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| 141. Spy Kids 2: The Island of Lost Dreams Director: Robert Rodriguez | |
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Reviews (76)
THE STORY: Carmen and Juni Cortez (Alexa Vega and Daryl Sabara) are back in a bigger and wilder adventure than before. This time the Cortez siblings are locked in a dead heat to get to the bottom of a mystery concealed by a remote and mysterious island before a rival team of Spy Kids beat them to the punch. THE COOL THINGS: The "Island of Lost Dreams" expands upon the Spy Kids world tenfold as we are introduced to the entire Spy Kids organization including its hierarchies and ultra-cool weapons. The "monsters" in this installment are also more formidable looking (mutated/spliced animals) as compared to the comical mutated humans from the first movie. We also get introduced to the extended Cortez family tree as Ingrid's parents gain a supporting role. In all, seeing the competing Spy Kids and the newer and cooler weapons made this movie more enjoyable. BEST SCENES: 1. The Monster Duel 2. Popstars Carmen and Juni!!! (HILARIOUS!!!) 3. Battle at OSS THE VERDICT: Spy Kids was generally regarded as a good, solid movie not only for kids and families, but anyone in general. It was fun, entertaining and all around enjoyable. Summed in a nutshell, Spy Kids 2: Island of Lost Dreams is even better!!! Highly Recommended
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| 142. Miyazaki 3 Pack (Spirited Away/Castle in the Sky/Kiki's Delivery Service) Director: Hayao Miyazaki | |
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Amazon.com Castle in the Sky Kiki's Delivery Service Reviews (41)
Although Disney has shown an irritating hesitation to publicize or release the films they have purchased the US rights to from Studio Ghibli, this three-set is still most welcome. Spirited Away was my introduction to the studio's works, and is probably one of my all-time favorite movies. These three DVDs, although sparing on the extras, hold up to scrutiny, and I give them my heartfelt reccommendation. Kiki's Delivery Service is a light-hearted tale that gently chides the world for its harshness, well nevertheless remaining optimistic and true to its form. Spirited Away is a heartfelt adventure, in which the main character does not face good or evil, but simply a need to adapt to a new world and a new set of rules, and to overcome their lesser attributes. And Castle in the Sky is a wonderful, vaguely Star-Wars-y adventure about a confused girl who is ready to meet her destiny. Did you notice I just used the word 'heart' twice in three sentences? Well, these movies have a *lot* of heart to them, more so than any typical viewing from the House of Mouse. These aren't a packet of slickly-paced jokes, or an 'epic' tale of Good vs. Evil. They simply...are. And they shine for it. Each DVD contains three language tracks...English, Japanese, and either French or Spanish (Spanish for Kiki, French for the other two). The English version comes with subtitles for the hearing impaired, true to the dub (which is slightly different from the original Japanese version, although not much). There are also literal subtitles for the Japanese track...they're big and obvious, if you even stop to follow any of the instructions or pay any attention at all. Actually, I prefer the dub for Kiki's delivery service, and I think I might for Spirited Away, too. I haven't yet tinkered with the Japanese Castle in the Sky (which, by the way, was rescored...the original score was maybe one hour of original melodies for a two-hour movie. Ghibli decided that they might as well fix an old annoyance, and the new soundtrack is awesome). Disney did a very good job; the voice actors for the English versions managed to cover some sort of poorly chosen lines rather well. The movies are, in short, not 'Disney-fied' at all, and if you find the English versions unsatisfactory, you can still experience the pure Japanese bliss. Good show, Disney. Now take a cue from these guys in Japan!
In "Kiki's Delivery Service," a determined young witch-in-training (Kirsten Dunst) sets out from her hometown to hone her powers out in the world, with only her cat Jiji (Phil Hartman) by her side. She finds a home and job in a picturesque little town, and puts her broomstick to good use as she sets up a delivery service -- and gets to know some of the townsfolk around her. Action and fantasy are given a Jules Verne twist in "Castle in the Sky." Miner boy Pazu (James Van Der Beek) sees a girl slowly float down from the sky, suspended by a glowing crystal necklace. Sheeta (Anna Paquin) befriends the orphaned boy, but soon pirates and military thugs are chasing both of the children, so they can use Sheeta to find the fabled floating city of Laputa. To save Sheeta, Pazu teams up with some bumbling pirates -- and finds more than he ever expected up in the clouds. Academy Award Winner "Spirited Away" opens with Chihiro (Daveigh Chase) being unwillingly moved to a new town. But when her parents take a detour into an abandoned amusement park, they are suddenly turned into pigs. Turns out the park is really a resort for powerful spirits and gods. To save her parents, Chihiro sacrifices her freedom and her name to the vicious Yubaba (Suzanne Pleshette). And she allies herself with Yubaba's henchman Haku (James Marsden), a mysterious boy who seems somehow familiar to her. While technically the Miyazaki three-pack is for kids, adults will probably enjoy the stories as well. These are well-crafted, beautifully-animated films that manage to be uplifting and sweet without ever descending to sappiness. In short, they're smart films. They don't talk down to kids, but they won't alienate adults by being childish. The animation is uniformly beautiful, full of bright colors and clean lines. And Miyazaki has an excellent story-telling range: He produces the resort-towns of "Kiki," the richly dark-edged world of monsters, ghosts and spirits in "Spirited away," and the slam-bang action and majesty of "Castle." And he doesn't forget to mix plenty of the fantastical in too. In what other movies can you see a six-foot-tall baby, a pirate street-brawl, and a girl riding a dragon through underground tunnels? Miyazaki also has an excellent grasp of character development, presenting us with the plucky Kiki and resourceful miner boy Pazu. But the best character is perhaps Chihiro, who starts off whining relentlessly, but showing her courage and love as the story goes on. Even the villains are multi-dimensional, even if "Castle"'s Muska goes perilously close to the megalomaniac tyrant cliche. Miyazaki -- whose latest project is an adaptation of Diana Wynne-Jones' fantasy novel "Howl's Moving Castle" -- is definitely a wonderful filmmaker. These three movies are charming, evocative, emotional, and occasionally even epic. Highly recommended.
If it was just differeces in the way they word things, that's fine. But the problem is that the characters are changed, and story line are slightly altered. That bothers me. I don't remember Miyazaki's work marketing for younger children during the time I grew up in Taiwan, but they certainly changed that here. It is fine if the alternation is made for children, because that would be the only way my little girl can enjoy these great movies with me and my husband before she can read. But as a adult, I strongly recommmend you to watch these movies with English subtitle. Because that version is what the diractor intend us to see, and that is true art. Enjoy the art!!
