson's theme.)

    5-0 out of 5 stars Jeremiah Johnson: a note on the theater
    Just a note about this wonderful movie. I saw it when it first came out. JEREMIAH JOHNSON the title page screamed, "with Robert Redford" next in small fonts. A few years later I was back at the theater to watch it again. ROBERT REDFORD the title page screamed, "in Jeremiah Johnson" next in small fonts. This movie (and a few others) had introduced Robert Redford to the world.
    This movie should be appreciated by every movie lover. Among other things, it demonstrates how words, if chosen carefully, can be memorable in their sparseness.

    5-0 out of 5 stars The best of any Mountain Man Movies
    My very favorite Mountain Man movie. ... Read more


    15. The Wild Bunch - Restored Director's Cut
    Director: Sam Peckinpah
    list price: $14.97
    our price: $11.23
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    Asin: 0790731037
    Catlog: DVD
    Sales Rank: 1199
    Average Customer Review: 4.66 out of 5 stars
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    Reviews (139)

    5-0 out of 5 stars Peckinpah's ode to the closing of the American West.....
    It would be impossible for film fans to have a conversation about controversial movies throughout the years, and for the epic western, "The Wild Bunch" not to get a solid mention.

    Since I first saw this film over twenty years ago, I have owned numerous versions on VHS and laser disc, and it is particularly satisfying to finally have the restored directors version, with the accompanying documentary "The Wild Bunch : An album in montage" available on DVD in true widescreen format.

    Sam Peckinpah's blood and thunder tale of outlaws on the Texas/Mexican border with their own set of unique morals has been such a dynamic influence on many directors and future films since it's release way back in 1969. But what sets "The Wild Bunch" apart from it's many imitators is it's deep, almost mythical storytelling, the complex moral nature of the characters peopling the tale and the gritty passion & energy that Peckinpah infused into the entire production. William Holden and Ernest Borgnine are simply tremendous as Pike & Dutch, the leaders of the Bunch...each man with his own individuality. Ben Johnson & Warren Oates portray the crazy Gorch Brothers, Jaime Sanchez is the arrogant and fiercely partiotic Mexican, Angel...and Edmond O'Brien is the grizzly, old timer Sykes.

    Additionally, Peckinpah's film features Emilio Fernandez as the bloated, evil dictator Mapache...Albert Dekker as the manipulative and remorseless railroad man, Harrigan....and Robert Ryan putting in another one of his strong performances as the ex-gang member turned reluctant bounty hunter, Deke Thornton. And a Peckinpah movie almost wouldn't be complete without the appearance of LQ Jones and Strother Martin as a pair of filthy, grave robbing bounty hunters out for the reward on the heads of the Wild Bunch.

    The Wild Bunch pulls no punches in it's tale of desperado's who they themselves are desperately running out of time...as Holden reflects in the film "We've got to start thinking beyond our guns...those days are closing fast". Whilst "The Wild Bunch" is most notorious for it's two bloody shootouts that book end the film's 144 minute running time...there is so much excitement, passion, adventure and personal conflict within the movie that can be found upon each repeated viewing of this stunning work.

    A film that can be treasured and enjoyed by any true film fan....The Wild Bunch will be continually looked upon as one of the most important contributions to American cinema.

    4-0 out of 5 stars Director's cut not needed, but great moments still abundant
    The Wild Bunch is, without a doubt, one of the greatest westerns that has ever been thought up, but it is also quite controversial. The romantic view of the Old West is shattered in this 1969 film; no sign of John Wayne anywhere, and most of the cliches found in a typical western are nonexistant(not that I dislike typical western movies, they're actually quite entertaining). Sam Peckinpah, a master of improvisation, creates an unforgettable movie that is not only responsible for redefining cinematic violence, but also carries with it an engrossing story of friendship, betrayal, and the dying west. I didn't feel a Director's cut was needed for this film though, because the original version moved at such a lightning-fast pace. The restored scenes may interest some viewers, but I just wasn't interested. That is probably why I don't own this version of the movie. I'd prefer that other Sam Peckinpah flicks be restored, preferrably Major Dundee. Besides that, the DVD still captures all the explosive action and catchy dialogue. I particularly enjoyed the presentation of the credits, and Jerry Fielding's music adds to the realistic atmosphere, and that's not a bad thing. If you're looking for a great action flick with a plot, The Wild Bunch is a winner for a weekend rental, but RENT this version before you buy it.

