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| 181. Dick Tracy Director: Warren Beatty | |
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| 182. Three Men and a Baby Director: Leonard Nimoy | |
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Reviews (27)
The controversial "ghost" scene opened with Ted's mom entering the apartment. The camera for this scene, located in Ted's bedroom follows Ted and his mother as they walk through the apartment and into the bedroom. They walk right in front of the camera as they enter through the bedroom door and the camera pans to the right as they approach the baby crib. This is when we see the "shotgun" which is actually the left side of the cardboard figure (the right edge line of the "shotgun" is identical to the line on the cardboard figure where the bunched up vest meets the left side of the tuxedo). The rest of the figure is hidden behind the curtain at this camera angle. When Ted and his mother approach the crib the camera man moves to the left towards the window side of the room (watch the background behind Ted's mother). When Ted and his mother, with baby, leave the bedroom the camera man is now in position to precede them out through the bedroom door. This is when we see the "ghost". In the begining of the scene the camera man was at the side of the door away from the windows. So, as he exits backwards through the door and closer to the windows the cardboard figure is seen at a more acute angle exposing more of the tuxedo figure behind the curtain. The sides of the cardboard figure are hidden by the curtains, but the triangular shape of the neck/shirt and the vertical right coat/vest line can be seen. Also, the white tie of the tuxedo cutout, although obscure, can also be identified. The "boy's" face looks fuller to some viewers because they see the top hat without the hidden brim as the "boy's" hair-covered head. The triangular white shape at the waist line is the bottom of one side of the white vest on the tuxedo figure.
I believe that this had to be one of Selleck's best movies, and the ensemble cast is excellent. A fine family film, and to watch and listen to the trio sing "Goodnight Sweetheart" is worth the price of the movie.
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| 183. Eloise at Christmastime Director: Kevin Lima | |
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| 184. The Muppet Christmas Carol Director: Brian Henson | |
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Reviews (118)
The video features sarcastic humor and visual jokes and will make you laugh from beginning to end. At the same time, you can't help but care for all the characters, and you really are concerned for Tiny Tim and his family, almost forgetting that they are frogs and pigs. The video transitions neatly back and forth from humor to sensitivity. Although obviously this video is not completely accurate to the details of Dickens's version of the story, the spirit that he was trying to convey is definately present. Aside from the adorable plot, the music in this movie is wonderful! The songs are touching and memorable, and the fact that they are sang by rats and vegetables is just an added bonus. "It feels like Christmas" is absolutely adorable! Don't think this video is just for kids either! Even my father couldn't help but chuckle at the dry humor of Gonzo in his role as Charles Dickens. This is a video that the family can watch and rewatch together, and should become a part of anyone's Christmas tradition.
I highly reccomend this!
Unlike "Muppet Treasure Island," which was heavily altered from the original novel, "Muppet Christmas Carol" remains faithful to Dickens' classic. Very few liberties were taken (the most noticable is Jacob Marley has become Jacob AND ROBERT Marley, roles perfectly suited for Stater and Waldorf--the "balcony guys"). Other than that, much of the prose and dialog from the original novel is intact. Granted, the DVD version is not the original widescreen version, but manufacturing flaws aside, it is still a GREAT movie.
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| 185. Walt Disney Treasures - Tomorrowland: Disney in Space and Beyond Director: Ward Kimball | |
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Amazon.com The second disc takes on weather reporting (including a James Bond-ish way of changing the weather), how satellites work, and the touchstone 1958 short "Our Friend the Atom," a staple of explaining the world of atomic energy. Shown for the first time in its entirety is an informative pitch for EPCOT. It's not a version of the theme park now in Florida, but Walt Disney's lyrical vision of a city of the future, a dream never realized with his death two months after filming in 1966. Leonard Maltin introduces each segment, putting it in historical context and noting some political incorrectness and oversights, like atomic energy having no downside. The programs still entertainingly show the promises of the future: humans on Mars seem so tangible, even though the space program lost its way in the forthcoming decades. --Doug Thomas Reviews (11)
The first three are TV shows exploring different ideas on how space travel could and would be accomplished. Each show combined entertainment with scientific facts known at that time. President Eisenhower arranged to show a screening of Man In Space at the Pentagon and later credited the show with helping to further the progress of the American Space Program. Mars and Beyond has a funny scene in which Donald Duck is shown among a long line of Martian monsters. Our Friend The Atom explores the early potential of atomic energy - the benefits and dangers. There is a fun animated tale of "The Fisherman and the Genie" included as part of the history of the atom. Eyes In Outer Space was released to the theaters and explored satellites' future ability to forecast and control weather. Later shown as part of the later 4/1/62 TV show Spy in the Sky. EPCOT was the last film Walt Disney appeared in, in which he explains the company's plans for Walt Disney World and EPCOT. I have seen all these TV shows and films and have loved them throughout the years. I look forward to owning DVD quality copies of these.