C'mon, people -- they're DUBS. What do you EXPECT? Watch them as they were intended to be seen -- use the Japanese audio track with English subtitles. If I'm not mistaken, you get the original soundtrack that way as well. It is AWESOME (and dare I say it uncharacteristic) that Disney provided the original japanese versions on these DVDs. With a very few exceptions (Cowboy Bebop, for example), DUBS are almost always inferior to SUBS. As far as I'm concerned, people who are too LAZY to appreciate a foreign language film deserve what they get in Disney's alterations. ... Read more | |
| 143. Cinderella II - Dreams Come True Director: John Kafka | |
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Description Reviews (132)
Mr. Eisner? Did you really view this project before allowing the Disney name on it? I simply cannot believe you did. Peter Pan 2 was well done, Little Mermaid 2 was well done, Lady and Tramp 2 was well done, but this movie, a sequel to a timeless classic, is end to end mush. The animation is second rate; especially Cinderella although the wicked stepmother is excellent. The plot is nonexistent. The music is uninspiring. About 20 minutes into the movie, my daughter, who by-the-way owns ever single princess item available from bed sheets to headboard to wallpaper to every DVD and doll and clothes..., took the remote and turned it off herself! I turned it back on and we struggled through the rest of the movie. Mr. Eisner, for goodness sakes, if you are going to put out trash at least make sure does not involve one of the very classics that made you the success you are today.
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| 144. The Gnome-Mobile Director: Robert Stevenson | |
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Reviews (21)
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| 145. Meredith Willson's The Music Man (TV Film) Director: Jeff Bleckner | |
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Amazon.com Reviews (47)
One final point: "Trouble" looks and sounds all wrong. Hill is here assuming the mantle of an itinerant revivalist preacher; his mesmerizing patter is like a fiery sermon. He is cataloguing rather scandalous behavior for the time, and the townspeople should be reacting with shock. Here, instead of preaching Broderick dances around like an idiot, while the people just stand there. Tell you what, Disney, why not just get a new Harold Hill and run all the scenes with him in it all over again?
When I first checked out reviews for this after seeing it in its first TV showing (or seeing MOST of it since, I think I started switching channels halfway through), and checking out if it was available on DVD, I was not only a bit shocked they'd even waste a good blank DVD on it but then have the nerve to charge people to buy/rent it, but by some of the POSITIVE reviews. What movie were these folks watching, I wonder, or is it just self-denial, or perhaps they've never seen the 1962 version, or perhaps they just don't know what "The Music Man" is and should be all about? Still, I gave it a chance. The opening sequence looks and sounds good, the production values good, but my first clue something was "wrong" here was the presence of an Afro-American traveling salesman. This was just not realistic for the time period or places involved. And when Matthew Broderick (playing Harold Hill) takes his first stroll through River City, Iowa, circa early 20th century, more blacks. Fancily dressed ladies and little kids, all living in racial harmony in 1912 Iowa? Just not realistic. I think I even spotted an oriental or two, and these are not "racist" remarks at all. It's just that this just wasn't the way it was back then. Nowhere in the country back then actually, but especially the time period this takes place in. Egads, give me a break Disney on the over-the-top and totally inappropriate political correctness. It was only when Matthew Broderick, already early on in the movie exhibiting none of the personality characteristics or mannerisms Preston made famous, started "acting" however, saying words and speaking lines like he were tied to a morphine drip, did I start to wonder, what the heck are they butchering a classic for? I kept watching though and when Ferris started to dance around like an 80 year old and sing lines with almost no real emotion or energy or spirit, that I knew this was going to be bad. Matthews' energy level compared to Preston is like a 40 watt light bulb compared to the spotlight on top of the Luxor in Vegas. He butchers EVERY song. His "Trouble in River City" is without a doubt the worst though I think. The woman who plays Marion the Librarian, while she can sing well enough, is also a horrible miscast. While she sings like a bird (though not nearly as good as Shirley Jones in the original), her acting is generally poor, forced, and her voice is squeaky and her whole "look" nowhere near what it should be. As others have mentioned, the barbershop quartet guys seem much too young, the mayor of the town is played all wrong, although the stuttering kid (played originally by Ron Howard) is okay. The production values are really about the only good thing about this movie, but almost everything else is wrong. It's hard for me to remember such a blatant bad job of casting here mainly. Matthew Broderick can act, for all we know, he can sing or dance. But he "acts" and sings and dances throughout without any magic or enthusiasm at all. Change the two leads here at least, and ditch the unrealistic and almost insulting political correctness here, and this might've been something good. Though still nowhere near the 1962 version. Save your money and buy the REAL version, and make a VHS copy or DVD recording of this next time it's shown on the tube. Imho, there really are no legitimate excuses for trying to remake virtually perfectly done originals. Witness the color remake of "Psycho." This whole project should've sat in the can. And don't they do screentests and tryouts for parts anymore? If Matthew Broderick performed in those as he does here, he would've been nixed by any decent casting director, so whaa happened? Buy the original or so see a live performance. This mostly does unjustice to Wilson's classic.
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| 146. George of the Jungle Director: Sam Weisman | |
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Amazon.com Reviews (76)
The movie stars Brendan Fraser who plays the title role, George of the Jungle. He is not really musculer but I guess neither was the original character. This film is like Dudley Do Right, but this is MUCH, MUCH better! If you are stuck having to pick which of the two to watch, see this w-a-y before you see Dudley Do Right. The film is about George of the Jungle, he looks for love in a girl named Ursilla, a woman from America and George just can not understand why he starts having all of these feelings for another person. His mate. John Clease does an OK job of playing the voice for the character An Ape Named Ape. Ape is George's mentor and guide through his life until he leaves the "Heart of the Jungle." This is an over all good film, GREAT for kids. If I was a little youger when this film came out, I would of loved it. If you liked this movie I would suggest the following movies, Dudley Do Right also starring Brendan Fraser, 101 Dalamations both the original and the remake and a host of others. Hoped I helped, Have a good one! Ryan
Meanwhile, two poachers in the jungle run across Ape the talking ape and manage to capture him. So this brings George and Ursula back to the jungle so George can save his best friend. So stupid that it's hilarious, but I'm sorry, I can never take Brenden Fraser seriously again.
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| 147. Who Framed Roger Rabbit (Vista Series) Director: Robert Zemeckis | |
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Reviews (130)
To best describe this film to the uninitiated would probably require a comparison with "L.A. Confidential" (with PG-friendly/cartoon violence) and a Looney Tunes movie. It is fun, boisterous and entertaining with memorable performances by Bob Hoskins (as Eddie Valiant), Christopher Lloyd (as Judge Doom), Roger Rabbit (as himself) and that sultry scene-stealer Jessica Rabbit (as herself and voiced by Kathleen Turner). A veritable who's who in animation, this film features cameos by Mickey & Minnie Mouse, Bugs Bunny, Yosemite Sam, Daffy Duck, Goofy and Betty Boop, to name a few. The VISTA SERIES is especially impressive given the many, many special features that are included. The packaging alone - with a case that looks like a detective's portfolio/folder - is a treat. Add to that the following: 1) Audio commentary by the filmmakers led by director Robert Zemeckis (Forrest Gump) The film itself is well worth the price of the DVD. Add to that the wealth of special features and this promises to be one of the best DVDs of the year. Animation, action/adventure and comedy fans will find this a special treat and I highly recommend this family-friendly (PG) film to everyone!