    5-0 out of 5 stars One of the best westerns of all-time
    The Wild Bunch-Restored Director's Cut is one of the best westerns ever made and also one of the best movies ever. In 1913 during the Mexican Revolution, times are changing as the Old West disappears into oblivion. After a botched robbery in the town of Starbuck, the Wild Bunch, a gang of aging outlaws must decide what their next move is. The remaining members of the gang decide to head south into Mexico where their services may be needed. The bunch robs a gun shipment for a Mexican general, hoping this will be their last job. At the same time, a posse is hunting them down with a former gang member at the posse's head. While this movie is most well known for its violence, it is ultimately a story about honor among men in a changing time. Knowing that the world they knew is changing, the bunch has to try and survive as their end closes in. Nonetheless, director Sam Peckinpah knows how to construct an action sequence. The Battle of Bloody Porch is a balletic, slow-motion, masterpiece of blood and guts as the Wild Bunch meets their end. Just as good is their final march through the streets knowing what awaits them. One of the best westerns, if not the best, ever made and highly recommended.

    What makes this movie special, along with the groundbreaking filmmaking of Sam Peckinpah, is the cast. The whole cast gives excellent performances. William Holden stars as Pike Bishop, the leader of the Wild Bunch who knows time is running out for the bunch. His right hand man, Dutch Engstrom, is played by Ernest Borgnine in a perfect part for him. Robert Ryan plays Deke Thornton, a former member of the Wild Bunch and the unwilling leader of the posses following the gang. The rest of the gang includes Edmond O'Brien as Freddie Sykes, Warren Oates and Ben Johnson as brothers Lyle and Tector Gorch, and Jaime Sanchez as Angel. Emilio Fernandez plays Mapache, the Mexican general who pays the bunch to steal a shipment of guns. Strother Martin and L.Q. Jones are great as Coffer and TC, members of the posse. What is surprising about these characters is that as despicable as they are, they are still likable. The Restored Director's Cut DVD includes about ten minutes cut from the original version, a theatrical trailer, production notes, an excellent making of documentary, "The Wild Bunch: An Album in Montage", and a great-looking widescreen presentation. For a great western with incredible gunfights, a terrific cast, and a great story, check out the truly classic western, The Wild Bunch!

    4-0 out of 5 stars NOT ONE OF YOUR GRANDPA'S WESTERNS.
    "The Wild Bunch" is not the typical western that tells the story of a bunch of good ol' cowboys versus the mean ol' Indians, this movie goes beyond the cliches of the earlier westerns, so in some way "The Wild Bunch" resembles more to a Spaghetti Western than a John Wayne-versus-the-indians western.

    Sam Peckinpah took two steps forward the use of violence in the movies, he show the world how to use violence in a movie to produce visual art. Of course, some might complain about the cruel scenes in "The Wild Bunch", but open minded people know that the violence in the movies is not even close to the cruelty of the real world violence, plus, the violence in a movie can produce visual art if it's used in the right way, like Sam Peckinpah or Sergio Leone did in their movies.

    "The Wild Bunch" has an excellent cast: the always efficient William Holden and Ernest Borgnine plus a great supporting cast that includes names like Robert Ryan, Warren Oates and Emilio Fernández. Also, the director Sam Peckinpah gave importance to each character, and that contributed to form a solid story. The cinematography is spectacular, "The Wild Bunch" has a lot of impressive camera angles that show the cruelty of the bullets and explosions, and the movie has some of the most impressive scenes ever put to film.

    "The Wild Bunch" is in a very selected group of westerns. That list includes movies like "High Noon". "The Searchers", "Stagecoach", "The Good, The Bad And The Ugly" and "Once Upon A Time In The West", among few others. That list includes the best westerns, and "The Wild Bunch" belongs in the list.