The bulk of these films are live action, but the animation that is included is stunning in that it is so different looking from what we normally consider Disney. Animation fans will be pouring over these segments in awe. And as proof of Walt's forethought we are able to enjoy these shows in full technicolor. Included as a bonus are two interviews. One with Ray Bradbury and the other with Marty Sklar. I can't overstate how excellent these interviews are. They both knew Walt personally and their accounts of working with him and his personality are priceless. As much as I loved the main features, I'm sure to be watching these interviews again and again. Parents can easily allow their children to watch this set and they're sure to learn a thing or two. For the whole family, Tomorrowland is a triumph of ideas, entertainment and imagination.
Yes, some of the speculative material therein has been proven wrong over the years. That's part of their charm...the people who made these things seem certain that their ideas would become reality. And speaking of charm, anyone with even a passing interest in the history of animation simply MUST have this set. I don't think any other Disney production looks quite like this. The episode on Mars in particular contains some of the most bizarre images, animated or otherwise, to ever appear on screen. I would highly recommend this to anyone (1)like I said, with an interest in animation; (2)interested in the history of astronomy; (3)who likes 50's science-fiction or science-fact. And of course, anyone who likes classic Disney should have bought this one already. If I had the money I'd buy it FOR you. But I don't...so do yourself a favor and get this one before it's gone. ... Read more | |
| 186. Candleshoe Director: Norman Tokar | |
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Reviews (18)
Interesting plot, humour, no blood, sensational actors: do you need more?!
From a 1970's kids'-eye view, this movie has it all: Sassy and savvy lead character Casey Brown (Jodie Foster) is the kind of brash, street-smart survivor every kid imagines he would be if left to his own devices. It may not be the '70s anymore, and I am certainly no longer a kid, but I still love this movie. Given the chance, I think kids of today will love it as well. ... Read more | |
| 187. Savage Sam Director: Norman Tokar | |
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Description Reviews (5)
All three are abducted by Indians, who intend to make Tommy a slave, Kevin a brave, and Marta a squaw (they leave Tommy and Marta pretty much alone, but their voracious manhandling of little Kevin would certainly be censored today) When Tommy is accidentally left behind, he teams up with the dog, Savage Sam, to rescue the others (although the fragile little thing loses consciousness at the drop of a hat). Eventually a posse of white men joins them, and they shoot the Indians and go home. Aside from the anti-Indian prejudice, "Savage Sam" is superior...in plotting, characterization, and suspense. I loved Uncle Bill. . .um, I mean Uncle Beck (Brian Keith) strutting around in his flamboyant pink shirt as if daring us to draw conclusions about his character...
One thing that didn't age as well as the rest of the film is the title song. Really hokey. But after that's over, the story is told in a no-nonsense style. It dramatizes something Texas settlers contended with for four decades: the abduction of children in an Indian raid. As befits a family film, "Savage Sam" soft-pedals the realities of such raids. Tommy Kirk's character, a teenage boy, would have been treated more harshly. Torture on the trail and a horrendous death upon arrival at the tribe's base camp would have been his fate. The teenage girl would have been raped right off. But Kevin Corcoran's character, a young child, would have been taken for adoption, just as the film shows, and the Indians' good-humored toleration of his combativeness is right in line with that. All in all, a serious depiction of a slice of history that few Americans learn about in school anymore.