The story takes place in 1947 and it all begins with the lovable goofball Roger Rabbit (voiced by Charles Fleischer) co-starring with the cute but not-so-innocent Baby Herman (offstage, Herman is a whiney, scowling cigar smoking midget) in What's Cookin'. It's not long before Roger is under investigation by hapless no-nonsense detective Eddie Valiant (Hoskins). Marvin Acme (Stubby Kaye), owner of Toontown, has been murdered. Judge Doom (Back to the Future and Taxi's Christopher Lloyd) and his pack of scheming weasels suspect Roger is the culprit, particularly after Acme plays a game of patty-cake with Roger's sultry wife, Jessica (Kathleen Turner). Jessica's defense: "I'm not bad, I'm just drawn that way!" Roger, Jessica and Valiant do their best to prove Roger's innocence and save the fate of Toontown. Benny the wisecrackin' Cab is there to help Valiant get to the bottom of it all. Cameos include Daffy and Donald Duck, Bugs Bunny (voiced by the late Mel Blanc), Yosemite Sam, Mickey Mouse, Tweety, Droopy Dog, Betty Boop (with the original voice of Mae Questel) and many others. The musical score is composed by Alan Silvestri (Forrest Gump, Lilo and Stitch). Now for the extras. There is a spoken commentary as well as a "pop-up video" style commentary on the picture, outtakes including the "pig head" sequence, information on before/after animation, a DVD game Trouble in Toontown, options of widescreen and fullscreen, and (if you're bi-lingual) dubbed in versions in French and Spanish. Finally, it includes 3 Roger Rabbit short films, including Tummy Trouble (where Baby Herman swallows everything), Rollercoaster Rabbit (where Roger babysits Herman in an amusement park; my favourite of the 3) and Trail Mix-Up (where Roger takes Herman camping around Yellowstone Park; watch for Jessica's cameos in all of these!). Give yourself a week or 2 to enjoy the movie and all the extras! Enjoy the ride and leave the driving to Benny, your faithful tourgide!
I was 10 when "Who Framed Roger Rabbit?" came out and it is just as much fun to watch now, maybe funnier because I missed some of the humor back then. Roger's a riot and his wife, Jessica Rabbit ("I'm not bad, I'm just drawn that way"), is truly a toon vixen. Bob Hoskin's Eddie Valiant is sent to find out the truth when the owner of Toon Town is murdered after playing patty-cake (literally) with Jessica. Everyone assumes a jealous Roger did it and that washed-up detective Eddie can't hack it anymore. There is lots of subtle humor, like when Eddie asks for a scotch on the rocks in a 'toon bar and instead of ice he gets actual rocks. Eddie seriously hates Toon Town because his brother had a piano dropped on his head, but he eventually becomes pals with Roger, overcomes his hatred of Toon Town and clears Roger's name. Christopher Lloyd's Judge Doom is perfectly creepy and his squad of weasels are funny as they try to stop Eddie and Roger from discovering the truth. The interaction between the live actors and the toons is seamless, probably why the movie won four Oscars. The behind the scenes features and commentaries are great, the entire 2-disc set is incredibly well-thought out and packaged, making it a must-have for the fan.
Here is the story. Someone has killed Marvin Acme, owner of ToonTown and Roger takes the heat for it. Of course he was framed but by who and why? Roger seeks the help of Eddie Valiant, a once prominant detective that fell into hard times after his brother was killed by a toon. Thus was his reluctance to help Roger since he was a toon. But he does help Roger, and he must get to the bottom of the mystery before Judge Doom finds and kills Roger by "dipping him". Eddie feels sorry for the rabbit so he investigates before it is too late, and along the way he discovers more and more about why Acme was killed and that ToonTown itself is in danger. Oh yeah, and Roger was the perfect one to frame because his wife Jessica Rabbit had been seen meeting with Acme before he died. So most people probably know the plot already, but if not it is highly original and entertaining. This masterpiece couldn't get any better treatment than this, a fully loaded 2 disc set sporting both a family-friendly version on disc 1 and enthusiast version on disc 2. There are so many extras that it will take you a long time to see everything. I admittedly have just begun to see the treasures contained within. But it is obvious that the utmost care was taken to give this the fair dvd treatment it deserved--mission accomplished. This is probably my third favorite movie of all-time, and is without a doubt the best mix of live action and animation. So many great characters appear in this movie such as Bugs and Daffy in the scene where Eddie is falling and they hand him an anvil instead of a 'chute. It is sheer movie magic, and something I could watch all the time and never get tired of seeing it. Director Zimeckis has done a remarkable job with this film, and we also great great performances from Bob Hoskins (Eddie Valiant), Christopher Lloyd (Judge doom) and pretty much everyone else appearing in the film with the addition of the voices of Roger and Jessica who were terrific. To me this is a perfect movie so if you havent seen it before rent it, and if you like it then buy it. If you are a fan then you must own this dvd. It is truly a great thing and this dvd set presents it in all of its glory, the way it should be done.