    5-0 out of 5 stars A Grand Finale to the Old West - An American Classic
    This is simply a rich, masterful, nostalgic story of the Old West, in all of its fading glory.

    The charaters too, are fading in their own time - pursued relentlessly by forces reshaping the country, lives and landscape they ravaged, shared, and loved.

    A long-in-the-tooth band of outlaws set out on one last job - to lighten the rich railroad barons of a few sacks of gold. Doublecross meets disaster and they're thrown back on their heels in a narrow escape. Then on to Mexico to trade a stolen shipment of rifles, stolen from under the government's nose, to a Mexican general who is a ruthless hombre in his own right.

    Good guys and bad guys change roles and the moral lines of right and wrong shift beneath their feet as they make a last stand for honor among men.

    This is a fun, exciting, warm movie which is excellent in every respect. Beautifully filmed, extraordinarily acted, and a terrific story, wonderfully told.

    Five stars for a truly American Classic. ... Read more


    16. Hour of the Gun
    Director: John Sturges
    list price: $14.95
    our price: $11.21
    (price subject to change: see help)
    Asin: B0007O393O
    Catlog: DVD
    Sales Rank: 1284
    Average Customer Review: 4.5 out of 5 stars
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    Reviews (11)

    4-0 out of 5 stars As Westerns go, impressive but too elegaic for most.
    I like this film for its somber mood, striking photography and flavorful score by Jerry Goldsmith. It's not the kind of simple-minded Western that John Wayne did to death, and lacks the climatic punch that most of the genre try for, but instead is a demystifying of the folk-hero Wyatt Earp.

    I'm a little disappointed with the DVD.A restoration of the film elements doesn't appear to have been attempted.The print is clean and has fine color, but the image is a little soft and "contrasty" and therefore looks very dated.A fresh film element from sources as close as possible to the original negatives would have helped.The sound also has way too much hiss.

    At least what we have is in 16X9 anamorphic and includes the trailer, but a few extras would have been nice.

    4-0 out of 5 stars Great Continuation of The OK Corral Saga
    John Sturges, who memorably filmed Gunfight at The OK Corral with Burt Lancaster and Kirk Douglas, returned to the subject by depicting the afternath of the famous shootout in Hour of The Gun. This time, James Garner takes over from Lancaster playing Wyatt Earp, while Jason Robards replaces Douglas as Doc Holliday.

    Hour of The Gun follows as both of Earp's brother are ambushed after the OK Corral, and shows how a seemingly law-abiding, upright law official can be twisted into a vengeful killing machine. This theme was touched on in the first film, but takes center stage in this film. Robards watches as a man who he admires and respect for his convictions throws them all away to settle a blood feud. Garner's and Robards's performance are outstanding, with first-rate support by Robert Ryan as Ike Clanton, Steve Ihnat as Lattigo, one of the Clanton gang, and a young unknown Jon Voight as Curly Bill Brocious.

    Contrary to a caption at the beginning of the film, Hour of The Gun is not a completely accurate retelling of the Earp/Holliday/Clanton saga, but it makes for one heck of a Western.

    5-0 out of 5 stars Good or Bad Garner and what about a DVD
    Vivid follow up to director Sturges' GUNFIGHT AT THE OK CORRAL. One of Garner's best performances. Is Garner a good guy or a bad guy. You decide. Great Jerry Goldsmith score. One of his best. Why is there no DVD to this classic film?

    4-0 out of 5 stars Solid but not great Earp western
    Until the release of Costner's Wyatt Earp and Russell's Tombstone, this was probably the most realistic and unglamorized retelling of the Earp/Clanton feud.The casting is solid with James Garner as a conflicted Earp, and Jason Robards fairly steals the film as Doc Holiday. It purports to tell the story "the way it happened", but there are a lot of inaccuracies that Earp historians can spot. The opening OK corral shootout was played as it was, quick and dirty.
    There are major errors in the later story such as Earp killing Clanton in a final showdown (never happened), and the showdowns with various Clanton henchmen by in large did not happen the way it was portryed here. Doc is portrayed as being a northerner and much older than the young southerner which he was.
    That said, Garner, Robards,Robert Ryan and a host of great western character actors and stars to be make this very watchable. The musical score is catchy and it is a western worth your time. The parting scene of Wyatt and Doc is very well done. Garner is very good as a driven Wyatt Earp.