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| 188. Stitch! The Movie Director: Robert Gannaway, Tony Craig (II) | |
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| 189. Blackbeard's Ghost Director: Robert Stevenson | |
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Amazon.com Reviews (28)
However, I honestly expected better quality video from a re-released classic movie from Disney. The opening credits are truncated on the left side - it almost appeared that the opening credis were done with a hand-held video camera (someone with the wiggles of course). Tons of video artifacts exist throughout the movie (white dust, contrast problems, scratches, blooming, and washed out color etc.). It doesn't seem to have been given the "Snow White" treatment that other released products have gone through. ... Read more | |
| 190. Disney Princess Sing Along Songs - Once Upon A Dream | |
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| 191. White Fang Director: Randal Kleiser | |
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Amazon.com Reviews (8)
So why does it only get three stars? Well, that's Disney's fault for releasing it only in full-frame format. A film of such awe-inspiring scenery and photographic grandure deserves to be seen in it's original widescreen aspect ratio. And if they can release the inferior and ridiculously useless sequel in anamorphic widescreen, one can only wonder why they wouldn't give this film the same treatment. I realize that sometimes pan-and-scan prints are the only ones available, but this film is not that old, and in any case the German DVD (the title over there is "Wolfsblut") was released in widescreen with an English audio track, so Disney must have a widescreen print in their possession. Special features could have saved this release another star, but there's nothing here except a Spanish audio track. And with no extra content, Disney could have easily fit both widescreen and fullscreen versions on one disc. To those who either don't have a widescreen preference or don't like this film enough to care, the subject of this rant will seem a minor quibble. If that is the case, then by all means rent (or buy) this film, as I still fully endorse it on its own merits. But for my own part I won't be touching this one until Disney wakes up and puts out a widescreen reissue. ... Read more | |
| 192. 102 Dalmatians (Full Screen Edition) Director: Kevin Lima | |
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| 193. Air Bud - World Pup Director: Bill Bannerman | |
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The second? Umm... not so great. The third? Not good. It looks like it was just made to continue the story, which in this movie is somewhat absent. The point of the first movie was that a lonely boy is befriended by a dog - excellent story. Third movie: the boy falls in love. Not a good story. Skip this one, is my advice.
As far as wholesome, simplistic, light as cotton candy family entertainment goes, this is top notch. My only real complaint is that dog catchers were involved in the film, and hasn't someone in Hollywood realized yet that the evil dog catcher is a thing of the past? It's completely unnecessary in today's scripts. Anyway, Buddy himself falls in love, with none other than the dog that belongs to Josh's new love interest. They have puppies, and for some inexplicable reason the dog catchers want to steal the puppies. Well, that's OK, because the puppies are adorable (even if they're of different sizes throughout the film - larger when they should be smaller, smaller when they should be larger). We see them as puppies just out of the womb, and is there much in life cuter than a newborn puppy?
Both Buddy and Josh find love interests in this movie. Things start with Josh's mother remarrying. Josh joins the soccer team in order to be closer to, and possibly make points with, a girl he is attracted to. Two shady characters are out to get Buddy and Buddy's love interest (and later, their puppies of which there are six and not four like pictured on the cover). There are plenty of good dog moments and the lack of seriousness means parents will not be tempted to skip over any scenes. But there are two things that don't make sense. Who are the bad guys, what are they really up to, and how can they make any money at it if it takes them many months just to get at Buddy and family? As in Seventh Inning Stretch, Josh's parents go to the big game and find out Josh is missing (as is his girlfriend and Buddy). What do they do? They watch the game! Can you believe it! They show no concern for a missing child (at least in SIS they have a few lines about wondering where they could be). The way the mother was portrayed in the first movie, she should have been turning the town upside-down looking for Josh. Not a good portrayal of a loving family. But, all in all, the movie is fun and appropriate for younger children (my four-year-old loved it).