Do to the fact that 2D animation doesn't seem to generate much interest these days, it's very unlikely that Disney will ever complete Richard Williams' other masterpiece "The Thief and the Cobbler" properly (there is a butchered version out there from Miramax, with very poor animation next to Williams' brilliant sequences). ... Read more | |
| 148. The Haunted Mansion (Widescreen Edition) Director: Rob Minkoff | |
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Reviews (112)
Eddie Murphy continues his transformation into a family actor as he follows up his Dr. Dolittle and Daddy Day Care movies with yet another effort geared towards families. Eddie plays Jim Evers a real estate agent whose ambitions are keeping him from spending time with wife and partner Sara (Marsha Thomason) and kids Michael (Marc John Jefferies) and Megan (Aree Davis). On the way to a long-postponed family weekend, Jim has to stop to case a new listing: a hulking gothic edifice with a cemetery for a backyard. The tear-down potential is great, but "Haunted Mansion" doesn't go that way.It goes inside, of course, where the master of the house, Edward Gracey (Nathaniel Parker), dresses in Dorian gray and seems a little vaporous about the gills. So do the butler, Ramsley (Terence Stamp), the footman (Wallace Shawn), and the housemaid (Dina Waters). I haven't even mentioned the crystal ball in the attic that contains the green, glowing head of Jennifer Tilly. Edward takes one look at Sara and is convinced she is the reincarnation of his long-lost beloved Elizabeth, whom he couldn't marry for reasons the movie is too busy or too graceful to specify. Nor can I blame him, since Thomason, a trained British actress, has a delicate beauty that outclasses everything else here. No matter; Jim and the children have to rush around and find a key that opens a trunk that contains a letter that discloses the true villain of the piece. Like "Pirates of the Caribbean," "Mansion" indulges every cliche of its genre, like the bust on the desk whose movable head opens the door to the secret passageway. That should be part of the fun, but it all feels as rote as Murphy's performance. The fluid editing, Mark Mancina's Danny Elfmanesque score, and some nicely calibrated special effects keep the film moving along, and Disneyland freaks will enjoy ticking off the bits of the ride that have made it on-screen, but there's none of the wild-card energy Depp and Geoffrey Rush brought to "Pirates." With his sepulchral stare and mortician's intonations, Stamp tries -- oh, does he try -- but he can't lift the movie up to his level. Is it scary? In a theme-park sort of way: i.e., lots of "boo!" moments but nothing that really sticks. The only scene that might induce some bed-wetting is when Jim and Megan try to get the key from a mausoleum full of shambling corpses (it's like the "Thriller" video with better effects). But it's worth noting that neither of the kids seem particularly distressed by anything that transpires in "Haunted Mansion." The real star of Mansion however is the house and its inhabitants as created by the famous creature creator Rick Baker. There are secrets in each room and hallway - sliding walls open to reveal lost passageways; tombs cover entrances to elaborate underground caverns filled with zombies; statues and paintings come alive to reap a playful havoc. The heads of one particular group of statues slows down Jim Ever's chicken race by singing entertaining tunes like a barbershop quartet would. The DVD has pretty decent special features which bring its grade up a bit with multiple commentaries, bloopers, deleted scenes, making of documentary, and a few other goodies. Good family horror movie...Not too scary, but scary enough to get the little ones hair standing on end.
This was a light movie that completely slips out of your head like a ghost five minutes after it's over. Murphy doesn't get as much mileage out of his mugging persona as he has in movies like the "Cop" series or as in "Golden Child" - but he still does a good job with the kind of movie role that even Bill Cosby couldn't grasp (check out "Ghost Dad" and prove me wrong). As for kids - my 7 & 4 year olds loved it. There was a possibly risky scene with Murphy and his character's daughter trapped in a crypt with an army of skeletal zombies, and the fiery climax of the movie unleashes a fiery demon, but most of the flick treats the spectral world with the same lightness as the ride had.
The soundtrack is decent, but it doesn't blow away your mind. They are pretty good with mood music, like in times with sword swinging action (which mind are rare) you get fast, jumpy music. Oh, that brings me to the topic of the action. Disney didn't do to badly with the fighting, and the scene at the end absolutely rocks. But I won't tell you what it is. Well...now the only thing left is plot...which was only okay. Actually, here's an outline real quick- Jim Evers and his wife Sarah Evers are real estates salespeople. One day, Sarah gets a call about a house that the owner wants to sell. She doesn't really want to go but her husband who is obbessesed with his work takes her and their two children along. Overall: Yes, sorry that was a horrible outline. But anyway, the plot really changes the name from The Haunted Mansion to The Lovelorn Mansion With a Lot of Trapdoors and Ghost. Watch it yourself. ... Read more | |
| 149. Baby Einstein: Language Nursery | |
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Reviews (163)
The video shows colorful graphics and toys while people say the alphabet, count to 20 or say a nursery rhyme in many languages. I only wish there were a translation for each nursery rhyme with the video. We have several other Baby Einstein videos and this one and Baby Shakespeare are her favorite! We like the music on Baby Bach, but agree that the videography is not as good and there are too many features of Julie Clark's children.
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| 150. Holes (Widescreen Edition) Director: Andrew Davis | |
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Reviews (169)
So when they introduced the movie, I was quite interested. Part of me was hopeful it would turn out well, the other part of me was skeptical that it would be anywhere near as good as the book. However, my fears were dashed. This movie was FABULOUS! The story jumps back and forth a little between three different tales -- the story of Elya Yelnats, the main character's "no good, dirty-rotten, pig-stealing great-great-grandfather"; the story of Stanley Yelnats IV himself; and the story of a legendary outlaw, Kissing Kate Barlow. The three stories are interwoven quite ingeniously. In some cases, you aren't completely sure what the connection will be, but then when you find out, it fits perfectly. The story IS slightly altered, of course, as most books-brought-to-movies tend to be. But it very much keeps the spirit of the original book. The boys are very believable -- I especially love Zero! Sigourney Weaver makes a wonderfully nasty warden. And John Voigt does a wonderful insane portrayal of Mr. Sir. This movie will keep you laughing and curious throughout. And if you enjoyed the book, you'll like this film!
The young cast bring to life the beloved characters at Camp Green Lake, where convicted juvenile delinquents are sent to toil in broiling Texas sun. It was great to see X-Ray, Zero, Armpit and of course Caveman brought to life. The adult parts are played by Jon Voight, Sigourney Weaver and Tim Blake Nelson, and they look like they're having a WORLD of fun playing the malicious staff at Camp Green Lake. The story is not insulting to kids, and adults can watch it and be entertained the entire length of the movie. Vignettes back at Caveman's home where Stanley Yelnats the second and third live under the curse incurred from the first Stanley Yelnats, and trips back in time where that first Stanley was cursed by European VooDoo Woman Eartha Kitt as well as the back-story around Kissin' Kate and her treasure all add to the viewing pleasure. The DVD comes with just the right amount of supplemental features, interviews and commentaries. Not many "children's movies" are as appropriate for all ages. Highly recommended.
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| 151. The Three Musketeers Director: Stephen Herek | |
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Description Reviews (95)
The entire cast is great: the three Musketeers (Kiefer Sutherland, Oliver Platt, and Charlie Sheen) are hilarious, and the impetuous young D'Artagnan (Chris O'Donnell) proves the perfect complement to this already comic trio. Add Tim Curry and Michael Wincott as the bad guys and you've got yourself a comic, action-packed adventure that is sure to please the whole family.