    5-0 out of 5 stars Very good continuation of OK Corral Movie
    I like this movie. I thought it was a very good continuation to the GUNFIGHT AT THE OK CORRAL. It has great performances and a good score by Jerry Goldsmith. A good "lost" Western. ... Read more


    17. The Searchers
    Director: John Ford
    list price: $14.97
    our price: $11.23
    (price subject to change: see help)
    Asin: 6304696566
    Catlog: DVD
    Sales Rank: 1171
    Average Customer Review: 4.4 out of 5 stars
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    Amazon.com essential video

    A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon ... Read more

    Reviews (120)

    5-0 out of 5 stars A classic western
    The Searchers is considered by many to be one of the best westerns ever made, and I cannot disagree with them. The story follows the efforts of two men trying to track down a kidnapped girl from Comanches over the course of five years. The men tracking the tribe are a Confederate veteran and the girl's uncle and the other a family friend and also part Cherokee. The film is beautifully shot as all John Ford westerns are, which adds to the overall mood of the movie. There is a vastness to some scenes which show the futility of tracking down this girl after so many years. The Searchers is a classic that provided John Wayne with a role that was different from any other he had previously played.

    John Wayne stars as Ethan Edwards, the Confederate veteran trying to track down his niece after his brother's family is slaughtered by a Comanche raiding party. He plays the role of the racist veteran to perfection. At times it is startling to see him in a role that differs so greatly from most other movies he had done. Jeffrey Hunter plays Martin Pawley, the Duke's partner in his search for the kidnapped girl. He plays a good sidekick to Wayne throughout since they have such differing personalities in the movie. Also starring are Natalie Wood, Ward Bond, Harry Carey JR, Patrick Wayne, Hank Worden, Ken Curtis and plenty of other Wayne stock actors. The DVD is good but could have been much better. You can view the movie in fullscreen or widescreen, with trailers included alongside four documentary shorts. A must have for western fans that is up there with Shane and The Wild Bunch as some of the greatest westerns of all time!

    5-0 out of 5 stars John Wayne at his Western Best now on WideScreen DVD!
    "The Searchers" (1956) Anamorphic Widescreen DVD version is one of the best classic westerns ever made! Ranked in the American Film Institute's (AFI) top 100 movies of the last 100 years (1998). Having the best Western Director, John Ford partnering up with his favorite cowboy star, John Wayne can only be the beginning of a grand movie. Adding Widescreen Technicolor, the colorful Panoramic Monument Valley - Utah (Ford's favorite western area to film), a fantastic musical score and top supporting cast leads us on one of the best filmed westerns ever!

    Summary - Ethan Edwards (John Wayne) is returning home to his only Brother & his family. After he and a posse of Texas Rangers (Lead by Ward Bond) were decoyed away by distant marauding Indians. The actual Indian raid was on remaining defenseless families left behind. Ethan's returned to find his Brothers family massacured all but his youngest niece, Debbie (played by Lana (younger)& Natalie Wood (older). His vengence takes him on a 5 year journey to recover her. Wayne is brilliant and proves he is a great actor.

    "The Searchers" is a powerful 2 hour emotional rollercoaster ride. This movie will leave you with more respect of John Wayne's ability to act, Director John Ford's genius to tell a very complex story. Leaving us forever with a Great Western Classic! Enjoy.