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| 194. The Cheetah Girls Director: Oz Scott | |
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Amazon.com Reviews (17)
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| 195. Fantasia (60th Anniversary Special Edition) Director: T. Hee, Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Ford Beebe, Jim Handley, Paul Satterfield, Hamilton Luske, James Algar, Samuel Armstrong, Bill Roberts | |
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Amazon.com essential video Reviews (158)
The first disk is the original FANTASIA, which Disney describes as restored. This is not strictly true. First and foremost, the restoration of visual elements is sloppy at best, with the film plagued by streaks and blips, and at least one sequence ("Dance of the Hours") appears to be slightly cropped. That aside, portions of the Deems Taylor narration have been completely lost, and these have been rerecorded by Tim Matheson--and Matheson's voice is not a good match for Taylor and the sychronization is poorly done. Lastly, one selection ("Pastoral") has been censored: a brief image, which would be considered racist by today's standards, has been deleted from the sequence. Even so, it is still FANTASIA, and it overcomes all of these liabilities. The animation, which was created by hand and photographed through a number of laborious processes, shows Disney Studios at the height of its powers. Every one is certain to have their favorites among the selections (mine are "Dance of the Hours" and "Night on Bald Mountain"), but every selection is brilliantly conceived and executed, and although the content varies from sequence to sequence the overall style of the film hangs together in a most remarkable way. FANTASIA was, is, and will no doubt will forever remain a touchstone in animation art. Unfortunately, the same cannot be said of the second disk, FANTASIA 2000. This particular film is extremely uneven, the sequences lack the same cohesive style that held the original FANTASIA together, and the entire film is beset by a series of often obnoxious "celebrity" introductions that give the film the feel of a made-for-TV variety show. Still, some of the visual ideas are very impressive, and while they are too few to offset the portions of the film that do not work, they still make FANTASIA 2000 mildly entertaining. Both the FANTASIA and FANTASIA 2000 disks include documentaries and commentary tracks on each film. The third disk, called "The Fantasia Legacy," is a bonus packed with interviews, archieval footage, and sketches that show how each sequence in both films was developed and then filmed. Some of this material is redundant, for it is included on the documentaries on the first two disks, but most of it is unique to this disk alone. Disney originally saw FANTASIA as a film that could be re-released with a mix of old and new selections every few years, and the most interesting material on the "Legacy" disk is a restored "Clair de Lune" (made for and then cut from the original FANTASIA) and various storyboard ideas for future sequences. The only way one can obtain the "Legacy" disk is to purchase this three disk package--and therein lies the rub. The original FANTASIA is brilliant, and even in its so-so state it is worthy of a place in any DVD library. FANTASIA 2000, however, is trivial, occasionally interesting but not greatly memorable and not a piece that one would normally go out of the way to purchase. And the price for the three disk package is quite steep. If you are a Disney fan who must have every scrap of material available, I would recommend the investment this package requires. But if your primary interest is the original FANTASIA, you are much better off simply purchasing a DVD of that film alone--the other two disks are simply not worth the expense. Purchasers should alos remember that the original FANTASIA does not often appeal to very young children, and if the purchase is being made for a child you are likely to be disappointed in their response. Final thought: the original FANTASIA is brilliant, FANTASIA 2000 is so-so, and the bonus disk is for hardcore fans. This pricey package is recommended to the latter only.
1. Toccata & Fugue - Rousing music, good choice for opening. But I'm not a big fan of abstract animation. 2. Nutcraker Suite - Although most people like the Sorcorer's Apprentice best, I like this one the best. The music is so catchy! This peice's fantasy characters make me feel like a little kid again. 3. The Sorcorer's Apprentice - Ummm . . . Its O.K. Its good to own since its hisotric in Micky Mouse history. 4. Rite of Spring - This segment rocked! Why doesn't anyone like it? If featured breakthrough technology for the '40s! And the dinosaurs were so accurately drawn according to science at that time! 5. Intermission & Sound Track - Was this stuff necisary? 6. Pastoral Symphony - Great music, mythological characters. I guess it depends on your conscience for wether or not to like this one. 7. Dance of the Hours - LOL! This piece was great! I never knew Fantasia had the "Camp Granada" song! And the hippos and croc are so cool! 8. Night on Bald Mountain - Disney went overboard on this one. It's pretty demonic. It's up to you one wether to watch that one or not. I know he wanted the biggest battle of good vs. but this was too much. 9. Ava Maria - Kinda hokey and religous. It's alright. but the multi-plain camera was put to good use.