If you wish to see an interesting an authentic three musketeers, look for AISN B00006LPC5 , a 1972 version that is incredible. ... Read more | |
| 152. Music of the Heart (Miramax Collector's Series) Director: Wes Craven | |
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Amazon.com To be fair, Music of the Heart (partially inspired by the 1996 documentary Small Wonders) serves its purpose quite nicely. Streep is flawless in a non-showy role, and the story of Guaspari's celebrated violin training program provides the requisite rush of inner-city inspiration. As a fact-based companion to Mr. Holland's Opus, the film is less effective but similarly engaging; you'd have to be cold-hearted to dismiss it altogether. It's best when focusing on Guaspari's school program and the 10-year struggle to keep it alive; the drama falters when dealing half-heartedly with her tentative relationships, notably with a journalist (Aidan Quinn) who shies from commitment. And Craven? He seems content to direct by the numbers here, leaving inspiration on the screen while forfeiting his own. --Jeff Shannon Reviews (58)
I don't know who was responsible for Music of the Heart's rather uninspired telling of the story. It certainly wasn't Ms. Streep. It may have been director Wes Craven, who until now has made his mark in the horror genre, with creepy teen fare such as Nightmare on Elm Street and the Scream trilogy. His choice to make a straight drama raised a few eyebrows, and perhaps he was overly cautious with the material. Some of the problem lies within the screenplay. Writer Pamela Gray concentrates on the main character almost exclusively. Ms. Streep is in nearly every scene. Except for some fairly good interaction between Roberta and her boys, most of the characters float in and out, acting almost as stage props. There is little that is memorable about them, and, as a result, we wind up not understanding Roberta Guaspari very well. We see what she does, and we understand that her work is noteworthy and inspirational. Yet the picture does not fill us with inspiration. It's not that it's a bad move, it's that it never soars, as movies about noble, dedicated people can when well done. While it is not a given, what usually provides the drama for such true tales is understanding what personal sacrifices an individual must make to fulfill a difficult goal. I feel certain that this happened to Ms. Guaspari in real life, but we see almost none of it in this movie. It is strongly hinted at a couple of times, but then the film simply glosses everything over and moves on the something else. Music of the Heart is certainly worth watching for Ms. Streep's performance. The story is a fascinating one, but much of what makes a good story is the way in which it is told. Music of the Heart is not that much of a story teller.
This film celebrates the dogged determination and courage of one woman who proved that a single individual can make a difference. Her life was not a pretty picture. Her husband left her for one of her friends, turning her into an emotional basket case. Music was her only solace and teaching was her gift. Unfortunately, her lack of experience in the education system made her unqualified to get a position. So on the recommendation of a friend she convinces an East Harlem principal to give her a chance as a substitute violin teacher. She even supplies the violins. The story from there is an example of life often being more remarkable than fiction. The results she achieved with these children were astounding. My only criticism of the story was that it contained a little too much treatment of her personal life. Almost her entire relationship with Brian (Aiden Quinn) could have been eliminated without hurting the story. I know that director Wes Craven was trying to give us some character development on how tough her life was and how difficult a person she was, but it was superfluous and the digression only bogged the story down. The real story here was about her and the kids. He should have stuck to that. Otherwise, Craven did a fabulous job of directing, delivering an emotional story with great power and effect. I was quite impressed, especially given the fact that prior to this film, he was almost exclusively a one genre director (Horror. Think 'Scream'). The acting by Meryl Streep was nothing short of brilliant. I have read criticism of Streep's performance as too harsh, it seeming as if she didn't really LIKE the children. In actuality her performance was dead solid perfect. I was lucky enough to rent the Collector's Series DVD of this film which included a separate disk of the original documentary about the real Roberta Guaspari-Tzavaras and her students, including the actual concert at Carnegie Hall. If you watch that documentary you will be in awe of how well Streep utterly nails her character. We get to see the real Roberta teaching her students and she is like a drill sergeant barking orders, throwing kids out of practice for not having their violins, reproaching them angrily about plucking their strings while she is speaking, and generally tolerating no nonsense. She is impatient with them and completely intolerant of anything but their best. The children who made comments about the real Roberta said things like, 'I wouldn't have the discipline I have if it weren't for Roberta. That discipline not only helps me with the violin, but with everything else.' Another child said, 'I have to pay attention to what I'm doing or Roberta will get mean. But if I do good, she is pleased and that make me feel good.' Yet another, 'I want to work really hard so Roberta will be proud of me.' Clearly, these are not the comments of children who were being negatively affected by Roberta's no nonsense style. Streep said in the featurette included in the DVD that it is very difficult playing a real person because there is no leeway for artistic interpretation. Translation: If she was to play Roberta Guaspari-Tzavaras, she had to become Roberta. This she accomplished with stunning accuracy. Streep captures not only Roberta's irascible demeanor, but the essence of her drive and passion for drawing the students very best. Roberta is a complex and difficult character to play and Streep throws herself into the role, delivering a tour de force performance that very few actors have the range and depth to accomplish. This film is a must see for anyone who loves the arts and anyone who can appreciate a great actress giving a career performance. I rated it a 9/10, subtracting a point for Craven's unnecessary digression into Roberta's private life. That is, however, hardly a reason to miss this bravura performance and an inspiring story.
Very highly recommended. ... Read more | |
| 153. Old Yeller (Vault Disney Collection) Director: Robert Stevenson | |
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Reviews (31)
But the story here, a well done coming of age story, is timeless and classic and well worth sitting down with the kids and a bucket of popcorn to watch. There are lots of things this kind of movie can bring for topics of discussion, and unless one has seen it a few times, the emotional parts should stir up at least some feelings (even for non dog lovers). I give a strong recommendation for this movie, it is a simple and straight forward story, and what it lacks in action and effects, it makes up for in it's timelessness and powerful story line.
The "Vault Disney" releases are promoted as "high end", supposedly better than the cheapy "movie-only" releases of many of Disney's live action movies. From the initial opening credits, with the worst example I have seen of "grain" in a picture outside of a non-major-studio release, I knew this was going to be another Disney disaster. Though the grain subsided SOMEWHAT, the softness of the picture throughout was not even close to what I would expect of a classic movie release. While my widescreen television is relatively small, I'd hate to see how bad this picture would look on a large widescreen display. In addition, the chintzy packaging for these movies is hardly up to "special edition" quality either, and the majority of the extras are nothing more than more "Disney" horn-blowing. I will commend them for the inclusion of one of Pluto's best cartoons {"Bone Trouble"}, and for the current-day interview with Tommy Kirk {whom I would have NEVER recognized}. However, all in all, Disney should be ashamed at the quality on such a classic film release.