    5-0 out of 5 stars Searchers!!
    Ethan Edwards, (John Wayne), finds his way home after the civil war to his brothers homestead. Some cattle are rustled and he and a few men track them only to discover it's a Comanche trick to lure them away while they kill out the folks left behind which is Ethan's brother, wife, and kids. They arrive back too late, all are dead except Ethan's niece who was taken captive. Ethan sets out to find his niece accompanied by Martin Pauley, (Jeffrey Hunter), who Ethan found as a baby years earlier after another Indian raid. Ethan loved his brother's wife which is clear in the book by Lemay but very lightly alluded to in the film. This helps to explain his rage because everything he cared for in the world is gone. He will pursue the Comanche that have his niece until hell freezes over. Along the way he finds that he is still a human being. This film is widely considered the greatest western of all time and a favorite film of Martin Scorsese and Steven Spielberg if that means anything to you, I thought I would toss it in anyway.

    3-0 out of 5 stars STILL SEARCHING FOR AN ADEQUATE TRANSFER
    John Ford was a master craftsman of the American cinema. Though he dabbled in melodrama and action during his directorial career, his everlasting contribution to the movies remains in those galvanic distillations of the old west put forth by an unparalleled series of legendary films. "The Searchers" ranks among his most finely wrought and meticulously hand crafted projects. Indeed it seems to be the film in which the culmination of Ford's own commitment to the power, beauty and frailty of the western frontier tragically come together in a revisionist perspective that exposes both its grandeur and its flaws. The film stars the iconic John Wayne as Ethan Edwards - a strangely majestic antihero who vows bloody revenge after his cousin and family are slaughtered by marauding Comanches. But Ethan's search for his surviving niece (Natalie Wood) becomes a sinister and all-consuming obsession when he learns that she - having been abducted while still a child - has now adopted the ways of her captors and, at least in Ethan's mind, has become one of them. The film tackles racism in the form of Ethan's distrust of one time family friend (Jeffrey Hunter) who is part Cherokee and the sweep and spectacle of Death Valley has never been quite so poignantly captured on film.
    THE TRANSFER: While Warner Home Video has made "The Searchers" available in anamorphic widescreen in a print that is light years ahead of anything the film has looked like before for the home film enthusiast, compared to more current DVD releases, the visual splendor of the transfer falls short of expectations. Though colors are rich there's something of a muddiness and lack of balance to them in many of the indoor scenes. Also, several scenes appear to be suffering slightly from color shrinkage, creating a slightly out of focus image quality that is distracting. Age related artifacts are present but do not distract so much as the digital anomalies of pixelization and edge enhancement which greatly plague the background information in most of the long shots. A slight shimmering is inherent in all of the scenes. Black and contrast levels can be solid at times, while sometimes appearing slightly pasty. Ditto for the unnatural flesh tones which are either overly pink or a ruddy orange. The audio has been remastered and delivers a nice expansive presentation which is in keeping with the vintage of the original sound elements.
    EXTRAS: Not this time around. Sadly, this film deserves a documentary.
    BOTTOM LINE: "The Searchers" is a masterful western, on par with "Stagecoach" and "High Noon". Definitely one to add to your film library.

    5-0 out of 5 stars The Best Western Ever Made
    This is the best Western ever made. There's simply too much to say about it here to do it justice. The imagery, John Wayne's character's growth, the comraderie between the "searchers", the supporting cast and the theme will make seeing this film worth the while of even those who "hate" Westerns. It's a classic, and purchasing it will be money well spent.

    Enjoy. ... Read more


    18. Paint Your Wagon
    Director: Joshua Logan
    list price: $14.99
    our price: $11.24
    (price subject to change: see help)
    Asin: B00003CXBX
    Catlog: DVD
    Sales Rank: 1246
    Average Customer Review: 4.19 out of 5 stars
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    Reviews (57)

    5-0 out of 5 stars Bawdy Good Fun!
    Totally irreverent and unabashed Paint Your Wagon is bawdy good fun for the whole family! In spite of the critics' remarks about its morals or lack of them, I found the story to be true to life in the old west. In watching the documentary "Ken Burn's presents The West," one learns that many decent law abiding folk abandoned all sense of morality and manners once out on the American Frontier.