Other than that, Fantasia is a masterpiece. While it didn't really help Disney out much financially, the animation that accompanies the music is flawless. You really admire the artists that worked on each short. While it took hundreds to work on one piece at a time, now it'd only take a couple of guys on a computer with the latest animation software a few days. It's funny that most of this looks better than a lot of recent Disney films. The colors, smoothness of the animation, and how it blends with the music is just breath taking. The picture is as good as you're going to get for a movie this old. There's very little grain and dust on the print, and you'll hardly notice it with all the beauty on-screen. The audio is crisp and clear, so go nuts turning it up. The special features are ok. The commentary is made up of interviews and clips from Walt and others. When some people speak on it, there's a little bit of static, which doesn't matter since it's taken from an early source. It's not going to interfere with hearing anything they say, but I just thought I'd mention it. It's still a very interesting commentary track. I listen to it from time to time and always learn something new. The documentary is pretty cool too, though a lot of it I've already heard from other Disney specials and such. If you want the real goods as far as extras go, get the Fantasia Anthology edition. The third disc on that sucker is amazing. So if you're really expecting the "uncut" version, you'll be disappointed. I doubt it'll ever be released unless somehow Leonard Maltin can get that put out too. I mean, if he can get the Donald Nazi short put out in the newest wave of Disney Treasures, he's gotta have SOME chance of giving us the original Fantasia. Pick this up before it's out of print for another 10 years. It's a film to pass down the generations.
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| 196. Walt Disney Treasures - Mickey Mouse in Living Color Director: David Hand | |
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Amazon.com Reviews (55)
To keep it brief, this is simply a collection of cartoons -- all of the Mickey Mouse color cartoons up until 1938, along with some nice behind-the-scenes stuff with Leonard Maltin and a rarely-seen short made for the 1939 World's Fair that seems like an ordinary enough Mickey and Minnie cartoon at first, but has a hysterical (from my perspective) twist at the end -- product placement is nothing new, folks. While watching these cartoons something Maltin notes in one of his sequences becomes very obvious -- Mickey Mouse may be one of the most beloved characters on Earth, but in and of himself, he's not very funny. Oh he's cute, he's likeable, but he's not FUNNY. The animators knew this and started teaming him up with funnier characters -- Donald, Goofy and even Pluto -- and together made some wonderful cartoons. "Mickey's Trailer," included in this set, is still one of my favorite cartoons of all time. I can't wait for the Mickey Mouse black-and-white set and the Goofy set scheduled to come out this Christmas -- and let's hope Disney does a Donald Duck collection soon. Word is that Warner Bros. is currently at work on DVDs of their Looney Tunes shorts (even better than the Disney shorts, in my opinion) -- take note, guys! This is the way to do your DVDs!
The animation is top notch, just like you would expect from Disney. The "plots" of these cartoons are kind of weak, but hey, they are between five and ten minutes long. I guess I was expecting more of a story from them than the collection of gags that were strung together. Oh well, they were entertaining anyway. The audio on these DVDs is pretty good. It does sound a bit shrill compared to today's cinematic releases, but it is definitely high quality. The video looks good, but not great. There is a noticeable amount of compression artifacts throughout. Surprisingly, it looks like the quality of the film is very good, or it was somehow restored, but the compression artifacts were a distraction. I really like this new trend in limited releases with a stamped number on the DVD. I am a sucker for a gimmick. This set is well worth purchasing, and with Disney stuff you ought to buy it while you can because it probably won't be available forever!