I'd much rather watch people die before dogs. I could laugh my butt off watching Meryl Streep in pain from cancer in that dumb movie with Renee Zellweger before I can stand to see a dog suffer. Just tears your heart out. ... Read more | |
| 154. Baby Einstein - World Animals | |
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Reviews (44)
We own 8 various Baby Einstein videos, some DVD and some VHS and my son likes this one as well as all the others. We also own the Neighborhood Animals video and I don't really understand why some reviewers prefer it over this one. They are slightly different, but my son doesn't prefer one of them over the other (at this age anyway). The only thing I've noticed is that he likes to have a variety rather than watch the same one every day (that's how our collection got so big). As a parent, I actually enjoy watching World Animals with him more than Neighborhood Animals, because I find the videos of the animals more interesting. While I would prefer to watch a nature special on PBS, my son enjoys the way Baby Einstein breaks up the footage with animation and puppetry (however corny it seems to me), it helps his short attention span out. I do recommend the DVD over the VHS if you are choosing between the two. The DVDs are a much better value in my opinion. We've already begun to wear out our VHS tapes (the sound is garbled in spots now) and I love the interactive flash cards and other extras that come with the DVDs. All in all, my son watches this video over and over again even back to back sometimes and loves every minute. To me that says it all.
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| 155. Oliver & Company (Special Edition) Director: George Scribner | |
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Reviews (46)
My favorite character - besides Oliver's innocence, is Bette Midler and Cheech Marin. They steel the scenes with their wit and humor. Very sharp and emotional are their deliveries of the lines. The kids will relate to the young girl finding her new kitten and the adults can relate to those every threatening debts we all seem to have. The music is fun, but not consistent. (By this I mean all the songs are from different writers - there is no common thread in the music and songs.) I enjoyed this movie a lot. My favorite Disney of all time is still The Little Mermaid. The DVD Extras are great for the kids and the behinds the scenes the adults will find interesting.
This 1988 Animated feature was a hit that lead to the successes of other Disney Hits but this was never released on Video but got a re-issue in theaters and on Video. I still remembered when i was 6 years old back in 1988 when i was living in Omaha Nebraska, i was treated to see this movie and i saw it twice. But then it got re-issued back into theaters in 1996, i loved it again, it's basically about a orphaned Kitten named Oliver who hangs out with a gang that steals but he finds himself in a series of adventures. A highly entertaining Animated feature on a great DVD, the DVD is fully loaded with a Scrapbook that includes pics of the original Poster artworks and concepts of characters, Theaterical Trailers, Original 1988 TV Spot, Documentaries, Two Sing-along songs, and Two Cartoon Shorts. The transfer on this DVD is stunning, the picture is perfect without a single speck of grain and dirt and the sound quality is pheomeneonal, this is a must own DVD for Disney and animation lovers.
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| 156. Walt Disney Treasures - Mickey Mouse in Black and White Director: Ub Iwerks | |
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Amazon.com Although it's fun to look at the old sketches and pencil tests, the high pointof the supplementary material is the discussion host Leonard Maltin conductswith Frank Thomas and Ollie Johnston, the last surviving members of the justlycelebrated "Nine Old Men" of Disney animation. Thomas and Johnston were nearly90 at the time of the interview, but their enthusiasm for their work, forMickey, and for the man who made it all possible remains undimmed. (Unrated;suitable for all ages: cartoon violence) --Charles Solomon Reviews (50)
Here at last is the original Mickey in the full black and white splendor. See, perhaps for the first time, why this clever, spunky and all-together likeable little guy achieved the fame he currently enjoys. Walt Disney Treasures collection continues in a fine tradition with "Mickey Mouse in Black and White." Chronicling the birth and rise of an American icon, included on this DVD are all of Mickey"s black and white shorts. From the famous first synchronized sound cartoon "Steamboat Willie" to his final black and white appearance in "Mickey's Service Station," all 34 toons are included complete and uncut with original soundtracks. As if this wasn't enough, "Mickey Mouse in Black and White" contains interviews with animators Frank Thomas and Ollie Johnston, rare pencil tests and other earlier visualizations of Mickey. Leonard Maltin adds his commentary has he has on other Disney Treasures DVDs. What a fantastic collection!
These cartoons show how Mickey evolved in the earliest cartoons to a rattish looking mouse, into the more classic Mickey we know. Cartoons are violent in some cases (Mickey torturing a cat!!! Say it aint so!!) to downright adorable. The DVD extras, including a look at Mickey memorabilia and introductions by Leonard Maltin, as well as a promotional Mickey Mouse cartoon made for Nabisco, make this DVD well worth it.
The beef has already been noted that this disc does not have the Play it All feature like the color set has. So if you're getting it for little kids there is no "set it and forget it" option. They'll either have to know how to move around in a menu or you'll be back at the TV every 5 minutes to advance it to the next cartoon. Other than that, this set is a real treasure and not only a great look into animation/Disney history, but also US culture in the 30s and 40s. ... Read more | |
| 157. The Brave Little Toaster Director: Jerry Rees | |
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A truly unique film, "The Brave Little Toaster" centers on the determined voyage of five totally lovable appliances (the meek electric Blanky, the droll Lampy, the vociferous Radio, the austere vacuum Kirby, and the compassionate Brave Little Toaster). Their trip home to their beloved master involves an office chair and a battery. Seeing the world from the point of view of an electrical appliance makes for one thoroughly interesting, enjoyable movie. Instead of the problems that would be encountered by traditional flesh-and-blood characters, we glimpse into the perspective of machines, each in possession of a soul. And what a wonderful glimpse it is. We meet a great number of these sentient beings throughout the movie. Among its finest features is the music; three of the songs stand out for me because they're performed by a fascinating 'company' of various appliances. The first song in the film is "City of Lights," which is a catchy tune about the optimistic beginning of their journey. My father loves this song. The second song is performed in a parts shop, by deranged and mutilated appliances who've resigned themselves to an awful death. The sequence is ominous and deliberately frightening, but not too scary for children. The point is not that these characters are evil; on the contrary, they're quite pleasant to their own kind. Who can blame them for being creepy? For them, life is a horror movie, complete with a Peter Lorre ceiling lamp. The tone of the movie is, on the whole, much darker than most animated children's films. But this should not deter audiences. It's a shame that movies like this are not more popular. Certain scary moments include Toaster's clown nightmare, the Jack Nicholson air conditioner exploding (rest assured, he's repaired later), and the final scene in the junkyard. Fear not this amazing film, however; you'll be glad you saw it. The interactions of the main characters make them come across as very 'real'; audiences feel for them as for a main character who's a human, or a dog, or any other kind of animal. The characters are very funny and, despite their constant quarrels, very attached. The attachment clearly shows when disaster strikes (ie, at the waterfall, in the quicksand, in the junkyard, in the parts shop.) To further the comparison to animal characters, the 'house pets,' if you will, during the majority of the film are then certainly the high-tech appliances. The colorful, futuristic scene in the master's apartment is flooded with various modern characters, seemingly led by a new-looking purple lamp cleverly named Plugsy. His proud demeanor belies the fact that he serves essentially the same purpose as old Lampy. A telephone, computer, boom box, toaster oven, green bagless vacuum, two-faced sewing machine, and entertainment center are among those who sing to their 'inferior' counterparts that they are 'on the cutting edge' and offer 'everything you wanted and more.' Except for the friendly black-and-white television (who is really a human onscreen), these appliances are seemingly insecure and nasty, packing our five heroes off to the dump in the master's absence. Somehow, they remain likable. The TV even seems to coexist peacefully with them; Blanky asks where the master is, and a surprised TV asks, "Didn't anyone tell you?" Of course no one told them. The cutting edge appliances aren't the nicest guys in the world. The junkyard scene is sad because, unlike the parts shop appliances who escape, these worn-out cars are crushed. Their song, "Worthless," tells the tale of several cars who've accepted their fate. Naturally, in the end, the brave appliances wind up safe and happy with the Master; who's now off to college. The variety of characters is what I really love, among many other things, in this movie. The woodland creatures who first entertain, then irritate, the appliances are not intended to make kids dislike them. How often do they see appliances in the wild?! They're just reacting to the new stimulus in the environment with curiosity. Also, be sure to listen for subtle humor; my dad cracks up when the customer says, "Heaven sent you to me" with very flat emotion to Elmo St. Peters. Aside from that, this unusual movie has no love story in it except for the obvious relationship between the Master and Chris, but even that is not stressed. There aren't too many girls in it anyway, save for the toaster oven, phone, some of the cars, sewing machine, and two parts-shop characters, including the Joan Rivers 'mish-mosh.' She's a can opener, a lamp, and a shaver. But these little points really don't make much difference, when the movie on the whole is so delightfully appealing. The old-fashioned brave little toaster and all his friends will toast their way right into your family.