    The music as with all Lerner and Loewe films is excellent, especially the unforgettable song, "They Call The Wind Maria." Clint Eastwood sings beautifully and most probably could have had a nice singing career had he not gone to tough guy films and spahgetti Westerns. Lee Marvin and Jean Seberg compliment a fine cast of actors that make this musical very enjoyable and a believable picture of life in the Old West.

    Adapted by Paddy Chayefsky (remember "Marty?") the musical is filmed on location in a beautiful wilderness (supposedly) in California which is about to become a state. Reckless, raucous and full of good fun it makes Rogers and Hamerstein's "Oklahoma" look dull and tame by comparison. Like the song "With A Little Bit Of Luck" in the musical, My Fair Lady, Lerner and Loewe tend to celebrate the lesser (and more real) qualities of humanity with a tongue-in-cheek sense of humor. Thus so I dare say I enjoy Lerner and Loewe much more than Rogers and Hammerstein.

    5-0 out of 5 stars Bawdy Good Fun!
    Totally irreverent and unabashed Paint Your Wagon is bawdy good fun for the whole family! In spite of the critics' remarks about its morals or lack of them, I found the story to be true to life in the old west. In watching the documentary "Ken Burn's presents The West," one learns that many decent law abiding folk abandoned all sense of morality and manners once out on the American Frontier.

    The music as with all Lerner and Loewe films is excellent, especially the unforgettable song, "They Call The Wind Maria." Clint Eastwood sings beautifully and most probably could have had a nice singing career had he not gone to tough guy films and spahgetti Westerns. Lee Marvin and Jean Seberg compliment a fine cast of actors that make this musical very enjoyable and a believable picture of life in the Old West.

    Adapted by Paddy Chayefsky (remember "Marty?") the musical is filmed on location in a beautiful wilderness (supposedly) in California which is about to become a state. Reckless, raucous and full of good fun it makes Rogers and Hamerstein's "Oklahoma" look dull and tame by comparison. Like the song "With A Little Bit Of Luck" in the musical, My Fair Lady, Lerner and Loewe tend to celebrate the lesser (and more real) qualities of humanity with a tongue-in-cheek sense of humor. Thus so I dare say I enjoy Lerner and Loewe much more than Rogers and Hammerstein.

    2-0 out of 5 stars The movie they tried to ruin
    "Paint Your Wagon" is almost a textbook case in how to ruin a film version of halfway decent musical. Take a minor Lerner & Lowe hit, blow it up all out of proportion, cast three non-singers for the main leads, and remove most traces of the whimsy and irony that made this moderately popular in the first place. That the result is STILL somewhat entertaining is almost a miracle. A lot of the credit has to go Lee Marvin, who plays his trademark drunken Westerner to the hilt. But Clint Eastwood and Jean Seberg are bland to the point of nonexistence. A standout (he's hard to miss) is Harve Presnell, an actual singer who belts out the movie's big hit, "They Call the Wind Maria" then promptly disappears. There's a lot of "what-in-the-world-were-they-thinking?" in this one. But it's still worth a couple hours of your time.

    5-0 out of 5 stars Good Old Fun
    Wow, how can you not love Clint Eastwood's singing? This movie is fun and hilarious. A little action and a lot of laughter. The characters are witty and the plot is creative. I would recomend this movie to anyone, unless you don't agree with drinking, smoking and gambling. Just watch the movie and enjoy.

    5-0 out of 5 stars My first true laugh
    Thirty years ago when I as a young buck watched this movie, it was a delightful surprise. That Lee Marvin was so funny. You never forget that first kiss,well you never forget that first really uncontrollable laugh either. Lee Marvin, like alot of heavies, had a gift for comedy. The part of the movie when Marvin thinks he is in hell is so classic. The closing song is bittersweet. It is hard to say good-bye to all the great characters. Ah to be so young and innocent again! ... Read more


    19. The Magnificent Seven (Special Edition)
    Director: John Sturges
    list price: $14.95
    our price: $11.21
    (price subject to change: see help)
    Asin: B000059TFW
    Catlog: DVD
    Sales Rank: 907
    Average Customer Review: 4.54 out of 5 stars
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    Reviews (92)