This review tells you where to find all the EASTER EGGS! (hidden DVD features) Finally released on home video in their original glory is Mickey Mouse in Living Color, with the complete cartoons from 1935-1938. They are uncut, which mean yes, they are finally politcally incorect. (HOORAY!!!) Well, the set is, like the rest, in a limited numbered tin, with a postcard size lithograph of the movie poster for The Band Concert, and a program booklet, which lists the cartoons, features, and a letter from the host, Leonard Maltin. Both disc share the same intro. On disc one we have every starring cartoon for 1935 and 1938. 1935 The Band Concert: Mickey Leads and outdoor band in a rousing rendition of William Tells Overture with Donald leading them astray with his fludte playing of Turkey in the Straw. Mickey's Garden: Mickey and pluto protect their vegetable garden from bugs. UNCENSORED: Bugs get drunk from Mickey's insecticide. On Ice: On a frozen lake, Minnie looks on a Mickey Outskates Brian Boitano, along with antic of Donald, Goofy, and Pluto. UNCENSORED: Goofy uses chewing tobacco to catch the fish. Pluto's Judgement Day: After Mickey chastises Pluto for chasing cats, the dog has a nightmare in a feline hell on trial for his crimes. UNCENSORED: Cats in black face sing of Pluto's misdeeds. Mickey's Fire Brigade: Mickey Donald and Goofy try to rescue Clarabel Cow from her her burning house. 1936 Thru the Mirror: After falling asleep, Mickey dreams of actually going thru the mirror. Mickey's Circus: Mickey and Donald are the main events of this circus for orphans UNCENSORED: Donald Brandishes a rifle against his out-of-control seal act. Mickey's Elephant: Mickey receives as a gift Bobo the Elephant, a playmate for Pluto, but turns out to be a disaster. Mickey's Grand Opera: Mickey is the orchestra leader in an opera starring Clara Cluck and Donald Duck. Mickey's Polo Team: Mickey's team of cartoon characters play polo against a team of famous Hollywood actors. Alpine Climbers: Mickey Donald and Goofy get into trouble when they try their hand at mountain climbing. UNCENSORED: Pluto gets drunk with a Saint Bernard. Moving Day: Mickey and Donald enlist Goofy's aid when they are evicted from their hose by Sheriff Pete. UNCENSORED: Pete lights a match for his cigar off of Donald's beak. Then deposits the spent match into Donald's beak. Mickey's Rival: Miceky's romantic picnic is intterupted by Mortimer Mouse, resembling Walt. Orphan's Picnic: Mickey and Donald take a group of orphans out for a picnic. Bonuses on disc 1: Pencil Tests: In 1935, there is a pencil test set. There is an intro by leonard, then you can play pencil tests for On Ice, Mickey's Fire Brigade, and Pluto's Judgement Day. You can use the angle button to toggle between pencil and finished color. EASTER EGG! On Mickey's head on the main menu, Walt talks about the history of Mickey. Parade of Award Nominees: A cartoon made for the 1932, academy awards featuring the stars nominated. It was Mickey's first appearance in full color. Then we have disc 2. Here are more cartoons from 1937 and 1938, complete and uncensored. 1937 Hawaiian Holiday: The fab five are all together on the beaches of Hawaii Moose Hunters: Donald and Goofy try to lure a moose by dressing up as a female of the species. The Worm Turns: Mickey shows heretofore unseen mad scientist tenedencies when he concots a potion that turns the meek against their opressors. UNCENSORED: Dogcatcher Pete threaten's to blow Pluto's head off with a shotgun. Magician Mickey: Mickey has to deal with a heckling Donald During his Magic Act. UNCENSORED: Donald pulls a pistol on Mickey and stagehand Goofy. Mickey's Amateurs: Mickey hosts and amateur contest featuring the whole gang. UNCENSORED: Donald Pulls a Machine Gun on the audience. Clock Cleaners: Mickey, Donald and Goofy have the perilous job of cleaning a giant, big ben typebe clock. Lonesome Ghosts: Mickey, Donald and Goofy as... GHOSTBUSTERS! 1938 Mickey's Parrot: Mickey and Pluto mistake a parrot for an escaped convict hiding in their house UNCENSORED: Mickey's Got a Gun Boat Builders: Mickey and Donald and Goofy put together a do-it-yourself boat kit. The Whalers: Mickey, Donald, and Goofy set out on the open sea to harpoon a whale UNCENSORED: Did I mention they are out to harpoon a whale? Mickey's Trailer: Mickey, Donald, and Goofy travel the coutnryside withe their gadget filled trailer. Brave Little Tailor: Mickey stars in a fairy tale as the title character and sets out to kill a giant. UNCENSORED: The giant rolls and smokes a hay cig. Bonuses EASTER EGG! On the main menu, go to Mickey's Head to see a cartoon made for the 1939 New York World's Fair for Nabisco called Mickey's Surprise Party. Mickey Mouse in Living Color Featurette: Leonard Maltin returns for a brief recap of Walt's career, including clip from some black and white shorts. Gallery: A gallery showcasing pencil art, promotional arwork, posters, and production photos. That is the second disc of the second set of Wave 1. Continue on to see Davy Crockett. See you there!