When five household appliances- a brave toaster, a scared electric blanket, a talkative radio, a comical lamp, and a mean vaccum cleaner- learn that they're beloved master is nowhere to be seen, they decide to go on a journey to find the owner who mysteriously left them. Of course, the film delightfully has the appliances have a grand old adventure, singing songs, encounter foes and obstacles and a sad and emontional return to their owner. Although I haven't seen this movie in a while, I still like this film. Recommended mostly for the kiddies, it's also fun for the parents. THE BRAVE LITTLE TOASTER also sends a good message about courage, friendship and redemption.
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| 158. Something Wicked This Way Comes Director: Jack Clayton | |
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The film is cast in the autumn (the autumn of life?) and a small town around turn of the century America (our dream of what America should be?). Two boys, Will Halloway and Jim Nightshade are excited to hear of a carnival coming to town (remember our youth when autumn always brought some sort of carnival to your town?). However, this carnival is no ordinary one. It's proprieter, Mr. Dark, offers people what they desire most -- at a fearsome price. Jim and Will discover the underlying nature of Mr. Dark, his menions and the carnival and end up as quarry for the mysterious, sinister man. Will's father, Charles Halloway - the town librarian - is an unlikely hero who faces his own fears and temptations to protect the two youths from Mr. Dark. Not really bloody or scary, I'd say the theme of this movie (that of facing the realities of life) creates uneasiness because of the familiar setting and its dealing with normal everyday people and their dreams/wishes. The movie is well done and entertaining. Certainly worth a look. You might consider before allowing younger children to view it - it would probably give them dreams. ~P~
Something Wicked This Way Comes, is available in paperback, ISBN: 0380729407 based on the screenplay, Dark Carnival by Ray Bradbury, based on the short story, The Black Ferris (1948), by Ray Bradbury available in ISBN 0-394-51335-5
Some viewers are surprised to learn that this somber film is a product of the Walt Disney Company. Though there are the lovable small-town characters that one expects from Disney, it is admittedly rare to find a Disney flick with an incorrigibly evil character such as Mr. Dark (obviously the Devil in all but name). It is also unusual for a Disney film to have such a grim atmosphere, at least one that is not regularly punctured with puerile comedic relief, but SOMETHING THIS WAY COMES has a consistently spooky ambiance and an earnestly frightening plot, both of which elevate it to the level of a genuine horror film DESPITE its Disney label. The performances in SOMETHING WICKED THIS WAY COMES are top-notch. Jonathan Pryce is deliciously wicked as the enigmatic Mr. Dark--genre fans might recognize Pryce as the actor playing Governor Swann in the 2003 blockbuster PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL--and Jason Robards does a fine turn as the wise librarian father of young Will. Vidal Peterson and Shawn Carson, the two young actors portraying Will and Jim, are relative newcomers whose lack of substantial experience is an asset rather than a liability, as it actually adds to the realism of their characters' youthful innocence. Some of the seasoned actors that fill supporting and background parts also contribute greatly to the quality of the film. The gorgeous Pam Grier, star of several popular "blaxploitation" flicks in the 1970s, plays the carnival's witch-like fortune-teller; Diane Ladd plays Jim Nightshade's mother, a woman who is raising her son alone after both were abandoned by the boy's father; and Ellen Geer, daughter of the late Will Geer of TV's THE WALTONS, portrays the mother of Will Halloway. Horror fans might recognize the late Royal Dano in the role of Tom Fury, the lightning-rod salesman. During his lengthy career, the ubiquitous Dano appeared in such genre favorites as Hitchcock's THE TROUBLE WITH HARRY (1955), 7 FACES OF DR. LAO (1964), and KILLER KLOWNS FROM OUTER SPACE (1988); and also in episodes of genre TV shows like LOST IN SPACE, NIGHT GALLERY, AMAZING STORIES, and TWIN PEAKS. Although the script does not have the same scope and attention to detail found in the novel, Bradbury has still done an exceptional job of translating to screenplay the novel's eerie essence and moral subtext. And director Jack Clayton does almost as well in visually interpreting Bradbury's script. He generates the perfect atmosphere for some genuinely creepy moments, and he is also quite adept at evoking Bradbury's primary theme of innocence lost. SOMETHING WICKED THIS WAY COMES generates most of its chills and scares the old-fashioned way--through atmosphere, suggestion, good plotting, and great characterization. Unfortunately, the flick was originally released during the peak of the first big wave of slasher films in the early 1980s, and it was therefore unfairly ignored by moviegoers and panned by critics. But thanks to the cool folks at Anchor Bay, this little beauty has a new lease on life via DVD. Anchor Bay's disc is short on extras, offering only the theatrical trailer and the option of viewing in either pan-and-scan or 1.66:1 Letterbox formats. But the digital transfer looks nearly pristine--even when viewed on a widescreen HDTV-- with only a few minor defects from the source print noticeable. In keeping with the subject matter, the film was shot with dark tones and subtle hues, and these come through wonderfully on the DVD. Serious collectors of horror films on DVD won't want to let this genre gem slip away.