    5-0 out of 5 stars One of The Last Great Westerns
    Before the advent of the Spaghetti Western and the few good films that followed came The Magnificent Seven. The Wild Bunch, The Long Riders and several others owe their creative souls to this movie. I like Yul Brenner, if you have seen Westworld, well this is where Mr. Brenner began the character he later used in that film. Charles Bronson , Steve McQueen, Eli Wallach, what a cast! And the heroic notion of helping a village of peasants fight tyranny....what more can you ask for!? The special features, well maybe not like in some more modern videos, but it is nice to hear Eli, and James Coburn and the directors and producers wax nostalgic about said movie...I admire their acting capabilities and their knowledge of film in general, so I enjoyed this a lot. If you are a lover of the Western genre, then by all means you have to have this for your collection! And the music too. What a score!

    5-0 out of 5 stars An Epic American Western
    "The Magnificent Seven" combines the great elements of a successful western...exciting story, stellar cast, scenic locations, and a legendary soundtrack. A Mexican village plagued by a gang of bandits led by Eli Wallach solicits the aid of mercenary gunfighters. Yul Brynner, with his commanding presence and black attire, recruits a band of diverse characters, including a wry-witted drifter seeking excitement; a brash young man seeking respect; a skilled craftsman seeking challenge; an opportunist seeking wealth; a tough sentimentalist seeking redemption; and a man on-the-run tormented by fear. Together they assume heroic proportions in an altruistic fight against near-impossible odds.

    Elmer Bernstein's memorable musical score has achieved a lasting stature. From his rousing signature title to the haunting Spanish-flavored themes, the music teems with scope, drive, and energy. After 40 years, "The Magnificent Seven" remains vibrant, robust, and enduring...a hallmark for American westerns.

    4-0 out of 5 stars Wanted to Give it 5 Stars, BUT...
    This movie was excellent, from the brassy music to the awesome cast and storyline (from The Seven Samurai. It is just too bad that there are at least three scenes that require the viewers to leave the room until they are over. All three of these feature a certain person, played by Horst Buchholz. They say that his character's name is Chico, but I prefer to call him the "Stupid Kid." He is the only damper on an otherwise perfect movie. It is a terrible shame, from his lovely appearance, as he stupidly follows the hearse, to his speech to the farmers about how cowardly they are, to his love affair with the stupid girl, to his ....oh I can't go on.....

    5-0 out of 5 stars A review of the DVD in specific
    This is a superbly remastered and restored film, It comes with some brilliant extras including original trailers and more interestingly a documentary on the film named "Guns For Hire".
    If you are a fan of the actors in this classic you'll love the doco which shows what they went on to do and includes some interviews showing the actors today and telling how Yul Brynner brought this tale to life.
    For Steve McQueen fans you get a little insight into how he tries to steal every scene he appears in.
    The film is a great telling of an adventurous story based on the Toho studios film "The Seven Samurai".
    The commentary features actors James Coburn, Eli Wallach, producer Walter Mirisch & Ass Director Rob Reylea. It covers many interesting stories from a set which saw several stars of the time and even the wedding of Yul Brynner.
    Worth a viewing.

    5-0 out of 5 stars A cultural transplant that wasn't rejected
    A small village in Mexico is repeatedly harassed by outlaws, and decides to hire seven gunfighters as protection. A simple idea, transplanted out of Akira Kirasawa's "Seven Samurai", but when the cast is right, the film is right. Steve McQueen, James Coburn, Charles Bronson, and Robert Vaughn were all up-and-coming stars, and Yul Brynner was perfect as the essence of cold, efficient, authoritative leadership. Add an unforgettable musical score, and you have a winner. ... Read more


    20. The Alamo (Widescreen Edition)
    Director: John Lee Hancock
    list price: $29.99
    our price: $22.49
    (price subject to change: see help)
    Asin: B0002DRDBY
    Catlog: DVD
    Sales Rank: 1792
    Average Customer Review: 3.8 out of 5 stars
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    Reviews (79)