This dvd is the one I watch when I've had a bad day or when I'm really tired and I don't want to think! This is perfect to have on hand when kids come over - I don't have any kids of my own - I can put this on and they will watch it and there's no super scary stuff, just good clean fun. I love Finding Nemo and The Lion King but it scares some kids which I totally understand! I have also found that alot of the adults usually end up having desert and coffee in the TV room cause they want to watch Mickey too. Never underestimate the power of the mouse! ... Read more | |
| 197. Freaky Friday Director: Gary Nelson | |
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Reviews (32)
The young Sparky Marcus as little Ben Andrews is adorable. His scene of confiding in his "mother" about his true feelings for sister Annabel is very touching. Marc McClure as Boris Harris (who makes a cameo appearance in 2003's Freaky Friday as Boris making a delivery) is great in his role as the allergy-prone object of Annabel's affections. Another standout character is Mrs. Schmauss the cleaning lady. Her interactions with "Mrs. Andrews" are side splitting. The title song, "I'd Like To Be You For A Day", is really beautiful and compliments the sentiment in the film. Freaky Friday is a feel good film with a message that is obvious, but also has a subtle message throughout that reminds us not to take life too seriously. It seems to say "Enjoy the people you love, appreciate their individuality and struggles, and most of all, allow yourself to have fun on this crazy journey."
One of the first of the popular body-switching genre, 1977's "Freaky Friday" is a fast-paced, perceptive comedy about a typical mother-and-daughter relationship and how the two react when they literally switch personalities for a day, with Foster's Annabel trapped in her mother's body, and Barbara Harris' Ellen going to junior high as Annabel. The complications are obvious but nonetheless funny and engaging, with Harris proving herself a skilled physical comedienne while skateboarding, playing baseball, and suffering through numerous pratfalls and humiliations. My only problem with Harris' performance is she seems to be playing Annabel too young--perhaps as a nine-year-old instead of a bright thirteen-year-old, so she's never entirely believable in the role. (Jamie Lee Curtis, on the other hand, nails the teenager-in-a-grownup-body role in the remake.) Foster, on the other hand, is just about perfect in her characterization of daughter/mother Annabel. Even in 1977 it was easy to see this phenomenal young talent was destined for great things as an actress. Indeed, "Freaky Friday" was part of an incredible string of top-notch performances Foster gave from 1973-1977 ("Tom Sawyer," "Echoes of a Summer," "Bugsy Malone," "Taxi Driver," "The Little Girl Who Lives Down the Lane" and "Candleshoe") that turned her into one of the finest (if not THE finest) child actresses of all time. Rounding out the cast is a fine group of veteran actors: John Astin as Bill Andrews, Annabel's confused father; Patsy Kelly as the family's grumpy and unlikeable housekeeper; Dick Van Patten as Bill's boss; and Ruth Buzzi, in a funny cameo as a field hockey coach (her strategy: "Get Annabel Andrews and get her good!") Gary Nelson's direction is crisp, and the script by novelist Mary Rodgers perceptive for the time, although she was forced to change the plot somewhat to include that tired Disney '70's staple: a protracted slapstick car chase involving Ellen/Annabel outracing several police cars without facing any consequences whatsoever. Like most Disney films of the era, the production values are stellar and the film is colorful and reminiscent of a live-action cartoon. Even the opening cartoon-credit sequence is engaging. Yes, there are some creepy sexual subtexts here (which Foster amusingly comments on in the documentary) involving Bill and neighbor-teen Boris (Marc McClure) both coming onto Ellen/Annabel, but they will go right over younger kids' heads and older kids will be as amused by it as their parents. Regardless, this is perfect family entertainment and will make a fine double-feature with the 2003 remake, which is equally good with its own merits. (I prefer Jamie Lee Curtis over Harris, and Foster over Lohan and think the remake is more successful in dealing with the sexual subtexts; i.e., the makers wisely scuttle the father's role and make Curtis a widow with a fiance played by Mark Harmon, which was the smartest of many changes made in the plot.) So, once again, thank you, Disney, for a fine DVD of one of your best '70's films. Please, please, please follow this one up with more widescreen releases. ... Read more | |