The key to this film is that Bradbury captured the tone and flavor of his book perfectly. While nowhere near as complete as the book and the story told therein, it is, nonetheless, complete in and of itself. There's nothing missing for those who haven't read the book. But, if you liked the movie, go find a copy of his book and read it one dark and stormy night. If you've seen some of the weird science before in other films, most likely it was because Bradbury wrote about it first. He is and was the Stephen King of his generation with such strange tales as The Illustrated Man and The Martian Chronicles (both are actually linked anthologies of his short stories). If you haven't read the description of the film, it is a story about Middle America early in the first half of the Twentieth Century and two boys sharing their childhood. One comes from a respected, if unexciting family and the other from a less than honorable setting. Yet they live beyond their differences and hold on to their own special fantasies and memories in a Norman Rockwell sort of way. Life was simpler then than it is now, and yet it has its dark side, as the boys soon find out. Mr. Dark's Carnival has come to town in as mysterious way as it did in another time, many decades before, affecting all who became involved. The film is deliciously handled with a flare that defies description, probably because Bradbury graced it with his retelling through the screenplay. Coupled with the compelling music that adds flavor and color to the outstanding cinematography, the film draws us into a Twilight Zone of the familiar and macabre. The film is treated as one for children. It decidedly is not one for little ones who are half-awake, and yet the story is more disturbing to those who will think upon the hidden messages that are as old as time itself and what every parent dreads... What is to become of us? What is to become of our children? This is the very heart of the fear that is so omnipresent once the carnival arrives that dreadful night. Don't just watch this story once. See it twice, but not on the same night. Give it some time to develop in your subconscious, and then, one autumn night, when the leaves are turning color, give it another look, ignoring the cliches it has spawned in other, later and lesser stories.
Something Wicked This Way Comes is very scary. Not only have the censors totally misjudged this film but it is still classed as a children's movie! What rubbish! This is horror through and through, although albeit it can still be watched by kids but most adults will think twice about what they have just shown to them. PARENTS SHOULD WATCH THIS BEFORE SHOWING IT TO THEIR KIDS. This is not your average "darker" childern's flick like the Dark Crystal or the Black Caldron. It is much darker than that. I also remember a very graphic hand crushing scene. ... Read more | |
| 159. The Three Caballeros (Disney Gold Classic Collection) Director: Norman Ferguson | |
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It's Donald Duck's birthday, and his friends from Mexico (Joe Carioca & Panchito) send him gifts from their country. A long the way various clips from the foreign countries are show in a documentary style & animated shorts telling stories are intertwined. The best one is "The Cold Blooded Penguin", where a small penguin wants to live life in the sun. This film also landmarked, the first time live action was mixed in with animation in the same scene. The funniest of these segments is when Donald starts chasing the girls on Acapulco beach BUT the best use of this new technology was in the "Donald Loses His Heart To The Cookie Lady" scene, where the boys dance around and with live action dancers. The film is well paced, has great segments, the music depends on your tastes. But overall, this movie definatley surpasses "Saludos Amigos", in all ways possible.
The video portion was very clean, though this digital transfer really lets you see flaws in the original print. Watch the segments where Donald is "behind" the Cookie Lady in "Baia," and you'll see the woman is dancing in front of a projected image. Most of the time the animated characters are "layered" on top of the live-action reels. I'll grant that given the age of the film, the visuals are fairly impressive, but with the animation technology available, one would think Disney would "clean up" some of the imperfections. That goes double for sound, which in this release is dead Mono. Even simulated stereo would do a better job of reproducing the dynamics of the great music of this film. Speaking of which, the music selections (and accompanying dances) are the highlight of the movie. I was particularly impressed by the wonderful "You Belong To My Heart," which segues into a mildly hypnotic, almost hallucinogenic segment with "animorphic" images and brilliant colors. Though there is a plot to all this (Donald's birthday tour), the story is little more than a South American travelogue as envisioned by Disney. That means a lot of American extras playing Brazilians and Mexicans, though not all. I think most kids (and some adults) will appreciate the camaraderie of the three Caballeros, but Donald's randy behavior is a little off-putting. Disney left little doubt that at least one of the 'three gay cabelleros' was perfectly 'straight.' This film is, of course, a must-own for any collector of Disney animation, but for others the choice is less certain. The music and elaborate dance routines are worth a peek at the very least. -Mic
I think it is too confusing and sexy for little kids. It is educational about different cultures and the music is very enjoyable...so maybe a little older kids and adults can enjoy it more.
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| 160. Miracle of the White Stallions Director: Arthur Hiller | |
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Why don't they take a little more care and issue these films in widescreen format in the way they were supposed to be seen. Its just another way the public has been hoodwinked by a greedy mouse. I wouldn't purchase any of these "new" re-releases until they put product of an acceptable - as opposed to half-assed - quality. Shame on you!
I have been familiar with this movie since I worked at the Disney studio in 16mm film distribution in the 1970s (about 7 years before the VHS blockbuster years began), and am familiar with the original negatives. In what I am finding to be typical of the Disney folks, this film is presented in a 'full frame' version, rather than a WIDESCREEN version. The film was shot for a 1:85x1 projected ratio (known as Academy Flat) which presents the picture in a slight retangular format. However, a full frame, 4x3 video transfer of such a negative isn't all that bad, although it would have distinguised it from the normal VHS format. Also, I am very surprised that the Disney people didn't make an effort to 'clean up' the original negative, which contains a great amount of negative dirt and scratches. The DVD does preserve the original look to the film (color and tint), but there has been so much technology invented to digitally reproduce an almost flawless image, that I am surprised it isn't been used. It is one of trhe major reasons that people have switched to DVD. Also, look for a mistake in the original negative. Just after the horses board the train, there are reddish, flash frames (possibly an overexposure to the camera original negative) which could easily have been removed digitally. A few "extras" would have been nice, such as behind-the-scenes material. This stinginess is becomming something notorious with recent Disney DVD releases. Walt Disney shot tons of background footage for every movie he made, and this is stored in the studio vaults. I've seen it in 16mm, although it was shot on 35mm.. You can ignore the lack of a WIDESCREEN image if the DVD contained these precious extras. Otherwise, it's just a transfer of the old VHS image. What's the point of that? As far as Robert Taylor's performance, far from being 'wooden' (as one reviewer wrote) I agree with another reviewer who said that he was protraying a real man (who was also alive at the time and a hero in Europe), and the script and direction decided to present a truthful, realistic portrrait of him. Don't forget that this movie, and many others (BALLERINA, HORSE WITHOUT A HEAD, ALMOST ANGELS) were shot in Europe after World War II. They were made chiefly for a European theatrical audience and were intened for an American TV audience on THE WONDERFUL WORLD OF DISNEY. So, you'll find a different style of acting and presentation: a bit slow for us, but perfect for their intended audience. ... Read more | |
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