    5-0 out of 5 stars A poignant epic to be remembered for it's honesty
    Although I haven't seen the film yet, as it is not due to be released in the United Kingdom until Friday, the 3rd of September, I have seen the trailers and have read the screenplay and the novel based on it. I also have the original soundtrack cd, as well. I am quite taken with "Deguello de Crockett" from the soundtrack. I found the story, although told many times before, to be refreshingly compelling in it's honesty and down-to-earth approach. Even though, as an American originally from Georgia, I knew the story well, I found myself hoping for a better outcome to the familiar battle as I read the story. Unlike all the other previous tellings, it presents the men in the Alamo, most significantly, Crockett, Bowie and Travis, as flawed and human, rather than just as caricatures of themselves. It makes them just like everyone else involved. They feel and explore emotions such as dread, fear, apprehension and are racked with doubts and regrets about just what they have gotten themselves and those who followed them into. Billy Bob Thornton probably brings more depth, reality and humanity to Crockett than any other actor who has ever played the role. His attempts to try to "escape" from the image of coonskin cap wearing "Davy" that most everyone has of him and be just the simple and ordinary man, "David" that he really is are the best parts of the story. The filmmakers deserve credit for their attempt to bring a more realistic story to the screen. It's just a pity that they were not able to get a longer running time. Judging from the screenplay and the novel, I fear that much of the surprisingly involved story was shortened, sacrificed for the finished product which eventually made it to the screen. Personally, as much as I liked and admired John Wayne, his Crockett was badly miscast (John Wayne wearing a coonskin cap??) and like his lavish and patriotic version of this story, stirring, but quite unrealistic and farcial. All-in-all this new film would seem to come closer to the truth, despite shattering myths about things we would rather believe really happened at The Alamo. It is quite obviously a flawed and far from a perfect film, but it probably was not ever intended to be all things to all people. Some people will probably get more from it than others. I personally found the unfolding and somewhat sprawling story to be moving and memorable. It changed the way I viewed the story and those involved. I will definitely see the film as soon as I get the chance and will eventually add it to my DVD library, as well.

    4-0 out of 5 stars "REMEMBER THE ALAMO!"
    While I'm not 100% sure about the idea of Billy Bob Thornton playing the iconic legend Davy Crockett (John Wayne gave the best performance in "The Alamo" [1960]), the rest of the cast (including Dennis Quaid as Sam Houston) and exciting battle sequences (including San Jacinto as well as the battle for the Alamo) should make this an impressive movie-going experience! Prepare for another great historical epic! But check out John Wayne's classic 1960 film as well as the latest Civil War epic from Ronald F. Maxwell ("Gettysburg"), "Gods and Generals!"

    5-0 out of 5 stars amazed
    this movie is very good. critics hated it, alot of people hated it too. i loved it. how you could hate this movie is impossible for me to understand. this is one movie that did everything perfectly. it gave great action, a great story, and wasnt burdened by trying to make a love scene/story. unlike alot of people i thought denis quaid was wonderful. after the battle of the alamo i was really hoping theyd continue with that last charge and they did. dennis quaids speech was awesome. also this is one of the first movies to get the sound of gunfire right. i am very impressed

    5-0 out of 5 stars Best re telling of the Alamo story to date
    Here is a movie that was done with forethought and care. Billy Bob's Crockett is memorable on all levels. Michael Corenblith's set should be perserved like the Wayne set in Brackettville. It's more a film about people than a battle. The history is almost the backdrop for the transitions of the characters. For the first time there is a real feeling of siege. Only Disney's Davy Crockett came any where close to that feeling of "waiting".
    This film will grow in prestige and will be regarded as a truly classic film as the years go by.

    5-0 out of 5 stars The Alamo
    I don't care what you all say, this is the best Alamo movie I have seen!! They do not have Travis look like a whimp, they have him look like he was. No one knows how Davy Crockett died, so they put a twist to it. I thought the movie was very historically accurate, and I should know, I am a historian, and the Alamo is my area of expertice. So if you say it was bad, that's just good for you, but it was very accurate, and entertaining!!! ... Read more


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