| 198. Annie Director: Rob Marshall | |
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Reviews (88)
I felt that the singing and acting was quite good. Alicia Morton was a great Annie, and Audra MacDonald played Grace Farrel, Oliver Warbucks secretary to a tee. Kathy Bates was as good of a Miss Hannigan as Carol Burnette was in the 1982 version of the film. The only person that I thought was miscast was Victor Garber as Daddy Warbucks. In all honesty, Albert Finney played the role so much better, and with more warmth and compassion than Garber. One of the big highlights in the film (for me, anyway) is Andrea McArdle's (the orignal Annie) cameo in the "N.Y.C." number. Most of the key songs from the stage show are there. However, "We'd like to thank you Herbert Hoover", "Annie", and " A New Deal for Christmas" are missing. And I admit, that I missed them in this production. Check out the CD from the original show to hear these tunes. All in all, this version from Disney is quite enjoyable, and I do recommend it.
This new Disney version stays faithful to the stage score and script, not like John Huston's rambling version back in 1981 (refer to my review for this), and it is a delight to watch. It has that 'theatrical-style' feel to it. The esteemed cast, the bulk of which are seasoned Broadway performers, include Kathy Bates as Miss Hannigan, Alan Cumming as Rooster, Audra McDonald as Grace Farrell, Kristin Chenoweth as Lily St Regis, Victor Garber as Daddy Warbucks and the lovely Alicia Morton as Annie. Making a cameo in the 'NYC' number as ''Star To Be'' is (oh happy day) the original Broadway Annie - Andrea McArdle. The cast is sensational, and while I will not bring down the 1981 performers of Carol Burnett, Bernadette Peters and Ann Reinking, they are far more believable in their interpretations. You must buy this new version of the Broadway smash ANNIE!
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| 199. Saludos Amigos (Disney Gold Classic Collection) Director: Jack Kinney, Bill Roberts, Hamilton Luske, Wilfred Jackson, Norman Ferguson | |
![]() | list price: $19.99
our price: $17.99 (price subject to change: see help) Asin: B00004R997 Catlog: DVD Sales Rank: 11877 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (22)
"Saludos Amigos" is comprised of 4 shorts, "Lake Titicaca", "Pedro", "El Gaucho Goofy", and "Aquarela De Brasil". Many classic Disney characters are included, including the slapstick Goofy and Donald Duck. New characters are introduced, which include Jose Carioca, the samba dancing friend of Donald. There is also an array of bonus features, including an original theatrical trailer from 1943, and a documentary on the making of the film, which displays many of the films' crew members at work. Overall, I think this is a very charming feature film.
The DVD, as all the other Gold Collection titles does not bring much in bonus features, but since this isn't one of Disney's most majestic titles, it will do. This edition only brings an original trailer and a documentary featurette, not much, but enough.
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| 200. Baby Einstein Gift Pack Volume 3 (Baby Galileo/Baby Neptune/Baby Beethoven/Numbers Nursery) | |
![]() | list price: $45.99
our price: $45.99 (price subject to change: see help) Asin: B0000DZ3H1 Catlog: DVD Sales Rank: 4464 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
*0/5 stars* ... Read more | |
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